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Thalia Kalkipsakis,Ash Oswald | 92 pages | 01 Jun 2008 | St Martin's Press | 9780312346546 | English | New York, United States Catch Me If You Can: 5 Things Based On The True Story (& 5 Creative Liberties Taken)

Thus he cons his way on much free air travel. He explores cities throughout the U. In the course of these adventures, he makes a number of friends and girlfriends. Eventually, Abagnale uses his profits to advance a year's worth of rent in the city of River Bend. He whimsically claims to be a Doctor on his rental application. Consequently, he is befriended by a curious neighbor who happens to be a legitimate Doctor. Frank luckily bluffs his way through conversation about their medical schooling and backgrounds. At his first opportunity, he forges physician's credentials to supplement his cover. He claims to be on a long hiatus so as not to be offered employment in this field. At first, the local medical community members respect his preference for no work. Then a position opens for head of a hospital and they insist Frank is the best temporary fit, practically begging him to accept it. Frank resists due to the dangers involved if a fake Doctor ends up treating real patients. However, hospital administration continues to believe he just wants leisure time. They promise him he will not have to do much of anything while he is on the clock. Frank decides he can scarcely refuse. He is welcomed warmly by the staff and he comes up with tricks to improve his facade as he goes. For one, he memorizes medical terms he hears, then looks them up in private. For another, he fills out forms with mere scribbles after finding that doctors do not write legibly anyway. He also gets to know one Brenda Strong and enters a relationship, seeing something special in her. But the romance is overshadowed by his fear that the FBI may be getting closer every day to tracking him down. Uncomfortable delays transpire in the search for Frank's permanent successor, and he can not entirely avoid doctor duties. On one mortifying occasion, he is relieved that a tragedy is averted no thanks to him after he did not know what " blue baby " meant. He resolves to make an excuse and resign, but notes the extraordinary good luck when a replacement is finally found, for him. After relocating, he once again forges credentials and once again attracts the attention of professionals in the field he has chosen. This time, he poses as an attorney. That necessitates the toughest bluffs yet. It turns out that a favorite topic of real graduates from his fake alma mater, Harvard Law, is Harvard itself. As if it were fate, he is again implored to fill a job opening and has the hiring conditions finagled for him. One requirement is that he pass the state bar exam. He manages that honestly on the third try thanks to his wrong answers being highlighted and sent to him. When he resumes his pilot persona, he recruits his own fake airplane crew at a flight attendant school on pretense of needing advertising stills. As his confidence increases, so do the amounts on his forged checks. Occasionally, in narrating, Frank flashes forward to intel that supposedly comes later on about exactly how and when his acts of fraud become of interest to the FBI. At first, scattered investigations get a late start because Frank chose routing numbers that would make the checks take as long as possible to bounce. Later, an agent named Sean O'Riley is assigned to coordinate the detection of his identity and give pursuit. Throughout his escapades, Frank has some close calls. Once, the pilots he is with get ominous orders by radio to inspect his license and have him taken to an office for questioning. He never drops his pilot act, and the exact reason for his detention is never communicated, so he is simply let go. There's also one point at which investigators unwittingly have a face-to-face encounter with Frank. Keeping his cool, he flashes his wallet open and shut as if showing credentials, then acts like he is another member of law enforcement until he can make an inconspicuous exit from the scene. On another occasion, police have a chance to arrest him but lack grounds to do so for his known crimes. Instead, they invent a vagrancy charge and put him in a holding cell. A bondsman who goes by "Bail-Out" Bailey is admitted later. He sees no reason not to accept a wrongfully arrested vagrant as a client. Agent O'Riley arrives after Frank has exited and angrily informs Bailey that, having been paid by check, he has just become a fraud victim. Frank later takes measures to ensure that Bailey does actually get paid. Meanwhile, Frank's wanderlust extends to international horizons. He forges a passport, then flies to France and explores other parts of Europe. He continues his criminal