Deutsche Nationalbibliografie 2011 T 03
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PACO158 Front.Std
[ill □§@ Pristine □ □ Pristine DIGITAL AUDIO PACO 158 Puccini XR XR Manon Lescaut PACO 158 Giacomo Puccini's third opera, Manon Lescaut, premiered at the Teatro Regio, Turin in 1893 and was the first of his operas to garner I I international acclaim. Musically the opera showed clear evidence of Puccini's growing mastery of tuneful lyricism and his ability to Rn~~t~u~ n evoke a sense of place. The story of a doomed heroine was one that Puccini would return to with even greater success in La Bohf?me (1896), Tosca (1900) and Madama Butterfly (1904). The New York premiere in 1907 featured Lina Cavalieri, Enrico Caruso and Antonio Scotti in the cast, and Puccini himself in the audience, but fell out of the repertoire in between 1929 and 1949. When a new Met production of Manon Lescaut was mounted in 1949 it featured Swedish t enor Jussi Bjbrllng as Des Grieux. Bjbrling learned only two new roles after branching out from his operatic home at the Royal Swedish Opera in the lat e 1930s. One was Don manon licia albanese Carlo, which opened Rudolf Bing's tenure as general manager of the Metropolitan Opera in November 1950, the other was Des Grieux in Manon Lescaut. Over ten years, between 1949 and 1959, Bjbrling sang the role just 25 times, but we have no less than four des grieux Jussi bjbrling complete recordings of him in this opera: the Met's first ever broadcast of the opera in 1949, a studio recording in 1954, this Met broadcast from 1956, and a bi-lingual broadcast from Stockholm in 1959. -
Konzert Saison 2012 2013
KONZERT SAISON 2012 2013 142. SPIELZEIT DER DRESDNER PHILHARMONIE Die 12 Cellisten der Berliner Philharmoniker Andreas Scholl ensemble frauenkirche Frauenkirchenkantor Matthias Grünert Frauenkirchen-Bachtage Ludwig Güttler Kammerchor der Frauenkirche The King‘s Singers CHEFDIRIGENT MICHAEL Sächsische Staatskapelle Dresden SANDERLING Kirchenklänge für junge Ohren Dresdner Philharmonie Geistliche Sonntagsmusik Frauenkirchenorganist Samuel Kummer Dresdner Orgelzyklus Arabella Steinbacher EHRENDIRIGENT KURT Alice Sara Ott Alison Balsom MASUR Gesprächskonzerte für junge Leute Ian Bostridge Martin Stadtfeld St. Peterburger Philharmoniker Xavier de Maistre BACHzyklus Mischa Maisky Vesselina Kasarova ERSTER GASTDIRIGENT Literarische Orgelnacht bei Kerzenschein MARKUS POSCHNER David Fray Lucerne Festival Strings u. a. INTENDANT ANSELM ROSE Musik in der Frauenkirche 2012 Stiftung Frauenkirche Dresden Ticketservice Georg-Treu-Platz 3 | Dresden Besucherzentrum Frauenkirche im Kulturpalast | Galeriestraße 1 DAS ORCHESTER DER LANDESHAUPTSTADT Telefon 0351.65606-701 | www.frauenkirche-dresden.de INHALT Grußwort 6 Chefdirigent Michael Sanderling 10 Die Dresdner Philharmonie 12 AUFTAKT Was – wann- wo? 21 Themen der Saison 2012/2013 24 KONZERTE UND ANRECHTSREIHEN Konzerte kalendarisch 32 Philharmonie im Albertinum AL 78 Philharmonie im Schauspielhaus SH 88 Philharmonie in der Frauenkirche FK 94 á la carte – Konzerte der Philharmonie SK 100 Philharmonie im Museum HM 106 Philharmonie auf Schloss Albrechtsberg AB 114 Fest- und Gedenkkonzerte 122 Dresdens Klang. Auf Reisen 126 Tonträger 128 FREAKQUENCY– Philharmonie für junge Zuhörer Otto der Ohrwurm 133 Musik hautnah 134 ZUGABE Gemälde von Prof. Fritz Beckert . 1877 Leipzig – 1962 Dresden Die Verwaltung 140 Die Schloßstraße in Dresden Philharmonische Chöre 144 Förderverein 148 Orchesterakademie 152 SERVICE UND PREISE K U N S T H A N D L U N G K Ü H N E Kartenservice 156 PhilharmonieCard 159 Unsere Kunsthandlung empfiehlt sich für erlesene Anrechts- und Wahl-Abopreise 160 Freiverkauf 164 Malerei, Kunstgegenstände und Interieur. -
