Annual Report 2014–2015 JORDAN SCHNITZER MUSEUM OF ART Jordan Schnitzer Museum of Art

Annual Report 2014–2015 2 3

Director’s Report

PLANNING MAKES ALMOST PERFECT The Bridging Cultures initiative was well on display in our two subsequent It is not unusual to go to a conference, network with colleagues, and hear them Barker Gallery shows. Under Pressure: Contemporary Prints from the Collection commiserate about long-range plans: are they necessary, realistic, even useful? of Jordan D. Schnitzer and His Family Collection featured the work of more than Admittedly, it’s hard to know what’s around the corner, let alone how to make forty artists whose countries of origin and cultural backgrounds cross the globe. assumptions for three, even four, years out. But how satisfying and exciting it is We closed the season with Rick Bartow: Things You Know But Cannot Explain. to develop a long-range plan that truly guides an organization’s short- and long- Bartow’s complex and compelling art crosses all kinds of boundaries—material, term goals and how grateful I am to work with a cadre of staff and volunteers culture, meaning—transforming personal and universal experiences into objects committed to its realization. of power and spirit. We crossed another kind of boundary by giving street artists This summer, we completed the first year of our four-pillared plan—Bridging Amanda Marie and X-O a gallery, resulting in a wondrous use of space, and Cultures, Engaging Community, Learning Together, and Sustaining Tomorrow. we partnered with Latin American Studies on photographs of the disappeared We met many of our goals and experienced challenges with others. We created by Gustavo Germano and images of Haitians being denied their rights in Santa new ones, too. In this report, we chart our progress with a few finest examples, Domingo. Geraldine Ondrizek’s Shades of White continued a discussion on race made possible thanks to your support! and Oregon’s sad history, begun with our Kara Walker show the year before, and we connected its eugenics theme with the hard sciences in a meaningful way. BRIDGING CULTURES This goal is at the heart of our founder Gertrude Bass Warner’s vision to create a museum that, “through the love of the beautiful, makes the whole world kin.” We opened the season with the awesome beauty of Ryo Toyonaga: Awakening, curated by Lawrence Fong, our former curator of American and regional art. Toyonaga unites the East and West, as a Japanese-born artist living in New York. His quizzical creatures, frozen in metal, clay, or papier mâché, or growing legs and telescopes in drawings and paintings, command us to enter a vibrant, new world—perhaps the aftermath of a nuclear disaster or an evolutionary fusion of technology and nature. Masterfully designed by associate director Kurt Neugebauer, the glowing installation mesmerized audiences of all ages and backgrounds, each visitor finding a different meaning and connection to the work. The handsome catalog, designed by Diane Nelson, our design services manager, took the mystery and majesty of his art to a new level. The exhibition also served In January, Jordan Schnitzer came to as inspiration for our annual NewArt Northwest Kids juried show, and thanks to Eugene to celebrated the opening of the artist’s generosity and general acquisition funds, we now have four Toyonaga our special exhibition Under Pressure: Contemporary Prints from the Collections works in the collection that will continue to engage our communities and of Jordan D. Schnitzer and his Family strengthen our teaching mission for some time to come. Amanda Marie and X-O: The Many Places We Are, on view May Foundation and spoke about the 9–August 9 , 2015, featured the work of two internationally important role art plays in teaching us acclaimed street artists in their first museum show. about ourselves and our world. 4 5 Charles Froelick, Barry Lopez, and Lillian Pitt (with Rick EXHIBITION TOUR Bartow, second from left) made the opening of this exhibition a memorable experience. Their contributions Gilcrease Museum, Tulsa, Oklahoma to our workshops, panels, and gallery tours enhanced January 15 – April 30, 2016 our understanding of one of Oregon’s most loved artists. IAIA/Museum of Contemporary Native Arts Santa Fe, New Mexico August 14 – December 31, 2016 The Heard Museum, Phoenix, Arizona April 8 – July 9, 2017 Washington State University Museum of Art We have to reveal ourselves. Pullman, Washington September 29 – December 16, 2017 In the way that we reveal ourselves, The Autry National Center of the American West we let our life shine. Los Angeles, California May 12, 2018 – January 6, 2019 — RICK BARTOW

RICK BARTOW Things You Know But Cannot Explain

Few museum visitors know that an exhibition Born in Newport, Oregon, in 1946, Bartow you see today may have taken months, if not is a member of the Wiyot tribe of Northern years, to produce. This was the case for Rick California and has close ties with the Siletz Bartow: Things You Know But Cannot Explain, community. He graduated in 1969 from Western curated by Executive Director Jill Hartz and Oregon University with a degree in secondary arts McCosh Associate Curator Danielle Knapp. education and served in the Vietnam War (1969– Even before Bartow’s stroke in August 2013, 71). His work is permanently held in more than both had discussed the possibility of a major sixty public institutions in the U.S. and has been show with Charles Froelick, the artist’s gallerist. the subject of nearly forty solo museum shows. “Things got real,” explained Hartz, “once we Support for the exhibition was generously learned about Rick’s health crisis.” The resulting provided by The Ford Family Fund of the Oregon exhibition, featuring more than 120 paintings, Community Foundation, Arlene Schnitzer, the drawings, sculpture, prints, and mixed media Coeta and Donald Barker Changing Exhibitions works, spanning nearly forty years, begins a tour Endowment, The Harold and Arlene Schnitzer to other museums this winter. “We are honored CARE Foundation, a grant from the Oregon Arts to share it with so many fine museums that Commission and the National Endowment for the admire Rick and his work as much as we do,” Arts, a federal agency, the Ballinger Endowment, Rick Bartow (American, b. 1946). Creation of Crow, 2014. Acrylic on canvas, 36 x 48 inches. said Knapp. Philip and Sandra Piele, and JSMA members. Promised gift from Rick Bartow to the JSMA 7

