Ludwig Tieck and America
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The Invisible Woman and the Silent University
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2012 The Invisible Woman and the Silent University Elizabeth Robinson Cole University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Adult and Continuing Education Administration Commons, Educational Leadership Commons, History of Gender Commons, Online and Distance Education Commons, Social and Philosophical Foundations of Education Commons, United States History Commons, and the Women's History Commons Recommended Citation Cole, Elizabeth Robinson, "The Invisible Woman and the Silent University" (2012). Dissertations. 538. https://aquila.usm.edu/dissertations/538 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi THE INVISIBLE WOMAN AND THE SILENT UNIVERSITY by Elizabeth Robinson Cole Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2012 ABSTRACT THE INVISIBLE WOMAN AND THE SILENT UNIVERSITY by Elizabeth Robinson Cole May 2012 Anna Eliot Ticknor (1823 – 1896) founded the first correspondence school in the United States, the Society to Encourage Studies at Home. In the fall of 1873 an educational movement was quietly initiated from her home in Boston, Massachusetts. A politically and socially sophisticated leader, she recognized the need that women felt for continuing education and understood how to offer the opportunity within the parameters afforded women of nineteenth century America. -
Inhaltsverzeichnis (Mit Angabe Des Erstdrucks)
Inhaltsverzeichnis (mit Angabe des Erstdrucks) Geleitwort (Erich Loos) IX Vorwort (Angelica Rieger, Hans W. Eirich, Christof Weiand) XI La biche blanche et le chevalier ou les avatars d'Eros et d'Agape (in: Corps ecrit 6, Paris 1983, p. 149-158) 1 Der Garten in der höfischen Literatur Frankreichs (in: RF 98, Frankfurt/M, Klostermann, 1986, S. 17-35) 8 Perceval et les reveries de Peau (in: Corps ecrit 16, Paris, 1985, p. 57-64) 23 Imagerie et structure des Lais de Marie de France (in: Atti del XIV. Congresso Internazionale di Linguistica e Filologia Romanza, Napoli, Macchiaroli, 1981, p. 381-396) 29 Prolegomenes ä I'iconographie des ceuvres de Marie de France (in: Orbis medievalis, Festschrift R.R.Bezzola, Bern, Francke 1978, p. 329-343) 40 Die altfanzösischen Verspurgatorien (in: ZRPh 88, Tübingen, Niemeyer, 1972, S. 389-402) 52 Bestiaires et lapidaires: un genre litteraire? (in: Actes du XVIIIe Congres International de Linguistique et de Philologie Romanes, t. VI, Tübingen, Niemeyer, 1988, p. 136-147) 63 Die Trobadorlyrik im Spiegel der poetischen Gattungen (in: Die französische Lyrik, hg.v. Dieter Janik, Darmstadt, Wissenschaftliche Buchgesell- schaft, 1987, S. 1-61) 73 Petrarca und die Erinnerung. Versuch einer Anwendung der Staigerschen Grund- begriffe (in: GRM XV, Heidelberg, Winter, 1965, S. 245-250) 120 II dantesco "mal perverso" (Inferno V, 93) (in: Strumenti critici 46, Bologna, II Mulino 1981, p. 435-441) 126 VI Inhaltsverzeichnis Pier della Vigna o la Poesia del Segno. Per una rilettura del canto XIII dell' "Inferno". (in: Medioevo Romanzo V, Napoli, Macchiaroli, 1978, p. 85-99) 131 La pensee de Bachelard et la litterature medievale (in: G.Bachelard. -
German Studies the ROMANTIC
German Studies THE ROMANTIC ERA Bye. A. S. WALKER,SeniorLecturerin German at The Queen's University ofBelfast I. GENERAL STUDIES Die Erhebung gegen Napoleon 1806-1814/15, ed. Hans-Bernd Spies (Quellen zum politischen Denken der Deutschen im 19. und 20. Jh., 2), WBG, ix + 472 pp., is an extremely valuable collection of source material for any student of the history or literature of this period. Included are previously published letters, articles, pamphlets, ser mons, poems by Arndt, Fouque, Garres, Hoffmann, Kleist, Jean Paul, the Schlegel brothers, Schleiermacher, etc., all written within these nine years and presented in strict chronological order. The poems are given in full; other items are often in extract. Brieffootnotes are provided, and there is a useful introduction. Interpretation of the material is largely left to the reader. Frauenbriefe der Romantik, ed. Katja Behrens (Insel Taschenbuch, 545), Frankfurt, Insel, 449 pp. + 18 illus, contains a selection ofletters by Karoline von Giinderode, Bettina von Arnim, Rahel Varnhagen, Caroline Schlegel-Schelling, Dorothea Veit-Schlegel, and Susette Gontard. There are adequate notes, a list of persons mentioned, a perceptive postscript, but no index. Dichter-Garten. Erster Gang: Violen, ed. Gerhard Schulz (Seltene Texte aus der deutschen Romantik, 2), Bern, Lang, 1979,38 + vii + 362 pp., isa facsimile reprint of the 1807 edition, which was edited by 'Rostorf' (Novalis's brother, Karl von Hardenberg), and which contains poems by him, and by Friedrich Schlegel, 'Sylvester' (Georg Anton von Hardenberg), and Sophie Bernhardi, as well as the latter's tragedy Egidio und Isabella. Schulz gives a succinct account of the significance of this anthology for the Romantic movement. -
GERMAN LITERARY FAIRY TALES, 1795-1848 by CLAUDIA MAREIKE
ROMANTICISM, ORIENTALISM, AND NATIONAL IDENTITY: GERMAN LITERARY FAIRY TALES, 1795-1848 By CLAUDIA MAREIKE KATRIN SCHWABE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2012 1 © 2012 Claudia Mareike Katrin Schwabe 2 To my beloved parents Dr. Roman and Cornelia Schwabe 3 ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisory committee chair, Dr. Barbara Mennel, who supported this project with great encouragement, enthusiasm, guidance, solidarity, and outstanding academic scholarship. I am particularly grateful for her dedication and tireless efforts in editing my chapters during the various phases of this dissertation. I could not have asked for a better, more genuine mentor. I also want to express my gratitude to the other committee members, Dr. Will Hasty, Dr. Franz Futterknecht, and Dr. John Cech, for their thoughtful comments and suggestions, invaluable feedback, and for offering me new perspectives. Furthermore, I would like to acknowledge the abundant support and inspiration of my friends and colleagues Anna Rutz, Tim Fangmeyer, and Dr. Keith Bullivant. My heartfelt gratitude goes to my family, particularly my parents, Dr. Roman and Cornelia Schwabe, as well as to my brother Marius and his wife Marina Schwabe. Many thanks also to my dear friends for all their love and their emotional support throughout the years: Silke Noll, Alice Mantey, Lea Hüllen, and Tina Dolge. In addition, Paul and Deborah Watford deserve special mentioning who so graciously and welcomingly invited me into their home and family. Final thanks go to Stephen Geist and his parents who believed in me from the very start. -
Bible Matters: the Scriptural Origins of American Unitarianism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Vanderbilt Electronic Thesis and Dissertation Archive BIBLE MATTERS: THE SCRIPTURAL ORIGINS OF AMERICAN UNITARIANISM By LYDIA WILLSKY Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY In Religion May, 2013 Nashville, Tennessee Approved: Professor James P. Byrd Professor James Hudnut-Beumler Professor Kathleen Flake Professor Paul Lim Professor Paul Conkin TABLE OF CONTENTS INTRODUCTION……………………………………………………………………………3 CHAPTER 1: WILLIAM ELLERY CHANNING AND THE PASTORAL ROOTS OF UNITARIAN BIBLICISM………………………………………………………………………………..29 CHAPTER 2: WHAT’S “GOSPEL” IN THE BIBLE? ANDREWS NORTON AND THE LANGUAGE OF BIBLICAL TRUTH………………………………………...................................................77 CHAPTER 3: A PRACTICAL SPIRIT: FREDERIC HENRY HEDGE, THE BIBLE AND THE UNIVERSAL CHURCH…………………………………………………………………...124 CHAPTER 4: THE OPENING OF THE CANON: THEODORE PARKER AND THE TRANSFORMATION OF BIBLICAL AUTHORITY…………………………………………..168 CONCLUSION…………………………………………………………...........................205 BIBLIOGRAPHY…………………………………………………………………………213 INTRODUCTION The New England Unitarians were a biblical people. They were not biblical in the way of their Puritan ancestors, who emulated the early apostolic Church and treated the Bible as a model for right living. They were a biblical people in the way almost every Protestant denomination of the nineteenth century -
Und Dooh Ist Vielleioht Niemand Inniger Damit Verbunden Als Ich
