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Henri Matisse's the Italian Woman, by Pierre
Guggenheim Museum Archives Reel-to-Reel collection Hilla Rebay Lecture: Henri Matisse’s The Italian Woman, by Pierre Schneider, 1982 PART 1 THOMAS M. MESSER Good evening, ladies and gentlemen, and welcome to the third lecture within the Hilla Rebay Series. As you know, it is dedicated to a particular work of art, and so I must remind you that last spring, the Museum of Modern Art here in New York, and the Guggenheim, engaged in something that I think may be called, without exaggeration, a historic exchange of masterpieces. We agreed to complete MoMA’s Kandinsky seasons, because the Campbell panels that I ultimately perceived as seasons, had, [00:01:00] until that time, been divided between the Museum of Modern Art and ourselves. We gave them, in other words, fall and winter, to complete the foursome. In exchange, we received, from the Museum of Modern Art, two very important paintings: a major Picasso Still Life of the early 1930s, and the first Matisse ever to enter our collection, entitled The Italian Woman. The public occasion has passed. We have, for the purpose, reinstalled the entire Thannhauser wing, and I'm sure that you have had occasion to see how the Matisse and the new Picasso have been included [00:02:00] in our collection. It seemed appropriate to accompany this public gesture with a scholarly event, and we have therefore, decided this year, to devote the Hilla Rebay Lecture to The Italian Woman. Naturally, we had to find an appropriate speaker for the event and it did not take us too long to come upon Pierre Schneider, who resides in Paris and who has agreed to make his very considerable Matisse expertise available for this occasion. -
Oakley Police Department Incident Summary Report 07/29/18- 08/04/18
Oakley Police Department Incident Summary Report 07/29/18- 08/04/18 Call No. Time 7/29/2018 P182100001 00:00 UTL * 415L LOITERING SNOWY EGRET WY/CRANE CT, OAK P182100011 00:15 UTL * SCIRC SUSPICIOUS CIRCUMSTANCE40 Block YULA WY, OAK P182100012 00:16 UTL * 415FWK FIREWORKS 60 Block PRESCOTT CR, OAK P182100013 00:16 UTL * PROM PROM SHOOT 1000 Block WARHOL WY, OAK P182100014 00:18 UTL * 602N TRESPASS W/ VEHICLE5600 Block MAIN ST, OAK P182100017 00:22 UTL * 911UNK 911 HANGUP 5300 Block ELM LN, OAK P182100045 01:12 UTL * SSUBJ SUSPICIOUS SUBJECT 10 Block PRESCOTT CR, OAK P182100047 01:14 CON * 1734 CIVIL 600 Block GINGHAM WY, OAK P182100048 01:13 UTL * SVEH SUSPICIOUS VEHICLE 6000 Block TAZETTA DR, OAK P182100061 01:38 * * 1033A ALARM AUDIBLE FREEDOM HIGH SCHOOL, OAK P182100070 01:50 STC * 1702 PATROL REQUEST BEST WESTERN P182100074 01:53 CON * 1059 SECURITY CHECK 10 Block 11 P182100075 01:55 STC * 1744 SERVICE TO CITIZEN No House Number P182100078 02:01 UTL * 1059 SECURITY CHECK LUCKYS P182100080 02:05 STC * 1702 PATROL REQUEST FRANDORAS CR P182100091 02:29 STC * 1702 PATROL REQUEST RALEYS P182100093 02:45 STC * 1702 PATROL REQUEST OAKLEY PLAZA P182100098 02:55 UNF * 415 DISTURBING THE PEACE2100 Block EL LAGO DR, OAK P182100101 03:01 STC * 1702 PATROL REQUEST LAUREL BALL FIELDS P182100103 03:03 STC * 1702 PATROL REQUEST CROCKET PARK P182100108 03:22 UTL * 1732 SUSP CIRCUMSTANCES900 Block ROSEMARY LN, OAK P182100119 03:47 ARR OA180001606 11377 UNAUTHORIZED POSSESSIONNORCROSS LN P182100122 03:50 STC * 1059 SECURITY CHECK 3400 Block MAIN STREET P182100123 03:54 UTL * 1059 SECURITY CHECK O HARA PARK MIDDLE SCHOOL Oakley Police Department Incident Summary Report 07/29/18 - 08/04/18 Call No. -
Pablo Neruda - Poems
Classic Poetry Series Pablo Neruda - poems - Publication Date: 2011 Publisher: Poemhunter.com - The World's Poetry Archive Pablo Neruda(12 July 1904 – 23 September 1973) Pablo Neruda was the pen name and, later, legal name of the Chilean poet and politician Neftalí Ricardo Reyes Basoalto. He chose his pen name after Czech poet Jan Neruda. Neruda wrote in a variety of styles such as erotically charged love poems as in his collection Twenty Poems of Love and a Song of Despair, surrealist poems, historical epics, and overtly political manifestos. In 1971 Neruda won the Nobel Prize for Literature. Colombian novelist Gabriel García Márquez once called him "the greatest poet of the 20th century in any language." Neruda always wrote in green ink as it was his personal color of hope. On July 15, 1945, at Pacaembu Stadium in São Paulo, Brazil, he read to 100,000 people in honor of Communist revolutionary leader Luís Carlos Prestes. During his lifetime, Neruda occupied many diplomatic positions and served a stint as a senator for the Chilean Communist Party. When Conservative Chilean President González Videla outlawed communism in Chile in 1948, a warrant was issued for Neruda's arrest. Friends hid him for months in a house basement in the Chilean port of Valparaíso. Later, Neruda escaped into exile through a mountain pass near Maihue Lake into Argentina. Years later, Neruda was a close collaborator to socialist President Salvador Allende. When Neruda returned to Chile after his Nobel Prize acceptance speech, Allende invited him to read at the Estadio Nacional before 70,000 people. -
