Magic Carpet Ride (Steppenwolf)

Total Page：16

File Type：pdf, Size：1020Kb

Magic Carpet Ride (Steppenwolf) I like to dream, yes, yes Well, someone came and took the lamp Right between the sound machine away On a cloud of sound I drift in the night I looked around a lousy candle's all I found Any place it goes is right Goes far, flies near Well, you don't know what we can find To the stars away from here Why don't you come with me little girl On a magic carpet ride Well, you don't know what we can find Why don't you come with me little girl Well, you don't know what we can see On a magic carpet ride Why don't you tell your dreams to me Fantasy will set you free Well, you don't know what we can see Why don't you tell your dreams to me [Chorus] Fantasy will set you free Close your eyes girl Look inside girl [Chorus] Let the sound Close your eyes girl Take you away Look inside girl Let the sound {Instrumental} Take you away Well, you don't know what we can find {Instrumental} Why don't you come with me little girl On a magic carpet ride.... Last night I hold Aladdin's lamp So I wished that I could stay Well, you don't know what we can find Before the thing could answer me Why don't you come with me little girl On a magic carpet ride.... 143 "Magic Carpet Ride" is a rock song written by John Kay and Rushton Moreve from the Canadian-U.S. hard rock band Steppenwolf. The song was initially released in 1968 on the album The Second. It was the lead single from that album, peaking at number three in the US, and staying in the charts for 16 weeks, longer than any other Steppenwolf song. The single version differs noticeably from the album version with a different vocal take by Kay used for the first verse of the song and differing instrumental balances, most notably the introduction feedback. The single version is also much shorter than the album version, with a running time of 2 minutes and 55 seconds. (The album version is 4 minutes and 25 seconds long.) The lyrics "I like to dream, right between my sound machine" were reportedly inspired by a hi-fi home stereo system John Kay bought with royalties from his first album. In 1988, the band rerecorded the song with the hip hop group Grandmaster Flash and the Furious Five. The track appeared on their reunion album On the Strength. 144 .

Copy Link

Recommended publications

Various Still / the Joint : Sugar Hill Remixed Mp3, Flac, Wma
Various Still / The Joint : Sugar Hill Remixed mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop Album: Still / The Joint : Sugar Hill Remixed Country: UK Released: 1999 Style: Abstract, Techno, Trip Hop, Breaks, Cut-up/DJ MP3 version RAR size: 1748 mb FLAC version RAR size: 1543 mb WMA version RAR size: 1275 mb Rating: 4.5 Votes: 593 Other Formats: AAC AC3 DXD AIFF MPC MMF MP3 Tracklist Hide Credits Break Dance Electric Boogie (Junior Cartier Remix) 1 –West Street Mob 8:17 Remix – Junior Cartier Funk You Up (Two Lone Swordsmen Remix) 2 –The Sequence 4:39 Remix – Two Lone Swordsmen That's The Joint (Rae & Christian Remix) 3 –Funky 4 + 1 5:55 Remix – Rae & Christian Simon Says (Deckwrecka Remix) 4 –The Sequence 5:18 Remix – Deckwrecka Pump Me Up (Mark Seven Remix) 5 –Trouble Funk 6:38 Remix – Mark Seven 8th Wonder (Pressure Drop Remix) 6 –Sugarhill Gang 6:39 Remix – Pressure Drop –Grandmaster Flash & The Scorpio (Coldcut Remix) 7 7:01 Furious Five Remix – Coldcut The Adventures Of Grandmaster Flash On The Wheels Of Steel (Scratch Perverts Remix) 8 –Grandmaster Flash 5:45 Remix – Scratch PervertsVocals, Human Beatbox – Killa Kela Notes CD2 CDr in b&w typed sleeve, housed in a thin-case. Related Music albums to Still / The Joint : Sugar Hill Remixed by Various Grandmaster Flash & The Furious Five - On The Strength Drop - Stage One (Drop Remix) Grandmaster Flash & The Furious Five - Grandmaster Flash On The Wheels Of Steel / The Party Mix Grandmaster Flash & The Furious Five - Grandmaster Flash & The Furious Five Coldcut - Let Us Replay! Vol.1 Various - Grandmasters Of Rap Various - Genius Of Rap - The Sugarhill Story Various - The Best Of Grandmaster Flash And Sugar Hill Jay-Z - The Jay-Z Dropout Grandmaster Flash & Melle Mel - White Lines (Don't Don't Do It).