Deutsche Nationalbibliografie 2010 T 02
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2010 T 02 Stand: 17. Februar 2010 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main, Berlin) 2010 ISSN 1613-8945 urn:nbn:de:101-ReiheT02_2010-8 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD -
Vol. 47, No. 2 June 2018 a New Star Appears in Europe Page 14 Journal
Online PDF: ISSN 233333-9063 Vol. 47, No. 2 June 2018 Journal of the International Planetarium Society A New Star Appears in Europe Page 14 Reach for the stars... and beyond. ZEISS powerdome IV // INSPIRATION MADE BY ZEISS True Hybrid with brilliant stars and perfect renderings from a single source ZEISS powerdome IV brings many new features to your star theater: an integrated planetarium for earthbound and extraterrestrial astronomy with seamless transitions between optical and digital star fields (True Hybrid) | The universe from Earth via the solar system and Milky Way galaxy to the very edge of the observable space | Stereo projection | 8k performance | 10 bit color depth for smooth gradients | HEVC codec for efficient video renderings free of artifacts | All constellation figures, individually and in groups without any mutual overlapping | Telescope function for deep-sky imagery applying Astronomy Visualization Metadata | Complete image set of all Messier objects | Customizable polar lights, comets with gas and dust tails, and shooting stars with a great variety of parameters for location, brightness, colors and appearance | Simulation of day and night with dusk and dawn coloring of sky and panorama images | Customizable weather effects such as clouds, rain, fog, snow, rainbow, halos, air and light pollution effects | Digital rights management to secure your productions | Remote service for quick help, and much more from the only company serving planetariums for nearly a century. www.zeiss.com/planetariums zeiss-ad_pdIV_letter_x3.indd -
Before the Show So People Can See I’M a Girl, Not Some Girly Looking Guy
Table of Contents Contest: Winners 38 First Place – The Gift P. Jo Anne Burgh 39 Second Place – Accordion Breathing Kimm Brockett Stammen 50 Third Place – Congratulations Alan Sincic 60 Fiction: Badass Pamela Stutch 5 The Violence of Creation Lauren Schaumburg 16 Driftwood Stacy A. Penner 27 Yeva and the Green Garden Charissa Weaks 72 Date with Crocodile Girl Jenny Stalter 84 A Very Small Apocalypse Elka Scott 91 Aura Jim Ryan 104 What Should Have Been Eli Ryder 113 The Light Box Ilene Dube 120 Cures Ellen Rhudy 126 Creative Nonfiction: Om Qasem Khalil AbuSharekh 32 How to be an adult. Or maybe not. Cayce Osborne 86 Poetry: Cathy Tenzo 4 Liz Adair 14 Daun Daemon 18 Siân Killingsworth 31 Donald Mitchell 65 Ken Craft 82 Robert Beveridge 101 Kristy Bowen 110 DS Maolalai 119 Lee Potts 125 Visual Art: Jing Kong Cover Fabio Lastrucci 1 Diego Luis 24 Fabrice Poussin 68 William C. Crawford 107 Bill Wolak 137 Volume 6, No. 3 Issue 18 ©2019 Typehouse Literary Magazine. All rights reserved. No part of this periodical may be reproduced in any form without written permission. Typehouse Literary Magazine is published triannually. Established 2013. Typehouse Literary Magazine Editor in Chief: Val Gryphin Senior Editors: KC Snow (Prose) Lily Blackburn (Prose) T. E. Wilderson (Prose) Yukyan Lam (Prose) Alan Perry (Poetry) Dave Midkiff (Poetry) Jiwon Choi (Poetry) Associate Editors: Hailey Hanks (Prose) Kate Steagall (Prose) Kevin Lichty (Prose) Naomi Stamps (Prose) Trish Rodriguez (Prose) Amy Scanlan O'Hearn (Poetry) Angela Dribben (Poetry) Erron Smith (Visual Arts Editor) Alina Lundholm (Social Media Editor) Jenna London (Advertising Editor) Typehouse is a writer-run literary magazine based out of Portland, Oregon. -
