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Generation Kill and the New Screen Combat Magdalena Yüksel and Colleen Kennedy-Karpat
15 Generation Kill and the New Screen Combat Magdalena Yüksel and Colleen Kennedy-Karpat No one could accuse the American cultural industries of giving the Iraq War the silent treatment. Between the 24-hour news cycle and fictionalized enter- tainment, war narratives have played a significant and evolving role in the media landscape since the declaration of war in 2003. Iraq War films, on the whole, have failed to impress audiences and critics, with notable exceptions like Kathryn Bigelow’s The Hurt Locker (2008), which won the Oscar for Best Picture, and her follow-up Zero Dark Thirty (2012), which tripled its budget in worldwide box office intake.1 Television, however, has fared better as a vehicle for profitable, war-inspired entertainment, which is perhaps best exemplified by the nine seasons of Fox’s 24 (2001–2010). Situated squarely between these two formats lies the television miniseries, combining seriality with the closed narrative of feature filmmaking to bring to the small screen— and, probably more significantly, to the DVD market—a time-limited story that cultivates a broader and deeper narrative development than a single film, yet maintains a coherent thematic and creative agenda. As a pioneer in both the miniseries format and the more nebulous category of quality television, HBO has taken fresh approaches to representing combat as it unfolds in the twenty-first century.2 These innovations build on yet also depart from the precedent set by Band of Brothers (2001), Steven Spielberg’s WWII project that established HBO’s interest in war-themed miniseries, and the subsequent companion project, The Pacific (2010).3 Stylistically, both Band of Brothers and The Pacific depict WWII combat in ways that recall Spielberg’s blockbuster Saving Private Ryan (1998). -
Literary War Journalism: Framing and the Creation of Meaning J
Literary War Journalism: Framing and the Creation of Meaning J. Keith Saliba, Ted Geltner Journal of Magazine Media, Volume 13, Number 2, Summer 2012, (Article) Published by University of Nebraska Press DOI: https://doi.org/10.1353/jmm.2012.0002 For additional information about this article https://muse.jhu.edu/article/773721/summary [ Access provided at 1 Oct 2021 07:15 GMT with no institutional affiliation ] Literary War Journalism Literary War Journalism: Framing and the Creation of Meaning J. Keith Saliba, Jacksonville University [email protected] Ted Geltner, Valdosta State University [email protected] Abstract Relatively few studies have systematically analyzed the ways literary journalists construct meaning within their narratives. This article employed rhetorical framing analysis to discover embedded meaning within the text of John Sack’s Gulf War Esquire articles. Analysis revealed several dominant frames that in turn helped construct an overarching master narrative—the “takeaway,” to use a journalistic term. The study concludes that Sack’s literary approach to war reportage helped create meaning for readers and acted as a valuable supplement to conventional coverage of the war. Keywords: Desert Storm, Esquire, framing, John Sack, literary journalism, war reporting Introduction Everything in war is very simple, but the simplest thing is difficult. The difficulties accumulate and end by producing a kind of friction that is inconceivable unless one has experienced war. —Carl von Clausewitz Long before such present-day literary journalists as Rolling Stone’s Evan Wright penned Generation Kill (2004) and Chris Ayres of the London Times gave us 2005’s War Reporting for Cowards—their poignant, gritty, and sometimes hilarious tales of embedded life with U.S. -
Intimate Perspectives from the Battlefields of Iraq
'The Best Covered War in History': Intimate Perspectives from the Battlefields of Iraq by Andrew J. McLaughlin A thesis presented to the University Of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in History Waterloo, Ontario, Canada, 2017 © Andrew J. McLaughlin 2017 Examining Committee Membership The following served on the Examining Committee for this thesis. The decision of the Examining Committee is by majority vote. External Examiner Marco Rimanelli Professor, St. Leo University Supervisor(s) Andrew Hunt Professor, University of Waterloo Internal Member Jasmin Habib Associate Professor, University of Waterloo Internal Member Roger Sarty Professor, Wilfrid Laurier University Internal-external Member Brian Orend Professor, University of Waterloo ii Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. iii Abstract This study examines combat operations from the 2003 invasion of Iraq War from the “ground up.” It utilizes unique first-person accounts that offer insights into the realities of modern warfare which include effects on soldiers, the local population, and journalists who were tasked with reporting on the action. It affirms the value of media embedding to the historian, as hundreds of journalists witnessed major combat operations firsthand. This line of argument stands in stark contrast to other academic assessments of the embedding program, which have criticized it by claiming media bias and military censorship. Here, an examination of the cultural and social dynamics of an army at war provides agency to soldiers, combat reporters, and innocent civilians caught in the crossfire. -
