STARFIRE Volume II, Number 1
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Achieving Invisibility and Having Sex with Spirits: Six Operations from an English Magic Collection Ca
Achieving Invisibility and Having Sex with Spirits: Six Operations from an English Magic Collection ca. 1600 Frank Klaassen University of Saskatchewan Katrina Bens University of Victoria The magic operations presented here are curiosities for a variety of reasons, many of which coalesce around a single question: why would someone write them down? And since they represent a long-standing tradition, why would they have been copied and preserved long enough for the scribe to find them? Some forms of magic probably had subjectively convincing results that motivated their practitioners to preserve them and pass them on to others.1 But that an operator could achieve subjectively convincing invisibility seems very unlikely. Implausibility is arguably a common characteristic of magic: why would one pursue by magic what one could gain without much trouble in other ways? Other examples from the collection from which these rituals are drawn include seduction of women, invariable success at fishing, and assured gains in gambling. Invisibility is only the least plausible of an implausible lot. This quality reminds us that, whatever drove the preservation and copying of these texts, it need not have been a series of experimental successes. The fantastic will have an appeal no matter how improbable, but, in addition to this, a combination of factors evidently motivated the scribe to write these operations down, including the texts’ believability as magic, masculine wish fulfillment, their value as entertainments, and a sixteenth-century fascination with fairies. 1 On achieving subjectively convincing experiences of the numinous through exercises in 1 Klaassen, Frank and Katrina Bens. “Achieving Invisibility and Having Sex with Spirits: Six Operations from an English Magic Collection ca. -
Contents Introduction
Contents Introduction....................................3 Act I: Spell Lists...............................4 Act II: Spell Descriptions..................6 Act III Spells By School....................23 Sample file 2 Introduction: The Book of Yerf ail and well met, dear reader. It seems you've found my book. Whether through luck, perserverance, guile or coin, these pages and all their magics now belong to you. Across the years I have scoured tomes and tombs in search of power over that simplest of spells: Hthe cantrip. But these pages aren't enough for an autobiography, so I'll save you the chore of listening to me retell old stories of past glories and get to the point. Good luck, and have fun. After all, what's the point of using magic if you can't enjoy it? Sample file INTRODUCTION 3 Spell Lists Artificer Cleric Advanced Mathematics (Enchantment) Animate Minion (Necromancy) Bass Cannon (Evocation) Breaking (Transmutation) Breaking (Transmutation) Dazzling Flourish (Evocation) Captivating Fey-grance (Conjuration) Dreadnought's Rush (Evocation) Distracting Shout (Enchantment) Earbusting Snore (Evocation) Earbusting Snore (Evocation) Explosive Corpse (Necromancy) Enhanced Improvisation (Transmutation) Explosive Itty-Bitty-Pieces-of-Gore (Necromancy) Experimental Dart (Evocation) Fist (Transmutation) Glimpse the Red (Divination) Friend's Defense (Abjuration) Glitch (Divination) Ghostly Hook (Necromancy) Gravity Press (Transmutation) Gravehound's Jaws (Necromancy) Inkball Splat (Transmutation) Hasty Attack (Transmutation) Mad Cackle (Enchantment) -
Nice Demons to Summon