[Show full text]
A Stylistic and Analytical Study of Concerto No.2 for Piano And
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 A stylistic and analytical study of Concerto No.2 for Piano and Orchestra, Op.33, by Lee Hoiby Ji-Won Mun Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Mun, Ji-Won, "A stylistic and analytical study of Concerto No.2 for Piano and Orchestra, Op.33, by Lee Hoiby" (2002). LSU Doctoral Dissertations. 1027. https://digitalcommons.lsu.edu/gradschool_dissertations/1027 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A STYLISTIC AND ANALYTICAL STUDY OF CONCERTO NO. 2 FOR PIANO AND ORCHESTRA, OP. 33, BY LEE HOIBY A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music By Ji-Won Mun B.M., Pusan National University, 1996 M.M., Louisiana State University, 1999 May 2002 ACKNOWLEDGEMENTS I wish to express my gratitude to the members of my committee--Professor Constance Carroll, Dr. Jeffrey Perry, Professor Michael Gurt, and Dr. Jennifer Hayghe--for their support throughout this project. I would especially like to thank Dr. Perry and Dr. Hayghe for providing expert advice, insightful editing, and constant encouragement.
[Show full text]
Steppenwolf Live Mp3, Flac, Wma
Steppenwolf Live mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live Country: Canada Style: Classic Rock MP3 version RAR size: 1976 mb FLAC version RAR size: 1286 mb WMA version RAR size: 1603 mb Rating: 4.1 Votes: 442 Other Formats: RA MMF AUD MP1 FLAC VOC AU Tracklist A1 Sookie, Sookie 3:09 A2 Don't Step On The Grass, Sam 6:01 A3 Tighten Up Your Wig 4:23 B1 Monster 10:00 B2 Draft Resister 4:00 B3 Power Play 5:35 C1 Corina, Corina 3:47 C2 Twisted 5:01 C3 From Here To There Eventually 6:52 D1 Hey Lawdy Mama 2:57 D2 Magic Carpet Ride 4:13 D3 The Pusher 6:01 D4 Born To Be Wild 5:51 Credits Engineer – Ray Thompson Performer – Goldy McJohn, Jerry Edmonton, John Kay, Larry Byron*, Nick St. Nicholas Photography By, Design – Tom Gundelfinger Producer – Gabriel Mekler Notes Recorded live at various concerts during early 1970. Barcode and Other Identifiers Matrix / Runout (Runout Side A): 62 ABC 464 - 1L 28 6 78 J-24022 - A Matrix / Runout (Runout Side B): 62 ABC 464 - 2L 28 6 78 J-24022 - B Matrix / Runout (Runout Side C): 62 ABC 464 - 3L 29 6 78 J-24022 - 3 Matrix / Runout (Runout Side D): 62 ABC 464 - 4L 29 6 78 4 Rights Society: S.I.A.E. Other versions Category Artist Title (Format) Label Category Country Year Live (2xLP, DSD 50075 Steppenwolf Dunhill DSD 50075 US 1970 Album) ABC/Dunhill DSD50075 Steppenwolf Live (2xLP) DSD50075 US Unknown Records Live Vol.1 (LP, DS-50075-1 Steppenwolf Probe DS-50075-1 Venezuela 1970 Album) Live (LP, 1J 062-91.206 Steppenwolf Stateside 1J 062-91.206 Spain 1970 Album) Live (2xLP, 250 424-1 250 424-1 Steppenwolf Album, RE, MCA Records Germany Unknown (MCA 2-6013) (MCA 2-6013) Gat) Related Music albums to Live by Steppenwolf Steppenwolf - 16 Original World Hits Steppenwolf - Early Steppenwolf Steppenwolf - Magic Carpet Ride / Sookie, Sookie Steppenwolf - The Greatest Hits - Born To Be Wild Steppenwolf - Steppenwolf Live Steppenwolf - Monster Steppenwolf - 16 Greatest Hits Steppenwolf - Magic Carpet Ride Steppenwolf - Born To Be Wild / Magic Carpet Ride Steppenwolf - Steppenwolf.
