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021215Front FREE PRESS FRONT.Qxd
How to Voices of the Does Race Ancestors: Handle Quotes from Play a Role Great African a Mean Americans Leaders Child in Tipping? that are Still Page 2 Relevant Today Page 7 Page 4 Win $100 PRST STD 50c U.S. Postage PAID Jacksonville, FL in Our Permit No. 662 “Firsts” RETURN SERVICE REQUESTED History Contest Page 13 50 Cents Dartmouth College Introduces Volume 28 No. 14 Jacksonville, Florida February 12-17, 2015 #BlackLivesMatter Course Police Killings Underscore #BlackLivesMatter is what many bill as the name of the current move- ment toward equal rights. The hashtag, which drove information about protests happening in cities around the world, was started by Opal the Need for Reform Tometi, Patrisse Cullors and Alicia Garza in 2012, in response to the By Freddie Allen fatally shooting Brown. killing of Trayvon Martin. NNPA Correspondent Targeting low-level lawbreakers Now the movement has found its way into academic spaces. Blacks and Latinos are incarcer- epitomizes “broken windows” pop- Dartmouth College is introducing the #BlackLivesMatter course on its ated at disproportionately higher ularized during William Bratton’s campus this spring semester that will take a look at present-day race, rates in part because police target first tenure as commissioner of the structural inequality and violence issues, and examine the topics in a them for minor crimes, according a New York Police Department under historical context. report titled, “Black Lives Matter: then-Mayor Rudy Giuliani. Mayor “10 Weeks, 10 Professors: #BlackLivesMatter” will feature lectures Eliminating Racial Inequity in the Bill de Blasio reappointed Bratton from about 15 professors at Dartmouth College across disciplines, Criminal Justice System” by the to that position and he remains including anthropology, history, women's and gender studies, English Sentencing Project, a national, non- “committed to this style of order- and others. -
Extensions of Remarks
April 26, 1990 EXTENSIONS OF REMARKS 8535 EXTENSIONS OF REMARKS BENEFITS OF AUTOMATION First-class mail delivery performance was "The mail is not coming in here so we ELUDE POSTAL SERVICE at a five-year low last year, and complaints have to slow down," to avoid looking idle, about late mail rose last summer by 35 per said C. J. Roux, a postal clerk. "We don't cent, despite a sluggish 1 percent growth in want to work ourselves out of a job." HON. NEWT GINGRICH mall volume. The transfer infuriated some longtime OF GEORGIA Automation was to be the service's hope employees, who had thought that they IN THE HOUSE OF REPRESENTATIVES for a turnaround. But efforts to automate would be protected in desirable jobs because have been plagued by poor management and of their seniority. Thursday, April 26, 1990 planning, costly changes of direction, inter "They shuffled me away like an old piece Mr. GINGRICH. Mr. Speaker, as we look at nal scandal and an inability to achieve the of furniture," said Alvin Coulon, a 27-year the Postal Service's proposals to raise rates paramount goal of moving the mall with veteran of the post office and one of those and cut services, I would encourage my col fewer people. transferred to the midnight shift in New Or With 822 new sorting machines like the leans. "No body knew nothing" about the leagues to read the attached article from the one in New Orleans installed across the Washington Post on the problems of innova change. "Nobody can do nothing about it," country in the last two years, the post of he said. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Half a Century with the Swedish Film Institute
Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other. -
Mcfarlane SAYS CABINET KNEW WHAT WAS GOING ON