Durham E-Theses Sie haben mich immer in der Zuruckgesogenheit meiner Lebensart fur isoliert von der welt gehalten; und dooh ist vielleioht niemand inniger damit verbunden als ich Von Kleist, Heinrich How to cite: Von Kleist, Heinrich (1958) Sie haben mich immer in der Zuruckgesogenheit meiner Lebensart fur isoliert von der welt gehalten; und dooh ist vielleioht niemand inniger damit verbunden als ich, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9727/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 "Sie haben mich immer in der ZurLiokgesogenheit meiner Lebensart tUr isoliert von der Welt sehaltan; und dooh ist vielleioht niemand inniger dami t verbunden ala ioh." HEINRICH VON KLEIST. The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. -
And Vice Versa )
The Influence of German Language, Literature, and Culture on English and American Language, Life, and Letters. (and vice versa ) David A Reibel (Tübingen and York) _________________________ MISS PRISM [Calling .] Cecily! Cecily! ... intellectual pleasures await you. Your German grammar is on the table. Pray open it at page fifteen. We will repeat yesterday’s lesson. CECILY [Coming over very slowly .] But I don’t like German. It isn’t at all a becoming language. I know perfectly well that I look quite plain after my German lesson. [third exchange later:] CECILY I wish Uncle Jack would allow that unfortunate young man, his brother, to come down here sometimes. We might have a good influence over him, Miss Prism. I am sure you certainly would. You know German, and geology, and things of that kind influence a man very much. (Oscar Wilde. (1854-1900). The Importance of Being Ernest . 1895. Second Act. Scene [1].) _________________________ German influence on English life and culture was exercised either directly, through contact, visits and longer stays, or through the reading of German literature, usually in translation, although also in the original. The influence was felt in all aspects of English life, often mediated through the initiatives of Prince Albert (1819-1861), Prince Consort to Queen Victoria (1819-1901; reigned 1837-1901). At one time it was felt that without knowledge of German, one did not have access to the leading scientific literature of the day, a situation now reversed, with English in dominant position. In the 19thC, German universites also played a major rôle in training English and American scientists, philologists, and philosophers, one now performed by British and American universities in training scholars of developing countries, who in turn have established the foundations of science and technology in their own countries. -
Northwest Ordinance Prohibits Slavery in the Northwest Territory
Northwest Ordinance Prohibits slavery in the 1787 The prohibition of slavery in the Northwest Territory Northwest Territory, including Ohio. Located on the effectively established the Ohio River as the geographic northern bank of the Ohio River, on the border between border between slave states and free states, from the enslavement and freedom, Cincinnati was an important Appalachian Mountains to the Mississippi River. The stop on the Underground Railroad as well as a site of physical location of the Underground Railroad Museum in conflict over human bondage. downtown Cincinnati on the banks of the Ohio River commemorates the river’s historic involvement in the Because of the Northwest Ordinance, Xavier College American institution of slavery. The museum seeks to, never owned enslaved persons. Edward Fenwick, a “illuminate the true meaning of inclusive freedom by Dominican friar and the first bishop of Cincinnati, presenting permanent and special exhibits that inspire, founded the Athenaeum (now St. Xavier High School and public programming that provoke dialogue and action, and Xavier University). Before coming to Ohio, Bishop educational resources that equip modern abolitionists”. Fenwick owned, bought and sold enslaved people; even after coming to Ohio he proposed to sell people owned https://freedomcenter.org/ by the Dominicans in Kentucky to pay off their debts. Quote: I never had anything good, no sweet, no sugar; and that sugar, right by me, did look so nice, and my mistress's back was turned to me while she was fighting with her husband, so I just put my fingers in the sugar bowl to take one lump, and maybe she heard me, for she turned and saw me. -
A Higher Language: Novalis on Communion with Animals Author(S): Alice Kuzniar Source: the German Quarterly, Vol
A Higher Language: Novalis on Communion with Animals Author(s): Alice Kuzniar Source: The German Quarterly, Vol. 76, No. 4 (Autumn, 2003), pp. 426-442 Published by: Blackwell Publishing on behalf of the American Association of Teachers of German Stable URL: http://www.jstor.org/stable/3252241 Accessed: 28/11/2010 18:54 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=black. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Blackwell Publishing and American Association of Teachers of German are collaborating with JSTOR to digitize, preserve and extend access to The German Quarterly. http://www.jstor.org ALICEKUZNIAR University of North Carolina-ChapelHill A Higher Language: Novalis on Communion with Animals Around 1800 Philipp Otto Runge fash- How is it that the dog can be emblematicfor ionedwith scissorsand paper a doggazingup human longing?Does it mean that animals at a full moon.Significantly, the dogholds his share in mankind'sintimations of a higher mouth closed,as if,were he to howl,we might being or immortality?Or is the anthropo- think him a wolf in the wild. -
9. Gundolf's Romanticism
https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0. -
Promises and False Hopes: Poetic Prose and the Questionable Identities of the Narrator in Jean Paul Richter's "German Novels"
WULF K OEPKE Promises and False Hopes: Poetic Prose and the Questionable Identities of the Narrator in Jean Paul Richter's "German Novels" N THE SECOND EDITION OF HIS treatise on poetics, Vorscbule I der Asthetik (1813), Jean Paul Richter introduced a classification of narrative fiction based on his own works, and using analogies from the visual arts.' He called it "Der poetische Geist in den drei Schulen der Romanenmaterie, der italienischen, der deutschen und niederlandischen" (The poetic spirit in the three schools of novel istic matter, the Italian, the German and the Dutch). By "matter" Richter meant both cultural content and style. Thus the Italian "school," like Italian paintings, idealizes and portrays conflicts and events in higher society, scenes of drama and tragedy, and of en thusiastic friendship and love; being the inveterate humorist, Rich ter could never do without comic and satirical interludes, but in his ultimate Italian novel Titan, even the humorist Schoppe meets with a tragic fate. Likewise, the "Dutch" stories take place in villages, and their protagonists are "Kii.uze, n odd characters with strange hobbies, typi cally teachers and Lutheran ministers, the prototype being the school master Wuz. Like genre paintings, these "low" Dutch stories are designed to evoke friendly smiles and laughter. The "German" sto ries, with no analogy in the arts, are located in the middle, socially ' jean Paul, Vorscbule der Astbetik, in Werke, 6 vols. (.i',iunich: Hanser Verlag, 1963) 5:253-57: Ihere is an excellent translation of the Vorscbule: Horn ojOberoll. jeall Paul Richter's School for Aesthetics, trans. -
Jean-Paul Sartre's Les Mots and the Nouvelles Autobiographies of Alain
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Jean-Paul Sartre's Les Mots and the Nouvelles autobiographies of Alain Robbe-Grillet, Nathalie Sarraute, and Marguerite Duras: a comparison Julie Driessen Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the French and Francophone Language and Literature Commons Recommended Citation Driessen, Julie, "Jean-Paul Sartre's Les Mots and the Nouvelles autobiographies of Alain Robbe-Grillet, Nathalie Sarraute, and Marguerite Duras: a comparison" (2005). LSU Doctoral Dissertations. 99. https://digitalcommons.lsu.edu/gradschool_dissertations/99 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JEAN-PAUL SARTRE’S LES MOTS AND THE NOUVELLES AUTOBIOGRAPHIES OF ALAIN ROBBE-GRILLET, NATHALIE SARRAUTE, AND MARGUERITE DURAS: A COMPARISON A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of French Studies by Julie Driessen B.S., Louisiana State University, 1997 M.A., Louisiana State University, 1999 December 2005 Table of