[Show full text]
Scotland's Economic Future
SCOTLAND’S ECONOMIC FUTURE EDITED BY PROFESSOR SIR DONALD MACKAY 2011 First published October 2011 © Reform Scotland 2011 7-9 North St David Street, Edinburgh, EH2 1AW All rights reserved SCOTLAND’S ECONOMIC FUTURE EDITED BY PROFESSOR SIR DONALD MACKAY Published by Reform Scotland Reform Scotland is an independent, non-party think tank that aims to set out a better way to deliver increased economic prosperity and more effective public services based on the traditional Scottish principles of limited government, diversity and personal responsibility. The views expressed in this publication are those of the contributors and not those of Reform Scotland, its managing Trustees, Advisory Board or staff. October 2011 Reform Scotland is a charity registered in Scotland (No SCO39624) and is also a company limited by guarantee (No SC336414) with its Registered Office at 7-9 North St David Street, Edinburgh, EH2 1AW. Cover design and typesetting by Cake Graphic & Digital Printed in Scotland by Allander CONTENTS BIOGRAPHIES V PREFACE by PROFESSOR SIR DONALD MACKay IX CHAPTER 1 by PROFESSOR SIR DONALD MACKay 1 The framework, the authors and Home Rule. CHAPTER 2 by PROFESSOR JOHN Kay 11 Is recent economic history a help? CHAPTER 3 by PROFESSOR DAVID SIMPSON 23 An environment for economic growth: is small still beautiful? CHAPTER 4 by JIM & MARGARET CUTHBERT 35 GERS: where now? CHAPTER 5 by PROFESSOR DREW Scott 45 The Scotland Bill: way forward or cul de sac? CHAPTER 6 by PROFESSOR DAVID BELL 65 The Scottish economy: seeking an advantage? CHAPTER 7 by
[Show full text]
{Download PDF} Steppenwolf Ebook, Epub
STEPPENWOLF PDF, EPUB, EBOOK Hermann Hesse,David Horrocks | 272 pages | 05 Apr 2012 | Penguin Books Ltd | 9780141192093 | English | London, United Kingdom Steppenwolf PDF Book Play album Buy Loading. Wikimedia Commons Wikiquote. Steppenwolf fights Wonder Woman. In October we gave our last performance. A Girl I Knew. Live In Louisville! Friday 2 October Wednesday 7 October Born to Be Wild. Wednesday 29 July Hermann Hesse. Release Date January 29, This episode confirms to Harry that he is, and will always be, a stranger to his society. Thursday 25 June Iron Butterfly. Romantic Sad Sentimental. Following Darkseid's orders, Steppenwolf invaded Earth about 5 thousand years before the Battle of Metropolis with and his vast army of Parademons and attempted to conquer the planet but were forced into their first retreat ever by the combined armies of the Humans , Amazons , Atlanteans , and the Olympian Gods , losing 3 Mother Boxes with him. The quality of the acting is also difficult to gauge because the interactions between characters are already supposed to be so far removed from the kinds of things that people in your life most likely say and do. Add image 10 more photos. Cancel Save. The… read more. Now with the 3 Mother Boxes on his power, Steppenwolf decided that it was time to seal the Earth's fate via destroying it as he did in the past with several other planets under the orders of Darkseid's Elite. Darkseid with Steppenwolf at his side led his forces to Earth in search of the Anti Life Equation , where he met resistance from an alliance of Old Gods , Humans , Amazons , Atlanteans and Lanterns , who stopped him from uniting the three Mother Boxes and turning the planet into a copy of Apokolips.
[Show full text]
1968.11.15, GO Magazine 1.Jpg
Page 8 "When I saw those Czech kids fighting in the may do a double album, but I don't know yet. Whatever it streets," said song-writer/singer Joni Mitchell, "it turns out to be, 'CircleGame' and 'LlttleGreen'will be on it was an eye opener for me. They're the same as we for sure. Ifs difficult to choose which songs will go into the album. I've got 80 songs now. are. "There is a certain chronology to the songs I've set for It': " Youth is hungly for truth. thl' same all over the the album. Like what we had on the first album. By world. We've had so much leisure time - I guess because we changing the order of the songs, they tell a different story. I were all spoiled children - that we've had had more time to haven't decided on a story line yet. When I get them all I. think; perhaps more than any other generation in centuries. 2. Love Child • . • •••• .•. •••. • ••• Diana Ross & Supremes - Motown It's the thinking more than the drugs that is responsible for 3. Hold Me Tight . ••. • .........•..... .... JohnnyJNash -JAD what's happening now. I think it's incredible. 4. Abraham, Martin & John ........ -. .•... • .....• •. Dion - Laurie Joni is originally from Saskatoon, Saskatchewan, but 5. Magic Carpet Ride .•••. .............' ... .' Steppenwolf - Dunhill now makes her home in Los Angeles. She began singing 6. Hey Jude • ....• . .......•.. ·. ..• . • .• '. ...• Beatles - Apple four and a half years ago and has been writing songs for '7. Elenore .• ......... _ •.•.•. • • • •.•. • . ..Turtles - White Whale about three years and recently rocketed to national 8: Chewy, Chewy .
[Show full text]
John Kay & Steppenwolf
JOHN KAY & STEPPENWOLF Biography CELEBRATE THEIR 50TH ANNIVERSARY "The central theme of Feed The Fire," says John Kay, "is, 'don't let the bastards get you down!'" Lyrically, songs such as "Rock & Roll Rebels" and "Hold On" focus on the resiliency of the human spirit in spite of life's many setbacks. The title song speaks to the needs of the inner flame that burns in all of us and drives us in our quest for fulfillment. Other tracks, such as "Man On A Mission", "Rock Steady" and "Rage", are songs of defiance and passion, while "Bad Attitude" and "Give Me News I Can Use", rely on tongue-in-cheek and at times sardonic humor to make their point. In Kay's words: "This album is about and for all the rock and roll rebels, be they 14 or 54, who refuse to throw in the towel and who struggle to keep their dreams alive in the face of ever diminishing freedom." With "Feed The Fire," their most potent album in years, Kay and company have written the newest chapter of the Steppenwolf legend. Kay has certainly lived the life of a rock and roll rebel himself. After a perilous midnight escape from post-war East Germany as a child, he grew up with a steady diet of Armed Forces Radio and became inspired by the likes of Little Richard and Chuck Berry. At age 13, John decided to make rock and roll his life. "Considering I was only 13, legally blind, spoke the wrong language and was on the wrong side of the ocean, maybe I was a little optimistic," he says.
[Show full text]
Trustees Comply with Sunshine Legislation SA Meeting
Trustees comply with sunshine legislation by JeE llw Meyers Sharp before s meeting convenes; and noti that all areas within the university fication to media who have requested comply with the law.” Sunshine legislation, approved it. The exact ramifications of the law during the last Indiana General on the board will not be known until Assembly session, may have an effect Two committee meetings of the after the board’s retreat August 7. on the I.U. Board o# Trustee meetings, board are already open - student Gonso believes sunshine legislation According to Harry Gonso, trustee affairs and faculty relations. Not open may “inhibit discussion and lengthen responsible for seeing the university to the public are committee meetings some meetings but the exact process complies with sunshine legislation. which deal with personnel, reel estate is expected to be ironed out during the Scheduled to become law and legal, fiscal and construction retreat. " September 1, sunshine legislation matters Executive sessions are also The September board meeting will requires public meetings to be open, closed to the public be the First meeting to comply with except in exempted areas such as per “The board will adopt whatever the new law According to Gonso. I U sonnel matters, real estate and litiga means possible to comply with the President John W. Ryan has asked the tion; requires the posting of sn law,” said Gonso, “as well as ask the board to comply not only with the RJverhease Apartment* agenda at the public office 48 hours university’s legal department to see letter, but the spirit of the law NY firm purchases Riverhouse Apts.
[Show full text]
Influencing Reed Pitch Ask the Hohner Service Center
Har monica happenings A quarterly publication of the Society for the Preservation and Advancement of the Harmonica The 2011 spah Convention Issue! Fall, 2011 Vol. 45 No. 4 Harmonica happenings In this issue: Vol. 45, No. 4, Fall 2011 ©2007, The Society for the Preservation and Advancement of the Harmonica. Cover photos by Danielle Bradley, Ernie Roberts and JP All rights reserved. No portion of this Pagán. publication may be reproduced in any form without permission in writing from SPAH, Inc. Printed in U.S.A. Harmonica Happenings Contents: is published quarterly by SPAH, Inc., a nonprofit organization, incorporated in the State of Michigan on October 23, 1963. 6 SPAH 2011 THROUGH MY EYES & EARS— What SPAH is like... if you’re Charles Spranklin. SPAH correspondence should be sent to: SPAH, Inc. P.O. Box 865 12 CONVENTION CHATTER— Troy, MI 48099-0865 SPAH convention attendees tell their stories EDITOR & PUBLISHER JP Pagán ASSOC. EDITOR Jaine Rodack 15 SPAH 2011 IN PHOTOS— COPY EDITOR Danny Wilson SPAH BOARD OF DIRECTORS 26 THE STATE OF THE CHORD— Tom Stryker President Manfred Wewers covers the history of the chord harmonica. L.J. Atkison Vice President Eugene Hansen Treasurer Elizabeth Atkison Secretary 32 SECURING THE MAGIC CHORD— Roger Bale Membership Director The story of the chord that Al Fiore used to play “Peg O’ My JP Pagán Magazine Editor Heart.” Bob Cohen Webmaster Paul Metris Sergeant at Arms 34 CD Review Norm Dobson International Liaison Chris Bauer’s new album is just in time for the holidays. Danny Wilson SPAH Historian Paul Davies Advisor COMMITTEES Harmonicas & Health Terry Rand Chairman Entertainment Winslow Yerxa Chairman SPAH Advisory Committee L.J.
[Show full text]
Measuring Disruption in Song Similarity Networks
MEASURING DISRUPTION IN SONG SIMILARITY NETWORKS Felipe Falcão1 Nazareno Andrade1 Flávio Figueiredo2 Diego Silva3 Fabio Morais1 1 Universidade Federal de Campina Grande, Brazil 2 Universidade Federal de Minas Gerais, Brazil 3 Universidade Federal de São Carlos, Brazil [email protected], [email protected] ABSTRACT Investigating music with a focus on the similarity relations between songs, albums, and artists plays an important role when trying to understand trends in the history of music genres. In particular, representing these relations as a sim- ilarity network allows us to investigate the innovation pre- sented by these entities in a multitude of points-of-view, including disruption. A disruptive object is one that cre- ates a new stream of events, changing the traditional way of how a context usually works. The proper measurement of disruption remains as a task with large room for improve- ment, and these gaps are even more evident in the music Figure 1. Network topology for a disruptive artist. domain, where the topic has not received much attention so far. This work builds on preliminary studies focused on the analysis of music disruption derived from metadata- Regarding the different creative roles played by artists based similarity networks, demonstrating that the raw au- during the genre trajectories, the AllMusic guide deﬁnes dio can augment similarity information. We developed a the Ramones as “inarguably the most relevant band in case study based on a collection of a Brazilian local music punk history, creating the stylistic prototype that would tradition called Forró, that emphasizes the analytical and be followed by countless bands who emerged in their musicological potential of the musical disruption metric to wake” 1 .
[Show full text]
Facilitating Comprehensive Benchmarking Experiments on the Million Song Dataset
FACILITATING COMPREHENSIVE BENCHMARKING EXPERIMENTS ON THE MILLION SONG DATASET Alexander Schindler, Rudolf Mayer, and Andreas Rauber Institute of Software Technology and Interactive Systems, Vienna University of Technology fschindler,mayer,[email protected] ABSTRACT where most of the researchers in the field have access to the same collection. The Million Song Dataset (MSD), a collection of one Another reason identified as a major challenge for pro- million music pieces, enables a new era of research of Mu- viding access to research data in general is the lack of sic Information Retrieval methods for large-scale applica- esteem and valuation of these kind of activities. While tions. It comes as a collection of meta-data such as the preparing, maintaining and providing access to massive song names, artists and albums, together with a set of fea- data collections requires significant investments in terms tures extracted with the The Echo Nest services, such as of system maintenance and data (pre-)processing, it is con- loudness, tempo, and MFCC-like features. sidered administrative rather than research work (in spite There is, however, no easily obtainable download for of several even research-affine challenges emerging dur- the audio files. Furthermore, labels for supervised machine ing such activities), and thus does not gain acceptance in learning tasks are missing. Researchers thus are currently classical research-oriented publication venues. Such lack restricted on working solely with these features provided, of career rewards is one of the many factors, next to legal limiting the usefulness of MSD. We therefore present in limitations and lack of expertise, limiting sharing of re- this paper a more comprehensive set of data based on the search data [7].
[Show full text]
The Socio-Political Influence of Rap Music As Poetry in the Urban Community Albert D
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2002 The socio-political influence of rap music as poetry in the urban community Albert D. Farr Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the African American Studies Commons, American Popular Culture Commons, and the Poetry Commons Recommended Citation Farr, Albert D., "The ocs io-political influence of rap music as poetry in the urban community" (2002). Retrospective Theses and Dissertations. 182. https://lib.dr.iastate.edu/rtd/182 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The socio-political influence of rap music as poetry in the urban community by Albert Devon Farr A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee Jane Davis, Major Professor Shirley Basfield Dunlap Jose Amaya Iowa State University Ames, Iowa 2002 Copyright © Albert Devon Farr, 2002. All rights reserved. 11 Graduate College Iowa State University This is to certify that the master's thesis of Albert Devon Farr has met the thesis requirements of Iowa State University Signature redacted for privacy Signature redacted for privacy Signature redacted for privacy Signature redacted for privacy Ill My Dedication This Master's thesis is dedicated to my wonderful family members who have supported and influenced me in various ways: To Martha "Mama Shug" Farr, from whom I learned to pray and place my faith in God, I dedicate this to you.
[Show full text]