Series Catalogue 2003
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Towards an Understanding of the Contemporary Artist-Led Collective
The Ecology of Cultural Space: Towards an Understanding of the Contemporary Artist-led Collective John David Wright University of Leeds School of Fine Art, History of Art and Cultural Studies Submitted in accordance with the requirements for the degree of Doctor of Philosophy December 2019 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of John David Wright to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 1 Acknowledgments Thank you to my supervisors, Professor Abigail Harrison Moore and Professor Chris Taylor, for being both critical and constructive throughout. Thank you to members of Assemble and the team at The Baltic Street Playground for being incredibly welcoming, even when I asked strange questions. I would like to especially acknowledge Fran Edgerley for agreeing to help build a Yarn Community dialogue and showing me Sugarhouse Studios. A big thank you to The Cool Couple for engaging in construcutive debate on wide-ranging subject matter. A special mention for all those involved in the mapping study, you all responded promptly to my updates. Thank you to the members of the Retro Bar at the End of the Universe, you are my friends and fellow artivists! I would like to acknowledge the continued support I have received from the academic community in the School of Fine Art, History of Art and Cultural Studies. -
The United Nations' Political Aversion to the European Microstates
UN-WELCOME: The United Nations’ Political Aversion to the European Microstates -- A Thesis -- Submitted to the University of Michigan, in partial fulfillment for the degree of HONORS BACHELOR OF ARTS Department Of Political Science Stephen R. Snyder MARCH 2010 “Elephants… hate the mouse worst of living creatures, and if they see one merely touch the fodder placed in their stall they refuse it with disgust.” -Pliny the Elder, Naturalis Historia, 77 AD Acknowledgments Though only one name can appear on the author’s line, there are many people whose support and help made this thesis possible and without whom, I would be nowhere. First, I must thank my family. As a child, my mother and father would try to stump me with a difficult math and geography question before tucking me into bed each night (and a few times they succeeded!). Thank you for giving birth to my fascination in all things international. Without you, none of this would have been possible. Second, I must thank a set of distinguished professors. Professor Mika LaVaque-Manty, thank you for giving me a chance to prove myself, even though I was a sophomore and studying abroad did not fit with the traditional path of thesis writers; thank you again for encouraging us all to think outside the box. My adviser, Professor Jenna Bednar, thank you for your enthusiastic interest in my thesis and having the vision to see what needed to be accentuated to pull a strong thesis out from the weeds. Professor Andrei Markovits, thank you for your commitment to your students’ work; I still believe in those words of the Moroccan scholar and will always appreciate your frank advice. -
Horse-Handling in Shakespeare's Poems And
HORSE-HANDLING IN SHAKESPEARE’S POEMS AND RENAISSANCE CODES OF CONDUCT by Jonathan W. Thurston Master of Arts in English Middle Tennessee State University December 2016 Thesis Committee: Dr. Marion Hollings, Chair Dr. Kevin Donovan, Reader To Temerita, ever faithful. ii ACKNOWLEDGMENTS After the many hours, days, weeks, and months put into the creation of this thesis, I am proud to express my sincere gratitude to the people who have helped to shape, mold, and inspire the project. First, I owe innumerable thanks to Dr. Marion Hollings. This project started after our first meeting, at which time we discussed the horses of Shakespeare. Gradually, under her tutelage, the thesis was shaped into its current scope and organization. I have occupied her time during many an office hour and one coffee shop day out, discussing the intricacies of early modern equestrianism. She has been a splendid, committed, and passionate director, and I have learned a tremendous amount from her. Second, I would like to thank Dr. Kevin Donovan for his commitment to making the project as sharp and coherent as possible. His suggestions have proven invaluable, and his insight into Shakespearean scholarship has helped to mold this thesis into a well- researched document. Other acknowledgments go out to Dr. Lynn Enterline for teaching me the importance of understanding Italian and Latin for Renaissance texts; the Gay Rodeo Association for free lessons in equestrianism that aided in my embodied phenomenological approach; Sherayah Witcher for helping me through the awkward phrases and the transportation to campus to receive revisions of the drafts; and, finally, Temerita, my muse. -
Volume-5, Issue-3, August-2018 ISSN No: 2349-5677