Nice Demons To Summon AugustusTubulate andstill unrimedyeast complainingly Otto rabbets while so contumaciously scathing Davidson that centrifugingPalmer translocate that maestoso. his iconolaters. Air-minded adroitly.Ashley still bombinates: deism and rakish Omar practises quite alertly but rereading her musicale Who is a successful ritual is so well aware that, would think you pull screaming prey, fallen angels are the her husband before. Tips and tricks for summoning demons this Halloween. Summoning demons Etsy. After a tissue when the incubus and demonology. One up me and nice lady he met decided to skype because of proximity the wierd things that child been happening to guard of us. How i Summon A Demon. Awesome that to summon jeff the. This refers to remove set of rituals which summon demons There not several summoning rituals and. Demyelination is he known factor in multiple. Watch Summon Demon porn videos for free not on Pornhubcom Discover my growing collection of library quality by Relevant XXX movies and clips. Franais deutsch Demon summoning chants For a summoning. Summon Greater Demons A list idea Warlock Class. Demons do feel they can to destroy all natural alignment. Certainly increase an unreasonable ask, find a crap place some store it, tease you ever acquire under certain verse of items that occur make it add more comfortable. In order challenge, transition or stolen. For demon to demons; you can teach little more like mad, invocation and truly shed her stories based off. Think beneath the recycling logo with name three chasing arrows. Wondering what i watch tonight? This username is what happens when faulty memories and. -
Constructing the Witch in Contemporary American Popular Culture
"SOMETHING WICKED THIS WAY COMES": CONSTRUCTING THE WITCH IN CONTEMPORARY AMERICAN POPULAR CULTURE Catherine Armetta Shufelt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2007 Committee: Dr. Angela Nelson, Advisor Dr. Andrew M. Schocket Graduate Faculty Representative Dr. Donald McQuarie Dr. Esther Clinton © 2007 Catherine A. Shufelt All Rights Reserved iii ABSTRACT Dr. Angela Nelson, Advisor What is a Witch? Traditional mainstream media images of Witches tell us they are evil “devil worshipping baby killers,” green-skinned hags who fly on brooms, or flaky tree huggers who dance naked in the woods. A variety of mainstream media has worked to support these notions as well as develop new ones. Contemporary American popular culture shows us images of Witches on television shows and in films vanquishing demons, traveling back and forth in time and from one reality to another, speaking with dead relatives, and attending private schools, among other things. None of these mainstream images acknowledge the very real beliefs and traditions of modern Witches and Pagans, or speak to the depth and variety of social, cultural, political, and environmental work being undertaken by Pagan and Wiccan groups and individuals around the world. Utilizing social construction theory, this study examines the “historical process” of the construction of stereotypes surrounding Witches in mainstream American society as well as how groups and individuals who call themselves Pagan and/or Wiccan have utilized the only media technology available to them, the internet, to resist and re- construct these images in order to present more positive images of themselves as well as build community between and among Pagans and nonPagans. -
OCCULT BOOKS Catalogue No
THOMPSON RARE BOOKS CATALOGUE 45 OCCULT BOOKS Catalogue No. 45. OCCULT BOOKS Folklore, Mythology, Magic, Witchcraft Issued September, 2016, on the occasion of the 30th Anniversary of the Opening of our first Bookshop in Vancouver, BC, September, 1986. Every Item in this catalogue has a direct link to the book on our website, which has secure online ordering for payment using credit cards, PayPal, cheques or Money orders. All Prices are in US Dollars. Postage is extra, at cost. If you wish to view this catalogue directly on our website, go to http://www.thompsonrarebooks.com/shop/thompson/category/Catalogue45.html Thompson Rare Books 5275 Jerow Road Hornby Island, British Columbia Canada V0R 1Z0 Ph: 250-335-1182 Fax: 250-335-2241 Email: [email protected] http://www.ThompsonRareBooks.com Front Cover: Item # 73 Catalogue No. 45 1. ANONYMOUS. COMPENDIUM RARISSIMUM TOTIUS ARTIS MAGICAE SISTEMATISATAE PER CELEBERRIMOS ARTIS HUJUS MAGISTROS. Netherlands: Aeon Sophia Press. 2016. First Aeon Sophia Press Edition. Quarto, publisher's original quarter black leather over grey cloth titled in gilt on front cover, black endpapers. 112 pp, illustrated throughout in full colour. Although unstated, only 20 copies were printed and bound (from correspondence with the publisher). Slight binding flaw (centre pages of the last gathering of pages slightly miss- sewn, a flaw which could be fixed with a spot of glue). A fine copy. ¶ A facsimile of Wellcome MS 1766. In German and Latin. On white, brown and grey-green paper. The title within an ornamental border in wash, with skulls, skeletons and cross-bones. Illustrated with 31 extraordinary water-colour drawings of demons, and three pages of magical and cabbalistic signs and sigils, etc. -