Neruda and Borgej
PER.'ONALHIJTORY NERUDAAND BORGEJ No tzuoLatin-Anerican writers couldbe more important. No tttso ztsriterscould bemore diferent. Hou did the authorbecorne the friend and translatorof both? BYALA.'TAIR REID f f TuoN I first went to Spain, in country, to Andalusia, to Gibraltar and l/l/ 1953.I knew little about l'4orocco, to Pornrgal-looking and lis- Y Y thelivingcountryandbarely tening a lot, and I wrote the fust of a se- a word of the language.But my senses ries of chronicleson Spain for The New were in good working order, and I was Yorker.Soon after it appeared,I had my instanth' drarvn in by Spain'srhythms Spanishpress credentials withdrawn, but and its landscapes-the burned, sun_.- that made little difference,for Spain ex- stainedearth, the silver-blueclarig,of istedthen on rumor and speculation.Liv- Nlediteranean light, the warm s,rle.nnity ing there felt like belonging to an exten- ofthe peopie,the sparenessofvillage life. sive whispered conspiracy against the Existencewas honed down to its essen- Franco regime. Spain was at something tials,making the dayslonger, time more of a standstill,still in shockfrom the Civil abundant.So I returnedto Spain,and re- War and the long isolation that followed turned, and eventu'allywent to live there it, threadbarecompared to the rest of Eu- in 1956, setting out to learn thg country, rope. Censorship,both moral and politi- and slowly absorb the Spanish senseof cal, hung heavy over the press,over the time. Spaniardshave a gift fbr exiranding universities,and overwriters and publish- the present,around a meal or a conver- ers, and the police had sharp antennae sation; and they are mastersof the cos- out for any sign of dissidence.The writ- mic shrug that shedsall preoccupations ers I knew complainedthat yearsofcen- exceptthose immediatelyat hand. -
Stephen Colbert's Super PAC and the Growing Role of Comedy in Our
STEPHEN COLBERT’S SUPER PAC AND THE GROWING ROLE OF COMEDY IN OUR POLITICAL DISCOURSE BY MELISSA CHANG, SCHOOL OF PUBLIC AFFAIRS ADVISER: CHRIS EDELSON, PROFESSOR IN THE SCHOOL OF PUBLIC AFFAIRS UNIVERSITY HONORS IN CLEG SPRING 2012 Dedicated to Professor Chris Edelson for his generous support and encouragement, and to Professor Lauren Feldman who inspired my capstone with her course on “Entertainment, Comedy, and Politics”. Thank you so, so much! 2 | C h a n g STEPHEN COLBERT’S SUPER PAC AND THE GROWING ROLE OF COMEDY IN OUR POLITICAL DISCOURSE Abstract: Comedy plays an increasingly legitimate role in the American political discourse as figures such as Stephen Colbert effectively use humor and satire to scrutinize politics and current events, and encourage the public to think more critically about how our government and leaders rule. In his response to the Supreme Court case of Citizens United v. Federal Election Commission (2010) and the rise of Super PACs, Stephen Colbert has taken the lead in critiquing changes in campaign finance. This study analyzes segments from The Colbert Report and the Colbert Super PAC, identifying his message and tactics. This paper aims to demonstrate how Colbert pushes political satire to new heights by engaging in real life campaigns, thereby offering a legitimate voice in today’s political discourse. INTRODUCTION While political satire is not new, few have mastered this art like Stephen Colbert, whose originality and influence have catapulted him to the status of a pop culture icon. Never breaking character from his zany, blustering persona, Colbert has transformed the way Americans view politics by using comedy to draw attention to important issues of the day, critiquing and unpacking these issues in a digestible way for a wide audience. -
General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
“A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and -
A Study of the Work of Guy Le Fevre De La
