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24 De Octubre De 2008 e- Boletín de la Fundación MEDIA Desk España Nº8 – AGOSTO 2010 Depósito Legal- M-2374-2006 INDICE Política Audiovisual Europea…… páginas de la 2 a la 5. Promoción…………………………... páginas de la 2 a la 8. Promoción y Formación ……..…páginas de la 8 a la 11. Promoción y Festivales ……………….páginas 11 y 12 . Agenda ……………………..……..……. páginas 12 y 13 . Fundación MEDIA Desk España. Luis Buñuel, 2-2ºA-28223-Pozuelo de Alarcón-Madrid. Tel: 91.512.01.78. Fax: 91.512.02.29. Para obtener este Boletín, ponte en contacto con nosotros: [email protected]. Para más información: www.mediadeskspain.eu POLITICA AUDIOVISUAL EUROPEA Consulta pública sobre el Patrimonio Cultural en línea. El Grupo de Reflexión de la Comisión Europea ha puesto en marcha un debate sobre la digitalización en el que se consulta sobre la mejor manera de fomentar la presencia en línea del patrimonio cultural. Esta consulta durará hasta el 30 de Septiembre de 2010. Como los sectores creativo y cultural europeos sufrieron una transición revolucionaria, se necesitan soluciones innovadoras para mantenerse al día con los avances tecnológicos y aprovechar sus beneficios. Por esta razón, la Comisión ha pedido al Grupo de Reflexión que busque la mejor manera de acelerar la digitalización, la accesibilidad en línea y la preservación de las obras culturales de toda Europa y, para ello, el Grupo ha puesto en marcha una consulta abierta hasta el 30 de Septiembre de 2010. A la consulta están invitadas todas las partes interesadas: ciudadanos, instituciones culturales, autoridades públicas, empresas privadas, instituciones académicas y organizaciones no gubernamentales. Todos ellos forman parte de las fuentes potenciales de financiación para la digitalización y para el desarrollo de Europeana, la biblioteca digital de Europa, que en este año 2010 ha ampliado su patrimonio cultural y científico gracias a la aportación de 10 millones de objetos por parte de instituciones culturales europeas. El Grupo de Reflexión analizará las respuestas a esta consulta y las opiniones planteadas en otros foros, incluyendo un seguimiento de la audiencia que tendrá lugar en Bruselas el 28 de Octubre de 2010. A finales de 2010, el Grupo presentará una serie de recomendaciones para la digitalización, accesibilidad en línea y la preservación del patrimonio cultural de Europa en la era digital, prestando especial atención a la cuestión de las asociaciones público-privadas para la digitalización en Europa. El Grupo, creado en Abril de 2010, forma parte de una estrategia más amplia de la Comisión Europea para ayudar al sector cultural en la transición hacia la era digital. Su misión es asegurar la rica herencia cultural de Europa y los contenidos culturales, así como ponerlos al alcance de todos en Internet. El documento de consulta se puede consultar en: http://ec.europa.eu/yourvoice/ipm/forms/dispatch?form=comitedessages&lang=de Fuente: europa.eu 2 ACADEMIA DE CINE EUROPEO Vota por tu película europea favorita Academia de cine europeo acaba de abrir las votaciones para “People´s Choice Award-Premio del Público” que permite al público en toda Europa elegir su película favorita y ganar un viaje a la ceremonia de premios de cine europeo. Entre las películas ganadoras en el pasado se encuentran Volver de Pedro Almodóvar, la Vida es Bella de Roberto Benigni , Amélie de Jean-Pierre Jeunet, o Slumdog Millionaire de Danny Boyle. Puedes votar a partir del 1 de septiembre en la web oficial: www.europeanfilmawards.eu y ganar la oportunidad de asistir a los Premios del Cine Europeo, el sábado 4 de diciembre de 2010, en la capital de Estonia, Tallinn en la costa del mar Báltico. LOS NOMINADOS SON: ÁGORA escrita por Alejandro Amenábar y Mateo Gil dirigida por Alejandro Amenábar producida por Alvaro Agustín y Fernando Bovaira BAARÍA escrita y dirigida por Giuseppe Tornatore producida por Giampaolo Letta y Mario Spedaletti UNA EDUCACIÓN escrita por Nick Hornby dirigida por Lone Scherfig producida por Finola Dwyer y Amanda Posey 3 FLICKAN SOM LEKTE MED ELDEN (The Girl Who Played With Fire) escrita por Jonas Frykberg dirigida por Daniel Alfredson producida por Sören Staermose EL ESCRITOR FANTASMA escrita por Robert Harris y Roman Polanski dirigida por Roman Polanski producida por Robert Benmussa, Alain Sarde y Roman Polanski KICK-ASS escrita por Jane Goldman & Matthew Vaughn dirigida por Matthew Vaughn producida por Matthew Vaughn, Brad Pitt, Kris Thykier, Adam Bohling, Tarquinio Pack & David Reid MINA VAGANTI (Loose cañones) escrita por Ferzan Ozpetek & Ivan Cotroneo dirigida por Ferzan Ozpetek producida por Domenico Procacci SR. NADIE escrita y dirigida por Jaco van Dormael producida por Philippe Godeau LE PETIT NICOLAS Nicolás (poco) escrito por Laurent Tirard & Grégoire Vigneron dirigida por Laurent Tirard producida por Eric Jehelmann COCINA DE ALMA escrito por Fatih Akin & Adam Bousdoukos dirigida por Fatih Akin producida por Fatih Akin & Klaus Maeck Para más información: [email protected] www.europeanfilmacademy.org El Observatorio Audiovisual Europeo agrega nuevas sociedades a su Comité de Asesoramiento El Observatorio Audiovisual Europeo, parte del Consejo de Europa en Estrasburgo, acaba de incluir en su Comité de Asesoramiento la recién formada SAA (Société des Auteurs Audiovisuels – Sociedad de Autores Audiovisuales). 