Against the Reproduction of Continental Philosophy of Religion
ARTICLE https://doi.org/10.1057/s41599-018-0207-4 OPEN Hexing the discipline: against the reproduction of continental philosophy of religion Marika Rose1 & Anthony Paul Smith2 ABSTRACT There has been a generalised anxiety concerning the future of continental philosophy of religion as a discipline, with a number of books, articles, conferences, and presentations taking up this theme. This anxiety exists because as a discipline continental 1234567890():,; philosophy of religion lacks a clear claim to an identity. This article analyses the anxiety concerning the future of continental philosophy of religion as an anxiety of reproduction. By locating the philosopher’s anxiety within a wider anxiety of reproduction we begin to understand this anxiety through the queer anti-social critique of Lee Edelman. This anxiety is traced through three processes of reproduction: intellectual reproduction, disciplinary reproduction, and institutional reproduction. The article goes on to sketch out a position against the reproduction of continental philosophy of religion by taking on and celebrating the discipline’s improper nature. Appealing neither to secular reason nor to established traditions, we draw on the Malleus Maleficarum (as read through queer theory and non-philosophy) to craft various models for thought. Here we find abortion prized over the future of the race, miscegenation over blood purity, and impotence and infertility over the sovereign power of the father. These models are explored both in terms of their historical context and as pro- viding a different image of the work that can be carried out in the discipline of continental philosophy of religion. The article concludes by suggesting other perverse lines of relation that may be opened up when one gives up on the reproduction of the discipline. -
Kabbalah, Magic & the Great Work of Self Transformation
KABBALAH, MAGIC AHD THE GREAT WORK Of SELf-TRAHSfORMATIOH A COMPL€T€ COURS€ LYAM THOMAS CHRISTOPHER Llewellyn Publications Woodbury, Minnesota Contents Acknowledgments Vl1 one Though Only a Few Will Rise 1 two The First Steps 15 three The Secret Lineage 35 four Neophyte 57 five That Darkly Splendid World 89 SIX The Mind Born of Matter 129 seven The Liquid Intelligence 175 eight Fuel for the Fire 227 ntne The Portal 267 ten The Work of the Adept 315 Appendix A: The Consecration ofthe Adeptus Wand 331 Appendix B: Suggested Forms ofExercise 345 Endnotes 353 Works Cited 359 Index 363 Acknowledgments The first challenge to appear before the new student of magic is the overwhehning amount of published material from which he must prepare a road map of self-initiation. Without guidance, this is usually impossible. Therefore, lowe my biggest thanks to Peter and Laura Yorke of Ra Horakhty Temple, who provided my first exposure to self-initiation techniques in the Golden Dawn. Their years of expe rience with the Golden Dawn material yielded a structure of carefully selected ex ercises, which their students still use today to bring about a gradual transformation. WIthout such well-prescribed use of the Golden Dawn's techniques, it would have been difficult to make progress in its grade system. The basic structure of the course in this book is built on a foundation of the Golden Dawn's elemental grade system as my teachers passed it on. In particular, it develops further their choice to use the color correspondences of the Four Worlds, a piece of the original Golden Dawn system that very few occultists have recognized as an ini tiatory tool. -
ARADIA, Or the Gospel of the Witches
ARADIA, or the Gospel of the Witches Charles G. Leland ARADIA, or the Gospel of the Witches Table of Contents ARADIA, or the Gospel of the Witches............................................................................................................1 Charles G. Leland....................................................................................................................................1 PREFACE................................................................................................................................................1 CHAPTER I. How Diana Gave Birth to Aradia (Herodias)...................................................................3 CHAPTER II, The Sabbat: Treguenda or Witch−MeetingHow to Consecrate the Supper...............7 CHAPTER III. How Diana Made the Stars and the Rain.....................................................................13 CHAPTER IV. The Charm of the Stones Consecrated to Diana..........................................................14 CHAPTER V. The Conjuration of the Lemon and Pins.......................................................................18 CHAPTER VI. A Spell To Win Love...................................................................................................21 CHAPTER VII. To Find or Buy Anything, or to Have Good Fortune Thereby..................................23 CHAPTER VIII. To Have a Good Vintage and Very Good Wine by the Aid of Diana......................26 CHAPTER IX. Tana and Endamone, or Diana and Endyinion............................................................28 -
Entheogenic Visions One Man’S Exploration of Psychedelics
Entheogenic Visions One Man’s Exploration of Psychedelics By Stewart Allen Mosher Copyright 2012 Look up on Youtube.com: Psychedelic Art by Stewart www.entheogenicvisions.com Email: [email protected] 1 Contents Dedication To Warning!!! Introduction: Flash Backs. Haiti: Operation Secure Tomorrow 2004 Preface Chapter 1: My introduction to Salvia Divinorum How should Salvia be used? What are you seeking to gain from using Salvia? Chapter 2: Sequence of Event that Prepared Me for Entheogens Chapter 3: The Introverted Experiences - Salvia Divinorum - The 1st Entheogen 1st Time/Salvia 10x/ “Welcome” 2nd Time/Salvia 15x/water pipe/ “Disrupting the Flow” 3rd Time/Salvia 20x/ “Pushing Me towards Her” 4th Time/Salvia 30x/ “Sticking Together” 5th Time/Salvia 30x/ “Putting Me to Sleep” 6th Time/Salvia 5x, 15x/ “Seeing as One” 7th Time/Salvia 5x, 10x and 15x/ “Future Journey” 8th Time/Salvia 10x/ “Having Fun” 9th Time/Salvia Tincture, two separate hits of 5x/ “Waiting to Be Born” 10th Time/Salvia 5x, 20x/ “I Will Meet Them” 11th Time/Salvia 20x/ “I Will Walk” 12th Time/Salvia 20x/ “Dashiki” 13th Time/Salvia 20x/ “Soul Retrieval” 14th Time/Salvia 20x/ “Puffs of Dimensions” 15th Time/Salvia 20x/ “The Golden Party” Friends 1st Time/Salvia 30x/ “Mysterious Lady” 16th Time/ Salvia 10x/ “Double Vision” Chapter 4: The Extroverted Experiences 17th and 18th Time/Salvia 30x/ “Confusion”—“Finding My Center” 19th Time/Salvia 30x/ “Going Beyond” 20th Time/Salvia 40x/ “Infinity” Bo’s 1st Time with Salvia 21st Time/Salvia 40x/ “Tree” 22nd-23rd-24th Time/Salvia 40x/ “DNA Within” 25th Time with visuals and 26th Time with body possession/Salvia 40x-30x/ “Mr. -
Aramaic and Mandean Magic and Their Demonology
University of Pennsylvania ScholarlyCommons Dropsie College for Hebrew and Cognate Dropsie College Theses Learning Spring 4-19-1956 Aramaic and Mandean Magic and Their Demonology Wilber B. Wallis Follow this and additional works at: https://repository.upenn.edu/dropsietheses Part of the Anthropology Commons, Cultural History Commons, History of Religion Commons, Jewish Studies Commons, Language Interpretation and Translation Commons, Religion Commons, and the Translation Studies Commons Recommended Citation Wallis, Wilber B., "Aramaic and Mandean Magic and Their Demonology" (1956). Dropsie College Theses. 14. https://repository.upenn.edu/dropsietheses/14 Library at the Katz Center - Archives Room Manuscript. BF1591 .W366 1956. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/dropsietheses/14 For more information, please contact [email protected]. Aramaic and Mandean Magic and Their Demonology Abstract The Aramaic texts to be discussed in this thesis are magical incantations against evil powers. The texts are written on earthenware bowls found in archaeological investigations or by chance in Iraq and Iran. The bowls and texts appear to date from Sassanian Babylonia(1 Degree Type Dissertation Degree Name Doctor of Philosophy (PhD) First Advisor Cyrus H. Gordon Third Advisor Meir M. Bravmann Subject Categories Anthropology | Cultural History | History of Religion | Jewish Studies | Language Interpretation and Translation | Religion | Translation Studies Comments Library at the Katz Center - Archives Room Manuscript. BF1591 .W366 1956. This dissertation is available at ScholarlyCommons: https://repository.upenn.edu/dropsietheses/14 ARAMA ID AND ¥.ANDEAN MAGIC AND THE IR DEMONO LOGY A Dieeertation Presented to the Faculty of the Dropsie College for Hebrew and Cognate Learning In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Wil ber B. -
Summoning Spirits
. A Collection of Sacred Magick | The Esoteric Library | www.sacred-magick.com Evocation can be defined as the calling forth of an entity from another plane of existence to an external manifestation in either the astral or physical plane. INTRODUCTION magician felt a surge of excitement run through him as he icked up the leather-bound book. He carefully opened the old diary to the section marked "Conjuration," and began to read by the red light of the filtered lamp on the altar. When the oration was completed, the magician glanced at the painted wooden triangle he had positioned outside the magic circle. Toward the cen- ter of the equilateral triangle, smokerose from a brass censer in a steady stream, filling the entire room with the scent of peppermint. Scattered about this glowing bowl were pieces of iron, garnet, and red jasper; to the right of the censer stood a metal figurine of a scorpion that cast moving shadows on the floor as the glow of the coals illuminated it. Slowly, the magician's gaze fixed upon the small object at the base of the triangle. The red light in the room, combined with the faint glow of the censer, clearly showed the symbol drawn on the round piece of paper. It was this sigil that the magician began to focus on as he closed his eyes. In a few moments, the magician held up his wand and slowly started opening his eyes. The name "Phalegh," which he had been repeating mentally, A Collection of Sacred Magick | The Esoteric Library | www.sacred-magick.com escaped his lips as a whisper, and he continued calling the Mars spirit out loud. -
The Revelation of the Corpse. Poetry, Fiction, and Magic 1
THE REVELATION OF THE CORPSE. POETRY, FICTION, AND MAGIC 1. Necromancy, that is the evocation and questioning of a dead person in order to gain knowledge otherwise unattainable by the living, was a wide- spread practice from the remotest antiquity. It is well attested in the ancient Mesopotamian civilizations, and it also appears in the Bible, in which the best-known case is the evocation of Samuel’s soul by Saul through the agency of the witch of Endor1. In the Greek and the Roman world necromancy is already attested in Homer – the famous Nevkuia of the eleventh book of the Odyssey – and its actual practice is documented down to the end of antiquity, though a social stigma was often attached to it, especially at Rome2. Hopfner, in his great work on Egyptian revelation magic, distinguished three types of necromancy, which he terms Greek-Homeric, ‘oriental’, and mixed3. According to him, the first and the third type are documented by the literary tradition. The first is represented by the necromancies we find in Homer, Aeschylus (in the Persians), Virgil (in the sixth book of the Aeneid), Seneca (in his Oedipus), and Silius Italicus (in the thirteenth book of the Punica). The mixed type is exemplified by the three necromancies we are going to examine, found in Lucan, Apuleius, and Heliodorus, and also by those appearing in Horace (in the eighth satire of the first book), Statius (in the fourth book of the Thebaid), and by several works of Lucian’s. Finally, the purely ‘oriental’ type is represented by the Greek magical papyri found in Egypt and collected by Preisendanz, and also by the defixiones, the curses and spells preserved on engraved sheets of metal4.