Volume-5, Issue-3, August-2018 ISSN No: 2349-5677 BUSINESS CYCLES SYNCHRONIZATION: THE CASE OF EUROPEAN MICROSTATES Dapontas Dimitrios PhD. University of Peloponnese Kalavryta, Greece [email protected] Abstract The present paper is presenting the case of five European microstates (Andorra, Lichtenstein Malta, Monaco and San Marino) respectively under the spectral analysis framework we compare the larger business cycle frequencies deployed under our knowledge (58 years 1960- 2017) to a set of four sized neighboring countries (France, Italy. Spain and Switzerland) in order to define if the microstates cycles are synchronized due to country’s size, to adjoining country or possible participation on international organizations such as European Economic Area or European monetary Union. The results show that the link to the adjacent state is stronger than the one with the same acreage or possible union counterpart due to monetary and import dependence bonds. Index Terms—Microstate, balance of payments, monetary policy, spectral analysis. I. INTRODUCTION Europe has a long history of very small countries limited to geographic or demographic limitations. The term “microstate” though is not really clear. A definition given by Dumiensky (2014) can conclude that they are “Currently established and sovereign states who gave part of their authority to stronger and grater nations, in order to protect their economic, political and social prosperity and extend them out of their limited breadth. Under this framework we can name five microstates on the European continent (Malta, Monaco, Lichtenstein, San Marino and Andorra). The present manuscript is presenting the business cycles patterns for these countries answering some important questions related to the size and the importance of these countries to the international economic system. -
Report on the 2019 ASN (Association for the Study of Nationalities)
Report on the 2019 ASN (Association for the Study of Nationalities) Convention at the Columbia University in New York On Thursday, 2 May 2019, the Association for the Study of Nationalities national convention hosted a panel entitled “Imagining the Balkans in a Post‐Western Global Order” chaired by Francine Friedman(Ball State University). David Kanin (Johns Hopkins University) posed the premise that the West is in decline, meaning that we are currently living in the post‐Western global order. This is due to the permanent change of resources and influence such that the old powerful countries no longer hold the supreme position that they used to hold. The European project, based on the decline of the old European empires, is no longer feasible. The U.S. is in decline, but is in denial that Wester norms such as democracy and transparency are experiencing a loss of global importance and influence. The Balkans were useful as Western objects, but are now not so easily manipulable. The Balkans could not previously construct its own regional power and economic structure, and it still cannot. While Western influence will remain, it does not appear that the Balkans will en masse joint the European Union, or, if they do, it will be less to them than it could have been previously. The U.S. will seem further away from them than ever; the U.S. cannot get away with its mistakes like previously (i.e., we cannot any longer send many troops to try to mend a situation like we did, say, with Vietnam). The norms touted by the West will diminish before Western forms disappear, so that the norms will have less content to them. -
Pessoa's Antinous I
Pessoa’s Antinous J. D. Reed* Keywords Antinous, English poetry, Decadent poetry, Modernism, Fernando Pessoa. Abstract Pessoa’s Antinous follows a tradition of poems on mythological dying-god figures mourned by their divine lovers, transferring the tropes of that tradition to the Roman emperor Hadrian and his lover, who had been appropriated by fin-de-siècle literary homoeroticism. Palavras-chave Antinous, Poesia inglesa, Decadentismo, Modernismo, Fernando Pessoa. Resumo O Antinous (Antínoo) de Fernando Pessoa segue uma tradição de poemas sobre deuses mitológicos moribundos sendo lamentados por seus amantes divinos. Pessoa transfere os artifícios dessa tradição para duas personagens, o imperados romano Adriano e seu amante, o qual tinha sido apropriado pelo homoerotismo literário do fim do século XIX. * Professor of Classics and Comparative Literature, Brown University. Reed Pessoa's Antinous I. For the student of Classical reception, Pessoa’s Antinous (1918), with its picture of the Roman emperor Hadrian’s grief for his dead boyfriend, caps a roster of nineteenth-century English poems inspired by “dying god” figures, Greek mythological characters like Adonis, beloved by a powerful deity, lost objects of beauty.1 Examples are Shelley’s “Adonais,” his elegy on Keats under the guise of an Adonis-figure; Keats’s own “Endymion,” particularly the Adonis section; Swinburne’s take on the Tannhäuser legend, “Laus Veneris,” with its heated eroticism and hopeless roster of the vampiric Venus’ cast-off lovers. The “Epitaph on Adonis” of the ancient -