Uiaitrltpalpr) Manchester — A City o( Village Charm HpralJ) Saturday. Jan. 17,1987 30 Cents McFARLANE SAYS CABINET KNEW WHAT WAS GOING ON WASHINGTON (AP) - Former na simpty trading U.S. arms for the release advised against it, and that there was no decision was taken. tional security adviser Rotert C. of Americans held hostage in Lebanon. "no ambiguity or misunderstanding "I’m not chalienging him,” Shultz McFarlane toid Congress Friday that McFarlane said Reagan acted to among them of the nature pf the said. "I’m Just saying I have lots of SecreUry of State George P. Shultz and authorize the contacts with Iran in decision.” notes. I sort of habitually did that. Secretary of Defense Caspar W. Wein midsummer 198S only after he and his Shultz, however, told reporters late Maybe I’m missing something or berger "knew what was going on" advisers became convinced that despite Friday that he could not recall being told missed something. But I don’t have any during the decision to san(^on arms obvious risks, any other course would be during the summer of 1985 that Reagan note about being formally notified of a sates as part of a bid to forge ties with "a cop-out” given Iran’s important had approved Israeli arms shipments to presidential decision.” moderates in Iran. strate^c position to both the United Iran. Shultz said the first, fuli-scaie formal McFarlane also said President Rea States and the Soviet Union. In fact, Shultz said he attended a meeting to discuss weapons shipments gan was warned "very emphaticatly” He said that Shuitzand other Cabinet meeting that August with Reagan and to Iran was not held until that by his advisers that if the dealings officers were fuliy involved in the McFarlane in which the issue was bMame public, it would took tike he was original decision, even though they discussed, and he had "the impression” 'Tam to page S Hawk gains its freedom John Spaulding, animal curator at the Lutz Children’s Museum, coaxes an injured redtail hawk to use its wings in prepara tion for the bird’s release at sunrise today. -
Monkees to Do Tv Spect Aculars
MUSICTI~[~\!l~~~rn[(]R AOlo Week Ending March 30th. 1968 . CENTS E. TAYLOR CAMPBELL APPOINTED VICE PRESIDENT MARKETING CAPITOL RECORDS (CANADA) LTD. MONKEES TO DO TV Toronto: Mr. G. Edward Leetham, presi dent of Capitol Records (Canada) Ltd. , has announced the appointment of E. Taylor Campbell to the newly created position of vice-presiden t Marketin g, SPECT ACULARS effective March 1st. 1968. In his new post Mr. Campbell will be record sales are well over 20 million. Th ... s could be the first real opportunity responsible for the implementation of Although there has been speculation How are the Monkees doing? They're of top groups to appear on a national Capitol's new marketing concept that the Monkees will be dropped from their doing very well, and they probably have TVer with the Monkees since the days providing total co-ordination in adver weekly series on NBC, it has just seen the downfalls of TV overexposure of Hullabaloo and Shindig. Other than the tiSing, promotion, selling, distribution, recently been reported that three specials and have picked the route that will occasional guest spots here and there, warehousing and procurement. are to be produced for the upcoming guarantee them exposure through the pop music gr~ups have been relatively Mr. Campbell joined Capitol in 1954 television season. spectaculars and additional time to tour, igpored by the networks. The Monkees as sales representative and quickly The Monkees were sky rocketted into record, and make motion pictures. will probably feature many of the climbed the executive ladder. His first fame and fortune as television stars and Presently they are negotiating a Far chart topping groups and their own zany appointment was in 1960 as Ontario today their popularity on records outdoes East tour and making their first full antics in one hour specials will probably sales manager. -
Todd Mason Papers PASC.0363
http://oac.cdlib.org/findaid/ark:/13030/c8rb770b No online items Finding Aid for the Todd Mason Papers PASC.0363 Processed by Cheryl Clayton with assistance from Julie Graham; machine-readable finding aid created by Caroline Cubé after initial encoding by Julie Graham. UCLA Library Special Collections Online finding aid last updated on 2020 November 4. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Todd Mason PASC.0363 1 Papers PASC.0363 Contributing Institution: UCLA Library Special Collections Title: Todd Mason papers Creator: Mason, Todd Identifier/Call Number: PASC.0363 Physical Description: 2.25 Linear Feet(2 boxes and 4 flat boxes) Date (inclusive): 1967-1981 Abstract: There is little information available about Todd Mason. During his career, he worked as an actor, did voice overs, and was a newspaper writer. From 1968-1975 Mason was an associate of Mike Connors and worked for the television series Mannix. The collection consists of writings, photographs, correspondence, and audio cassette recordings related related to his career. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the file level. -
Orléans - Les Carmes Semaine Du 22 Au 28 Juillet 2020
Le Cinéma Orléans - Les Carmes Semaine du 22 au 28 juillet 2020 Les Mal-aimés EN AVANT-PREMIÈRE Durée : 0:40 Tous publics Genre : Animation Réalisé par Hélène Ducrocq MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 22 juil 23 juil 24 juil 25 juil 26 juil 27 juil 28 juil 10h15 - VF 10h15 - VF Ip Man 4 : Le dernier combat Durée : 1:45 Genre : Action, Biopic, drame, Arts Martiaux Réalisé par Wilson Yip Avec Donnie Yen, Scott Adkins, Danny Kwok-Kwan Chan, Vanness Wu, Yue Wu MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 22 juil 23 juil 24 juil 25 juil 26 juil 27 juil 28 juil 16h35 - VO 16h30 - VO 16h30 - VO 16h10 - VO 17h45 - VO 14h10 - VO 19h20 - VO 20h35 - VO 18h45 - VO 21h30 - VO 20h00 - VO 21h25 - VO 21h25 - VO Les Fleurs de Shanghai Durée : 1:54 Genre : Drame Réalisé par Hsiao-hsien Hou Avec Tony Leung Chiu Wai, Carina Lau, MICHELE REIS, Jack Kao, Michiko Hada MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 22 juil 23 juil 24 juil 25 juil 26 juil 27 juil 28 juil 14h00 - VO 12h10 - VO 13h40 - VO 14h10 - VO 18h40 - VO 11h50 - VO Madre Durée : 2:09 Genre : Drame, thriller Réalisé par Rodrigo Sorogoyen Avec Marta Nieto, Jules Porier, Alex Brendemühl, Anne Consigny, Frédéric Pierrot MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 22 juil 23 juil 24 juil 25 juil 26 juil 27 juil 28 juil 18h50 - VO 16h05 - VO 19h00 - VO 16h50 - VO 13h20 - VO 13h50 - VO 16h40 - VO 19h00 - VO 21h00 - VO 18h35 - VO 16h25 - VO 18h45 - VO Les horaires sont susceptibles de changer, n'hésitez pas à venir vérifier sur le site avant votre séance. -
Best Picture of the Yeari Best. Rice of the Ear
SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Max M. Fisher Papers 185 Linear Feet (305 MB, 20 OS, 29 Reels) 1920S-2005, Bulk 1950S-2000
Max M. Fisher Papers 185 linear feet (305 MB, 20 OS, 29 reels) 1920s-2005, bulk 1950s-2000 Walter P. Reuther Library, Wayne State University, Detroit, MI Finding aid written by Aimee Ergas, May 5, 2015. Accession Number: UP002350 Creator: Max M. Fisher Acquisition: This collection was deposited at the Reuther Library by the Max M. and Marjorie S. Fisher Foundation in August 2012. Language: Material entirely in English. Access: Collection is open for research. Items in vault are available at the discretion of the archives. Use: Refer to the Walter P. Reuther Library Rules for Use of Archival Materials. Notes: Citation style: “Max M. Fisher Papers, Box [#], Folder [#], Walter P. Reuther Library, Archives of Labor and Urban Affairs, Wayne State University” Copies: Digital materials (29 disks) from the collection have been copied and transferred to the Reuther Library’s digital repository. Other Access Aids: Many photographs and information about Fisher available at www.maxmfisher.org. Related Material: Reuther Library collections: New Detroit, Inc. Records; Detroit Renaissance Records; materials in the Leonard N. Simons Jewish Community Archives, particularly the Jewish Federation of Metropolitan Detroit Records; Detroit Symphony Orchestra Hall, Inc., Records; Damon J. Keith Papers; Stanley Winkelman Papers; Mel Ravitz Papers; Wayne State University Archives, including Presidents’ Collections: David Adamany, Thomas N. Bonner, George E. Gullen, Irvin Reid. Audiovisual materials including photographs (boxes 291-308), videotapes (boxes 311-315), audiocassettes (boxes 316-319), CD and DVDS (boxes 319-320), minicassettes (box 321), a vinyl record (box 322), and audio reels (boxes 322-350) have been transferred to the Reuther’s Audiovisual Department Two boxes of signed letters from U.S.