Capital Blues Messenger Capital Blues Messenger
CapitalCapital BluesBlues MessengerMessenger Celebrating the Blues in the District of Columbia, Maryland and Virginia July 2012 Volume 6 Issue 7 DCBS & Lamont’s Presents Memphis Blues Blowout Saturday, July 21 Photo by Thomas Hawk DCBS Hotter Than July Inside Fish Fry ‘n’ Blues DCBS July Events Saturday, July 14 Aug. 3 Zac Harmon Show and more Blues News & Reviews THE DC BLUES SOCIETY Become a DCBS member! Inside This Issue P.O. BOX 77315 Members are key to the livelihood of the President’s Drum 3 DCBS. Members’ dues play an important DCBS & Lamont’s Presents Memphis WASHINGTON, DC 4 part in helping DCBS fulfill its mission to Blues Blowout 20013-7315 promote the Blues and the musicians who keep the music alive, exciting and accessi- CD Review: Rick Estrin 5 www.dcblues.org DCBS Hotter Than July Fish Fry ‘n ble. Members receive discounts on advance 6 - 7 Blues; Blues Foundation Efforts The DC Blues Society is a non-profit 501(c)(3) sale tickets to DCBS events, DCBS merchan- organization dedicated to keeping the Blues alive dise and from area merchants and clubs Zac Harmon Interview 8 when you present your DCBS membership through outreach and education. The DC Blues Blues Calendar 9 Society is a proud affiliate of the Blues Foundation. card (see p 11). Members also receive the monthly Capital Blues Messenger (CBM) CD Review: Lil’ Ed & Blues Imperials 10 The Capital Blues Messenger is published monthly newsletter and those with e-mail access get DCBS Discounts, Miscelleneous 11 (unless otherwise noted) and sent by e-mail or U.S. -
1St Connection Between Baseball and Opera
Baseball & Opera (compiled by Mark Schubin, this version posted 2014 April 14) 1849 : 1 st connection between baseball and opera: Fans of American actor Edwin Forrest, who is playing Macbeth in New York, hire thugs from among ballplayers at Elysian Fields in Hoboken, New Jersey (1 st famous ball field) to disrupt performances of British actor William Macready, also playing Macbeth in New York at what had been Astor Opera House. Deadly riot ensues; Macready is rescued by ex-Astor Opera House impresario Edward Fry, who later (1880) invents electronic home entertainment (and probably headphones) by listening to live opera by phone. 1852: Opera-house exclusivity dispute with composer’s niece Johanna Wagner forms legal basis of baseball’s reserve clause. 1870 : Tony Pastor’s Opera House baseball team is covered by The New York Times (they won). 1875 : San Francisco Chronicle reports on that city’s opera-house baseball team. 1879 : Pirate King role created for Signor Brocolini, who, as John Clark, played first base for the Detroit Base Ball Club. 1881 : Dartmouth College opera group performs to raise money for college’s baseball team. 1884 : Three telegraph operators, James U. Rust, E. W. Morgan, and A. H. Stewart, present live games remotely. One sends plays from ballpark, second receives and announces, third moves cards with players’ names around backdrop. Starting in Nashville’s 900-seat Masonic Theater, they soon move to 2,500-seat Grand Opera House, beginning half-century of remote baseball game viewing at opera houses (also Augusta, GA Grand Opera House starting 1885). 1885 : The Black Hussar is probably 1 st opera with baseball mentioned in its libretto (in “Read the answer in the stars”). -