Professor of Classics and Comparative Literature ADDRESS
1 CURRICULUM VITAE: JOSEPH DUFFIELD REED 8 February 2018 POSITION: Professor of Classics and Comparative Literature ADDRESS: Department of Classics [email protected] Brown University [email protected] Macfarlane House 48 College Street Providence, RI 02912 EDUCATION: B.A. magna cum laude, Classics (Greek and Latin), May 1987, Yale College A.M., Classics, June 1991, Stanford University Non-degree, Keble College, Oxford, Fall 1991 Ph.D., Classics, June 1993, Stanford University FIELDS OF SCHOLARLY INTEREST: Special fields: Augustan poetry, Greek bucolic poetry, Adonis myth and cult General fields: Roman poetry, Hellenistic poetry, early modern Latin poetry ACADEMIC HONORS AND AWARDS: Friedrich Solmsen Fellow, Institute for Research in the Humanities, University of Wisconsin at Madison (1996-97) Mellon Postdoctoral Teaching-Research Fellow, Andrew D. White Center for the Humanities, Cornell University (1997-98) Fellow of the Fondazione Lorenzo Valla (since 2007) Director’s Guest, Civitella Ranieri (June 2016) TEACHING: Stanford University Teaching Fellow, Classics, 1991-93 The Ohio State University Instructor, Classics, 1993-96 Cornell University Mellon Teaching-Research Fellow, 1997-98 Hutton Assistant Professor, Classics, 1998-2001 2 The University of Michigan Assistant Professor of Greek and Latin, 2001-07 Associate Professor of Greek and Latin, 2007-09 Brown University Professor of Classics, from 2009 Professor of Comparative Literature, from 2010 Undergraduate teaching includes intermediate and advanced courses on Herodotus, Greek bucolic, Lucretius, Cicero, Catullus, Virgil, Horace, Ovid, Seneca; lecture courses on Roman Civilization, Greek and Roman literature, mythology, ancient epic, ancient novel; beginning Greek and Latin (including intensive courses) Graduate teaching includes seminars on Catullus, Virgil, Ovid, Latin Love Elegy, Hellenistic poetry, Bucolic poetry, the epyllion; Latin literature survey; Greek and Latin prose composition Dissertation Committees (Chair): K. -
EU Cooperation with Non-Member Neighboring Countries: the Principle of Variable Geometry
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Dabrowski, Marek Working Paper EU cooperation with non-member neighboring countries: The principle of variable geometry CASE Network Reports, No. 119 Provided in Cooperation with: Center for Social and Economic Research (CASE), Warsaw Suggested Citation: Dabrowski, Marek (2014) : EU cooperation with non-member neighboring countries: The principle of variable geometry, CASE Network Reports, No. 119, ISBN 978-83-7178-610-5, Center for Social and Economic Research (CASE), Warsaw This Version is available at: http://hdl.handle.net/10419/119875 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu Materials published here have a working paper character. They can be subject to further publication. -
An Analysis of Five European Microstates
Geoforum, Vol. 6, pp. 187-204, 1975. Pergamon Press Ltd. Printed in Great Britain The Plight of the Lilliputians: an Analysis of Five European Microstates Honor6 M. CATUDAL, Jr., Collegeville, Minn.” Summary: The mini- or microstate is an important but little studied phenomenon in political geography. This article seeks to redress the balance and give these entities some of the attention they deserve. In general, five microstates are examined; all are located in Western Europe-Andorra, Liechtenstein, Monaco, San Marino and the Vatican. The degree to which each is autonomous in its internal affairs is thoroughly explored. And the extent to which each has control over its external relations is investigated. Disadvantages stemming from its small size strike at the heart of the ministate problem. And they have forced these nations to adopt practices which should be of use to large states. Zusammenfassung: Dem Zwergstaat hat die politische Geographie wenig Beachtung geschenkt. Urn diese Liicke zu verengen, werden hier fiinf Zwergstaaten im westlichen Europa untersucht: Andorra, Liechtenstein, Monaco, San Marino und der Vatikan. Das Ma13der inneren und lul3eren Autonomie wird griindlich untersucht. Die Kleinheit hat die Zwargstaaten zu Anpassungsformen gezwungen, die such fiir groRe Staaten van Bedeutung sein k8nnten. R&sum& Les Etats nains n’ont g&e fait I’objet d’Btudes de geographic politique. Afin de combler cette lacune, cinq mini-Etats sent examines ici; il s’agit de I’Andorre, du Liechtenstein, de Monaco, de Saint-Marin et du Vatican. Dans quelle mesure ces Etats disposent-ils de l’autonomie interne at ont-ils le contrble de leurs relations extirieures. -
Bouhours, Dominique. B., A., Tr