The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
Generation Kill (The Novel and the HBO Series) and One Bullet Away
Three Perspectives of the Iraq War: Generation Kill (the novel and the HBO Series) and One Bullet Away Feješ, Marko Undergraduate thesis / Završni rad 2015 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:994742 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-02 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Preddiplomski studij: Engleski jezik i književnost - pedagogija Three Perspectives on the Iraq War: Generation Kill (the Novel and the HBO Series) and One Bullet Away Završni rad Marko Feješ Mentor: izv. prof. dr. sc. Sanja Runtić Sumentor: dr. sc. Jasna Poljak Rehlicki Lipanj, 2015. Contents Abstract……………………………………………………………………………… ....... 1 Introduction………………………………………………………………………….. ....... 2 1. An Overview of War Journalism……………………………………………………… 5 2. An Officer’s Position and Perspective……………………………………………….... 8 3. Enlisted Men’s Position and Perspective………………………………………….. ...... 9 4. Battle of Nasiriyah……………………………………………………………….. ..... .10 4.1. A Journalist’s Perspective………………………………………………… .. 10 4.2. An Officer’s Perspective……………………………………………………. 11 4.3. Enlisted Men’s Perspective……………………………………………... ..... 12 5. Battle of Al Muwaffaqiyah………………………………………………………. -
August 4, 2006.Indd
III Marine Expeditionary Force and Marine Corps Bases Japan August 4, 2006 www.okinawa.usmc.mil Marines prepare to storm a building July 27 during military operations on urbanized terrain training in Central Training Area’s Combat Town. Fifty- two Marines with Combat Assault Battalion, 3rd Marine Division, participated in the training which covered tactics such as room clearing and communication between multiple fire teams. Photo by Sgt. C. Nuntavong GOING TO TOWN Lance Cpl. Eric D. Arndt Area’s Combat Town. to display where a target was hit. 1st CAB Marines Okinawa Marine Staff The training consisted of instruction on The intent of the training was to ex- MOUT tactics, followed by live-fire combat pose the Marines to close quarters combat CENTRAL TRAINING AREA — Fifty- scenarios with SESAMS, or special-effect techniques used in urban environments. target urbanized two Marines with Combat Assault Battal- small arms marking system rounds. The The Marines practiced room-clearing ion, 3rd Marine Division, participated in rounds, fired out of a special receiver for and emphasized team communication, military operations on urbanized terrain M-16 rifles and the M-4 carbine, leave a according to Gunnery Sgt. Chad E. Love, terrain tactics training July 26-27 at Central Training bright, washable liquid on the impact area See COMBAT PG. 6 Mobile ‘fi re team’ trains MAW Marines Lance Cpl. Terence L. Yancey to units rather than vice versa, according to Chief Okinawa Marine Staff Petty Officer Wayne Morgan, one of the fire team instructors. KADENA AIR BASE — Nine Navy instructors from “It’s a lot less expensive for the Department of the Center for Naval Aviation Technical Training Defense to fly nine of us out to give training than it is Unit in Whidbey Island, Wash., taught shipboard for them to fly an entire unit to us,” Morgan said. -
In Evan Wright's Generation Kill
International Journal of Liberal Arts and Social Science Vol. 8 No. 11 November 2020 Deconstructing the Discursive Frames of the ‘War on Terror’ in Evan Wright’s Generation Kill Maram Elayyan University of Jordan, Jordan- Amman Email: [email protected] Published: 30 November 2020 Copyright © Elayyan. Abstract Relatively few studies have systematically examined the ways literary novels are interrelated and interconnected with media‘s structuring of meaning. This paper analyzes Generation Kill 2004, the narrative of Evan Wright who was an embedded reporter that joined a Platoon of First Recon Marines during the first two months of the invasion on Iraq, on its debunking of discursive media frames of the ‗War on Terror‘. This article employed close reading to answer how Generation Kill blurs the boundary between fact and fiction and how it challenges media‘s framing of Muslims as barbarous terrorists. In addition to this, Generation Kill deflates the American Exceptionalism frame by