![[T] IMRE PALLÓ](https://docslib.b-cdn.net/cover/5305/t-imre-pall%C3%B3-725305.webp)
[T] IMRE PALLÓ
VOCAL 78 rpm Discs FRANZ (FRANTISEK) PÁCAL [t]. Leitomischi, Austria, 1865-Nepomuk, Czechoslo- vakia, 1938. First an orchestral violinist, Pácal then studied voice with Gustav Walter in Vienna and sang as a chorister in Cologne, Bremen and Graz. In 1895 he became a member of the Vienna Hofoper and had a great success there in 1897 singing the small role of the Fisherman in Rossini’s William Tell. He then was promoted to leading roles and remained in Vienna through 1905. Unfor- tunately he and the Opera’s director, Gustav Mahler, didn’t get along, despite Pacal having instructed his son to kiss Mahler’s hand in public (behavior Mahler considered obsequious). Pacal stated that Mahler ruined his career, calling him “talentless” and “humiliating me in front of all the Opera personnel.” We don’t know what happened to invoke Mahler’s wrath but we do know that Pácal sent Mahler a letter in 1906, unsuccessfully begging for another chance. Leaving Vienna, Pácal then sang with the Prague National Opera, in Riga and finally in Posen. His rare records demonstate a fine voice with considerable ring in the upper register. -Internet sources 1858. 10” Blk. Wien G&T 43832 [891x-Do-2z]. FRÜHLINGSZEIT (Becker). Very tiny rim chip blank side only. Very fine copy, just about 2. $60.00. GIUSEPPE PACINI [b]. Firenze, 1862-1910. His debut was in Firenze, 1887, in Verdi’s I due Foscari. In 1895 he appeared at La Scala in the premieres of Mascagni’s Guglielmo Ratcliff and Silvano. Other engagements at La Scala followed, as well as at the Rome Costanzi, 1903 (with Caruso in Aida) and other prominent Italian houses. -
Eurochart Hot 100 Singles, E at Number Six
AUGUST 9, 2003 Volume 22, Issue 33 Music £3.95 euros 6.5 Daniel Bedingfield's Never Gonna Leave Your Side (Polydor)isthis week's highest new entry on the Eurochart Hot 100 Singles, e at number six. M&M chart toppers this week EMI takes lead in Euro albums share Eurochart Hot 100 Singles by Emmanuel Legrand and the ever -popular Robbie Williams.rappers 50 Cent and Eminem, as well BEYONCE KNOWLES FEAT. JAY -Z EMI's results were particularly solid inas Shania Twain's Up! and Marilyn LONDON - EMI Recorded Music has Italy, the Benelux territories and Scan- Manson's The Golden Age Of Grotesque. Crazy In Love outperformeditsrivals dinavia. The jewelinUniversal'scrown in (Columbia) during the first half of the Universal Music ranks Europe remains France, which posted a year in the European Top secondinalbumchart 33.2% album chart share during the European Top 100 Albums 100 Albums sales chart. share at 24.8%, posting a period. The UK -basedmajor gain of oversixpoints BMG showed a major turnaround METALLICA has overtaken Universal comparedtothesame compared to the previous year, doubling St. Anger Music in M&M's album period in 2002, bringing album chart share to 16.3%, thanks to (Vertigo) chart share analysis cover- the major back to the kind the likes of Eros Ramazzotti, Avril Lav- ing the period from Janu- of levels it experienced in igne, Justin Timberlake and the vari- ary to June 2003. the first half of 2001. Theous Pop Idol winners. The figures for European Radio Top 50 Posting a 29.1% album release of Metallica's BMG also now include Zomba. -
Deutsche Nationalbibliografie 2013 M 05
Deutsche Nationalbibliografie Reihe M Musikalien und Musikschriften Monatliches Verzeichnis Jahrgang: 2013 M 05 Stand: 15. Mai 2013 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2013 ISSN 1613-8937 urn:nbn:de:101-ReiheM05_2013-0 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musikalien in Reihe M sind, wie Katalogisierung, Regeln für Musikalien und Musiktonträ- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Der Saison 2012/2013
Alle Abos der Saison 2012/2013 Sir John Eliot Gardiner Sternstunden Kloing Vier Konzerte porträtieren den Warum Robert Schumanns Werke Die Konzertreihe gibt Einblicke in vielseitigen Dirigenten noch heute faszinieren die aktuelle Komponistenszene NR. 3 JUL / AUG 2012 EDITORIAL Liebe Besucherinnen und Besucher, liebe Freundinnen und Freunde der Kölner Philharmonie, Occhio io 3d das aktuelle Programm der Saison 2012/2013 ist druck- www.occhio-io.de frisch! Alle Abonnements der KölnMusik stellen wir Ihnen in der vorliegenden Ausgabe des Magazins ausführlich vor. Im Besitz eines Konzertabonnements zu sein hat nur Vorteile: Als KölnMusik-Abonnentin oder -Abonnent sparen Sie gleich zweifach: Sie zahlen keine Vorver- kaufsgebühr und wir gewähren Ihnen je nach Abonne- ment sogar bis zu 40 Prozent Rabatt. Sie wählen in einem Abonnement einmal Ihren Platz aus, müssen sich in der laufenden Spielzeit nicht mehr um Tickets bemühen. So können Sie sich schon vor dem Konzertbesuch voll auf den musikalischen Genuss konzentrieren. Sie erleben im exklusiven Abonnement »Das Kleine Wie- ner« zwei Mal die Wiener Philharmoniker, mit dem italienischen Dirigenten Daniele Gatti und mit dem Gene- ralmusikdirektor der Wiener Staatsoper Franz Welser-Möst. Eine einmalige vierteilige Konzertreihe widmen wir in dieser Saison Sir John Eliot Gardiner, die exklusiv so nur in der Kölner Philharmonie zu erleben ist. Integriert ist auch ein Gesprächskonzert mit dem Verfechter der historisch informierten Aufführungspraxis. Sir Simon Rattle und das Orchestra of the Age of Enlightenment geben mit Wolfgang Amadeus Mozarts Sin- fonien Nr. 39 bis Nr. 41 eine Aufführung von Seltenheitswert, weil die drei Großen Sinfonien nicht oft in einem Konzert zu hören sind. -
Walker County Qualified Voter's List
WALKER COUNTY VOTER’S LIST Jasper Ala. Tues., Feb. 9, 2016 — Page 1 Walker County Qualified Voter’s List Humphrey, Danny Lee Usrey, Chase L STATE OF ALABAMA Ilarraza, Brittany Rebecca Vines, Rachel Sanders WALKER COUNTY Jackson, Angela R Waddell, Belinda Gail Reece James, Teddy R Waid, Vickie Griffin James, Jered Ray Waid, James Tyler Jean, Donald Duane Wakefield, Linda Rose I, Rick Allison, Judge of Probate in and for said State and County, certify that the following Jett, Nicholas Cody Walker, Denzal Devonta names have registered to vote as shown by the list submitted to my office by the Walker County Jett, Angela Brooke Warren, Billy Barry Johnson, Erik Landon Warren, Gwindola Board of Registrars on February 4, 2016, and will constitute the official voting list for the Presi- Johnson,Iii Ralph Edward Warren, Brandi Michelle Johnston, Dennis Ray Warren, Billy Michael dential Preference Primary Election and Statewide Primary Election to be held on Tuesday, Joiner, Crystal Marie Warren, Teresa Rose March 1, 2016. If your name was inadvertently omitted from this list, you have until 4:00 pm on Jones, Ricky R Watkins, Sarah Naomi Justice, Janet C Watts, Annie Mae Friday, February 12, 2016, to have your name added to the list at the Board of Registrar’s Office Justice, Timothy D Webb, Lowanda in the Walker County Courthouse. Kempf, Joann Frost White, Albert J Kennedy, Raymond Joseph Whited, Roger A Key, Teresia Ann Whitehead, Michael Reihee Kimbrough, Connie Carlton Whitley, Alvin Morgan Kizziah, Terry J Whitley, Cindy K Given under my hand and seal of office this 4th day of February 2016.