Creating Rhythm with Sharifa Oppenheimer
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Maritime Bluegrass: the Local Meaning of a Global Music
MARITIME BLUEGRASS: THE LOCAL MEANING OF A GLOBAL MUSIC by Daniel J. Andrews BA, St. Thomas University, 2007 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master's of Interdisciplinary Studies in the Graduate Academic Unit of School of Graduate Studies Supervisors: Peter G. Toner (St. Thomas University), PhD, Anthropology Daniel Downes, PhD, Information and Communication Studies Examining Board: Linda Eyre, PhD, Assistant Dean of Graduate Studies, Chair Peter Toner (St. Thomas University), PhD, Anthropology Daniel Downes, PhD, Information and Communication Studies Neil Rosenberg (Memorial University of Newfoundland), PhD, Folklore This thesis is accepted by the Dean of Graduate Studies THE UNIVERSITY OF NEW BRUNSWICK September, 2010 © Daniel J. Andrews, 2010 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-87639-, Our file Notre reference ISBN: 978-0-494-87639-> NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. -
Moved to Learn: Dalcroze Applications to Choral Pedagogy and Practice
Moved to Learn: Dalcroze Applications to Choral Pedagogy and Practice by Caron Daley A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts Faculty of Music University of Toronto © Copyright by Caron Daley 2013 Moved to Learn: Dalcroze Applications to Choral Pedagogy and Practice Caron Daley Doctor of Musical Arts Faculty of Music University of Toronto 2013 Abstract Over a century ago, Émile Jaques-Dalcroze (1865-1950) began experimenting with a pedagogical approach that would give students access to their personal musical voice and a system of technique to express that voice with ease and sensitivity. Music education had lost sight of certain key qualities of exceptional musicianship; qualities such as flow, nuance, imagination, and individuality, so valued in expressive performance, were absent in music pedagogy. According to Jaques-Dalcroze, the antidote to musical arrhythmy (a lack of musical ease and expressivity) lay in the integrated use of the whole body in both musical perception and performance, a coordination he termed eurhythmy. The purpose of this study is to investigate the applications of Dalcroze Eurhythmics to the choral context, including the ways in which the Dalcroze approach shapes the philosophical, pedagogical and musical outcomes of choral pedagogy and practice. More specifically, how do these two areas interact in relationship to the following topics: (1) conductor, chorister and choir as instrument, (2) conductor and chorister score study, (3) conductor and chorister gesture, and (4) choral pedagogy and rehearsal techniques? The original writings of Émile Jaques-Dalcroze provide a framework for the discussion, while interviews with two groups, Dalcroze master-teachers with choral conducting training and/or experience, and Dalcroze-trained choral conductors illustrate the specific ii applications of the choral context. -
These Good Guys Fimish First
.. tgliiiik RADIO EXCLUSIVE jaw THESE GOOD GUYS FIMISH FIRST Volume XV No. 29 August 10, 1990 $5.00 Newspaper r •-• - In Spanish It Means THREE. In Music It Means HOT! From their self-written debut album "Hold On To Your Dreams" "I Can't Hang Any Longer" The hot new single from -re E 1.1.110fell -TY 0 ® 1990 Pnorrt., Records, Inc. (213) 46•-0151 /OW) 235-2300 ON TENTS AUGUST 10, 1990 Publisher VOLUME XV. NUMBER 29 SIDNEY MILLER Assistant Publisher SUSAN MILLER Editor-in-Chief RUTH ADKINS ROBINSON Managing Editor JOSEPH Elf d AND RI YNOLDS VP/Midwest Editor FEATURES JERO ME SIM MONS COVER STORY—THE WHISPERS 24 Art Department INTRO —Kool Skool/Black Box 21 LANCE VANTILE WHITFIELD art director ON THE RADIO —Keith Reed 34 MARTIN BLACK WELL STAR TALK—Spike Lee 45 typography/computers SECTIONS International Dept. PUBLISHERS 5 Jonathan King. Japan NEWS 6 Norman Richmond. Canada BRE FLICKS 8 Columnists Rap/Roots/Reggae. On Stage JAZZ NOTES 15 LarriAnn Flores MUSIC REPORT 16 What Ever Happened MUSIC REVIEWS 18 Spider Harrison In Other Media Alan Leigh RADIO NEWS 30 Gospel Tim Smith GRAPEVINE/PROPHET 46 Record Reviews CHARTS & RESEARCH LarriAnn Flores SINGLES CHART 12 Terry Muggleton ALBUMS CHART 14 Rachel Williams JAZZ CHART 15 Staff Writers NEW RELEASE CHART 26 Cornelius Grant RADIO REPORT 27 Lynette Jones Rachel Williams PROGRAM MER'S POLL 33 Production THE NATIONAL ADDS 35 Angela Johnson COLUMNS Ray MyrIe RAP, ROOTS & REGGAE 10 Administration CANADIAN REPORT 20 Roxanne Powell. office mgr Felix Whyte. traffic GOSPEL 22 DOWNLINK 29 Printing Printing Services, Inc MID WEST REPORT 32 BLACK RADIO EXCLUSIVE USPS 363 210 ISSN 0745 5992 is puolished by Black Radio Exclusive 6353 Hollywood Blvd Hollywood. -
