UNIVERSITY of CALCUTTA Centre for Studies in Book Publishing
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List of Candidates RBU Research Week Phase VII Dates: May 21-27, 2018 Sl.1 Name Subject Tentative Title/Area of Mentor/ Research Supervisor 1
List of Candidates RBU Research Week Phase VII Dates: May 21-27, 2018 Sl.1 Name Subject Tentative Title/Area of Mentor/ Research Supervisor 1. Moumita Biswas Library and Research Output in Md. Ziaur Information Humanities s Reflective Rahaman Sciences through Ph.d Thesis awarded in Rabindra Bharati University: An Analytical Study 2. Satarupa Saha Do Conceptual Transition in Dr. Sudip Ranjan Humanities as Reflected in Hatua DDC 3. Madhushree Do Exploring the Research Md. Ziaur Dutta productivity of Doctoral Rahaman Thesis in LIS Schools of West Bengal upto 2017 4. Musaraf Ali Education Metacognitive Knowledge Dr. Subrata Saha and regulation Patterns Among Science and Social Science Students 5. Proloyendu Do Measuring Emotional Dr. Rajesh Bhoumick Intelligence Kumar Saha 6. Sisir Kumar Do Mathematics Education Dr. Jonaki Sarkar Bhattacharya 7. Sohom Roy Do Rise of Family Language Dr. Bharati Chowdhury Policy and practical in Bhattachaya ESL: A Study of Inter-State Migrant Families in West Bengal 8. Farha Hasan Do Educational Empowerment Dr. Sunil Kumar of Muslim Women in Baskey Birbhum District 9. Arpita Banerjee Political Science Nation and Nationalism – Dr. Bankim A Comparative Analysis of Chandra Mandal the respective Position of Jadunath Sarkar and Rabindranath Tagore. 10. Kingshuk Panda Do Eco-Politics and Problems Dr. Sourish Jha of Coastal Tourism at Digha 11. Rita Dutta Do Cinema and the City: An Prof. Biswanath Interface(1947-19770 Chakraborty 12. Rakesh Ghosh Do Not mentioned Prof. Sabyasachi Basu Ray Chaudhury 13. Joyeeta Das Do Dalit Feminism with Dr. Bankim special Reference to Chandra Mandal Bengali Dalit Literature 14. Manasree Do Good Governance and the Prof. -
Paper Code: Dttm C205 Tourism in West Bengal Semester
HAND OUT FOR UGC NSQF SPONSORED ONE YEAR DILPOMA IN TRAVEL & TORUISM MANAGEMENT PAPER CODE: DTTM C205 TOURISM IN WEST BENGAL SEMESTER: SECOND PREPARED BY MD ABU BARKAT ALI UNIT-I: 1.TOURISM IN WEST BENGAL: AN OVERVIEW Evolution of Tourism Department The Department of Tourism was set up in 1959. The attention to the development of tourist facilities was given from the 3 Plan Period onwards, Early in 1950 the executive part of tourism organization came into being with the appointment of a Tourist Development Officer. He was assisted by some of the existing staff of Home (Transport) Department. In 1960-61 the Assistant Secretary of the Home (Transport) Department was made Director of Tourism ex-officio and a few posts of assistants were created. Subsequently, the Secretary of Home (Transport) Department became the ex-officio Director of Tourism. Two Regional Tourist Offices - one for the five North Bengal districts i.e., Darjeeling, Jalpaiguri, Cooch Behar, West Dinajpur and Maida with headquarters at Darjeeling and the other for the remaining districts of the State with headquarters at Kolkata were also set up. The Regional Office at KolKata started functioning on 2nd September, 1961. The Regional Office in Darjeeling was started on 1st May, 1962 by taking over the existing Tourist Bureau of the Govt. of India at Darjeeling. The tourism wing of the Home (Transport) Department was transferred to the Development Department on 1st September, 1962. Development. Commissioner then became the ex-officio Director of Tourism. Subsequently, in view of the increasing activities of tourism organization it was transformed into a full-fledged Tourism Department, though the Secretary of the Forest Department functioned as the Secretary, Tourism Department. -