A STUDY OF THE WORK OF GUY LE FEVRE DE LA BODERIE (1541-1598) by MAUREEN ANN CROMIE B.A., University of British Columbia, 1958 M.A., University of British Columbia, 1966 A THESIS SUMBITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of French We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1971 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree tha permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of French The University of British Columbia Vancouver 8, Canada Date April 1971 ii ABSTRACT The aim of this thesis is to present an analysis of the work of a late French Renaissance poet and linguist, Guy Le Fevre de La Boderie. Considered as a Christian Kabbalist, he is placed in the con• text of the continuing Florentine Neo-Platonist syncretist tradition. The thematic content of his original works is studied, and the relationship of his translations to those works is established. La Boderie's use of symbolic imagery is shown to constitute a further indication of his adherence to the Neo-Platonist tradition. In conclusion, La Boderie is shown to have sought in the multiplicity of traditions cited by syncretizing Renaissance writers a proof of the unity of truth and the foundations for a universal harmony in his age of civil and religious discord. -
English Department Suggested Summer Reading Choices
English Department Suggested Summer Reading Choices For more information on any of the following titles, and additional book selections visit one of the following websites for book reviews: http://www.nytimes.com/pages/books/ http://www.reviewsofbooks.com/ http://www.barnesandnoble.com/bookstore.asp?r=1&popup=0 FICTION Allison, Dorothy Bastard Out of Carolina Allende, Isabel The House of Spirits Alvarez, Julia How the Garcia Girls Lost their Accents, In The Time of the Butterflies Anderson, Sherwood Winesburg, Ohio (Stories) Atwood, Margaret Cat’s Eye, The Handmaid’s Tale, Alias Grace Austen, Jane Emma, Mansfield Park, Persuasion, Northanger Abbey, Sense and Sensibility, Pride and Prejudice Baldwin, James If Beale Street Could Talk Bellow, Saul Seize the Day, Henderson the Rain King Best American Short Stories from any year Borges, Jorge Luis Labyrinths Bronte, Charlotte Villette, Northanger Abbey, Bronte, Emily Wuthering Heights Buck, Pearl S. The Good Earth Camus, Albert The Stranger Capote, Truman, In Cold Blood, Breakfast at Tiffany’s Cather, Willa My Antonia, O Pioneers Cervantes, Miguel de Don Quixote Chabon, Michael, The Amazing Adventures of Kavalier and Klay, The Yiddish Policeman’s Union, Wonder Boys Chevalier, Tracy Girl With A Pearl Earring Chopin, Kate The Awakening Cisneros, Sandra Woman Hollering Creek Crane, Stephen The Red Badge of Courage Cunningham, Michael At Home at the End of the World Defoe, Daniel Robinson Crusoe Dickens, Charles David Copperfield, A Tale of Two Cities Dostoevsky, Fyodor Crime and Punishment Dumas, Alexander The Count of Monte Cristo du Maurier, Daphne Rebecca Eggers, Dave What is the What Eliot, George The Mill on the Floss, Silas Marner Ellison, Ralph Invisible Man Erdrich, Louise Love Medicine, The Beet Queen, Tracks, The Painted Drum, et. -
Ancient History Sourcebook: 11Th Brittanica: Sparta SPARTA an Ancient City in Greece, the Capital of Laconia and the Most Powerful State of the Peloponnese
Ancient History Sourcebook: 11th Brittanica: Sparta SPARTA AN ancient city in Greece, the capital of Laconia and the most powerful state of the Peloponnese. The city lay at the northern end of the central Laconian plain, on the right bank of the river Eurotas, a little south of the point where it is joined by its largest tributary, the Oenus (mount Kelefina). The site is admirably fitted by nature to guard the only routes by which an army can penetrate Laconia from the land side, the Oenus and Eurotas valleys leading from Arcadia, its northern neighbour, and the Langada Pass over Mt Taygetus connecting Laconia and Messenia. At the same time its distance from the sea-Sparta is 27 m. from its seaport, Gythium, made it invulnerable to a maritime attack. I.-HISTORY Prehistoric Period.-Tradition relates that Sparta was founded by Lacedaemon, son of Zeus and Taygete, who called the city after the name of his wife, the daughter of Eurotas. But Amyclae and Therapne (Therapnae) seem to have been in early times of greater importance than Sparta, the former a Minyan foundation a few miles to the south of Sparta, the latter probably the Achaean capital of Laconia and the seat of Menelaus, Agamemnon's younger brother. Eighty years after the Trojan War, according to the traditional chronology, the Dorian migration took place. A band of Dorians united with a body of Aetolians to cross the Corinthian Gulf and invade the Peloponnese from the northwest. The Aetolians settled in Elis, the Dorians pushed up to the headwaters of the Alpheus, where they divided into two forces, one of which under Cresphontes invaded and later subdued Messenia, while the other, led by Aristodemus or, according to another version, by his twin sons Eurysthenes and Procles, made its way down the Eurotas were new settlements were formed and gained Sparta, which became the Dorian capital of Laconia. -
2 the Assyrian Empire, the Conquest of Israel, and the Colonization of Judah 37 I