showing its insincerity and falsehood. Analysis revealed that Western media intentionally structured several dominant frames that represented Muslims as terrorist ‗other‘ and represented Americans as exceptional. The study, however, concludes that Wright‘s literary representation of the war experience helped debunk media‘s discursive frames that were driven and influenced by racial discriminations and Islamophobia. Key words: ‗War on Terror‘, Framing, Islamophobia, the Other, American Exceptionalism Introduction Western mainstream media have established specific frames to promote the ‗War on Terror‘ rhetoric among the Western public post -9/11. This study argues that Evan Wright‘s Generation Kill (2004) challenges two of the predominant frames during the invasion on Iraq in 2003. -
Finding Truth in the War Narrative Ian Drew Regis University
Regis University ePublications at Regis University All Regis University Theses Spring 2015 Finding Truth in the War Narrative Ian Drew Regis University Follow this and additional works at: https://epublications.regis.edu/theses Recommended Citation Drew, Ian, "Finding Truth in the War Narrative" (2015). All Regis University Theses. 640. https://epublications.regis.edu/theses/640 This Thesis - Open Access is brought to you for free and open access by ePublications at Regis University. It has been accepted for inclusion in All Regis University Theses by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. Regis University Regis College Honors Theses Disclaimer Use of the materials available in the Regis University Thesis Collection (“Collection”) is limited and restricted to those users who agree to comply with the following terms of use. Regis University reserves the right to deny access to the Collection to any person who violates these terms of use or who seeks to or does alter, avoid or supersede the functional conditions, restrictions and limitations of the Collection. The site may be used only for lawful purposes. The user is solely responsible for knowing and adhering to any and all applicable laws, rules, and regulations relating or pertaining to use of the Collection. All content in this Collection is owned by and subject to the exclusive control of Regis University and the authors of the materials. It is available only for research purposes and may not be used in violation of copyright laws or for unlawful purposes. The materials may not be downloaded in whole or in part without permission of the copyright holder or as otherwise authorized in the “fair use” standards of the U.S. -
Monitor Newsletter October 03, 2005
Bowling Green State University ScholarWorks@BGSU Monitor University Publications 10-3-2005 Monitor Newsletter October 03, 2005 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/monitor Recommended Citation Bowling Green State University, "Monitor Newsletter October 03, 2005" (2005). Monitor. 1576. https://scholarworks.bgsu.edu/monitor/1576 This Book is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in Monitor by an authorized administrator of ScholarWorks@BGSU. BGSU .. - ,_--·-.... !t - ·- ,: ~: _,.. ..., . - OCTOBER 3, 2005 <- -~ ·t--.ii :~:..~- :~_;~,_.:;~·,.:.,_: ' ·----' BOWLING GREEN STATE UNIVERSITY > Top Stories Trustees extend alternative retirement plan to classified staff In Brief Many BGSU classified staff members may now choose an alternative retirement plan. Calendar The board of trustees on Sept 30 expanded the option to classified staff to comply with a re Job Postings cent change in Ohio law that extended eligibility for participation in such a plan to all full-time employees of public colleges and universities. Obituaries Full-time faculty and administrative staff gained the alternative retirement plan option in Janu ary 1999, but classified staff members weren't eligible under the law at that time. Thomas Trimboli, general counsel, said the option will be available to newly hired classified staff and to those with less than five years' service at the University as of last Aug. 1. The amendment to BGSU's plan allows participants to divide their retirement account among multiple providers, he added. Lorrie Sawaie, Student Academic Achievement and vice chair of Classified Staff Council, welcomed the board's action and said "it brings some equity across the playing field." On another matter, the trustees endorsed the establishment of a non-profit research institute to promote commercialization of faculty-developed innovations. -
Generation Kill: a Trice Told Tale the Representation of Reality in a Non-Fiction Adaptation
