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The First Fateful Shot: Port Phillip Bay, August 1914
The First Fateful Shot: Port Phillip Bay, August 1914 THE FIRST FATEFUL SHOT : PORT PHILLIP BAY , AUGUST 1914 THE PROCEEDINGS OF THE CONFERENCE HELD AT THE QUEENSCLIFF /P OINT LONSDALE R.S.L. BY MILITARY HISTORY AND HERITAGE , VICTORIA . 2 AUGUST 2014 Proudly supported by: The First Fateful Shot: Port Phillip Bay, August 1914 Taking Australia to war ‘to our last man and our last shilling’ Dr David Day Australians are familiar with Gallipoli and they’re increasingly familiar with some of the battles on the Western Front. But few are familiar with the circumstances of the war’s outbreak. If they know anything at all, they might know about the promise made by Labor leader Andrew Fisher to support Britain ‘to our last man and our last shilling’. But few will know when he made the promise and in what context. In fact, it was made not too far from here [Queenscliff], in a hall at Colac on 31 July, nearly a week before the war was declared. Andrew Fisher Why did Fisher, who had opposed the Boer War, promise to support Britain ‘to our last man and last shilling’? After all, it was a commitment that was open-ended and unlimited, and it was made at a time when people took their personal honour and national honour much more seriously than they do today. When such a commitment was made, and it was done by leaders of both political parties, many Australians felt that it committed them personally to the war. And some acted accordingly by joining up in the first rush of enthusiasm in late 1914. -
Sun, Sea, Sex, Sand and Conservatism in the Australian Television Soap Opera
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Dee, Mike (1996) Sun, sea, sex, sand and conservatism in the Australian television soap opera. Young People Now, March, pp. 1-5. This file was downloaded from: https://eprints.qut.edu.au/62594/ c Copyright 1996 [please consult the author] This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. Author’s final version of article for Young People Now (published March 1996) Sun, Sea, Sex, Sand and Conservatism in the Australian Television Soap Opera In this issue, Mike Dee expands on his earlier piece about soap operas. -
Margot Knight
MARGOT KNIGHT THEATRE: 2019 UNDERGROUND lead role: Nancy Wake Dir: Sara Grenfell Gasworks Theatre, Small Gems Tour 2016 THE WORLD WITHOUT BIRDS lead role: Queen of The Birds Dir: Elizabeth Wally La Mama 2012 THE EMPTY CHAIR co-lead Dir: Paul English by Alan Hopgood, Vic Regional Tour 2012 ICI co-lead Writer: Rebecca Lister Esplanade DuLac Theatre France Tour 2012 THE IMPORTANCE OF BEING EARNEST Lady Bracknell Dir: Stig Wemyss Melbourne French Theatre 2011 HOME FOR LUNCH lead role Heather Director Luch Freeman @ Chapel Off Chapel 2010 THE PEPPERCORN TREE co-lead ‘Grace’, Dir: Lucy Freeman, Victorian Regional Tour 2007 CHOSEN VESSEL – PETTY TRAFFIKERS at Theatreworks Director Stewart Morritt 2006/2007 CONTROLLED CRYING (Lead role: Libby) Melb Season, Vic Tour, Seymour Centre Sydney. Director Joy Mitchell. 2007 WICKED WIDOWS (lead role) by Alan Hopgood. Victorian and metropolitan tour. 2007 FOUR FUNERALS IN ONE DAY - By Alan Hopgood. Melb Convention Centre 2007 THE LOWER DEPTHS – reading 45 Downstairs. Director Ariette Taylor. 2005/2006 A PILL A PUMP AND A NEEDLE by Alan Hopgood (Lead) Vict and interstate tour. 2005 IF I SHOULD DIE BEFORE I WAKE (Lead) Victorian Tour – Director Joy Mitchell. FRUITS OF LOVE – Reading. The Malthouse. 2001-2002 FOR BETTER FOR WORSE (Barbara) Tour Canberra & Victoria. Dir: Peter Adams 2000 BILLY POSSIBLE (Rebecca Worthchild) Director Joy Mitchell. Comedy Festival FOR BETTER FOR WORSE (Barbara) South Australia Tour & Tasmanian Tour 1998 FOR BETTER FOR WORSE (Barbra) Regional Tour THREE SCORE AND TEN (Sister Knightsley) Theatre In The Raw, Playbox 1997 FOR BETTER FOR WORSE (Barbra) Dir. Peter Adams, Chapel Off Chapel 1996 RICHARD II (Duke Of York) Dir. -
Conquest How Societies Overwhelm Others David Day
Conquest How Societies Overwhelm Others David Day Add to Cart ISBN13: 9780195340112ISBN10: 0195340116 Hardback, 320 pages Apr 2008, In Stock Oxford University Press: Oxford 2008 Price: $29.95 (01) Shipping Details Description Features Reviews Product Details Author Information Table of Contents Description In this bold, sweeping book, David Day surveys the ways in which one nation or society has supplanted another, and then sought to justify its occupation - for example, the English in Australia and North America, the Normans in England, the Spanish in Mexico, the Japanese in Korea, the Chinese in Tibet. Human history has been marked by territorial aggression and expanion, an endless cycle of ownership claims by dominant cultures over