Blithe Spirit
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A BOUT THE M USIC N OËL C OWARD The music on this recording is taken from the NAXOS NOSTALGIA Catalog NOËL COWARD A ROOM WITH A VIEW 8.120529 Czecho-Slovak RSO/Adrian Leaper Blithe Spirit IRVING BERLIN ALWAYS HMV BB 7045 Slovak RSO/Michael Dittrich An Improbable Farce 3 CASSETTES NOËL COWARD VOLUME 2 8.120559 P ERFORMED BY C ORIN R EDGRAVE, CLASSIC Music programming by Nicolas Soames FICTION K IKA M ARKHAM, JOANNA L UMLEY, ONEWORD RADIO UNABRIDGED T HELMA R UBY, DA VID T IMSON & CAST Oneword Radio is England’s first national commercial station exclusively dedi- Co-produced with Oneword Radio cated to spoken word entertainment. Our programming covers a wide variety of genres, both fiction and non-fiction, from the UK and overseas. The full schedule offers listeners a compelling mix of books, plays, comedy and discussion. We feature current bestsellers; modern and established classics; children’s favorites; features; biography; journalism and letters; cult fiction and set texts from the National Core Curriculum. But Oneword’s not just about catching up on your reading. There is also comedy, both read aloud and in performance, regular slots dedicated to drama, and special features, as well as a daily half-hour author interview show in which we talk to the biggest names in literature from around the world about their life and work. And if that wasn’t enough, we broadcast dozens of short programs every day – poems, anecdotes, comic songs, famous soliloquies, children’s rhymes and counting games, odd facts – a cornucopia of the unexpected. We broadcast 7 days a week on Sky Digital TV, the Digital One Network and stream live on the Internet at www.oneword.co.uk. Oneword Radio Limited Landseer House · 19 Charing Cross Road · London WC2H 0ES Tel: 020 7976 3030 · [email protected] To receive a complete catalog of our titles now available on both Cassette and CD, please call: 1(877) NAXOS CD • Fax: (888) 771-9520 www.naxos.com 416 Mary Lindsay Polk Drive, Suite 509 • Franklin, Tennessee 37067 Phone: (615) 771-9393 • Fax: (615) 771-6747 In Canada please call: (416) 491-2600 BLITHE SPIRIT • ISBN 9-62634-763-5 / NA226314 © 2002 NAXOS AudioBooks Ltd. P 2002 NAXOS AudioBooks Ltd. Made in the U.S.A. Cover picture: Noël Coward, courtesy of The Raymond Mander and Joe Mitchenson Theatre Collection DIGITAL CLASSIC LITERATURE WITH CLASSICAL MUSIC ALL RIGHTS RESERVED. UNAUTHORIZED PUBLIC PERFORMANCE, BROADCASTING AND COPYING OF THIS CASSETTE PROHIBITED. NA226314 N OËL C OWARD ranged and raging against the supposedly ‘real’ people who would nowadays be called ‘civilians’. Instead, the abrupt ending of the 1930s, in which he had been Blithe Spi rit the playboy of the West End world, jack of all its entertainment trades and master An Improbable Farce of most, together with the coming of the war itself, and then two years cut off from the typewriter, seem to have changed both Noël’s style as a dramatist and Blithe Spirit is the most commercially successful, long running and frequently his sense of development; there is more plot in Blithe Spirit than in almost any revived of all Noël Coward’s sixty plays, but it is the one that nearly didn’t get of his earlier stage comedies, and more careful development of character. written at all. At the outbreak of World War II, when he and the century If, moreover, it should seem odd that a farce about death, featuring at least two were at the very end of their thirties, Noël had taken a curious decision not ghosts, should have so triumphed when London was under nightly bombardment to write anything new for the duration. Twenty months later, although and audiences were losing their loved ones on battlefields all over the world, already exhausted from long and arduous troop concert tours, he began to consider this: it is, I believe, precisely because Blithe Spirit makes fun of death, realize the pointlessness of abandoning his craft as a dramatist, and over suggesting that you can return from it almost at will, that World War II theater- five days during a brief Easter ‘holiday’ in 1941 at Portmeirion in North Wales, goers all over the country found it so curiously and constantly reassuring. he constructed the ‘improbable farce’ that is Blithe Spirit. ‘I shall always be grateful,’ Noël later wrote, ‘for the almost psychic gift that allowed me to write After Blithe Spirit, all Noël Coward comedies were to exist in their own right, this script so fast. It was not meticulously constructed in advance, and only one without back-references to the poor little rich girls and the Mayfair or West End day elapsed between its original conception and the moment I sat down to write high society, which had so characterized his earlier work for and with Gertrude it; six weeks later it was produced, and it ran for nearly five years in the West End.’ Lawrence. She had in fact settled in America a year or two earlier, and was never to come home to him again. This could be one other reason why what one thinks For more than thirty years, Blithe Spirit was to remain the longest-running of as the last ‘Gertie’ role (even though she only ever played it on radio and US comedy in the history of British theater; Noël himself directed the first cast, army tours) was in fact written as a ghost. Noël and Gertie, who had been in which Cecil Parker played Charles alongside a then-unknown Margaret together as child actors since 1912, were now separated by the war, by the Rutherford as Arcati and Kay Hammond (who later also went into the David Atlantic and by her marriage to an American theater manager, Richard Aldrich. Lean film version with Rutherford and Rex Harrison) as Elvira. Reviews were generally ecstatic, though Graham Greene (writing in the Spectator) called it In that offstage sense, Blithe Spirit marks the borderline between the prewar ‘a weary exhibition of bad taste’; Noël’s revenge was swift and sure – in a and the postwar Noël, and it has lived in almost constant revival ever since. 1946 play called Peace In Our Time he suggested that, had Britain ever had Apart from the film and television versions, major revivals have included one to suffer a Nazi occupation in 1940, the first to collaborate would have been at the National Theatre directed by Harold Pinter with Maria Aitken and ‘left-wing journalists and novelists’. Richard Johnson, and then a long-running West End revival of 1985 with the late Simon Cadell and, as Elvira, Joanna Lumley who plays the part again on But Blithe Spirit still lies outside the mainstream of Noël’s earlier stage work, this recording. Most recently, Twiggy and Dora Bryan revived it at Chichester. in that we are not here faced (as in Private Lives and Hay Fever and Present Laughter) with a closed, self-regarding and self-perpetuating group of insiders Blithe Spirit has also been seen as a Broadway musical retitled High Spirits, CORIN REDGRAVE’s theater credits include No Man’s Land, which starred Beatrice Lillie in her farewell appearance, and had a score by The Cherry Orchard, De Profundis (Royal National Theatre) Hugh Martin and Timothy Gray, which Noël directed and for which he also wrote and The Browning Version for Derby Playhouse. Television (uncredited) some of his very last lyrics. credits include Trial and Retribution 6, Bertie and Elizabeth This is the first complete recording made purely for audiotape and compact (BBC), Forsyte Saga (Granada), Shackleton (Channel 4) and disc. For the scene changes, we have used some vintage Naxos recordings of Sunday (Box Television). Films include Cromwell and Fairfax, Doctor Sleep, Noël singing his own early songs. Gypsy Women and Enigma. Notes by Sheridan Morley KIKA MARKHAM has worked with Sheridan Morley in Noël T HE C AST OF B LITHE S PIRIT Coward’s Song at Twilight for which she was awarded an Oliver nomination for Best Supporting Actress 1999. She has also C HARLES C ONDOMINE . .COLIN R EDGRAVE been seen in Homebody/Kabul by Tony Kushner. R UTH C ONDOMINE . .KIKA M ARKHAM E LVIRA . .JOANNA L UMLEY T HE R EEVE . .JOHN R OWE JOANNA LUMLEY has appeared in various stage productions M ADAME A RCATI . .THELMA R UBY including Blithe Spirit, Hedda Gabler and Vanilla. Her most notable television appearances are Absolutely Fabulous, A D R . BRADMAN . DAVID T IMSON Rather English Marriage, Cold Comfort Farm and The New M RS. BRADMAN . .ABIGAIL F RANCIS Avengers. Her film credits include James and the Giant Peach, M AID . .CATHY S ARA Sweeney Todd and The Cat’s Meow. She has also written four books. D IRECTOR . .SHERIDAN M ORLEY WITH D AVID T IMSON THELMA RUBY has starred in many West End shows including Cabaret, Kvetch and For Amusement Only. She has played Golde P RODUCER . .NICOLAS S OAMES opposite the Tevye of Topol in Fiddler on the Roof four times, and S TUDIO M ANAGER . .PETER N OVIS played Golda Meir with her husband Peter Frye for eight years R ECORDING E NGINEER . .MIKE E THERDEN in Momma Golda. She has performed a one-woman show That’s Entertainment and has written her double autobiography, Double or Nothing, with her husband. DAVID TIMSON has performed in modern and classic plays C ASSETTE I NFORMATION across Great Britain and abroad, including Wild Honey for Alan Cassette 1, Side 1. (46:46) Cassette 1, Side 2 (46:40) Ayckbourn, Hamlet, The Man of Mode and The Seagull.