Generation Kill: A Trice Told Tale The representation of reality in a non-fiction adaptation Lisa van Kessel s4105974 English Language and Culture Radboud University Nijmegen June 15 2014 Dr Chris Louttit van Kessel 4105974 / 2 Abstract: In this age of mass media, it is important to be able to find the truth in between the sensationalising and embellishments, especially when it concerns controversial topics. This thesis analyses Generation Kill, the narrative of Evan Wright who is an embedded reporter that joined a platoon of First Recon Marines during the first weeks of the invasion of Iraq, on the representation of reality. Not only Evan Wright's Generation Kill (2004) - a work of literary journalism that wraps the facts in a literary jacket - will be discussed, but also the HBO adaptation Generation Kill (2008) - a fictional adaptation of a non-fiction work. The thesis will answer how Generation Kill by Evan Wright and the HBO series of the same name blur the boundary between fact and fiction and how an adaptation of a non-fiction work can provide a different perspective to the fidelity debate. Keywords: Literary journalism; adaptation studies; fidelity; non-fiction adaptation; Generation Kill. van Kessel 4105974 / 3 Table of Contents Chapter One: Introduction p. 4 Chapter Two: Literary Journalism p. 9 Chapter Three: Adaptation Studies and the Fidelity Debate p. 13 Chapter Four: Analysing Generation Kill (2004) p. 17 Chapter Five: Analysing Generation Kill (2008) p. 25 Chapter Six: Conclusion p. 34 Bibliography p. 38 Essay Cover Sheet p. 41 van Kessel 4105974 / 4 Chapter 1: Introduction "True stories are never quite true, and adaptations of true stories are even less so" (Dwyer, 49). -
102 LA NON-FICTION, LE JOURNALISME ROMANCE, LE MENTIR VRAI ET LA SERIALITE Comment La Guerre Rapportée Devient La Guerre Romanc
LA NON-FICTION, LE JOURNALISME ROMANCE, LE MENTIR VRAI ET LA SERIALITE Comment la guerre rapportée devient la guerre romancée RAPHAËL VILLATTE Coordination Littérature Populaires et Cultures Médiatiques - Limoges [email protected] Résumé : Les deux guerres menées par les Etats-Unis ces dix dernières années ont vu - et peut- être créé, ou du moins favorisé – la naissance d’une nouvelle forme de récit de guerre. Une de plus. Nées de l’union du journalisme embedded et de la série TV (forme de récit qui a connu son renouveau juste avant le 9/11 et n’a depuis cessé d’évoluer et de multiplier les récits), ainsi que du « docu-drama » (reconstitution dramatique, voire dramatisée, d’événements réels, souvent commentés par des experts ou les acteurs des dits événements), quelques séries reprennent des reportages ou des récits de non-fiction, et les portent à un nouveau point critique. L’équilibre toujours fragile semble encore plus vacillant lorsqu’il s’agit d’adapter un récit de non-fiction, non pas en raison de l’importance de son message, mais pour son potentiel spectaculaire. Mots-clefs : non-fiction – sérialité – transmédialité - journalisme embedded – militainment . Abstract : The two wars the United States has fought for ten years have seen, and maybe created some new kind of war narrative: One more. This paper defines the features of this new narrative genre which has emerged from the union of embedded journalism and TV series. In this particular context, the balance between fiction, non-fiction and spectacularly potential, shows problematic. Key-words : non-fiction – seriality – transmediality – embedded journalism - militainment . -
Second Interview
ORAL MEMOIRS OF HOPE LONG An interview conducted on July 19, 2018 Interviewer: Kanisorn Wongsrichanalai Angelo State University West Texas Collection “War Stories: West Texans and the Experience of War, World War I to the Present” 1 LEGAL STATUS: The oral memoirs of Hope Long are unrestricted. The interview agreement was signed on July 19, 2018. Interviewer: Kanisorn Wongsrichanalai Transcriber: Cassandra Schultz Editor: Carson Jones The electronic file and complete transcript of this interview were processed in the Department of History at Angelo State University and are available at the Dr. Ralph R. Chase West Texas Collection, Angelo State University, San Angelo, Texas. 2 WONGSRICHANALAI: This is Kanisorn Wongsrichanalai. It is July 19, 2018. We are in San Angelo, Texas at Angelo State University for a War Stories interview. Can we start with your name, please? LONG: Hope Marie Long. WONGSRICHANALAI: And when and where were you born? LONG: I was born in Topeka, Kansas in um 1974. May 8th. WONGSRICHANALAI: That’s V-E Day. LONG: Oh. You know, I forgot all about that. Yeah. WONGSRICHANALAI: And Harry Truman’s birthday. LONG: Yes, I do know that. He’s my favorite president. WONGSRICHANALAI: Very good. Very good. Um and did you grow up in Topeka? LONG: Yes, born and raised. And I never . well, besides vacation to, like, Florida, Missouri, and several other places . uh Colorado, I think. I can’t remember if . yeah! I went there before. Um besides a few vacations outside of it, I never left, you know, to live until I joined the Marine Corps and went to boot camp.