pattern everywhere he goes. One day while grocery shopping, Frank finds himself surrounded by law enforcers holding him at gunpoint. He has a moment of genuine mortal terror because they bark contradictory surrender commands at him. He confirms which movements will not get him fired upon, and he submits to arrest. During the prisoner processing procedure, Frank makes a characteristically cunning claim of mistaken identity. This fails because the authorities have hard evidence of who he really is. He learns an eyewitness tipoff lead to his capture, but can only guess which of his former lovers it was who spotted and reported him. He serves a long sentence at Perpignan's prison, aghast at the subhuman living conditions typical for inmates. It's incredibly dark, cramped, and unsanitary. Guards harshly forbid him to even speak. The only sympathy he gets is from an embassy liaison who regrets there are no legal grounds to get Frank better treatment and from one official when the time comes to extradite him. Frank is transferred to Sweden. He notes the contrast between the gruff Frenchmen who have come to give over custody and the petite, female official who shows up to take it. He repeatedly expects harshness from the Swedish justice system but finds it all surprisingly lenient. His sentence seems to pass swiftly enough, but he supposes his future is bleak. He is to be extradited to the many countries where he is wanted, one after another. Italy is next, and he is told prison conditions there are as severe as those of France were. His survival in such captivity is not guaranteed. But then a rare decision is made sure to spark international protest for special extradition back to North America. What starts as cat and mouse becomes something akin to father and son. On Leonardo DiCaprio's 31st birthday, I have the pleasure of praising one of the finest actors working today. I didn't realize what I was seeing when that homeless boy showed up on 'Growing Pains'--a show not exactly known for the quality of its actors. And I didn't see much to like about "Titanic" except the excitement of watching the people evacuating and the ship sinking. Also, 'Romeo and Juliet' was just corny, with year-old dialogue in a modern setting. But if he could be nominated for his 'Aviator' performance, DiCaprio must be doing something right. And here he shows us what he is capable of. Especially when Frank Jr. The strange but enjoyable chemistry between these two characters goes a long way toward making this movie work. Frank Jr. Imagine what he could have accomplished if he had stayed on the right side of the law. But his life on the run was more fun to watch. , as popular as he is, can be commended for his willingness to play second banana for a change. And he did a fine job. and also made an impact here. I loved the old cars and the even older songs. The clip from '' was a nice touch. The theme song still gives me a craving for vanilla ice cream after nearly 30 years I didn't feel I had time to watch the new version. This was Oscar-caliber. Too bad the Academy Awards people didn't seem to agree. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Director: . Added to Watchlist. From metacritic. Halloween Movies for the Whole Family. The Leonardo DiCaprio Collection. Genre: Drama. Steven Spielberg. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Top Rated Movies Nominated for 2 Oscars. Jr. Tom Hanks Catch Me If You Can : Leonardo DiCaprio

However, one agent in particular served as the main basis for the character though he preferred his real name not be included in the film. has a brief cameo in the film as a high-class escort who falls victim to one of Frank's scams. Incredibly, this is an actual transaction that happened with Frank. In fact, the woman even went to the police and reported the fraud. After evading Carl and the other lawmen yet again, Frank heads to France and hides out in his mother's hometown. However, Carl finally catches up with him and convinces him to turn himself over to the French authorities. In reality, it was Frank's womanizing that finally got him captured. While in France, he was spotted by a flight attendant he once dated who informed the police. He was arrested by French authorities without any involvement from the FBI. After living his wild life as a criminal, Frank finds himself getting lonely and falls in love with a young nurse named Brenda . The two become engaged and Frank seems ready to settle down. Unfortunately, the authorities catch up with him. He confesses his crimes to Brenda and tries to convince her to run away with him, but she tries to turn him in. Though it wasn't a nurse who he fell for, Frank did meet a girl who he came close to marrying during his criminal years. After Carl finally catches Frank, hes thrown in French prison to answer