ENGAGING COMMUNITY Diversity and access are at the heart of this strategic goal, which envisions the museum as a town square or community cultural center that forges meaningful relationships and experiences. This year, our Latino Engagement Plan took off. Engaging this fastest growing demographic is critical, both to our region’s health and to our museum’s mission and longevity. Our club de Arte para Madres more than doubled, and its members now volunteer for other diversity-focused programs, including Día de Familia and Día de los Muertos, which now serves more than 2,000 visitors over a four-day period. Our first Spanish immersion summer camp was an immediate hit. An advisory group of on- and off-campus members, support Last year, more than 2,000 visitors appreciated our Diá de los Muertos programs—four evenings of special from the Oregon Cultural Trust and Oregon Arts Commission, and partnerships performances, lectures, art workshops, and exhibitions—organized by Armando Morales, a teacher at Oak Hill School, volunteer Rebeca Urhausen, and June Black, our associate curator of academic programs and with Oak Hill School, MEchA (the UO’s Latin American student organization), European and Latin American art, with the support of many organizations in our community. Our annual and members of our community make this success possible and ongoing. Family Day/Diá de Familia celebrated Mexican culture. Our Saturday art workshops for kids with disabilities are also expanding, thanks to Kennedy Center support. Three years, ago, we began an Art of the Athlete LEARNING TOGETHER exhibition and summer workshop program, which continues to inspire student- Museums are, foremost, educational institutions and research laboratories, where athletes to create meaningful art and share their hopes and dreams. Once familiar students of all ages learn how to see and think better and become productive with the museum, many of them volunteer their time and creativity to assist with citizens of the world. This past year, we became STELLAR in this regard! our Saturday programs, school visits (even painting a mural at Kelly Middle School), In September 2014, the museum was notified that the U. S. Department of and mentoring high school students in our World of Work program. Education’s Office of Innovation and Improvement had awarded $850,000 to our Training our next generations in both museum work and citizenship is a collaborative partnership with the Oakridge School District, the Lane Education key component to World of Work. Funded by the Oregon Arts Commission for Service District, the UO’s Center for Advanced Technology in Education, and nearly two years, beginning in spring 2014, and continuing thanks to a Barker the Oregon Writing Project. This four-year initiative—Strategies for Technology- Foundation grant, WoW offers 3-month paid internships for 8th–12th grade Enhanced Learning and Literacy through Art—uses the highly successful Visual students from Eugene/Springfield, who are instructed in art education, visual arts, Thinking Strategies (VTS) to build a sustainable platform for arts education in and museum practice. Our partner schools—Kelly Middle School, North Eugene schools. It does this by training teachers to integrated the visual arts into the High School and Springfield High School—have significant Hispanic populations, academic curriculum and teach art in general classroom settings. large Special Education programs, and students on IEP. They provide most of our As certified VTS teachers, Lisa Abia-Smith, director of education, and interns, who work collaboratively with museum staff to learn the fundamentals Arthurina Fears, museum education program manager, trained twenty-four of arts education, assist with teaching art lessons for mainstream students and teachers from schools in Oakridge and Lowell in the VTS system, which, for this students with disabilities in grades 1–5, and explore future careers in a museum project, is designed to improve reading and writing related to national and Oregon setting. By familiarizing them with both a museum and a university, we help to standards. In the spring, K–12 students from the STELLAR schools visited the prepare them for college and careers. museum for VTS tours led by our Exhibition Interpreters. 8 9 ACADEMIC USE SURVEY RESULTS

This past year, STELLAR paired professional development on VTS with training on informational reading and writing and added an emphasis on evidence-based strategies for writing arguments. The skills needed to construct and critique cogent arguments in writing build naturally from those learned using VTS to visually explore works of art. Over the next year, the JSMA education staff will work with our partners to expand VTS training to applications with English, social studies, science, and math. By the end of the four years—during which the achievements of both the teachers and students will be evaluated—the JSMA will have provided resources and training to five rural school districts and have served more than 125 teachers and 3,500 students. Academic success is just one aspect of the JSMA’s work with schools. Childhood obesity is one of the most pressing issues of our time, and teaching children the importance—and fun—of healthy eating was the goal of our partnership with Edison School and Karla Chambers of Stahlbush Island Farm, Oregon’s first certified organic farm. A self-taught artist, Chambers paints colorful pictures of fruit and vegetables and is passionate in sharing her knowledge about healthy eating with Oregon’s youth. Her Colors of Nutrition exhibition, talk, and visit with Edison School students inspired them to create images of their favorite healthy meals, which were presented in our Artist Project Space. The JSMA is equally committed to its on-campus educational mission. As a laboratory for active learning, the museum is a space for intellectual risk-taking and creative exploration. That was abundantly evident this year, when at least 8,480 students from 382 classes across 49 departments and programs visited the museum. This represents an increase of nearly 55 percent from the previous year! In less than five years, the museum has more than doubled its reach to university faculty and students! How is that possible? This year, we created a temporary academic curator position. June Black, who has been with us for three years, first as a curatorial extern, following her graduation from the UO with an MA in art history, and then as an assistant and associate curator of Latin American and European art, became

t Academic Use Survey Results Our survey represented more than nineteen departments across campus and confirmed a wide use of the museum’s resources— our collections, exhibitions, and staff! 10 11

our point person for academic programs. Working with our curators, collections Thank you, Margo and education staff, and students, she systematically targeted faculty whose Grant Walsh! The JSMA redesigned its research and courses related to our exhibitions and collections and arranged their MacKinnon gallery of visits. As you can see in our annual list of classes held in the museum, we reached European art to feature a transformational far across campus. Nearly every department in the School of Architecture and gift from alumna Allied Arts and close to 70 percent of the departments in the College of Arts and Margo Grant Walsh of fine American and Sciences regularly use our resources, in addition to faculty in most of our other European metalwork. schools and colleges. Once faculty members learn that we are a highly effective We also created a new classroom with knowledgeable staff, they bring their students back again and installation of our European collection, again. including this two- Our third year of JSMA Academic Support Grants also encourages faculty sided Max Pechstein painting. partnerships. This year’s competitive grant program was made possible with contributions from the JSMA, the College of Arts and Sciences, the School of Architecture and Allied Arts, and the Robert Clark Honors College, which were matched by the Office of the Provost, resulting in more than $30,000 to distribute Akiko Walley, Department of the History of Art and Architecture: among faculty who use the museum as a teaching resource. We recognize the Experiencing Japanese Contemporary Prints through the Wadsworth following for their successful projects: Collection. Courses during which students researched the Wadsworth collection extensively and contributed to the interpretive materials and the exhibition catalog. Our Masterworks on Loan program brings Judith Sheine, chair, Department of Architecture: The Architecture and us magnificent works, Legacy of Pietro Belluschi. Exhibition and accompanying educational like this Monet, which are incorporated into programs. curricula and enjoyed by our public. Lanie Millar, Department of Romance Languages; Alaí Reyes-Santos, Department of Ethnic Studies; and Juan Eduardo Wolf, School of Music Claude Monet, French, 1840–1926. Matinée sur and Dance: Reconoci.do: Dominicans of Haitian Descent, exhibition la Seine, effet de brume, of documentary photographs by Dominican youths of Haitian descent 1897. Oil on canvas, 25 5/8 x 36 ¼. Private Collection. focused on issues of human and civil rights, politics, literature, and music; panel discussion on human rights issues as related to legal documentation.

Brian Gillis, associate professor, Department of Art: The Maker’s Army exhibition of objects that contribute to the production of art—such as tools, drawings, site plans, studies, pattern books, and mounts—critical to the creative process. 12 13

Richard Herskowitz, lecturer, and director of Cinema Pacific, Department and interns give us faith that academic museums and art education will flourish of Arts and Administration: Frozen Film Frames: Portraits of Filmmakers for years to come. Our Gourmet Group’s Art in the Attic has become a much- by Jonas Mekas. Exhibition served as centerpiece of Schnitzer Cinema's anticipated event and a steady source of funding for our Fill Up the Bus program, year-long series on the history of American experimental film. which enables schools throughout Oregon to visit us and learn from the arts. Most museums are collecting institutions, and our collections are at the heart Monique Balbuena, Honors College: Gustavo Germano: Ausencias. of our teaching mission. This year brought us a transformative gift of metalwork Exhibition of restaged snapshots of Argentine and Brazilian families by alumna Margo Grant Walsh, which led to the redesign of our MacKinnon whose loved ones are among the “disappeared,” people who were Gallery; major photographs by Brett Weston, lithographs by Bruce Connor, and tortured and murdered by dictatorial regimes in South America from the a body of chine-collé etchings by Hiratsuka Yoji also joined our holdings. We 1960s to 1980s. acquired our first painting by James Lavadour, one of Oregon’s finest Native Nick Kohler, instructor, and James Meacham, Executive Director, American artists, thanks to a Ford Family Foundation grant managed by the Department of Geography: Inside Maps: Cartography and Participatory Oregon Arts Commission and supplemented by our Van Duyn Acquisition Art. Student exhibition of inflato-globes (inspired by the JSMA’s 2013 Endowment. Our Old Master and contemporary print collections are growing inflato-contest with the West of Center exhibition) that fuses map-making stronger, and exciting new media work is entering the collection. and radical architecture.

SUSTAINING TOMORROW Long-range planning helps to assure that the programs we and our constituents find valuable are able to be sustained and strengthened, while new innovations are Congratulations! Cheryl Ramberg Ford ’66 allowed to germinate. That can only happen when staff members find fulfillment and Allyn C. Ford, recipients of this year’s in their jobs and are committed to modeling best practices; when the parent Gertrude Bass Warner Award institution values the museum’s roles on- and off-campus, when volunteers provide In honor of the founder of our museum, this award critical expertise, time, and resources; and when supporters (individual, corporate, recognizes outstanding individuals who have demonstrated foundation, governmental) champion those efforts. a long, dedicated, and selfless commitment to advancing The JSMA is blessed with a smart, dedicated, and creative staff who set the the mission and the goals of the museum. highest standards for themselves and are committed to our teaching mission. The Cheryl and I both have a very special place in our hearts, members of our Leadership Council, chaired by Philip Piele, encourage and support certainly, for the support of higher education but, specifically, us by leading committees and projects, providing annual and campaign gift, and the University of Oregon, and very, very specifically, the Jordan offering seasoned advice. All of us are especially grateful to Rick Williams, Dean Schnitzer Museum. I know Cheryl has worked very, very hard in supporting all of the activities at the museum, working of the Arts at Lane Community College, and chair of our Long-range Planning with Jill, and again I think it is a great honor for both of us in Committee, for keeping us on point. Our Exhibition Interpreters instill the love understanding the role that the Museum does play here at the of art in thousands of schoolchildren each year, and our UO student workers University and with the community and also to see that role continue to grow. — ALLYN FORD 14

Temporary exhibitions supplement our collections installations, and this year, we honored the 100th anniversary of the School of Architecture and Allied Arts with shows focusing on alumnus Gordon Gilkey and faculty member David McCosh. Our Masterworks on Loan program grew exponentially, and we welcomed works by the masters of modernism, post-modernism, and contemporary art. Museums are unusually flexible institutions: they are good at creating and re-aligning programs and priorities to meet the needs of society at large and our on- and off-campus constituents, in particular. While we have been conducting visitor surveys for years, this year we had the benefit of working with a nationally Jordan Schnitzer Museum of Art recognized evaluator, Kelly Jarvis, thanks to an Oregon Cultural Trust grant. She reviewed and revised our exhibition assessment form, aligning it with our Programs, Collections and Honor Roll strategic goals, and refined our visitor survey, which we conduct every spring and fall. Our templates have now become a state model and are posted on our 2014–2015 website for others to use. We launched the new visitor survey during the Bartow exhibition and were happy to discover that we’re meeting, if not exceeding, our visitors’ experiences.

JSMA Revenues and Expenses Acquisitions $149,540 JSMA year-end expense summary 5% Visitor Services Fiscal Year 2015 $174,640 $3,239,982 5% Earned Revenue, $200,866 Security Curatorial, Collections Care, Endowment & Gift 6% $313,652 10% Exhibitions Fund Earnings, $1,174,411 $545,397 Memberships, 36% 17% Annual Funds, PR/Marketing Grants, $560,680 $236,069 17% 7%

Programs & Education $412,917 University Support, 13% $1,933,038 JSMA revenue sources 60% Administration & Fiscal Year 2015 Development Facilities $654,751 $3,239,982 $124,001 20% 4%

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Our Vision VISION • We follow the highest ethical, Research & Publications to building culturally diverse Human Resources academic, and professional The Museum supports high-quality audiences, reflective of on- and The Museum employs and trains The Jordan Schnitzer Museum of standards. research on its collections and off-campus demographics. competent staff and volunteers Art aspires to be one of the finest for the JSMA programs by its staff, University of who strive for excellence. The university art Museums in the world. • We find collaborative opportunities on- and off-campus Oregon faculty, students, and others Facilities Museum supports diversity training who use its resources. Research is and professional advancement that make the Museum central The Museum performs effective made accessible through teaching, opportunities for its staff and BELIEF to learning and build diverse and efficient maintenance for the exhibitions, programs, publications, volunteers and provides training We believe that knowledge of art audiences. overall care of the Museum facilities, and online. opportunities for students interested • We value our visitors’ feedback including following preventative enriches people’s lives. in the Museum profession. The and incorporate their maintenance schedules, conducting Museum follows the University’s recommendations to improve timely HVAC/ mechanical and Funding & Development human resources procedures, MISSION future visitor experiences. equipment inspections, and other The University allocates funds for including annual evaluations. The Jordan Schnitzer Museum of Art • We are committed to sustaining staff, operations, security, and facility related work. The Museum ensures enhances the University of Oregon’s a positive and productive work maintenance to the greatest extent that exhibition and work areas are clean and maintained at the highest academic mission and furthers the environment for staff and possible. The Museum raises revenue Ethics, Academic & standard possible and that detailed appreciation and enjoyment of the volunteers. for all programs not covered by Professional Standards visual arts for the general public. condition reviews and reports are the university’s general fund from The Museum, its employees,w and completed on a regular basis. KEY STRATEGIES diverse sources, including earned volunteers adhere to the highest Our Constituents income, individuals, foundations, academic, ethical, and professional The Museum’s primary constituents Programs corporations, and local, state, and Risk Management standards of the University and are the University of Oregon’s The Museum presents stimulating, federal grants agencies. The Museum The Museum develops, implements, the American Alliance of Museums students, faculty, and staff as well innovative, and inclusive programs is committed to a balanced budget and monitors preventative plans in all that they do on behalf of as K-12 students and teachers and exhibitions that enhance the model. The Leadership Council is a and maintains a comprehensive the Museum. This commitment throughout Oregon, regional academic curriculum, emphasize key support group, raising money security program for minimizing is realized in the Museum’s residents, and visitors. Our varied cross-cultural understanding, and advocating for the Museum. risk to the collections, human commitment to maintain its activities and web presence extend provide broad education experience, life, and the Museum facility at all accreditation from the AAM. our service to an even wider audience and support collaborative and Communications & Marketing times, during regular operations of scholars, artists, collectors, critics, interdisciplinary opportunities on- and from unexpected threats and Internal communications are Leadership Council & and Museum professionals. and off-campus. Ongoing evaluation emergencies. measures how effectively the proactive, direct, and honest, aiming Support Groups Museum’s program goals are being for transparency and inclusivity by The Leadership Council serves as Values realized. and among all University of Oregon Management & Governance the Museum’s primary advisory • The Museum experience enriches staff and volunteers. External The Museum employs strong, and fundraising body of volunteers people’s lives. communications represent the competent leadership that is and helps to ensure the Museum’s Collections • We contribute to the education of full range of Museum functions financially prudent, encourages artistic quality, educational integrity, university students and help them The Museum collects, preserves, and services and are proactive, achievement, and measures and financial strength. Museum become culturally competent global studies, exhibits, and interprets timely, direct, and engaging, performance against standards members, Exhibition Interpreters, citizens. works for the benefit of the while delivering a clear, consistent of excellence. The university’s and other support groups are • We recognize our visitors’ different University of Oregon curriculum and message. administration and the Museum’s integral to the Museum’s ability to learning styles and the needs of for the enrichment of the general Leadership Council are supportive fulfill its mission. public. The JSMA is dedicated to and informed advocates of the multigenerational and culturally Visitor Experience diverse audiences. strengthening its Chinese, Japanese, Museum. The Executive Director Korean, American, European, Latin The Museum aims to provide • Our visitors will have enjoyable and senior staff are responsible American, and Pacific Northwest consistently high-quality programs Museum experiences that make for developing, implementing, art collections and to acquiring fine and customer service that enhance them want to return. reviewing and revising the long- examples from the history of art, visitors’ on site and online range plan with input from the • Our collections, programs, and from earliest times to the present, art-inspired experiences, leading Museum’s constituents, including research are of the highest quality. representing cultures throughout to ongoing engagement with the the Leadership Council. the world. Museum. The Museum is committed 18 19

Contemporary Oregon Visions: Elegance & Nobility: historian, gallerist and collector Helen Under Pressure: Contemporary Reconoci.do: Dominicans of Jo Hamilton & Irene Olivieri Modern & Contemporary Korean Drutt English Prints from the Collections of Haitian Descent April 1–August 3, 2014 Literati Taste December 3, Encountering the Jordan D. Schnitzer and his Family March 3–May 3, 2015 Curated by June Black July 8, 2014–June 28, 2015 Animal. Lecture by Alison Hawthorne Foundation Curated by June Black January 24–March 29, 2015 Public Curated by Anne Rose Kitagawa Deming, prof. of creative writing, Organized by Professors Lanie Millar The Human Touch: Selections University of Arizona Organized by the Joslyn Art Museum (Romance Languages), Alaí Reyes- from the RBC Wealth Morris Graves: Omaha, Nebraska, in-house curator The Art of Consumption Santos (Ethnic Studies), and Juan Programs & Management Art Collection Visions of Metamorphosis Johanna Seasonwein Eduardo Wolf (Ethnomusicology); October 14, 2014–January 18, 2015 April 26–September 14, 2014 August 5–December 7, 2014 Made possible by a grant from the funded by a JSMA Academic Support Exhibitions Curated by Jill Hartz; made possible Curated by curatorial assistant Curated by administrative aide Jordan Schnitzer Family Foundation. Grant; the Office of Equity and by RBC Wealth Management. Lindsay Keast, 2014 MA graduate, Samantha Hull, 2013 BA graduate Additional support provided by the Inclusion; the Coalition Against Additional support provided by the Department of the History of Art and Organized in support of City Coeta and Donald Barker Changing Environmental Racism; the Women July 1, 2014–June 30, 2015 Coeta and Donald Barker Changing Architecture, under the guidance of of Eugene’s conference on Exhibitions Endowment, The of Color Project at the Center for Exhibitions Endowment, The Danielle Knapp Sustainability Harold and Arlene Schnitzer CARE the Study of Women in Society; Harold and Arlene Schnitzer CARE Foundation, a grant from the Oregon the Center for Latino/a & Latin Foundation, a grant from the Oregon Chipping the Block, Painting the From the Ground Up: Gordon Arts Commission and the National American Studies; the Global Studies Arts Commission and the National Silk: The Color Block Prints and Gilkey’s University of Oregon Endowment for the Arts, a federal Institute, Office for International Endowment for the Arts, a federal Serigraphs of Norma Bassett Hall Library Construction Series agency, and JSMA members. Affairs; the Wayne Morse Center; David McCosh’s Eugene agency, and JSMA members August 23–October 12, 2014 January 22, Patron Circle Opening the Departments of Anthropology, October 28, 2014–January 25, 2015 Guest-curated by Dr. Joby Patterson Reception Ethnic Studies, International Studies, Placing Pierre Daura Curated by Danielle Knapp in honor and Romance Languages; and August 23, Curator’s Lecture January 23, Members and Public May 10–September 28, 2014 Community Consulting of School of Architecture and Applied Opening Receptions Curated by Danielle Knapp and Arts’ 100th anniversary March 4, Panel Discussion: Geraldine Ondrizek: January 24, Conversation with Jordan University of Oregon students Human Rights Issues Related to Shades of White Schnitzer, moderated by Jill Hartz; who received academic credit and McCosh in Europe Documentation September 2–December 14, 2014 followed by exhibition tour participated in the curatorial project: October 28, 2014–June 15, 2015 Tracey Bell, Helen Blackmore, Lindsay Curated by June Black Curated by June Black and Danielle March 7, Artist’s Talk: Hung Liu, Frozen Film Frames: Portraits of Keast, Sarah Lester, Yi Liang, Carrie October 14, Lecture by Dr. Alexandra Knapp in honor of the School of Professor Emerita of Painting, Mills Filmmakers by Jonas Mekas Morton, Jillian Norris, Beatrice Stern, Dividing Humans: Genetics, Architecture and Applied Arts’ 100th College, California April 1–June 7, 2015 Ogden, Maddy Phillips, Victoria Race, and Disability in Mid-Century anniversary Co-curated by Richard Herskowitz, The Architecture and Legacy of Reis, Mattie Reynolds, Taylor Rikhoff America November 12, Lecture by Danielle director of the Cinema Pacific film Pietro Belluschi Sarah Robison, Cody Russell, Lauren November 8, Artist’s Talk: From Knapp: McCosh at Home and Abroad festival, and Deborah Colton, owner February 7–April 26, 2015 Szumita, Merrit Thompson, Emily Eugenics to Genetics: Tracing Visual and director, Deborah Colton Gallery, Volkmann, Juiliana Wright-Kennedy, Categorization in 21st Century Art Morris Graves’s Goats: Heroes and Organized by Anthony Belluschi and Houston; made possible by a JSMA Fantasies Sarah Wyer, and Aryn Zanca December 10, Human Rights Day— Oregon Historical Society, in-house Academic Support Grant Exhibition, catalog, and educational Free Admission December 13, 2014–April 19, 2015 curator Johanna Seasonwein programs made possible by the Curated by Danielle Knapp Made possible in part by a JSMA Gustavo Germano: Ausencias Daura Foundation, University of Ryo Toyonaga: Awakening January 28, Lecture by Danielle Academic Support Grant April 14–August 16, 2015 Oregon Academic Affairs, and a JSMA October 11, 2014–January 4, 2015 Knapp, Morris Graves in Ireland February 18, The Architecture Curated by June Black. Organized Academic Support Grant Curated by Lawrence Fong, former and Legacy of Pietro Belluschi: A by Monique Rodrigues Balbuena, JSMA curator of American and Audra Wolowiec: Complex Systems Conversation with Anthony Belluschi Associate Professor of Literature, John Piper: regional art January 24–March 1, 2015 and Judith Sheine Robert D. Clark Honors College, and Eye and Camera & Travel Notes Curated by June Black Program Director, Latin American June 3–October 12, 2014 Support provided by the Coeta and Donald Barker Changing Exhibitions Gifts from the Judith and Studies; made possible by a JSMA Curated by June Black Endowment, The Harold and Arlene Laura Heit: Two Ways Down Jan Zach Estate Academic Support Grant and September 24, Curator’s Lecture, Schnitzer CARE Foundation, a grant January 24–March 29, 2015 February 17–June 15, 2015 the Oregon Humanities Center’s John Piper: A Romantic Modern from the Oregon Arts Commission Curated by Jill Hartz Curated by Danielle Knapp Endowment for Public Outreach in the Arts, Sciences, and Humanities and the National Endowment for January 22, Patron Circle Opening Vistas of a World Beyond: the Arts, a federal agency, and JSMA Reception Images of Architecture May 13, Lillis Hall, Artist Talk: A Traditional Gardens in Chinese February 17–April 5, 2015 Photographic Memory: Seeing the members January 23, Members and Public Material Culture Disappeared October 9, Patron Circle Opening Opening Receptions Curated by Johanna Seasonwein June 17, 2014–July 26, 2015 in conjunction with ARH 607, Reception February 11, Animations by Laura Heit, Curated by Ina Asim, professor of “Representing Architecture” October 10, Members and Public Schnitzer Cinema history; made possible in part by a Opening Receptions February 25, Curator’s Lecture: JSMA Academic Support Grant Images of Architecture October 11, Gallery Talk with Ryo Toyonaga, Lawrence Fong, and 20 21

Rick Bartow: Things You Know Art & Healing, with Dr. Patricia Dewey and the Cheryl and Allyn Ford ArtAccess VSA Workshops for SPECIAL LECTURES, June 6, Creating Collections But Cannot Explain Lambert, Sara McDonough, and Eliza Endowment K–12 Children with Special Needs PERFORMANCES, & EVENTS Panel with collector Andrew Teufel April 18, 2015–August 9, 2015 Murphy, moderated by Lisa Abia- October 22, Reception October 25, November 8, December and collectors’ agent Amber Noland; Co-curated by Jill Hartz and Danielle Smith. Afternoon program Art & (Dis) 6, January 10, February 14, March 14, August 20, Art in the Attic 2014 moderated by Jill Hartz Place with Dr. Amy Lonetree, Wendy April 11, May 9, June 6, June 27 Knapp NewArt Northwest Kids: Last Oakway Heritage Courtyard; June 13–15, Art and Culture Red Star, Jennifer O’Neal, and Lindsie Night I Had the Strangest Dream Funding provided by the John F. organized by the Gourmet Group Weekend Made possible by The Ford Family Bear; moderated by Danielle Knapp Foundation, the Ford Family Fund of February 17–May 17, 2015 Kennedy Center for the Performing October 1, Envisioning the City in Free admission in celebration of the Oregon Community Foundation, July 18, A Conversation with Rick Made possible through support from Arts Early Modern China graduation Bartow and Barry Lopez; moderated Arlene Schnitzer, the Coeta and the Cheryl and Allyn Ford Educational Lecture by Ken Hammond, by Jill Hartz After-School Art Classes Donald Barker Changing Exhibitions Outreach Endowment and Dr. co-sponsored by the Confucius Draw, Paint, Sculpt, and Explore JSMAC (Jordan Schnitzer Museum Endowment, The Harold and Arlene Michael Balm and Dee Carlson Institute for Global China Studies Wednesdays, October 8–December 3 of Art Student Member Advocacy Schnitzer CARE Foundation, a grant Brett Weston in Oregon May 16, Exhibition Reception: NewArt (except November 26) October 3, Interdisciplinary Council) Events from the Oregon Arts Commission May 5–January 31, 2016 Northwest Kids: Last Night I Had the Performance: “This Hour Forward” November 12, Trivial Night at the and the National Endowment for the Strangest Dream Pop Art, Wednesdays, January 21– Curated by Danielle Knapp Partnership with LCC Department Buzz Cafe Arts, a federal agency, the Ballinger March 11 of Theater, Oregon Contemporary Endowment, Philip and Sandra Piele, Amanda Marie and X-O: Visual Storytelling: A Collaboration Creating Contemporary Art December 3, UO’s Slam Poets Theatre (OCT), University Theatre/ and JSMA members The Many Places We Are between PH15 and Kelly Middle Wednesdays, April 8–May 27 UO Department of Theatre Arts, and December 5, Night at the Museum April 3, First Friday ArtTalk, A May 9–August 9, 2015 School the JSMA February 4, UO’s Slam Poets, with Conversation with Rick Bartow and May 30–September 13, 2015 Family Fun at the Eugene Public Curated by Jill Hartz Headliner Doc Luben Bob Keefer, Hult Center Library October 8, UO ArtWalk May 9, Gallery Tour with Artists November 16, Bookmark Art Led by Danielle Knapp; organized by April 16, Land, Law, and Liberty: February 11, Trivia Night with MNCH Lane Arts Council and sponsored by Legal Perspectives on Tribal Rights Birds & Beasts: Animal Imagery STUDIO PROGRAMS, CLASSES, January 11, Stories to Send and JSMAC JSMA and Marché Museum Café with panelists Jason Younker, in the Permanent Collection & FAMILY PROGRAMS March 1, A Picture from Two Words March 11, Student Art Exhibition Elizabeth Furse, and Howard Arnett; June 20–September 13, 2015 April 5, Accordion Books October 15, Graduate Student Opening Reception: American Pi moderated by Dom Vetri 2014 Summer Camps Family Museum Night Curated by June Black and Arthurina March 12, Stress Less Art Studio April 16, Patron Circle Opening Fears Week 2 July 7–11, Comic Creators, Family Art Studio: Papier-mâché October 29–30, November 1–2, Día April 22, InFlux Deux: A Night of Reception Stop-Motion Animation Sculpture de los Muertos Performance Art featuring UO April 17, Members and Public The Word Became Flesh: Week 3 July 14–18, Art of East Asia, December 10 Co-sponsored by Oak Hill School Students Opening Receptions Images of Christ in Orthodox Time Travelers: Ancient Art to the in conjunction with MEChA de UO, Future Family Day: Dia de la Familia April 18, A Tribute to Rick Bartow Devotional Objects Adelante Sí, el Instituto de Cultura de May 27, Student Art Exhibition December 13, supported in part with artists Seiichi Hiroshima, Frank August 30, 2014–August 30, 2015 Week 4 July 21–25, Amazing Animals Guanajuato, and el Instituto Estatal Opening Reception: Archetypes; by a grant from the Oregon Arts Animals, Identity, and Symbolism LaPena, James Lavadour, and Lillian Curated by Meredith Lancaster, Week 5 July 28–August 1, Art and de Migrante Guanajuatense y sus Commission and the National Pitt; moderated by Dr. Rebecca graduate student, Department of the Science Lab, Eco Art familias June 5, Stress Less Art Studio Endowment for the Arts, a federal Dobkins; made possible with support History of Art and Architecture, under Week 6 August 11–15, Young agency November 15, Floating in her Lemon from the UO Office of Academic the guidance of curators June Black Authors: Creative Writing and Juice: The Concept of ‘Infinity’ in Musical Events Affairs and Johanna Seasonwein Illustration, LEGO sculpture Studio Workshop: Introduction Kusama Yayoi’s Prints lecture by October 25, Blue Box Ensemble Akiko Walley, Maude Kerns Professor April 18, A Conversation with Rick Week 7 August 18–22, Architecture to Printmaking Concert: The Grotesque of Japanese Art, Dept. of the History Bartow with exhibition co-curator and Design Studio, High School Art February 22 Danielle Knapp and Lawrence Fong, EDUCATION CORRIDOR of Art and Architecture November 21, Chamber Music on Camp: Architecture and Design Instructor: Mika Boyd Campus former JSMA curator of American and GALLERY EXHIBITIONS November 28–30, Be Our Guest– regional art Outdoor Family Film Spring Break Art Camp Thanksgiving Weekend Open June 26–27, Exhibition of Period April 25–26, Dynamic Collaborations, Healing Arts: Highlights from the August 13, Ernest & Celestine with March 23–March 27 House Musical Instruments, organized by a Printmaking Workshop with Rick Museum’s Arts and Healthcare performance by UpStart Crow Free admission the Oregon Bach Festival Bartow and Seiichi Hiroshima, Lane Outreach Program Family Day: Storytelling through June 28, Classical Guitar Concert, Cosponsored by Osher Lifelong March 18, Museums, Chinese and Community College June 24–September 28, 2014 Art cosponsored by the Oregon Bach Learning Institute, Summer Session, Western: How Did They Come to Be Festival Road Scholar Program, UO May 8–10, 47th Annual UO Mother’s Department of Romance Languages, May 16, sponsored by Kendall Subaru So Different? Day Powwow at Mac Court Karla Chambers: Farming, Food, and UO Cinema Studies Academic Extension and Fine Art Studio Workshop: Art and Healing Lecture by Jerome Silbergeld, May 20, Collecting Bartow, panel Princeton University October 14, 2014–January 25, 2015 Club de Arte para Mamás May 30 with Charles Froelick, Bill Avery, and Cosponsored by the UO Confucius Schnitzer Cinema/Cinema Pacific December 6, Artist’s Talk October 20, November 17, December Susan Kennedy Zeller; moderated by Institute for Global China Studies, Film Festival 15, February 16, March 16, April Danielle Knapp Asian Studies, the Department of October 8, Free Radicals: A History of Art of the Athlete III 18, April 20, May 2, May 5, May 18, May 30, Things You Know But Cannot the History of Art and Architecture, Experimental Film October 14, 2014–January 25, 2015 June 8. Explain: A Symposium; made possible and The Oregon Humanities Center’s November 5, Harry Smith’s Heaven The exhibition is sponsored by AAA Supported by a grant from the with support from the UO Office of Endowment for Public Outreach in and Earth Magic: Expanded Cinema Arts and Administration Program Oregon Cultural Trust, through the Academic Affairs. Morning program the Arts, Sciences, and Humanities Version projected by Dennis Nyback Oregon Arts Commission 22 23

November 19, Video Art of Julia Academic CLASSES HELD IN THE MUSEUM HC 231 Premodern Histories of HC 231 Premodern Histories of ART 115 Two-Dimensional Design Oldham with artist Agriculture and the State Agriculture and the State Fundamentals Note: LCC= Lane Community College February 11, Animations by Laura Heit Abigail Owen; July 14, class Abigail Owens; Oct. 13, Soreng Satoko Motouji, LCC; Oct. 22, Use assignment gallery tour with Anne Rose Kitagawa instructor-led museum tour with artist AAD 408 Art of the Athlete March 11, Big Joy: The Adventures of Workshop ART 111 Introduction to Visual Arts HC 231 Premodern Histories of ART 131 Drawing James Broughton with guest artist Lisa Abia-Smith, summer 2014 Ellen Osterkamp, LCC; July 15, class Agriculture and the State Satoko Motouji, LCC; Oct.22, assignment Abigail Owens; Oct. 13, Soreng instructor-led museum tour Eric Slade AAD 199 Writing for Art gallery tour with Anne Rose Kitagawa April 15, Scenes from the Life of Andy Lisa Abia-Smith, fall 2014 LA 607 Introduction to Landscape CHC 231 Sources of the Self Literature HC 231 Premodern Histories of Vera Keller; Oct. 23, print viewing Warhol ARH 399 Japanese Prints Liska Chan; July 16, instructor-led Agriculture and the State with June Black Akiko Walley, fall 2014 April 29, Jonas Mekas: Walden (Part tour of John Piper: Eye and Camera & Abigail Owens; Oct. 13, Soreng AAD 252 Art and Gender One) with Scott Macdonald ARH 199 College Connections Travel Notes gallery tour with Anne Rose Kitagawa Julie Voelker-Morris; Oct. 23; self- Akiko Walley, fall 2014 April 29, The Films of James Blue: UO OCS 3 Oral Communication Skills AAD 199 College Connections guided museum tour and Beyond; cosponsored with the AAD 4/530 Youth Arts Curriculum Jessica Waid; July 16, instructor-led David Turner; Oct. 14, tour of AAD 250 Art and Human Values James and Richard Blue Foundation Methods museum tour Geraldine Ondrizek: Shades of White David Turner; Oct. 23, class Lisa Abia-Smith, winter 2015 April 30, Avant-Gardens: Landscape OCS 3 Oral Communication Skills with June Black; tour of Vistas of a assignment in Experimental Film with Scott ARH 4/588 Japanese Contemporary Jessica Waid; July 17, instructor-led World Beyond: Traditional Gardens in PS 199 College Connections Macdonald (presented in PLC) Prints museum tour Chinese Material Culture with Anne Jane Cramer; Oct. 23, tour of Anne Rose Kitagawa and Akiko Rose Kitagawa May 1, Wuxia Cinema after Crouching OCS 3 Oral Communication Skills Geraldine Ondrizek with June Black Walley, winter 2015 Tiger, Hidden Dragon, lecture by Sean McClelland; July 18, instructor- ART 490 Issues and Practices in EDST 199 College Connections Dr. Kin-Yan Szeto ARH 588 Japanese Contemporary led museum tour Sculpture Judy Francis; Oct. 23, museum tour Prints (additional graduate section) Tannaz Farsi; Oct. 14, tour of May 2, Cinema Pacific Fringe Festival ART 111 Introduction to Visual Arts with Danielle Knapp Anne Rose Kitagawa and Akiko Geraldine Ondrizek with June Black Ellen Osterkamp, LCC; July 20, class May 13, Black Maria Film and Video Walley, winter 2015 and Geraldine Ondrizek ART 131 Drawing assignment Festival Satoko Motouji, LCC; Oct. 23, AAD 530 Museum Education REL 199 College Connections AAD 251 Art and Visual Literacy instructor-led museum tour Phaedra Livingstone, spring 2015 Mark Unno; Oct. 15, tour of Japanese First Saturday Public Tours David Bretz; July 24, instructor-led Impressions from the Vault: The Rare, OCS 3 Oral Communication Skills Free public tour with admission the AAD 408 Art of the Athlete museum tour the Beautiful, and the Bizarre and Sean McClelland; Oct. 23, instructor- first Saturday of every month Workshop EALL 210 China: A Cultural Odyssey Vistas of a World Beyond with Anne led museum tour Lisa Abia-Smith, summer 2015 Lindsey Waldrop; July 29, Soreng Rose Kitagawa Free First Fridays CHC 231 Sources of the Self museum tour with Exhibition ARH 611 Art Historical Theories Free admission the first Friday of Vera Keller; Oct. 24, print viewing OTHER FACULTY, STAFF, AND Interpreter and Methodologies every month with June Black UNIVERSITY/COLLEGE CLASSES AAD 250 Art and Human Values Joyce Cheng; Oct. 15, instructor-led ENVS 429 Environmental Sisy Anderson; July 30, instructor-led gallery tour and class meeting Go Ducks! Free Admission & PROGRAMS Leadership Program: Restoregon museum tour J 333 Writing for Multimedia Weekend ART 233 Drawing I Peg Boulay; Oct. 24, tour of The Art Melissa Hart; presentation by Debbie Free admission on home football James Schauer; July 2, class J 397 Media Ethics of Consumption with June Black and Williamson-Smith game weekends assignment Jeremy Swartz; July 30, instructor-led Danielle Knapp museum tour BI 122 Introduction to Human GEOG 341 Population and OCS 3 Oral Communication Skills Genetics Environment PHIL 213 Asian Philosophy Sean McClelland; Oct. 24, instructor- Kryn Stankunas; Oct. 17, tour of Ashley Jennings; July 2, class Alan Reynolds; Aug. 8, Soreng led museum tour museum tour with Exhibition Geraldine Ondrizek with June Black (2 assignment WR 123 College Composition III Interpreter sessions) ARH 4/510 Chinese Landscapes Kristin Wilkes; Oct. 24, class ENG 199 College Connections Charles Lachman; July 3, instructor- LAW 613 Perspectives on Conflict assignment Resolution Ben Saunders; Oct. 19, self-guided led museum tour OCS 3 Oral Communication Skills Jennifer Reynolds; Sept. 4, class museum tour College of Education Sean McClelland; Oct. 25, instructor- assignment ES 199 College Connections July 3, self-guided museum tour led museum tour Lundquist College of Business Michael Hames-Garcia; Oct. 21, tour JPN 4/510 Early Modern Comics REL 102 World Religions: Near East Sergio Koreisha; Sept. 16, of Geraldine Ondrizek with June Black David Reis; July 9, tour of Ave Maria: Glynne Walley; Oct. 28, print viewing introduction to the museum with AAD 312 Arts Management Marian Devotional Works from Eastern with Gina Kim June Black and Danielle Knapp Eleonora Redaelli; Oct. 22, museum and Western Christendom with June HIST 4/583 Revolutions in Latin LA 408/508 The Power of tour and facilitated discussion with Black and Meredith Lancaster America Conceptual Drawing Jill Hartz Summer Architecture Academy Carlos Aguirre; Oct. 30, photography Lanbin Ren; Sept. 22, tour of John ART 333 Drawing II Jim Givens; July 9, art making activity viewing with June Black Piper: Eye and Camera & Travel Notes Jenny Kroik; Oct. 22, class assignment in the courtyard with June Black 24 25

ARTR 245 Introduction to tour of Vistas of a World Beyond with Science Literacy Teaching Journal ED 201 Foundations of Education: JSMA Student Member Advocacy tour of Audra Wolowiec: Complex Printmaking Gina Kim Club Language Arts Strategies Council Systems Bryan Putnam; Nov. 4, art viewing College of Arts and Sciences Merrill Watrous, LCC; Dec. 3, general Jan. 29; presentation by June Black OCS 3 Oral Communication Skills ART 349 Lithography with Danielle Knapp Elly Vandegrift; Nov. 14, facilitated museum tour with Exhibition Marc Arndt; Nov. 11, instructor-led LAW 609 Art Law Megan St. Clair; Feb. 11, instructor- discussion with June Black and Interpreter ARTR 347 Intaglio Printmaking museum tour Dominick Vetri; Jan. 30, tour of Under led tour of Under Pressure Johanna Seasonwein Bryan Putnam; Nov. 4, art viewing GEOL 305 Dinosaurs Pressure with Johanna Seasonwein ART 333 Drawing II COLT 102 Introduction to with Danielle Knapp PHIL 199 College Connections Mary Baxter; Dec. 3, extra credit Jenny Kroik; Nov. 11, class JPN 306 Introduction to Japanese Comparative Literature Steven Brence; Nov. 13, museum tour opportunity ENG 488 Race, Sex, and Stardom assignment Culture, 1600–1950 Kenneth Calhoon; Feb. 11, extra with June Black Priscilla Peña Ovalle; Nov. 4, tour of ART 233 Drawing I Alisa Freedman; Jan. 30, art viewing credit opportunity in conjunction JSMA Student Member Advocacy Geraldine Ondrizek with June Black ARH 209 History of Japanese Art James Schauer; Jan. 7, class with Gina Kim with Laura Heit: Two Ways Down Council Akiko Walley; