DOCSLIB.ORG

News Release

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
News Release News Release FOR IMMEDIATE RELEASE PRESS CONTACT: Ben Randle, Artistic Associate & Publicist ~ 415.694.6156 ~ [email protected] Pictures and Press Kit: nctcsf.org/press HARBOR BY TONY® AWARD-NOMINEE CHAD BEGUELIN MAKES WEST COAST PREMIERE AT NCTC Acclaimed new comedy exploring uncharted waters of the shifting meaning of family to be directed by Founder & Artistic Director Ed Decker January 23 – March 1, 2015 San Francisco, CA (December 12, 2014) — In January, New Conservatory Theatre Center presents the West Coast Premiere of the sharp and timely new comedy, Harbor by Chad Beguelin, directed by NCTC Founder & Artistic Director Ed Decker. Kevin’s seemingly perfect world hits troubled waters in this "wickedly funny" play (Variety) when his ne’er-do-well sister, Donna and her teenage daughter show up unexpectedly at the Sag Harbor home he shares with his husband, Ted. This sharp and timely comedy sails through the riptides of family and the unpredictability of the lives we lead. Starring at Ted is former NCTC Conservatory Director, Andrew Nance, last seen at NCTC in an acclaimed performance in Del Shores’ Yellow, last season. Harbor runs January 23 – March 1, 2015 in NCTC’s intimate Walker Theater. Opening Night is Saturday, January 31, 2015 at 8pm. Tickets are $25 - $45 and available at nctcsf.org or by calling (415) 861-8972. Harbor premiered at Westport Playhouse, followed by a New York production at Primary Stages. Variety raves Harbor is “witty and tender” and adds, “The characters in Chad Beguelin’s comedy-drama are hopelessly – and sometimes hysterically – adrift as they seek safe havens in relationships, family, and career. But the harbors here are built on shifting sands in this wickedly funny play.” Playwright Chad Beguelin is a four-time Tony® nominee. His works include Disney's Aladdin, for which he received a Tony Award nomination for Best Book and Best Original Score, and The Wedding Singer, for which he was nominated for a Tony Award for Best Book and Best Original Score. He also wrote the lyrics for the Broadway musical Elf, which broke several box office records at the Al Hirschfeld Theatre. Ed Decker Barbara Hodgen ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Beguelin also wrote the book and lyrics for Judas & Me (NYMF Award for Excellence in Lyric Writing), The Rhythm Club (Signature Theater) and Wicked City (American Stage Company). He is the recipient of the Edward Kleban Award for Outstanding Lyric Writing, the Jonathan Larson Performing Arts Foundation Awards, the Gilman & Gonzalez-Falla Musical Theater Award and the ASCAP Foundation Richard Rodgers New Horizons Award. Director Ed Decker is the Founder & Artistic Director of New Conservatory Theatre Center, where he oversees NCTC’s mainstage season, Emerging Artist Program artist residencies, New Play Lab commissions, Conservatory and YouthAware touring theatre-in-education program. Decker is a graduate of San Francisco State University and a former Director of the American Conservatory Theatre Young Conservatory. Since 1981, Decker has produced and/or directed several hundred plays, musicals and special events for NCTC. He and his husband Robert Leone also co-wrote their first play Rights of Passage, which had its world premiere at NCTC in August 2012. Andrew Nance (Ted Adams-Weller) returns to NCTC, having serving for 18 years as NCTC’s Conservatory Director, wherein he led all educational school programs/workshops for youth and adults. Last season, he received raves reviews for his performance in Del Shores’ Yellow, also directed by Decker. Previously, he has appeared at NCTC in Doubt (Bay Area Critics Circle Nomination, Best Actor), I Am My Own Wife (BATCC Award, Best Solo Performance), Beautiful Thing and Virgins and Other Myths. He received a BA in Theatre from NYU’s Tisch School of the Arts, as well as training at LaMama etc. and A.C.T. In addition, Harbor cast features Scott Cox, Terri Whipple, and introducing Jenna Herz. The full creative team of Harbor includes scenic design by Devin Kasper, lighting design by Christian Mejia, costume design by Michelle Mulholland, sound design by Liz Rider, prop design by Jamie Abts, stage management by Stephanie Desnoyers. Special Engagements: During the run of the show, theatre lovers can enjoy many special events: Onstage Insight, Post-Show Discussion after the following performance: . Sunday, February 8, 2015 at 2pm– Panel discussion featuring the cast. Low-cost Previews take place Friday, January 23 – Friday, January 30, 2015. Community Pay What You Wish Tickets: A limited number of tickets are held for each preview performance for our Pay-What-You-Wish program. These tickets cannot be reserved or purchased in advance and are only available for walkup sales beginning 1 hour before the performance. These tickets must be purchased in person. Ed Decker Barbara Hodgen ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Opening Night will take place on Saturday, January 31, 2015 at 8pm. The performance will be followed by a reception with the cast, designers and director. New Conservatory Theatre Center is San Francisco’s premier LGBTQIA and allied performing arts institution and progressive arts education conservatory since 1981. NCTC is renowned for its diverse range of innovative, high quality productions, touring productions and shows for young audiences; its foundational anti-bullying work with youth and educators through YouthAware; and its commitment to nurturing emerging artists and playwrights to expand the canon of queer and allied dramatic work. ### Ed Decker Barbara Hodgen ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Harbor FACT SHEET WHO: Written by Chad Beguelin Directed by Ed Decker Starring Andrew Nance, Scott Cox, Terri Whipple, Jenna Herz. Scenic Design by Devin Kasper Lighting Design by Christian Mejia Costume Design by Michelle Mulholland Sound Design by Liz Rider Prop Design by Jamie Abts WHAT: West Coast Premiere of Harbor WHERE: New Conservatory Theatre Center Walker Theatre, 25 Van Ness Ave @Market, San Francisco, CA 94102 WHEN: January 23 – March 1, 2015 Wednesday – Sat at 8pm Sundays at 2pm COST: $25-$45 TICKETS AND BOX OFFICE: 415-861-8972, [email protected] Special Engagements: Onstage Insight with cast……………..…….………..2/8 Low-Cost Previews…..………………........1/23 – 1/30 Opening Night…..……………………………………..1/31 PHOTOS AND PRESS KITS: nctcsf.org/press Ed Decker Barbara Hodgen ARTISTIC DIRECTOR EXECUTIVE DIRECTOR .
Load more

Recommended publications
  • Dstprogram-Ticktickboom
    SCOTTSDALE DESERT STAGES THEATRE PRESENTS May 7 – 16, 2021 DESERT STAGES THEATRE SCOTTSDALE, ARIZONA PRESENTS TICK, TICK...BOOM! Book, Music and Lyrics by Jonathan Larson David Auburn, Script Consultant Vocal Arrangements and Orchestrations by Stephen Oremus TICK, TICK...BOOM! was originally produced off-Broadway in June, 2001 by Victoria Leacock, Robyn Goodman, Dede Harris, Lorie Cowen Levy, Beth Smith Co-Directed by Mark and Lynzee 4man TICK TICK BOOM! is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com WELCOME TO DST Welcome to Desert Stages Theatre, and thank you for joining us at this performance of Jonathan Larson’s TICK, TICK...BOOM! The talented casts that will perform in this show over the next two weekends include some DST “regulars” - familiar faces that you have seen here before - as well as actors who are brand new to the DST stage. Thank you to co- directors Mark and Lynzee 4man who were the natural choices to co- direct (and music direct and choreograph) a rock musical that represents our first teen/young adult production in more than a year. They have worked tirelessly with an extremely skilled team of actors, designers, and crew members to bring you this beautiful show, and everyone involved has enjoyed the process very much. We continue our COVID-19 safety protocols and enhanced cleaning measures to keep you and our actors safe. In return, we ask that you kindly wear your mask the entire time you are in the theatre, and stay in your assigned seat.
    [Show full text]
  • Jonathan Larson
    Famous New Yorker Jonathan Larson As a playwright, Jonathan Larson could not have written a more dramatic climax than the real, tragic climax of his own story, one of the greatest success stories in modern American theater history. Larson was born in White Plains, Westchester County, on February 4, 1960. He sang in his school choir, played tuba in the band, and was a lead actor in his high school theater company. With a scholarship to Adelphi University, he learned musical composition. After earning a Fine Arts degree, Larson had to wait tables, like many a struggling artist, to pay his share of the rent in a poor New York City apartment while honing his craft. In the 1980s and 1990s, Larson worked in nearly every entertainment medium possible. He won early recognition for co-writing the award-winning cabaret show Saved!, but his rock opera Superbia, inspired by The original Broadway Rent poster George Orwell’s novel 1984, was never fully staged in Larson’s lifetime. Scaling down his ambitions, he performed a one-man show called tick, tick … BOOM! in small “Off -Broadway” theaters. In between major projects, Larson composed music for children’s TV shows, videotapes and storybook cassette tapes. In 1989, playwright Billy Aronson invited Larson to compose the music for a rock opera inspired by La Bohème, a classical opera about hard-living struggling artists in 19th century Paris. Aronson wanted to tell a similar story in modern New York City. His idea literally struck Larson close to home. Drawing on his experiences as a struggling musician, as well as many friends’ struggles with the AIDS virus, Larson wanted to do all the writing himself.
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings.
    [Show full text]
  • Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
    HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20
    [Show full text]
  • Marvin Hamlisch
    tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST
    [Show full text]
  • Dream Cast Announced for Disney's Aladdin
    DREAM CAST ANNOUNCED FOR DISNEY’S ALADDIN An exceptional group of Australia and New Zealand’s most outstanding musical theatre performers and exciting fresh faces has been announced for Disney’s new musical comedy, Aladdin. They will be joined by Broadway performer Michael James Scott in the role of the Genie. Based on the classic Academy Award®-winning animated film,Aladdin will open in Sydney at the Capitol Theatre in August 2016. Tickets go on sale to the GP 8th March 2016. The dream cast for Aladdin has been achieved after intense and competitive auditions throughout Australia. It will be one of the most diverse multi-cultural casts to appear on the Australian stage. American performer Michael James Scott will play the pivotal role of the Genie. Michael has performed in many Broadway shows including the original company of The Book of Mormon, the 2010 Broadway and London revival of Hair, as well as the standby Genie in the original Broadway cast of Aladdin. He was most recently seen in Casey Nicholaw’s third current Broadway hit, Something Rotten. Joining him will be the exciting new discovery Ainsley Melham making his mainstage debut in the title role of Aladdin. Ainsley is a graduate of the Western Australian Academy of Performing Arts (WAAPA). The principal cast features international musical theatre star Adam Jon Fiorentino (Saturday Night Fever, Mary Poppins) as Kassim, stage & television performer Adam Murphy as Jafar and Robert Tripolino in the role of Omar. Filling out the principal ranks is one of Australia’s most accomplished character actors and musical theatre stars Troy Sussman as Babkak and stage and television actor Aljin Abella as Iago.
    [Show full text]
  • PDF Program Download
    Interlochen, Michigan 224th Program of the 59th Year * FESTIVAL 2021 MUSICAL THEATRE SHOWCASE Thursday, May 27, 2021 10:00am, Corson Auditorium “Bye Bye Blackbird” from FOSSE ............................... Music by Ray Henderson Lyrics by Mort Dixon Charlotte Krieger and Company “All Falls Down” from CHAPLIN .............. Music and Lyrics by Christopher Curtis Lindsay Gross “Stay” from THE NOTEWORTHY LIFE OF HOWARD BARNES ... Music by Michael Kooman Lyrics by Christopher Dimond Audree Hedequist “Singin’ in the Rain” from SINGIN’ IN THE RAIN ....... Music by Nacio Herb Brown Lyrics by Arthur Freed Student Choreographers: Mia McManamy, Charlotte Krieger “Nowadays/Hot Honey Rag” from CHICAGO .................... Music by John Kander Lyrics by Fred Ebb Paris Manzanares and Myles Mathews Student Choreographer: Myles Mathews “Don’t Wanna Be Here” from ORDINARY DAYS ..... Music & Lyrics by Adam Gwon JT Langlas “No One Else” from NATASHA, PIERRE AND THE GREAT COMET OF 1812 ......... Music and Lyrics by Dave Malloy Mia McManamy “Run, Freedom, Run” from URINETOWN ...................... Music by Mark Hollmann Lyrics by Mark Hollmann and Greg Kotis Scout Carter and Company “Forget About the Boy” from THOROUGHLY MODERN MILLIE ........................... Music by Jeanine Tesori Lyrics by Dick Scanlan Hannah Bank and Company Student Choreographer: Nicole Pellegrin “She Used to Be Mine” from WAITRESS ........ Music and Lyrics by Sara Bareilles Caroline Bowers “Change” from A NEW BRAIN ......................... Music and Lyrics by William Finn Shea Grande “We Both Reached for the Gun” from CHICAGO .............. Music by John Kander Lyrics by Fred Ebb Theo Gyra and Company Student Choreographer: Myles Mathews “Love is an Open Door” from FROZEN ............ Music & Lyrics by Kristen Anderson-Lopez & Robert Lopez Charlotte Krieger and Daniel Rosales “Being Alive” from COMPANY ...............
    [Show full text]
  • Review Essay: Lullaby for Broadway?
    Review Essay: Lullaby for Broadway? Grant, Mark N. 2004. The Rise and Fall of the Broadway Musical. Boston: Northeastern University Press. Knapp, Raymond. 2005. The American Musical and the Formation of National Identity. Princeton, NJ: Princeton University Press. Swayne, Steve. 2005. How Sondheim Found His Sound. Ann Arbor: University of Michigan Press. Reviewed by Walter Frisch I. Latecomers to high culture, Americans are obsessed with identifying and canonizing indigenous art forms. In recent years, much of this attention has been lavished on jazz. Musical theater is beginning to catch up, to judge from the recent rash of companions, readers, and reference works.! As Stephen Banfield, a dean among scholars of the American musical, observed in a 2004 review essay, "So many academic books and articles have by now lamented 'that the musical has been neglected by academics as an area of study' that it has to be patently untrue" (2004:83).2 One challenge in the study of both jazz and musical theater is locating the specific historical moment or the precise works in which the genres assume an identity, especially an ''American'' one, distinct from their influences. For musical theater, those sources would include European operetta of the later nineteenth century-specifically the works of Johann Strauss, Offenbach, and Gilbert and Sullivan-as well as vaudeville, burlesque, revue, minstrel shows, variety shows, melodrama, and British musical comedy. In the first few years of the twentieth century, these traditions coalesced in the works of Victor Herbert (notably his Babes in Toyland, 1903) and George M. Cohan (his first big hit, Little Johnny Jones, 1904).
    [Show full text]
  • Proudly Sponsored by Numerica Credit Union***
    ***PROUDLY SPONSORED BY NUMERICA CREDIT UNION*** The Pasco School District is proud to support this collaboration between the Pasco Players and Chiawana Stage Company. Both high schools have come together to bring you this fun, festive comedy featuring students from Chiawana and Pasco High School backstage, on stage and in the orchestra pit. The Production Team boasts a charismatic and gifted staff of cross-district Pasco School District Employees who have come together to help showcase these talented, hardworking students. Elf is a fast-paced musical based on the beloved holiday film. PERFORMANCE DETAILS DATES: December 6, 7, 12, 13, 14 TIME: 7 p.m. LOCATION: Chiawana High School TICKETS Presale Price: $12 Door Price: $14 (cash/check only) Presale Tickets are available @ www.schoolpay.com/link/elfthemusical OR at either PHS/CHS Box Office (Starting November 25) SPECIAL STUDENT NIGHT PRICING: Thursday December 12 ONLY $6 (Sponsored by Numerica) ***must present a valid student ID This performance will begin with an "Elf Tailgate Party" from 6-6:45 p.m. in the Chiawana Student Mall organized by the Chiawana and Pasco High School Leadership Teams. There will be activities, contests and prizes! Come join the fun and see the show! ***Tickets for STUDENT NIGHT are only available for purchase at the ASB Office, from a student in the production or at the door (no online sales for this event). PRODUCTION TEAM COSTUME DESIGNER: Verna Schwilke (CHS) COSTUME ASSISTANT: Ruth Norman (PSD) ASSISTANT DIRECTOR (Props): Megan Forsythe (PHS) VOCAL DIRECTOR: Karl Hedlund (Emerson) SET DESIGNER/BUILDER: Will Thurston (PHS) MUSIC DIRECTORS: Matt Larsen and Heidi Hanes (PHS) CHOREOGRAPHER: Rob Hanson (Stevens), Assisted by Heather Johnson (PHS) LIGHTING DESIGNER: Eli Garza (PSD) DIRECTORS: Todd Westendorf (CHS) and Heather Johnson (PHS) SHOW INFORMATION "This hilarious fish-out-of-water comedy follows Buddy the Elf in his quest to find his true identity.
    [Show full text]
  • The Wait Is Over! Disney's Aladdin to Make Its Long
    Local Press Representative: Kevin Kopjak, Charles Zukow Associates [email protected] | 415-296-0677 THE WAIT IS OVER! DISNEY’S ALADDIN TO MAKE ITS LONG-ANTICIPATED PREMIERE AT SAN JOSE’S CENTER FOR THE PERFORMING ARTS The Hit Broadway Musical To Play An Exclusive Two-Week Engagement April 10–21, 2019 SAN JOSE, CA (February 12, 2019) – Broadway San Jose, a Nederlander Presentation, is pleased to announce that Disney’s Aladdin, the hit Broadway musical, will play an exclusive two-week engagement at San Jose’s Center for the Performing Arts (255 S. Almaden Blvd.) beginning Wednesday, April 10, 2019 and running through Sunday, April 21, 2019. Press night is set for Friday, April 12 at 8 p.m. Single tickets ($33–$118) are on-sale now at www.ticketmaster.com, in-person at the City National Civic Box Office (150 W. San Carlos St., San Jose), or by calling 800-982-ARTS (2787). Best ticket availability is for weekday performances—including a special Thursday matinee—and Sunday evenings. VIP Ticket Packages are available for select performances and include a prime seat location, a commemorative souvenir program, and an exclusive merchandise item. Group orders of 10 or more may be placed by calling 669-242-8559. Ticket prices are subject to change without notice. Ticket buyers are reminded that Ticketmaster is the only official retail ticket outlet for all performances at San Jose’s Center for the Performing Arts. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that the Center for the Performing Arts is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance.
    [Show full text]
  • Aladdin Director Casey Nicholaw to Helm World-Premiere Musical
    theatermania.com http://www.theatermania.com/atlanta-theater/news/alliance-theatre-2016-17-season_76446.html Aladdin Director Casey Nicholaw to Helm World-Premiere Musical Mar 23, 2016 THEATER NEWS A stage adaptation of Moby Dick will also come to Alliance Theatre. Hayley Levitt • Atlanta • Aladdin collaborators Chad Beguelin and Casey Nicholaw will team up for The Prom at the Alliance Theatre. (© David Gordon) Atlanta's Alliance Theatre has announced the lineup of productions set for its 2016-17 season. The Alliance Stage season will open with the world premiere of The Prom, directed and choreographed by Tony winner Casey Nicholaw (Aladdin). Based on an original concept by Jack Viertel, the production features a book by by Chad Beguelin and Bob Martin, music by Matthew Sklar, and lyrics by Chad Beguelin. Performances are set to run from August 18-September 25. Next up will be Moby Dick, adapted and directed by David Catlin from the novel by Herman Melville. The show is a coproduction with Arena Stage and South Coast Repertory. Performances will run from October 12-30. The world-premiere musical Troubadour will follow, running from January 18-February 12, 2017. The show is written 1/2 by Janece Shaffer, with original music by Kristian Bush. Susan V. Booth directs. Next will be the world premiere of Jimmy Maize's The Temple Bombing, inspired by the book The Temple Bombing by Melissa Fay Greene. Directed by Jimmy Maize, the production is developed in association with Tectonic Theater Project and the Temple. Performances will run from February 22-March 12, 2017.
    [Show full text]