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Monthly March 2014 For private circulation only Bulletin Suggested Contribution Rs. 15 APDR Statement Against Political Censorship the interests of the ruling party. The fact is clear from the Guild general secretary’s at Kolkata Book Fair statement that the discussion at the book release function could have annoyed the Guild’s Political Censorship at Book Fair state government. And why should a APDR condemns the withdrawal of permission by the Kolkata Book Fair authorities discussion on oppression of women annoy to release the book ‘Parijayee Nari’ written by Jashodhara Bagchi at the fair. The anyone after all, other than those who want so-called technical reasons provided by the Guild for the cancellation does not to perpetuate this crime? hold much water. The booking of the venue was done by a fair participant, SEARCH, We demand that the fair authorities for the release of the book published by Setu Prakashani, while the function was make amends immediately and let the book organised by a women’s forum, Nari Nirjatan Pratirodh Mancha. There are many release function be held at the same venue. instances in the past where books published by one publisher have been released by others. In fact, this is quite in line with the celebration of the free spirit of the Dhiraj Sengupta, world of books which the Kolkata Book Fair stands for. It is the Guild authorities General Secretary. who have violated it. APDR We also note with grave concern that a shadow of virtual censorship is looming large over the Kolkata Book Fair. While the Guild authorities maintain that Kolkata the fair should be “free from politics”, it is they who are playing politics by guarding February 5, 2014 “Say NO to Death Penalty!” The assembled representatives of human rights organisations and individuals called on all political parties to come out clearly against the death penalty and declare so clearly in their manifestos ahead of the upcoming parliamentary elections. -
Between Violence and Democracy: Bengali Theatre 1965–75
BETWEEN VIOLENCE AND DEMOCRACY / Sudeshna Banerjee / 1 BETWEEN VIOLENCE AND DEMOCRACY: BENGALI THEATRE 1965–75 SUDESHNA BANERJEE 1 The roots of representation of violence in Bengali theatre can be traced back to the tortuous strands of socio-political events that took place during the 1940s, virtually the last phase of British rule in India. While negotiations between the British, the Congress and the Muslim League were pushing the country towards a painful freedom, accompanied by widespread communal violence and an equally tragic Partition, with Bengal and Punjab bearing, perhaps, the worst brunt of it all; the INA release movement, the RIN Mutiny in 1945-46, numerous strikes, and armed peasant uprisings—Tebhaga in Bengal, Punnapra-Vayalar in Travancore and Telengana revolt in Hyderabad—had underscored the potency of popular movements. The Left-oriented, educated middle class including a large body of students, poets, writers, painters, playwrights and actors in Bengal became actively involved in popular movements, upholding the cause of and fighting for the marginalized and the downtrodden. The strong Left consciousness, though hardly reflected in electoral politics, emerged as a weapon to counter State violence and repression unleashed against the Left. A glance at a chronology of events from October 1947 to 1950 reflects a series of violent repressive measures including indiscriminate firing (even within the prisons) that Left movements faced all over the state. The history of post–1964 West Bengal is ridden by contradictions in the manifestation of the Left in representative politics. The complications and contradictions that came to dominate politics in West Bengal through the 1960s and ’70s came to a restive lull with the Left Front coming to power in 1977. -