territory occupied by peoples unable to resist their advance. Day outlines the strategies, violent and subtle, such dominant cultures have used to stake and bolster their claims - by redrawing maps, rewriting history, recourse to legal argument, creative renaming, use of foundation stories, tilling of the soil, colonization and of course outright subjugation and even genocide. In the end the claims they make reveal their own sense of identity and self-justifying place in the world. This will be an important book, an accessible and captivating macro- narrative about empire, expansion, and dispossession. Features Presents human history from the unique angle of conquest Ranges throughout the world and throughout history, from the Normans in England to the British in Australia, from the Germans in Poland to the Chinese in Tibet Reviews "Full of interesting facts and thoughts.... This is a book imbued with fine scholarship, but one that deserves a wide readership... -
Ned Kelly and the Myth of a Republic of North-Eastern Victoria
Ned Kelly and the Myth of a Republic of North-Eastern Victoria Stuart E. Dawson Department of History, Monash University Ned Kelly and the Myth of a Republic of North-Eastern Victoria Dr. Stuart E. Dawson Creative Commons Attribution-NonCommercial-NoDerivs Published by Dr. Stuart E. Dawson, Adjunct Research Fellow, Department of History, School of Philosophical, Historical and International Studies, Monash University, Clayton, VIC, 3800. Published June 2018. ISBN registered to Primedia E-launch LLC, Dallas TX, USA. Copyright © Stuart Dawson 2018. The moral right of the author has been asserted. Author contact: [email protected] ISBN: 978-1-64316-500-4 Keywords: Australian History Kelly, Ned, 1855-1880 Kelly Gang Republic of North-Eastern Victoria Bushrangers - Australia This book is an open peer-reviewed publication. Reviewers are acknowledged in the Preface. Inaugural document download host: www.ironicon.com.au Creative Commons Attribution-NonCommercial-NoDerivs This book is a free, open-access publication, and is published under the Creative Commons Attribution- NonCommercial-NoDerivs licence. Users including libraries and schools may make the work available for free distribution, circulation and copying, including re-sharing, without restriction, but the work cannot be changed in any way or resold commercially. All users may share the work by printed copies and/or directly by email, and/or hosting it on a website, server or other system, provided no cost whatsoever is charged. Just print and bind your PDF copy at a local print shop! (Spiral-bound copies with clear covers are available in Australia only by print-on-demand for $199.00 per copy, including registered post. -
Profile: Kylie Minogue
AUSTRALIAN LEFT REVIEW 7 Left to themselves, the people Maryanne Fahey's roo!ly excellent could think of nothing better to do Kylie Mole is the role model for politically than elect Richard Nixon. Minogue. who now guests on The General de Gaulle and Ted Heath. In Comedy Company as Mole’s friend Australia they couldn't remember Rebecca while Mole appears as whom they’d elected, as a succession herself on Perfect Match. And the of conservative prime ministers came role model for grade six primary and went, one of them going from the school children isn’t Minogue but beach in symbolic fusion of politics Mole: Kylie and surfing, never to be seen again. Teacher Colin Fletcher said: I think the Left to itself, the people's culture reason the .show look off so well was Minogue maintained a lively interest in the because we have a Kylie, Amanda and body and spectacle, but not in Dina in the class. I use the show in formal politics and society. And Kylie teaching because the kids are so tuned in. I ihink lhe kids can relate to Kylie Mole Minogue, a child of ’68, grew. he birth was in Bethlehem. The because she is such a real character, Did she revere Abbie Hoffman. (Perth Sunday Times, 18.9.88.) date was 28 May, 1968. There Rudi Dutschke, Daniel Cohn- T was a time when a birth in Bendit, Richard Neville, Germaine And the generation of ’68 looks Bethlehem was considered Greer? on, aghast, muttering tnea culpa. Is newsworthy, but times have No, but she and her Melburnian this the reality they imagined, the changed. -
SFFS Library
SFFS Release Film Title Director Stars Tags Program Synopsis year length year Amelie 2001 Jean-Pierre Audrey Tautou, Mathieu French, Comedy, 2h 2m 2016 A glorious joy ride! Jeunet Kassovitz, Rufus Romance, Blu-ray, Amelie is an innocent and naive girl in Paris with her own M sense of justice. She decides to help those around her and, along the way, discovers love. Nominated for 5 Academy Awards. Angels' Share 2012 Ken Loach Paul Brannigan, John UK, Comedy, 1h 46m 2015 Hilarious and uplifting! Henshaw, Roger Allam Drama, Crime, A visit to a whisky distillery inspires Robbie and his mates to DVD, MA15+ seek a way out of their hopeless lives. A surprisingly delightful, uplifting comedy that successfully blends a charming story of redemption with bits of dark humour and a social message. As It Is In 2004 Kay Pollack Michael Nyqvist, Frida Sweden, Music, 2h 13m 2018 A successful conductor returns to his childhood village for Heaven Hallgren, Helen Sjöholm Drama, M remedial solace, but when the local choir asks his advice he is reluctantly drawn into their lives. Through the darkness and light of their humanity he eventually finds connection and love. Babette's Feast 1987 Gabriel Axel Stephane Audran, Bodil Foreign, Drama, 1h 44m 2015 Powerful, beautiful, and incredibly memorable. Kjer, Birgitte Federspiel Blu-ray, G, A tale of a Parisian political refugee, Babette, who takes Denmark refuge in a small Danish village. She is taken in by two sisters who have forsaken their chance of romance and fame, instead choosing to take refuge in religion. Babette brings a quiet revolution to this starkly pious village, in the form of one exquisite meal. -
Imagining the World from the Classroom: Cultural Difference, Empire and Nationalism in Victorian Primary Schools in the 1930S and 1950S
Imagining the World from the Classroom: Cultural Difference, Empire and Nationalism in Victorian Primary Schools in the 1930s and 1950s Vicki Macknight Thesis submitted in fulfillment of the requirements for the degree of Master of Arts in the Department of History, University of Melbourne, September 2005. I, Vicki Macknight, declare that this thesis comprises only my original work, except where due acknowledgement has been made in the text to all other material used. This thesis does not exceed 30,000 words in length, exclusive of footnotes and bibliography. I would like to acknowledge the support and guidance of the staff of the Melbourne University history department, particularly my supervisor David Goodman and Pat Grimshaw who stepped into that role at such a late stage. Thank you. I would also like to thank the staff at Melbourne University’s Education Resource Centre and the Public Record Office of Victoria. Contents Introduction………………………………………………..………1 Chapter One Imagination and Reality: Curriculum Structure, 1934 and 1952 ……….. 14 Chapter Two The Ambiguity of Imperial National Identity: Literary Style as a Lesson in Belonging……………………………………………………….…43 Chapter Three A Duty To Whom?: The Moral and Civic Responsibilities of Children at Home and Abroad…………………………………………………..70 Conclusion……………………………………………………...101 Bibliography…………………………………………………....105 Illustrations “Our New King as an Indian Brave” ……………………………55 “Melbourne Greets Our Royal Visitors”…………………………57 “ER II” …………………………………………………………..63 “How Shall the World Be Governed?” ………………………….73 “News from Near and Far”………………………………………76 “Story Hour” …………………………………………………….78 “Some Children of the Empire” …………………………………80 “Mascots of No. 77 Squadron in Korea” ……………………….82 “A United Nations Effort” ………………………………………84 Introduction … I knew almost nothing of the European war; felt nothing, anyway, until the piles of toys and teeth and hair in some French movie forced me to acknowledge evil however briefly. -
Moviehouse 2015 Program Moviehouse
* 2017 * Kingston Arts presents Kingston Arts presents Moviehouse Mo20viehous15 e Program2015 screenedProgram weekly on Mondays at 10:30am screened weekly on Mondays at 10:30am Did you know you can go to the movies once a week for a whole year for the cost of just one movie ticket at a commercial cinema? Moviehouse returns in 2017, now screening on DVD and Blu-Ray, allowing us to bring you a wider range of films. Join those in the know and become a member of Kingston’s best kept secret. kingston Moviehouse Sit back, relax and enjoy a cinematic journey from the golden years of the great movie studios! Drawn from many of the great classics, you can expect to relive the excitement, adventure and romance from a bygone era, with each film being personally introduced with summary and trivia details. You cannot purchase tickets to just a single session. You must join up as a member, which you can do at the Box Office. Due to 16mm films becoming increasingly precious, we are no longer Limited parking is available LEGEND able to loan prints from the National Film & Sound Archive in this under the Kingston City Hall. format. Instead, Moviehouse will now screen on DVD and Blu-Ray. (Col) Colour When booking your This allows us to screen classic films in higher quality and also choose membership, please request a (B/W) Black & White from a wider range of titles. Parking Permit. Join us at 10.00am for a cuppa before the movie starts at 10.30am The area is well-served by GENRE CODES sharp. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 19th March at 4pm Unfortunately we are unable to open to the public for viewing or auctions at the present time – please contact us for extra images and condition reports. Catalogue web site: WWW.LSK.CO.UK Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Image this page: 623 Your contact at the saleroom is: Glenn Pearl Tel: 01284 748 625 E-mail: gpearl @lsk.co.uk 503 509 An Artley 6S clarinet serial no. 85238, A Steepletone CD Rock i-1CD retro 67cm. style illuminating floor standing jukebox £20-40 CD player on stand, with remote w.54, d.27, h.122 including stand. 504 £50-100 A “Romilly” Graduate flute made for Rudall Carte & Co Ltd, London, serial 510 no. 342561, in fitted hard carry case. Knebworth Fair 1976 limited edition £40-60 1999 concert poster, signed H Bannister and numbered 129/750, designed by 505 Hipgnosis, acts include The Rolling A Bang & Olufsen Biocenter 2200 Stones, Lynyrd Skynyrd, Hot Tuna and stereo system, in silver finish, designed 10cc etc., dia 61cm. (rolled), togther by David Lewis and manufactured 1983- with one other 1999 re-print poster for 1986, w.74, d.33, h.9cm, together with a Knebworth Park 1974, signed and pair of B&O Beovox X25 speakers, numbered 129/750, 77 x 51cm. (rolled) w.22, d.15, h.40cm. (2) £40-60 £40-60 506 511 A Bang & Olufsen Beolit 700 portable Bath Festival of Blues & Progressive radio FM/MW/LW, designed by Jacob Music ‘70, 1998 limited edition poster, Jensen, circa 1972. -
Menzies and Churchill At
The Sydney Institute Quarterly Issue 35, Double Issue, June 2009 open and transparent about the original inquiry and the process of changing our editorial policies as a consequence of the review I established. MENZIES Whilst I understand you are not happy with the outcome, I believe the ABC has addressed this issue AND with rigour and integrity. On this matter, I feel we have to agree to disagree. CHURCHILL Yours sincerely Mark Scott AT WAR – AS Managing Director TOLD BY Letter From Peter Costello To Mark Scott – 17 November 2008 AUNTY Dear Mr Scott You will have seen the Editorial in the Weekend tarring: Judith Brett, Kim Dalton, David Australian on 15 November 2008 which concluded: SDay, Mark Hamlyn, Gerard Henderson, John Howard, Rod Kemp, Stuart Menzies, John “If journalists think this newspaper’s staff Moore, Mark Scott and many more (including will resort to the tactics of ABC reporter Film Victoria and Screen Australia) Michael Brissenden, who last year went public about an off-the-record dinner he and “It’s going to be a dramatic increase. And two gallery colleagues had with then- we think it’s very important, particularly as treasurer Peter Costello in 2005, they should the media industry is under so much think again and review their own ethics.” pressure. Drama is so expensive to do. We think: Who will tell the Australian While there is much in the Editorial I would disagree story? And we think the ABC is well with, it is interesting that it chooses the ABC as the conditioned to do that.” benchmark for unethical behaviour. -
A Place to Call Home Media
Australia’s number one drama is back A PLACE TO CALL HOME Holding the secret of James’ attempted Which secrets will come out? Which WAS THE MOST-WATCHED suicide forever linked Sarah’s future with secrets will be buried? the Blighs. AUSTRALIAN DRAMA A Place to Call Home is created by Bevan SERIES OF 2013. Over time, her connection with charming Lee, the man behind iconic Australian widower George Bligh developed into love, shows such as Packed to the Rafters, It was lauded by critics who hailed it and the unexpected romance helped Sarah Always Greener and Winners & Losers. ‘mesmerising’, ‘captivating’ and ‘a class move on from the death of her beloved The cast features MARTA DUSSELDORP act.’ With a combined weekly audience of husband Rene, murdered by the Nazis. 2.2 million viewers each week, it cemented as Sarah Adams, NONI HAZLEHURST as its place in TV history and people’s hearts. This series will see Sarah move into Ash Elizabeth Bligh, BRETT CLIMO as George Park and work to prove herself a fitting Bligh, CRAIG HALL as Dr. Jack Duncan, Last year’s dramatic finale saw the lives of wife-to-be for George, while his mother SARA WISEMAN as Carolyn Bligh, DAVID the Bligh family imploding. Elizabeth plays a devious waiting game BERRY as James Bligh, ARIANWEN After paying off Bert to keep him quiet to see what Regina will unearth about PARKES-LOCKWOOD as Olivia Bligh, about his son James’ sexuality, George Sarah’s past in Europe. ABBY EARL as Anna Bligh, ALDO MIGNONE as Gino Poletti, MATT LEVETT as Andrew was furious when he attempted to extort Little does Sarah know, Elizabeth will Swanson and FRANKIE J.