Rhythm & Blues...60 Deutsche
1 COUNTRY .......................2 BEAT, 60s/70s ..................69 OUTLAWS/SINGER-SONGWRITER .......23 SURF .............................81 WESTERN..........................27 REVIVAL/NEO ROCKABILLY ............84 WESTERN SWING....................29 BRITISH R&R ........................89 TRUCKS & TRAINS ...................31 INSTRUMENTAL R&R/BEAT .............91 C&W SOUNDTRACKS.................31 POP.............................93 COUNTRY AUSTRALIA/NEW ZEALAND....32 POP INSTRUMENTAL .................106 COUNTRY DEUTSCHLAND/EUROPE......33 LATIN ............................109 COUNTRY CHRISTMAS................34 JAZZ .............................110 BLUEGRASS ........................34 SOUNDTRACKS .....................111 NEWGRASS ........................36 INSTRUMENTAL .....................37 DEUTSCHE OLDIES112 OLDTIME ..........................38 KLEINKUNST / KABARETT ..............117 HAWAII ...........................39 CAJUN/ZYDECO ....................39 BOOKS/BÜCHER ................119 FOLK .............................39 KALENDER/CALENDAR................122 WORLD ...........................42 DISCOGRAPHIES/LABEL REFERENCES.....122 POSTER ...........................123 ROCK & ROLL ...................42 METAL SIGNS ......................123 LABEL R&R .........................54 MERCHANDISE .....................124 R&R SOUNDTRACKS .................56 ELVIS .............................57 DVD ARTISTS ...................125 DVD Western .......................139 RHYTHM & BLUES...............60 DVD Special Interest..................140 -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
New English File Upper-Intermediate Student's Book
New New Clive Oxenden Student’s Book FILE ENGLISH Christina Latham-Koenig It has all the elements that ENGLISH FILE ‘have made the series 100% such a successful one.’ The course that gets students talking ● Motivating, Fun, motivating lessons that work NEW real-world texts p.84 The perfect balance of grammar, vocabulary, pronunciation, and ● Grammar Bank with skills to help your students use English really effectively. rules and exercises p.132 Student’s Book ● Illustrated A complete package for teachers and students Vocabulary Bank p.146 The Teacher’s Book gives you the support you need, and all the New and Sound Bank p.158 components work together for more effective learning. ● Colloquial English focus Upper-intermediate on everyday language p.32 Common European Framework of Reference B2 ENGLISH FILE Student’s Book Upper-intermediate English Sounds Pronunciation Chart Teacher’s Book based on an original idea and design ● Full notes, with extras highlighted in colour. by Paul Seligson and Carmen Dolz ● Photocopiable Grammar, Communicative, and Vocabulary activities. ● A song in every File. ● A Test and Assessment CD-ROM. iPack ● New digital teaching material. ● For use with interactive whiteboards, projectors, and computers. DVD ● Brings the Colloquial English lessons to life. MultiROM ● Home-study CD-ROM and audio CD in one. ● Grammar, vocabulary, pronunciation, video, dictation, and exam practice. ● Extra listening. Workbook ● Lesson by lesson revision and practice. ● Available with or without Key Booklet. Oxenden Latham-Koenig Class audio ● Four CDs of class listening material. Website ● Interactive exercises, games, and downloadable material at: www.oup.com/elt/englishfi le/upper-intermediate Study Link Look out for the Study Link logo throughout the course. -
September 1924) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1924 Volume 42, Number 09 (September 1924) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 42, Number 09 (September 1924)." , (1924). https://digitalcommons.gardner-webb.edu/etude/716 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. SS'irSHSS , zj-znz vi,vss s SH to May provided in New York by the Foundation. y0„ng American" coloratura soprano, Dusolina ^st™ ^wsffasss: *«* ~ — — fe88lon°were*dlscnlSedESSSS: by leading authorities' Sembrich who ha« been her musical god- EstivalsSfMffiSfKBr to be held SHH'SaSiSSS SL“SH"3£SBs“H ”“h'r'l , ,„ „„ E~Sia&'9«?-3«!r? sssuajss^ - “• —» - U„n„”;r;^r;rn,ru: sa-ir-ss r, ~ ~ ZM » ,«> CONTENTS FOR SEPTEMBER, 1924 ^ IPfilii s©«r=iEl eSS/SV. §§ fWB4® *“"•- „« K rrrn„» ::::::VSK SS ts"tTH *th e°ear Will You Pay the Price. It. L. Hannon 504 Flaming Stars (Four Hands) . ..V. Dale BIO fegsor‘ a -iV-3 ■ * - - 1 gafarssw-- ngi Ta-7 Leading■ • v \mericatijsx (»). -
Beets Documentation Release 1.3.7
beets Documentation Release 1.3.7 Adrian Sampson August 22, 2014 Contents 1 Contents 3 1.1 Guides..................................................3 1.2 Reference................................................. 13 1.3 Plugins.................................................. 35 1.4 FAQ.................................................... 72 1.5 For Developers.............................................. 76 1.6 Changelog................................................ 87 i ii beets Documentation, Release 1.3.7 Welcome to the documentation for beets, the media library management system for obsessive-compulsive music geeks. If you’re new to beets, begin with the Getting Started guide. That guide walks you through installing beets, setting it up how you like it, and starting to build your music library. Then you can get a more detailed look at beets’ features in the Command-Line Interface and Configuration references. You might also be interested in exploring the plugins. If you still need help, your can drop by the #beets IRC channel on Freenode, send email to the mailing list, or file a bug in the issue tracker. Please let us know where you think this documentation can be improved. Contents 1 beets Documentation, Release 1.3.7 2 Contents CHAPTER 1 Contents 1.1 Guides This section contains a couple of walkthroughs that will help you get familiar with beets. If you’re new to beets, you’ll want to begin with the Getting Started guide. 1.1.1 Getting Started Welcome to beets! This guide will help you begin using it to make your music collection better. Installing You will need Python. (Beets is written for Python 2.7, but it works with 2.6 as well. Python 3.x is not yet supported.) • Mac OS X v10.7 (Lion) and 10.8 (Mountain Lion) include Python 2.7 out of the box; Snow Leopard ships with Python 2.6. -
Stax Records and the Civil Rights Movement in Memphis, Tennessee Jason Danielson Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2015 The oler of soul: Stax Records and the civil rights movement in Memphis, Tennessee Jason Danielson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the African American Studies Commons, Music Commons, and the United States History Commons Recommended Citation Danielson, Jason, "The or le of soul: Stax Records and the civil rights movement in Memphis, Tennessee" (2015). Graduate Theses and Dissertations. 14687. https://lib.dr.iastate.edu/etd/14687 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The role of soul: Stax Records and the civil rights movement in Memphis, Tennessee by Jason Danielson A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: History Program of Study Committee: Brian Behnken, Major Professor Tunde Adeleke Isaac Gottesman Iowa State University Ames, Iowa 2015 Copyright © Jason Danielson, 2015. All rights reserved. ii TABLE OF CONTENTS I THANK YOU: ACKNOWLEDGMENTS iii ABSTRACT viii CHAPTER 1. INTRODUCTION: THE ROLE OF SOUL 1 CHAPTER 2. BLACK AND WHITE TOGETHER 27 CHAPTER 3. WOMAN TO MAN 60 CHAPTER 4. I’LL TAKE YOU THERE 93 CHAPTER 5. BY ANY MEANS NECESSARY 124 CODA: TAG THE ENDING, REPEAT AND FADE 155 BIBLIOGRAPHY 159 iii I THANK YOU: ACKNOWLEDGEMENTS In the spring of 2003, a young history education major played keyboard in a blues band called Magic Mike and the Blue Side. -
TRANSNATIONALISM, ACTIVISM, ART This Page Intentionally Left Blank Transnationalism, Activism, Art
TRANSNATIONALISM, ACTIVISM, ART This page intentionally left blank Transnationalism, Activism, Art EDITED BY KIT DOBSON AND ÁINE MCGLYNN UNIVERSITY OF TORONTO PRESS Toronto Buffalo London © University of Toronto Press 2013 Toronto Buffalo London www.utppublishing.com Printed in Canada ISBN 978-1-4426-4319-2 Printed on acid-free, 100% post-consumer recycled paper with vegetable-based inks. Library and Archives Canada Cataloguing in Publication Transnationalism, activism, art / edited by Kit Dobson and Áine McGlynn. Includes bibliographical references. ISBN 978-1-4426-4319-2 1. Transnationalism. 2. Social movements. 3. Arts, Modern – 21st century. 4. Arts and globalization. 5. World politics – 21st century. I. Dobson, Kit, 1979– II. McGlynn, Áine HM1271.T73 2013 305 C2012-904202-1 The University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council. This book has been published with the help of a grant from the Canadian Federation for the Humanities and Social Sciences, through the Awards to Scholarly Publications Program, using funds provided by the Social Sciences and Humanities Research Council of Canada. University of Toronto Press acknowledges the financial support for its publishing activities of the Government of Canada through the Book Publishing Industry Development Program (BPIDP). Contents Acknowledgments vii Introduction: Transnationalism, Activism, Art 3 kit dobson and áine mcglynn 1 Manhattanism and Future Cities: Some Provocations on Art