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"We do not to aspire be historians, we simply profess to our readers lay before some curious reminiscences illustrating the manners and customs of the people (both Britons and Indians) during the rule of the East India Company." @h£ iooi #ld Jap €f Being Curious Reminiscences During the Rule of the East India Company From 1600 to 1858 Compiled from newspapers and other publications By W. H. CAREY QUINS BOOK COMPANY 62A, Ahiritola Street, Calcutta-5 First Published : 1882 : 1964 New Quins abridged edition Copyright Reserved Edited by AmARENDRA NaTH MOOKERJI 113^tvS4 Price - Rs. 15.00 . 25=^. DISTRIBUTORS DAS GUPTA & CO. PRIVATE LTD. 54-3, College Street, Calcutta-12. Published by Sri A. K. Dey for Quins Book Co., 62A, Ahiritola at Express Street, Calcutta-5 and Printed by Sri J. N. Dey the Printers Private Ltd., 20-A, Gour Laha Street, Calcutta-6. /n Memory of The Departed Jawans PREFACE The contents of the following pages are the result of files of old researches of sexeral years, through newspapers and hundreds of volumes of scarce works on India. Some of the authorities we have acknowledged in the progress of to we have been indebted for in- the work ; others, which to such as formation we shall here enumerate ; apologizing : — we may have unintentionally omitted Selections from the Calcutta Gazettes ; Calcutta Review ; Travels Selec- Orlich's Jacquemont's ; Mackintosh's ; Long's other Calcutta ; tions ; Calcutta Gazettes and papers Kaye's Malleson's Civil Administration ; Wheeler's Early Records ; Recreations; East India United Service Journal; Asiatic Lewis's Researches and Asiatic Journal ; Knight's Calcutta; India. -
A Study of Mahasweta Devi's Urvashi O Johnny
Policies of Survival: Where Happiness Epitomises Freedom... 85 Ars Artium: An International Peer Reviewed-cum-Refereed Research Journal of Humanities and Social Sciences ISSN (Online) : 2395-2423 • ISSN (Print) : 2319-7889 Vol. 6, January 2018 Pp. 85-93 http://www.arsartium.org Policies of Survival: Where Happiness Epitomises Freedom: A Study of Mahasweta Devi’s Urvashi O Johnny –Goutam Karmakar* Abstract The post-independent era of Indian English literature witnesses the emergence of feminine sensibility, and women writers like Kamala Markandaya, Anita Desai, Kamala Das, Manju Kapur, Shashi Deshpande, Mamta Kalia, Gauri Deshpande, Nayantara Sahgal, Bharati Mukherjee, Arundhati Roy, Anita Nair, Eunice De Souza, Sujata Bhatt, Shobha De, Mahasweta Devi and many others try their best for the literary emancipation of not only women but also the marginalized and exploited sections of the society. Among these writers, Mahasweta Devi is one such who recreates a span of history which contains the mechanics of exploitation, depressed communities of India, politico- economical policies of the upper class and social evils and maladies, and for showing all these, she falls in the category of those writers writing in their native languages whose writings are translated regularly into English. An essentially human vision rooted in her imparts a grand encroachment on the contemporary literary scenario. She sings for those whose songs of suffering, prayer, despair, protest and disillusionment are unheard. In her works she tries to give voice to the voiceless and shows the ways to survive and protest. Her Urvashi O Johnny is one such play that deals with survival policies through the character of non-living Urvashi and her owner Johnny, a ventriloquist. -
The London Book Fair (LBF) 12-14 April 2016 Visit Us At: Hall No