for his various fraud crimes in that country. Carl visits Frank in prison to have him extradited to the United States. It's clear that prison hasn't been kind to Frank but he still has that con artist nature to him. Frank did indeed spend time in a French prison, and it was even harsher than was depicted in the film. After serving half a year, he was transferred to Sweden to serve time for his crimes there and was treated much more humanely. The ending credits reveal that Frank is real and has been married for 26 years, has three sons, lives in the Midwest and has maintained a friendship with Carl. He now earns millions of dollars as a bank security expert, has designed secure bank checks and has helped apprehend numerous counterfeiters. Jennifer Garner cameos as a call girl named Cheryl Ann. The real Frank Abagnale appears in a cameo as a French police officer arresting his character. Frank Abagnale sold the film rights to his autobiography in Two years later, they sold the rights to , who in turn sold the rights to producer Hall Bartlett. Bartlett and business partner Michael J. Lasky hired Steven Kunes to write the screenplay, but Bartlett died before the project found a distributor. At this stage, Harris and Sevigny left the film, but Gandolfini was still attached. During this negotiation period, Spielberg began to consider directing the film himself, eventually dropping projects such as and Memoirs of a Geisha. The search for Sevigny's replacement as Brenda Strong lasted months, but Amy Adams was eventually cast. Spielberg "loved" her tape, and producer Walter F. Parkes commented that she was "as fresh and honest as anyone we'd seen," which was an important element in the role. Christopher Walken was cast as Frank Abagnale, Sr. Martin Sheen played Roger Strong, as he had "intimidating presence". Spielberg wanted a French actress to portray Paula Abagnale to stay true to the facts. He asked for the help of , who was living in Paris, and he did tests with several actresses such as Nathalie Baye. Spielberg had seen Jennifer Garner on Alias and offered her a small role in the film. Filming was scheduled to begin in January , [7] but was pushed to February 7 in , California. DiCaprio reflected, "Scenes that we thought would take three days took an afternoon. Production moved to Orange, New Jersey and returned to for bank and courthouse scenes. Kennedy International Airport. Place Royale, within Old Quebec , stands in for Montrichard , and the church in the background of the arrest scene is Notre-Dame-des-Victoires. The film's soundtrack was released on December 10, by DreamWorks Records. The original score was composed and conducted by . Abagnale had little involvement with the film, but believed Spielberg was the only filmmaker who "could do this film justice," despite the various changes from real-life events. I've never met nor spoken to Steven Spielberg and I have not read the script. I prefer not to. I understand that they now portray my father in a better light, as he really was. Steven Spielberg has told the screenplay writer that he wants complete accuracy in the relationships and actual scams that I perpetrated. I hope in the end the movie will be entertaining, exciting, funny and bring home an important message about family, childhood and divorce". In a presentation for "Talks at " in November , Abagnale commented extensively about the accuracy of Spielberg's film. So when the media asked me what I thought about the movie, and what was right and what was wrong, I said: First of all I have two brothers and a sister; he portrayed me as an only child. In real life, my mother never remarried; there's a scene in the movie where she's remarried, and has a little girl. That didn't really happen. In real life I never saw my father after I ran away; in the movie they keep having him come back to Christopher Walken in the film. I escaped off the aircraft through the kitchen gallery where they bring the food and stuff onto the plane; and there they had me escape through the toilet. I thought he stayed very close to the story, but pretty much all of that. He was very concerned about being accurate, first of all because it was the first time he made a movie about a real person living. Second the Bureau had an information officer on the set for all the shooting of the entire film to make sure that what he said about the FBI So I thought he did a good job of staying very, very accurate at the movie. In addition, the real name of the actual FBI agent who tracked and later worked with Abagnale was Joseph Shea ; Abagnale has stated that because Shea did not want his name to be used in the film, his name was replaced with that of Carl Hanratty, a football player. Catch Me if You Can deals with themes of broken homes and troubled childhoods. Spielberg's parents divorced