4 SAA fue creada a comienzos de este año y reúne 24 diferentes sociedades de gestión colectiva que representa a más de 100.000 los guionistas y directores de 17 países diferentes. El Director del Observatorio, Wolfgang Closs, acogió la inclusión de SAA al Comité de Asesoramiento del Observatorio con el fin de retroalimentarse sobre las necesidades de información de la industria. Closs declaró que "el Observatorio ya ha escrito varios informes y artículos sobre las actividades de recopilación de las sociedades en Europa y sigue de cerca los desarrollos en la legislación de derechos de autor y licencias en Europa. De hecho, el Observatorio estuvo presente en el lanzamiento de esta organización. La presencia de SAA en el Comité de Asesoramiento del Observatorio proporcionará información directa sobre las preocupaciones y desafíos que enfrentan las sociedades de gestión colectiva y los autores que representan". Cécile Despringre , Directora Ejecutiva de SAA, afirma estar "muy satisfecha por el hecho de que el Observatorio haya aceptado a SAA en su Comité de Asesoramiento. “La gestión de derechos colectivos es una herramienta importante para que los autores no sólo en la música, sino también en el sector audiovisual. SAA se compromete a mejorar el ejercicio y la gestión de los derechos de los autores de obras audiovisuales en Europa. Nuestra participación en el Observatorio ayudará a mejorar la comprensión de la situación de los autores de obras audiovisuales en Europa." EL Presidente del Comité de Asesoramiento, Antoine Virenque, Secretario General de la FIAD, fue reelegido para un tercer mandato en el cargo en la reunión anual que tuvo lugar en Estrasburgo el 3 de junio. Virenque declaró que su reelección permitiría "continuar centrándose en el trabajo del Observatorio en el campo de la distribución digital y exhibición – uno de los temas claves de interés para los profesionales en este momento". Los miembros del Comité de Asesoramiento del Observatorio Audiovisual Europeo son las siguientes organizaciones: ACE CINE-REGIO EUROISPA IVF UER / EBU ACT CNC FERA IVIR UNIC BEI/EIB EFCA FIAD Media Center UNI EUROPA Cable Europe EGTA FIAPF MMLPC CCE EMR FSE OMPI / WIPO CEPI EPRA IAMCR / AIERIC RICR CICCE EURALVA IFJ / FIJ SAA Observador : Eurimages (*) 5 PROMOCION Europe’s Finest, la plataforma de « cine bajo demanda » apoyado por MEDIA, propone un nuevo servicio a sus usuarios : la posibilidad de pre-visualizar las películas de su catálogo en línea antes de efectuar su selección y siempre bajo las mismas condiciones de seguridad. Los comercializadores ú organizadores de festivales podrán, a partir de ahora, “probar antes de realizar su elección”. Recordar que Europe’s Finest es un servicio destinado a los profesionales de la explotación que dispone de alrededor de 60 títulos europeos (clásicos y más recientes), digitalizados en resolución 2K, disponibles en versión original y con subtítulos en diversas lenguas y acompañados si es necesario del material publicitario. Esta plataforma permite la reserva y la puesta a disponisición más rápida además de más fexible para contribuir al desarrollo de la digitalizaciónd e salas en Europa. Para más información contactar : Tilman Scheel - Europe's Finest - Kaiser-Wilhelm-Ring 7/9 - 50672 Cologne – Allemagne – Tel : 00 49 221 677 887 45 0 – Fax : 00 49 221 677 887 45 9 – E-mail : [email protected] – www.finest-film.com EDN Online Pitching Convocatoria para proyectos multiplataforma EDN (Red Europea del Documental) se complace en presentar el lanzamiento de EDN online Pitching. Este nuevo formato de lanzamiento se basa en una Conferencia de vídeo en línea, donde se incluirá un selecto número de proyectos de documentales previamente seleccionado. Para el primer período de sesiones EDN está solicitando proyectos documentales con potencial para una plataforma. La fecha límite de presentación de solicitudes es: el 15 de septiembre de 2010. En EDN online Pitching cuatro proyectos documentales se trabajarán en sesiones de pitching dirigidas por un selecto grupo de líderes internacionales en el aspecto tanto de la financiación como de la producción. Cada sesión tendrá un enfoque específico como plataforma de la ciencia, de la historia, etc . El pitching tiene lugar en línea en la sala de conferencias de vídeo de EDN y cada sesión dura una hora. El primer período de 6 sesiones, que se concentrará en proyectos de plataforma, tendrá lugar el 30 de septiembre de 2010 a las 14: 00. Tras el anuncio de este nuevo formato de Cecilia Lidin, directora de EDN dijo: «El objetivo de las sesiones de Pitching Online de EDN es crear un foro donde se pueden presentar y discutir proyectos documentales con un enfoque específico. Esta configuración en línea bajo coste hace posible para EDN crear espacio para presentaciones y discusiones de temas y se centra en el mundo offline.
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