Volume 8, Issue 2, April-June 2016 RNI NO. DELENG/2008/26953 Price: `2 HISTORY LITERATURE ART CULTURE HERITAGE BIOGRAPHY TRAVELOGUE WILDLIFE RELIGION SELF-HELP FICTION TRANSLATION The London Book Fair (LBF) 12-14 April 2016 Visit us at: Hall No. 6A, Stand No. 75 Celebrating its 45 year anniversary in April 2016, the LBF is the global marketplace for rights negotiation and the sale and distribution of content across print, audio, TV, film and digital channels. Staged annually, LBF sees more than 25,000 publishing professionals arrive in London for the week of the show, to learn, network and kick off their year of business. Visit us at: Hall No. 6A, Block Printed Stand No. 75 Textiles of India: Imprints of Culture by Eiluned Edwards Some of our authors who are likely to be there at the Nominated for: London Book Fair this year: R.l. Shep Ethnic Textiles Book Award Eiluned Edwards George Michell Anna Dallapiccola Families in British India Society 7-9 April 2016 The Families in British India Society (FIBIS) is Block Printed Temple Indian a self-help organisation, Textiles of India: Architecture and Painting:The devoted to members Imprints of Art of the Early Lesser-Known researching their Culture Chalukyas: Badami, Traditions British-India family Mahakuta, Aihole, Pattadakal history and the background in which Ilay Cooper Anisha Burman & Robert Elgood their ancestors led their Leslie Mwambazi lives in India under British rule. At their annual general meeting on 21 November 2015, the FIBIS showcased The Anglo-Indians—A 500 Year History, written by Prof. S. -
BUS ROUTE-18-19 Updated Time.Xls LIST of DROP ROUTES & STOPPAGES TIMINGS LIST of DROP ROUTES & STOPPAGES TIMINGS
LIST OF DROP ROUTES & STOPPAGES TIMINGS LIST OF DROP ROUTES & STOPPAGES TIMINGS FOR THE SESSION 2018-19 FOR THE SESSION 2018-19 ESTIMATED TIMING MAY CHANGE SUBJECT ESTIMATED TIMING MAY CHANGE SUBJECT TO TO CONDITION OF THE ROAD CONDITION OF THE ROAD ROUTE NO - 1 ROUTE NO - 2 SL NO. LIST OF DROP STOPPAGES TIMINGS SL NO. LIST OF DROP STOPPAGES TIMINGS 1 DUMDUM CENTRAL JAIL 13.00 1 IDEAL RESIDENCY 13.05 2 CLIVE HOUSE, MALL ROAD 13.03 2 KANKURGACHI MORE 13.07 3 KAJI PARA 13.05 3 MANICKTALA RAIL BRIDGE 13.08 4 MOTI JEEL 13.07 4 BAGMARI BAZAR 13.10 5 PRIVATE ROAD 13.09 5 MANICKTALA P.S. 13.12 6 CHATAKAL DUMDUM ROAD 13.11 6 MANICKTALA DINENDRA STREET XING 13.14 7 HANUMAN MANDIR 13.13 7 MANICKTALA BLOOD BANK 13.15 8 DUMDUM PHARI 01:15 8 GIRISH PARK METRO STATION 13.20 9 DUMDUM STATION 01:17 9 SOVABAZAR METRO STATION 13.23 10 7 TANK, DUMDUM RD 01:20 10 B.K.PAUL AVENUE 13.25 11 AHIRITALA SITALA MANDIR 13.27 12 JORABAGAN PARK 13.28 13 MALAPARA 13.30 14 GANESH TALKIES 13.32 15 RAM MANDIR 13.34 16 MAHAJATI SADAN 13.37 17 CENTRAL AVENUE RABINDRA BHARATI 13.38 18 M.G.ROAD - C.R.AVENUE XING 13.40 19 MOHD.ALI PARK 13.42 20 MEDICAL COLLEGE 13.44 21 BOWBAZAR XING 13.46 22 INDIAN AIRLINES 13.48 23 HIND CINEMA XING 13.50 24 LEE MEMORIAL SCHOOL - LENIN SR. 13.51 ROUTE NO - 3 ROUTE NO - 04 SL NO. -
Setting the Stage: a Materialist Semiotic Analysis Of
SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception. -
VISVA-BHARATI GRANTHANA VIBHAGA Monthly Performance Report: February 2014 Kolkata Book Fair, 2014 Gitanjali: Sur O Bani
VISVA-BHARATI GRANTHANA VIBHAGA Monthly Performance Report: February 2014 Kolkata Book Fair, 2014 The Kolkata International Book Fair, 2014, organised by the Book Sellers and Publishers Guild, was participated by the Visva-Bharati Granthana Vibhaga, held at Milan Mela Ground, Kolkata, From 29 January 2014 to 09 February 2014. Gitanjali: Sur o Bani A seminar titled Gitanjali:Sur o Bani, was organised by the Visva-Bharati Granthana Vibhaga, in collaboration with the Book Sellers and Publishers Guild on 6 February 2014, at the main Auditorium of the Kolkata Book Fair, held at Milan Mela Ground, Kolkata. The seminar was addressed by ProF. Sudhir Chakraborty, ProF. Alpana Ray oF Visva-Bharati, and Prof. Indrani Mukhopadhyay, Principal, Sangit Bhavana, Visva-Bharati. The entire session was presided and compered by Dr Ramkumar Mukhopdhyay, Director, Visva-Bharati Granthana Vibhaga. In his welcome speech Dr. Ramkumar Mukhopadhyay elaborately expressed the contributions of ProF. Sudhir Chakraborty in the realms oF literature as well as Bengali songs. He also discussed the contribution oF ProF. Alpana Ray in the domain oF inter-relation of literature and music, particularly in the context oF Rabindranath Tagore. He also introduced ProF. Indrani Mukhopadhyay, Principal, Sangit Bhavana, Visva-Bharati as an eminent scholar on Rabindra Sangeet. ProF. Ray discussed the signiFicance of Gitanjali as a musical ode in the history oF Bengali literature. She mentioned that in spite oF so many creations of musical collections by Rabindranath Tagore, he himselF gave Gitanjali a very high musical importance than the rest. She demonstrated with Few examples the musical undertones oF the poems which were incorporated as songs in Gitanjali. -
The Political Theater of Utpal Dutt
Theater Arts Faculty Works Theater Arts 2012 Rehearsals for a Revolution: The Political Theater of Utpal Dutt. Arnab Banerji Loyola Marymount University Follow this and additional works at: https://digitalcommons.lmu.edu/thea_fac Part of the Theatre and Performance Studies Commons Recommended Citation Banerji, Arnab. “Rehearsals for a Revolution: The Political Theater of Utpal Dutt.” South Eastern Review of Asian Studies (2012). This Article is brought to you for free and open access by the Theater Arts at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Theater Arts Faculty Works by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. Southeast Review of Asian Studies Volume 34 (2012), pp. 222–30 Rehearsals for a Revolution: The Political Theater of Utpal Dutt ARNAB BANERJI University of Georgia During the mid-1960s, when communist politics were beginning to gain significant ground in Bengal, the playwright, actor, and director Utpal Dutt উৎপল দত্ত (1924–93) experimented with theatrical forms in the hope of creating a political theater and fomenting a proletarian social revolution. This essay examines his concept of the “revolutionary theater” and its underlying elements, which include traditional forms of theater like jatra and both Piscatorian and Brechtian techniques. Utpal Dutt উৎপল দত্ত (1924–93) is one of the best known and most respected figures in the history of modern Bengali theater. A committed leftist, Dutt wrote, directed, and acted in commercially successful and politically challenging plays during a career of nearly fifty years from the early 1940s until his death in 1993. -
Oneway Regulation
ONEWAY REGULATION Guard Name Road Name Road New Oneway Oneway Direction Time Remarks Name Stretch Stretch1 BHAWANIPORE Baker Road Biplabi Kanai Entire Entire N-S 08.00- TRAFFIC GUARD Bhattacharya Sarani 20.00hrs BHAWANIPORE Chakraberia Pandit Modan From Sarat Bose From Sarat E-W 08.00- TRAFFIC GUARD Road (North) Mohan Malaviya Rd to B/ Circular Bose Rd to B/ 14.00hrs Sarani Rd Circular Rd BHAWANIPORE Elgin Road Lala Lajpat Rai Entire Entire W-E 14.00- TRAFFIC GUARD Sarani 20.00hrs BHAWANIPORE Harish Mukherjee Entire Entire N-S 14.00- TRAFFIC GUARD Road 21.00hrs BHAWANIPORE Harish Mukherjee Entire Entire S-N 08.00- TRAFFIC GUARD Road 14.00hrs BHAWANIPORE Hasting Park Entire Entire S-N 08.00- Except Sunday TRAFFIC GUARD Road 20.00hrs BHAWANIPORE Justice Ch Entire Entire E-W 14.00- TRAFFIC GUARD Madhab Road 20.00hrs BHAWANIPORE Justice Ch Entire Entire W-E 08.00- TRAFFIC GUARD Madhab Road 14.00hrs BHAWANIPORE Kali Temple Road Entire Entire E-W 08.00- TRAFFIC GUARD 14.00hrs BHAWANIPORE Kalighat Rd Manya Sardar B K Hazra Rd to Hazra Rd to N-S 08.00- TRAFFIC GUARD (portion) Maitra Road Harish Mukherjee Harish 14.00hrs Rd Mukherjee Rd BHAWANIPORE Kalighat Rd Manya Sardar B K Hazra Rd to Hazra Rd to S-N 14.00- TRAFFIC GUARD (portion) Maitra Road Harish Mukherjee Harish 21.00hrs Rd Mukherjee Rd BHAWANIPORE Lee Road O C Ganguly Sarani Entire Entire N-S 08.00- TRAFFIC GUARD 14.00hrs BHAWANIPORE Lee Road O C Ganguly Sarani Entire Entire S-N 14.00- TRAFFIC GUARD 21.00hrs BHAWANIPORE Motilal Nehru N-S 14.00- TRAFFIC GUARD Road 21.00hrs BHAWANIPORE