when he was a teenager, similar to Frank Abagnale's situation. In the film, Carl Hanratty is also divorced from his wife, who lives with their daughter in Chicago. Spielberg also wanted to create a film that sympathized with a crook. Joanna Kelly McNair Girl 1 Jonathan Dankner Student 1 as Jonathan Danker Maggie Mellin Teacher Thomas Kopache Principal Evans Margaret Travolta Davenport Jimmie F. Bartender Alex Hyde-White Kesner Lavalier Eugene Fleming Ticket Clerk Robert Ruth Hotel Manager Jennifer Manley Ashley James Morrison Pilot Robert Symonds Rosen Jennifer Kan Front Desk Clerk Kelly Hutchinson Young Female Teller Steve Witting Manager Wendy Worthington Receptionist Jane Bodle Patrick McCormack Auctioneer Brian Goodman Motel Owner Ray Proscia Salesman Sarah Lancaster Riverbend Woman Jill Matson-Sachoff Terry Joel Ewing Party Guy Ritchie Montgomery Young Doctor Jim Antonio Victor Griffith Angela Sorensen Party Girl Jonathan Brent Ashland Benita Krista Nall Emergency Nurse Shane Edelman Doctor Harris Andrew Meeks Young Patient Morgan Rusler Bar Examiner Dave Hager Judge Kyle Davis Kid Patrick Thomas O'Brien Hendricks as Patrick T. O'Brien Monica Deborah Kellner Debra Jo Mercedes Cornett Heather Miggy Robert Peters Secretary Malachi Throne Abe Penner Alfred Dennis Ira Penner Max Kerstein Penner Brother as Max J. Kerstein Donna Kimball Captain Oliver Stephen Dunham Pilot Brandon Keener Pilot Jasmine Jessica Anthony Little Girl Anthony Powers Female Teller Jeremy Howard Teen Waiter Jack Knight Man 3 Jamie Anderson Ilene Kam Heskin Candy Ana Maria Quintana Hotel Maid Gerald R. Blind Man Jamie Moss Young Man Jessica Collins Peggy Frank Abagnale Jr. French Policeman as Frank W. French Police Captain Mathieu Gaudreault French Police Guy-Daniel Tremblay French Police Paul Todd Maitre D' Jake Wagner Kid Ashley Cohen Party Twin Kelly Cohen Party Twin Ellis Hall Piano Player Fred Datig Co-Pilot Joe Garagiola Self Choir Francis Campeau Choir Antoine Drolet-Dumoulin Choir Simon Houle-Gauthier Choir Pascal Larouche Choir William Lauzon Choir Florent Legault Choir Jason McNally Choir Julien Normandeau Choir as Alexandre Pepin Nicolas Radeschi Choir Samuel St. Airport Passenger uncredited Nicole Andrews Hot Blonde uncredited John P. Baggage Handler uncredited Gina Aponte Flight attendant uncredited Ian Aronson Bellboy uncredited Michael Arthur Catch Me If You Can () - Full Cast & Crew - IMDb

Real Quick. We want to hear what you have to say but need to verify your email. Please click the link below to receive your verification email. Cancel Resend Email. Add Article. Catch Me if You Can Critics Consensus With help from a strong performance by Leonardo DiCaprio as real- life wunderkind con artist Frank Abagnale, Steven Spielberg crafts a film that's stylish, breezily entertaining, and surprisingly sweet. See score details. Rate And Review Submit review Want to see. Super Reviewer. Rate this movie Oof, that was Rotten. What did you think of the movie? Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your account against an email address associated with a Fandango ticket purchase for the same movie. How did you buy your ticket? View All Videos 1. View All Photos Movie Info. Frank Abagnale, Jr. Leonardo DiCaprio worked as a doctor, a lawyer, and as a co-pilot for a major airline -- all before his 18th birthday. A master of deception, he was also a brilliant forger, whose skill gave him his first real claim to fame: At the age of 17, Frank Abagnale, Jr. Steven Spielberg. Walter F. Parkes , Steven Spielberg. Jeff Nathanson. Aug 1, Leonardo DiCaprio Frank W. Christopher Walken Frank Abagnale, Sr. Martin Sheen Roger Strong. Nathalie Baye Paula Abagnale. Amy Adams Brenda Strong. Jack Barnes. Brian Howe Earl Amdursky. Tom Fox. Steve Eastin Paul Morgan. Steven Spielberg Director. Jeff Nathanson Screenwriter. Frank Abagnale Jr. Writer Book. Stan Redding Writer Book. Parkes Producer. Steven Spielberg Producer. Barry Kemp Executive Producer. Laurie MacDonald Executive Producer. Michel Shane Executive Producer. Anthony Romano Executive Producer. June 24, Full Review…. March 7, Full Review…. November 7, Full Review…. August 31, Full Review…. View All Critic Reviews Sep 28, Catch Me If You Can is great for an evening's entertainment in a large group e. It is light, clever, comical, and a bit suspenseful. The acting and shooting are as you'd expect nicely done. It is the type of movie that everyone can enjoy and few are likely to be disinterested or hate it. The reason why I did not rate it higher is because it is so light and the plotting is weak. I never felt the impact that separates the experience of movies from that of television. The best parts of the film were the scenes with the father, which showed the rest could have been a bit more. Robert B Super Reviewer. Jun 01, In my review of Indiana Jones and the Temple of Doom, I spoke about the misconception that darker films are inherently better or more substantial. If Steven Spielberg's film demonstrates that darkness can severely backfire in stories of a light or silly nature, we might logically assume that the opposite is true - namely that a serious or in this case factual subject matter can be handled in a fun, light-hearted way while still getting its substance across. It takes the potentially grim and gritty subject matter of confidence tricksters and spins us a merry yarn about the excesses of youth whose protagonist is always empathetic. While it perhaps doesn't go as far into its subject matter as perhaps it could have done, it's still a sterling piece of entertainment with a lot of heart behind it. Catch Me If You Can has an interesting production history, in which any one change could have drastically altered the finished product. Having been passed around the studios for 20 years since the book rights were first optioned in , the project began to gain traction in when signed on to direct. In each case, the director's subsequent output gives us some idea of how they would have approached Abagnale's story. Fincher would have brought an edgy undercurrent to proceedings, focussing on the mental state of Abagnale and the ease with which he was able to fool the system. Verbinski would have handled the story incompetently while doing some justice to the period detail, just as he would later do with Pirates of the Caribbean. Both Hallstrom and Crowe would have made things much more sentimental, playing up the father-son relationship at the expense of the actual cons. And Forman In the end, Spielberg was the right person to direct this film. Regardless of his reputation or the influence he wields over the industry, the story of Catch Me If You Can is perfect for his sensibility. It has many of the elements which have characterised his best work: light-hearted adventure, a celebration of American values, a son searching for his father and a dry, often joyous sense of humour. While direct comparisons with Indiana Jones are a little misleading, this is as close as he's come to Indy for some time, at least in terms of entertainment. The first big success of Spielberg's film is putting us in the period. The opening credits are quintessentially s, with animated versions of the characters dancing out of the way of the various names. John Williams' score is playful and upbeat but with a whistful undercurrent, bringing to mind the iconic theme music for the Pink Panther series. While Monsters, Inc. The good visual work continues after the credits with some lovely period details. Janusz Kami? Having been a teenager in the early- and mids, Spielberg clearly has a firm understanding of the fashions, manners and institutions of the period. No skirt seems too short, no car too modern, and no expression out of context or added purely to make the characters seem old-fashioned. He'd expressed an interest in doing so after , with George Lucas pitching the original idea for as "better than James Bond". The film is fantastically paced so that two-and-a-half hours just fly by, with the thrill of the chase being beautifully balanced by more thoughtful and suspensful moments. It would be foolish, however, to think that Catch Me If You Can was all about surface, with no deeper ambitions other than recreating the period setting or providing a thrilling chase. Arguably the best thing about Spielberg is his ability to convey meaningful, often complex ideas through scenes and stories which appear to be totally frivolous. In this instance, he returns to one of his familiar themes of a father-son relationship, using a familiar device in his work to tease out the deeper motivations behind Abagnale's tomfoolery. Much like E. In the midst of Frank's great capers, which con honest people out of millions of dollars, we get scenes of Frank having often torturous discussions with his father, whose fortunes decline as Frank's rise. These meetings are a device on Spielberg's part: in reality, Abagnale never saw his father again after leaving home at But the change comes with the blessing of the real-life Abagnale: even at the height of his exploits, he would fantasise about his parents getting back together. Frank begins conning as an act of determined rebellion against the old order. He sees his father, an upstanding pillar of the community, suffering as he goes through life doing things the right way; as much as he loves his father, he resolves never to end up like him. There's a through-line with Goodfellas here, with both films justifying their protagonists' illegal lifestyles on the grounds that living a legitimate life causes more trouble and unnecessary effort. Equally, there's a comparison with Death of a Salesman, with Leonardo DiCaprio standing in for Biff and Christopher Walken doing a very fine job in the tragic role akin to that of Willy Loman. But while 's film was deeply ironic and sought to deglamourise the life of Henry Hill, Spielberg actively courts our sympathy for Frank's actions. Spielberg commented in interviews that people were "more trusting" in the s and that the film wouldn't be deemed instructional to con artists of today. While this latter statement is definitely true, there's no denying that the film is far more sympathetic towards Frank than it is towards the FBI agent hunting him down. Carl Hanratty is depicted as being like Frank's dad: seperated from his wife, driven by work, doing his best but still on the losing side until the end. We might dispute the value of being so sympathetic, given the differing intentions of the stories and the nature of their protagonists. It explains the cons in enough detail for us to follow, but it always puts the thrill of the chase over a deeper examination of how Frank managed to pull off any one scheme. While there is an awful lot of pleasure to be mined from just following the chase, there are moments in the film when we are conscious of Spielberg substituting depth for something less enticing. There's no issue at all with Frank seeing his father on a regular basis, but the fact that he keeps running into Carl on Christmas Eve is so contrived that even Frank Capra wouldn't touch it. Likewise, the ending drags a little, with Frank attempting one last escape in the midst of coming to work for the FBI. Had this section been trimmed, the film might not have needed the end cards explaning Abagnale's actions after reforming. Ultimately, these problems are allayed or rendered somehow less important through the charm of the central performances. Choir Florent Legault Choir Jason McNally Choir Julien Normandeau Choir as Alexandre Pepin Nicolas Radeschi Choir Samuel St. Airport Passenger uncredited Nicole Andrews Hot Blonde uncredited John P. Baggage Handler uncredited Gina Aponte Flight attendant uncredited Ian Aronson Bellboy uncredited Michael Arthur Airport Cop uncredited David Austin Party Guy uncredited Drennan Baker Pool Guest uncredited Lee Baker Resort Guest uncredited Jessica Bassman Nurse Bassman uncredited Joe Beaudin Bank Manager uncredited Honor Blackman Pussy Galore archive footage uncredited Barry Blueian Head Waiter uncredited Ray Buffer Passenger uncredited G. Larry Butler Bar Patron uncredited Gary Castro Churchwell Medical Intern uncredited Jillian Clare Missy uncredited Joshua Collins Student uncredited Ty Copeman Airline Pilot uncredited Mark Correy Funny Doctor uncredited Sabrina Culver Flight Attendant uncredited David J. Businessman uncredited Cam Deaver Waiter uncredited Johnny Drocco Airplane Passenger uncredited Wade Eck Classic Car Driver uncredited Fabrizio Fante Businessman uncredited Brian Reed Garvin Bar Patron 1 uncredited Tiffany Glass Mason uncredited Melissa Gribbon Stewardess uncredited Jason Grutter Pool Party Guy uncredited Glen Hambly Hotel Clerk uncredited Katie Harker Airline Stuart uncredited Jesse Heiman Student uncredited Rebecca Hirschfeld College Girl uncredited Ryan Izay Student uncredited Casey Kern Bank Teller uncredited Cyrus King Connelly uncredited Charlotte Kyle Party Guest uncredited Pablo Lewin Student uncredited Cari Lucas Student Stewardess uncredited Beverly Lynne Pool Guest uncredited Karrie MacLaine Stewardess uncredited Pete Macnamara Nurse Brown uncredited Charles McClelland Airline Passenger uncredited Paul McMichael Airport traveler uncredited Christopher Metas Waiter uncredited Altara Michelle Snarky French Student uncredited Summer Moore Swimmer uncredited Ben Northenor Party Guest uncredited Alden Olmsted Girl uncredited Nick Pellegrino Bikini Girl uncredited Jeffrey Pritz Co-Pilot uncredited Tara Rice Party Guest uncredited Cali T. Airline Passenger uncredited Lidia Sabljic Pan Am Stewardess uncredited Corinne Saffell Stewardess uncredited Larry Sherman Cab driver uncredited Andy Signore Pedestrian uncredited Kim Sky Little Girl's Mother uncredited Max Spielberg Kid in Plane uncredited Jeffrey Squire Johnny uncredited Jimmy Star Airline Passenger uncredited Jacki Tenerelli Flight Attendant uncredited Rando Thomas Airline Pilot uncredited Clyde Tull Hotel Guest uncredited Larry Vigus Mary uncredited Jamie Wax Bellhop uncredited Sean Welch Co-Pilot uncredited Dared Wright Beautiful Girl uncredited Richard Yett Prison Guard uncredited Hilary Rose Zalman Pan Am Girl uncredited Nick Zano Blondell Milton Buras Elliott Dorothy D. DiCaprio Linda Grimes Grimes Johanne Paiement Hanks Gary Archer Venghaus Jr. Charles Charles A. Falconer Ralph Fierro Fierro Chela Fiorini Glenn Brenner Hugh Harris Martens Randy Martens Moore Elaine O'Donnell Root Doris Simard Stanwyck E. Shepherd Stevenson Tyler Jason Vanover O'Mara Robert Renga Wolowic Derek Casari Inferno artist: Asylum Brandon Criswell Burke Ronald Burke Eng Kevin Erb Gaal Eames Gagnon Gilleran Paul Hazard Lukas Victor Macias Moore Robert W. Prate Mathieu Price Harrison III Hanks Marie-Etienne Bessette Eiben Suzanne Flores Flores Anthony Franco Hoffman April Krueger McMullan Guy Miracle Fahlgren Mark George Gillard Clark Joe Cosentino Keefe Steve Larson Larry Michael Esteban Munoz Share Carlo Solano Solano John Spaccarelli Young Jr. Morris Aroesti Abagnale Nellie Adami Parkes Bobbie Blyle Spielberg Daniel Myers Boone Kemp Kayce Brown DiCaprio Jennifer Clark Clark Demelza Cronin DiCaprio Jerry Dixon Fine James Flemming Hanks as Erik Frye Gary Gingold MacDonald James Hinton

Catch Me If You Can () - Rotten Tomatoes

Baggage Handler uncredited Gina Aponte Flight attendant uncredited Ian Aronson Bellboy uncredited Michael Arthur Airport Cop uncredited David Austin Party Guy uncredited Drennan Baker Pool Guest uncredited Lee Baker Resort Guest uncredited Jessica Bassman Nurse Bassman uncredited Joe Beaudin Bank Manager uncredited Honor Blackman Pussy Galore archive footage uncredited Barry Blueian Head Waiter uncredited Ray Buffer Passenger uncredited G. Larry Butler Bar Patron uncredited Gary Castro Churchwell Medical Intern uncredited Jillian Clare Missy uncredited Joshua Collins Student uncredited Ty Copeman Airline Pilot uncredited Mark Correy Funny Doctor uncredited Sabrina Culver Flight Attendant uncredited David J. Businessman uncredited Cam Deaver Waiter uncredited Johnny Drocco Airplane Passenger uncredited Wade Eck Classic Car Driver uncredited Fabrizio Fante Businessman uncredited Brian Reed Garvin Bar Patron 1 uncredited Tiffany Glass Mason uncredited Melissa Gribbon Stewardess uncredited Jason Grutter Pool Party Guy uncredited Glen Hambly Hotel Clerk uncredited Katie Harker Airline Stuart uncredited Jesse Heiman Student uncredited Rebecca Hirschfeld College Girl uncredited Ryan Izay Student uncredited Casey Kern Bank Teller uncredited Cyrus King Connelly uncredited Charlotte Kyle Party Guest uncredited Pablo Lewin Student uncredited Cari Lucas Student Stewardess uncredited Beverly Lynne Pool Guest uncredited Karrie MacLaine Pan Am Stewardess uncredited Pete Macnamara Nurse Brown uncredited Charles McClelland Airline Passenger uncredited Paul McMichael Airport traveler uncredited Christopher Metas Waiter uncredited Altara Michelle Snarky French Student uncredited Summer Moore Swimmer uncredited Ben Northenor Party Guest uncredited Alden Olmsted Girl uncredited Nick Pellegrino Bikini Girl uncredited Jeffrey Pritz Co-Pilot uncredited Tara Rice Party Guest uncredited Cali T. Airline Passenger uncredited Lidia Sabljic Pan Am Stewardess uncredited Corinne Saffell Stewardess uncredited Larry Sherman Cab driver uncredited Andy Signore Pedestrian uncredited Kim Sky Little Girl's Mother uncredited Max Spielberg Kid in Plane uncredited Jeffrey Squire Johnny uncredited Jimmy Star Airline Passenger uncredited Jacki Tenerelli Flight Attendant uncredited Rando Thomas Airline Pilot uncredited Clyde Tull Hotel Guest uncredited Larry Vigus Mary uncredited Jamie Wax Bellhop uncredited Sean Welch Co-Pilot uncredited Dared Wright Beautiful Girl uncredited Richard Yett Prison Guard uncredited Hilary Rose Zalman Pan Am Girl uncredited Nick Zano Blondell Milton Buras Elliott Dorothy D. DiCaprio Linda Grimes Grimes Johanne Paiement Hanks Gary Archer Venghaus Jr. Charles Charles A. Falconer Ralph Fierro Fierro Chela Fiorini Glenn Brenner Hugh Harris Martens Randy Martens Moore Elaine O'Donnell Root Doris Simard Stanwyck E. Shepherd Stevenson Tyler Jason Vanover O'Mara Robert Renga Wolowic Derek Casari Inferno artist: Asylum Brandon Criswell Burke Ronald Burke Eng Kevin Erb Gaal Eames Gagnon Gilleran Paul Hazard Lukas Victor Macias Moore Robert W. Prate Mathieu Price Harrison III Hanks Marie-Etienne Bessette Eiben Suzanne Flores Flores Anthony Franco Hoffman April Krueger McMullan Guy Miracle Fahlgren Mark George Gillard Clark Joe Cosentino Keefe Steve Larson Larry Michael Esteban Munoz Share Carlo Solano Solano John Spaccarelli Young Jr. Morris Aroesti Abagnale Nellie Adami Parkes Bobbie Blyle Spielberg Daniel Myers Boone Kemp Kayce Brown DiCaprio Jennifer Clark Clark Demelza Cronin DiCaprio Jerry Dixon Fine James Flemming Hanks as Erik Frye Gary Gingold MacDonald James Hinton Parkes Linden Johnson Spielberg, Los Angeles Tilu Khalayi MacDonald Thomas Krueger Spielberg as Kristie Macosko Rachel Maness Hanks Eric Medina DiCaprio Elizabeth Muxi Spielberg, Los Angeles Gregory J. Production moved to Orange, New Jersey and returned to Brooklyn for bank and courthouse scenes. Kennedy International Airport. Place Royale, within Old Quebec , stands in for Montrichard , and the church in the background of the arrest scene is Notre-Dame-des-Victoires. The film's soundtrack was released on December 10, by DreamWorks Records. The original score was composed and conducted by John Williams. Abagnale had little involvement with the film, but believed Spielberg was the only filmmaker who "could do this film justice," despite the various changes from real-life events. I've never met nor spoken to Steven Spielberg and I have not read the script. I prefer not to. I understand that they now portray my father in a better light, as he really was. Steven Spielberg has told the screenplay writer Jeff Nathanson that he wants complete accuracy in the relationships and actual scams that I perpetrated. I hope in the end the movie will be entertaining, exciting, funny and bring home an important message about family, childhood and divorce". In a presentation for "Talks at Google" in November , Abagnale commented extensively about the accuracy of Spielberg's film. So when the media asked me what I thought about the movie, and what was right and what was wrong, I said: First of all I have two brothers and a sister; he portrayed me as an only child. In real life, my mother never remarried; there's a scene in the movie where she's remarried, and has a little girl. That didn't really happen. In real life I never saw my father after I ran away; in the movie they keep having him come back to Christopher Walken in the film. I escaped off the aircraft through the kitchen gallery where they bring the food and stuff onto the plane; and there they had me escape through the toilet. I thought he stayed very close to the story, but pretty much all of that. He was very concerned about being accurate, first of all because it was the first time he made a movie about a real person living. Second the Bureau had an information officer on the set for all the shooting of the entire film to make sure that what he said about the FBI So I thought he did a good job of staying very, very accurate at the movie. In addition, the real name of the actual FBI agent who tracked and later worked with Abagnale was Joseph Shea ; Abagnale has stated that because Shea did not want his name to be used in the film, his name was replaced with that of Carl Hanratty, a football player. Catch Me if You Can deals with themes of broken homes and troubled childhoods. Spielberg's parents divorced when he was a teenager, similar to Frank Abagnale's situation. In the film, Carl Hanratty is also divorced from his wife, who lives with their daughter in Chicago. Spielberg also wanted to create a film that sympathized with a crook. He explained, "Frank was a 21st century genius working within the innocence of the mid '60s, when people were more trusting than they are now. I don't think this is the kind of movie where somebody could say, 'I have a career plan. DreamWorks was careful to market the film as "inspired by a true story" to avoid controversy similar to that surrounding A Beautiful Mind and The Hurricane , both of which deviated from history. Segments were shown on December 29, , and January 1, , as promotion. Minority Report also directed by Spielberg was tenth highest. The site's critical consensus reads: "With help from a strong performance by Leonardo DiCaprio as real-life wunderkind con artist Frank Abagnale, Steven Spielberg crafts a film that's stylish, breezily entertaining, and surprisingly sweet. heavily praised DiCaprio's performance, and concluded "This is not a major Spielberg film, although it is an effortlessly watchable one. The colorful cinematography, smart performances and brisk tempo suggest a filmmaker subordinating every other impulse to the task of manufacturing pleasure. A film that took off like a hare on speed ends like a winded tortoise. From Wikipedia, the free encyclopedia. This article is about the film. Theatrical release poster. Steven Spielberg Walter F. Release date. Running time. I know that Hollywood has made a number of changes to the story, but I am honored that Steven Spielberg, Leonardo DiCaprio and Tom Hanks participated in the making of the movie inspired by my life. It is important to understand that it is just a movie, not a biographical documentary. British Board of Film Classification. December 13, Retrieved February 13, Internet Movie Database. Retrieved July 3, The Huffington Post. Retrieved January 29, Archived from the original on February 16, Retrieved June 30, Retrieved June 29, Retrieved July 1, Retrieved January 8, December 12, November 27, Retrieved July 17, Retrieved October 24, December 18, Archived from the original on September 2, Archived from the original on March 22, Retrieved September 29, The Numbers. Box Office Mojo. Rotten Tomatoes. Chicago Sun-Times. San Francisco Chronicle. The Washington Post. .

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