ISRAEL AND EMPIRE ii ISRAEL AND EMPIRE A Postcolonial History of Israel and Early Judaism Leo G. Perdue and Warren Carter Edited by Coleman A. Baker LONDON • NEW DELHI • NEW YORK • SYDNEY 1 Bloomsbury T&T Clark An imprint of Bloomsbury Publishing Plc Imprint previously known as T&T Clark 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury, T&T Clark and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2015 © Leo G. Perdue, Warren Carter and Coleman A. Baker, 2015 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Leo G. Perdue, Warren Carter and Coleman A. Baker have asserted their rights under the Copyright, Designs and Patents Act, 1988, to be identified as Authors of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the authors. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-0-56705-409-8 PB: 978-0-56724-328-7 ePDF: 978-0-56728-051-0 Library of Congress Cataloging-in-Publication Data A catalogue record for this book is available from the British Library. Typeset by Forthcoming Publications (www.forthpub.com) 1 Contents Abbreviations vii Preface ix Introduction: Empires, Colonies, and Postcolonial Interpretation 1 I. -
Evolution and Ambition in the Career of Jan Lievens (1607-1674)
ABSTRACT Title: EVOLUTION AND AMBITION IN THE CAREER OF JAN LIEVENS (1607-1674) Lloyd DeWitt, Ph.D., 2006 Directed By: Prof. Arthur K. Wheelock, Jr. Department of Art History and Archaeology The Dutch artist Jan Lievens (1607-1674) was viewed by his contemporaries as one of the most important artists of his age. Ambitious and self-confident, Lievens assimilated leading trends from Haarlem, Utrecht and Antwerp into a bold and monumental style that he refined during the late 1620s through close artistic interaction with Rembrandt van Rijn in Leiden, climaxing in a competition for a court commission. Lievens’s early Job on the Dung Heap and Raising of Lazarus demonstrate his careful adaptation of style and iconography to both theological and political conditions of his time. This much-discussed phase of Lievens’s life came to an end in 1631when Rembrandt left Leiden. Around 1631-1632 Lievens was transformed by his encounter with Anthony van Dyck, and his ambition to be a court artist led him to follow Van Dyck to London in the spring of 1632. His output of independent works in London was modest and entirely connected to Van Dyck and the English court, thus Lievens almost certainly worked in Van Dyck’s studio. In 1635, Lievens moved to Antwerp and returned to history painting, executing commissions for the Jesuits, and he also broadened his artistic vocabulary by mastering woodcut prints and landscape paintings. After a short and successful stay in Leiden in 1639, Lievens moved to Amsterdam permanently in 1644, and from 1648 until the end of his career was engaged in a string of important and prestigious civic and princely commissions in which he continued to demonstrate his aptitude for adapting to and assimilating the most current style of his day to his own somber monumentality. -
Fake News, Real Hip: Rhetorical Dimensions of Ironic Communication in Mass Media
FAKE NEWS, REAL HIP: RHETORICAL DIMENSIONS OF IRONIC COMMUNICATION IN MASS MEDIA By Paige Broussard Matthew Guy Heather Palmer Associate Professor Associate Professor Director of Thesis Committee Chair Rebecca Jones UC Foundation Associate Professor Committee Chair i FAKE NEWS, REAL HIP: RHETORICAL DIMENSIONS OF IRONIC COMMUNICATION IN MASS MEDIA By Paige Broussard A Thesis Submitted to the Faculty of the University of Tennessee at Chattanooga in Partial Fulfillment of the Requirements of the Degree of Master of Arts in English The University of Tennessee at Chattanooga Chattanooga, Tennessee December 2013 ii ABSTRACT This paper explores the growing genre of fake news, a blend of information, entertainment, and satire, in main stream mass media, specifically examining the work of Stephen Colbert. First, this work examines classic definitions of satire and contemporary definitions and usages of irony in an effort to understand how they function in the fake news genre. Using a theory of postmodern knowledge, this work aims to illustrate how satiric news functions epistemologically using both logical and narrative paradigms. Specific artifacts are examined from Colbert’s speech in an effort to understand how rhetorical strategies function during his performances. iii ACKNOWLEDGEMENTS Without the gracious help of several supporting faculty members, this thesis simply would not exist. I would like to acknowledge Dr. Matthew Guy, who agreed to direct this project, a piece of work that I was eager to tackle though I lacked a steadfast compass. Thank you, Dr. Rebecca Jones, for both stern revisions and kind encouragement, and knowing the appropriate times for each. I would like to thank Dr.