BACHMANN philosophico. Regiomonti : typis Johannis Reusneri, 1665. [16]p. : 4°. Dur. B3 BACCHINI, Benedetto. De sistris, eorumque figuris, ac B differentia, ad ... D. Leonem Strozzam dissertatio. Jacobus Tollius dissertatiunculam & notulas adjecit. Trajecti ad Rhenum : ex officina Francisci Halma, 1696. 36p., 1 fold. plate : 4°. B***, le Père. See: Bouhours, Dominique. Dur. B4 B., A., tr. See: Baronius, Caesar. [Annales Ecclesiastici. BACCI, Andrea. De naturali vinorum historia de vinis Italiae Extract. English.] 1639. et de conuiuijs antiquorum libri septem ... accessit de — See: Baillet, Adrien. factitiis ac ceruisiis, de q3 Rheni, Galliae, Hispaniae, et de totius Europae vinis et de omni vinorum usu compendiaria — See: Buchner, August. tractatio. Romae : ex officina Nicholai Mutij, 1596, — See: Muschet, George. [colophon:] 1597. [28], ‘370’ [i.e. 362], [2]p. : ill. : 2°. B., C. H. D. P. D. E. T. See: Hersent, Charles. Engr. tp. Adams B4. B., F. See: Blackwell, Francis. Dur. Ex (tp imp). B5 B., G., D. D. See: Burnet, Gilbert, Bp. — Le XII. pietre pretiose le quali per ordine di Dio nella Santa B., H. See: Broughton, Hugh. legge, adornavano i vestimenti del sommo sacerdote. — See: Bullinger, Heinrich. Roma : appresso Bartolomeo Grassi: [colophon:] Nella stamparia di Vicenzo Accolti, 1587. 130p. : 4°. — See: Burton, Henry, Rector of St. Matthew’s. Ex. B6 B., H. L., ed. See: John, of Salisbury. Policraticus. 1595. BACCINATA. See: Pallavicino, Ferrante. Baccinata. 1644. B., I. See: Basire, Isaac. BACCON, Roger. See: Bacon, Roger. — See: Baudoin, Jean. BACHERIUS, Petrus, Dominican prior. Libelli duo in B., I., Disciple du généreux Verboquet. Ad dissertationem misoliturgos, hoc est, missae osores. Quorum prior de primogenitorum .. -
«Können Sie Denn Dergleichen Schreiben, Ohne in Wallung Zu Gerathen? Ich Nicht»
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Firenze University Press: E-Journals «Diciottesimo Secolo», anno III, 2018, pp. 205-227 ISSN 2531-4165. DOI 10.13128/ds-23073 «Können Sie denn dergleichen schreiben, ohne in Wallung zu gerathen? Ich nicht». A Commented Edition of an Unknown Letter of Baumgarten to Meier ALESSANDRO NANNINI ICUB, University of Bucharest ABSTRACT: In this article, I make available the transcription of a letter of Alexander Gottlieb Baumgarten to Georg Friedrich Meier, which has hitherto remained com- pletely unknown to commentators. After contextualizing the writing, I examine in particular the two most significant elements of the text: the King’s order to Meier to deliver a class on Locke and Baumgarten’s observations on the dispute with Gottsched. As for this aspect, I linger on the war declared to aesthetics, both as a term and as a concept, by Gottsched and his followers, so as to consider Baum- garten’s position in a wider theoretical framework. KEYWORDS: Baumgarten, Meier, Locke, Gottsched, Aesthetics. CORRESPONDING AUTHOR: [email protected] In the Bavarian State Library in Munich lies an autograph letter in German written by Alexander Gottlieb Baumgarten to an anonymous correspondent, dated 25th October 17541. Even the greeting formulas * This research has been made possible by a post-doctoral scholarship awarded by the Klassik Stiftung Weimar. My warmest thanks go to Angela Jahn, Franziska Bomski and Christian Pönitz, who all offered helpful support before, during, and after my research stay in Weimar in summer 2017. A debt of gratitude is owed to Professor Clemens Schwaiger for his generous comments and suggestions. -
The Lament for Adonis: Questions of Authorship
The Lament For Adonis: Questions Of Authorship The Lament for Adonis or Epitaphios Adonidos has since the mid-sixteenth century commonly been known as 'Bion 1'. In editions of Greek Bucolic it comes along with four long and four short poems allegedly by Moschus, a number of short poems or fragments by Bion of Smyrna, and a long fragment (32 lines) also since 1568 often attributed to him. This subcollection is sometimes conveniently called 'Minor Bucolic': 'minor' in relation to the much bulkier surviving work of Theocritus and 'bucolic' apparently only by association with him and through the clear reputation of Moschus and Bion in ancient times as bucolic writers. Editions of Minor Bucolic, i.e. Moschus and Bion published other than as an appendix to Theocritus (though sometimes combined with Callimachus, Musaeus, or 'the Nine Poetesses'), appeared in 1565 (Meetkercke, Bruges), 1568 (Orsini, Rome), 1655 (Whitford, London), 1686 (Longepierre, Paris), and then copiously in the eighteenth century; I count at least eight in the years 1746-1795. Since then, following the example of Ludolf Ahrens and August Meineke in the mid-nineteenth century, it has been the practice to re-attach Moschus and Bion to Theocritus,1 thus rein forcing the supposedly bucolic character of poems printed under their names. What is 'bucolic' about the Epitaphios Adonidos? or about Bion, will be ex amined in this paper, as will the correctness of its ascription to Bion of Smyrna, since such ascription has no ancient authority. The Epitaphios Adonidos (hereafter Ep. Ad) is transmitted to us in only two primary manuscripts, namely Vaticanus Graecus 1824 (= V) and Parisinus Graecus 2832 (=Tr).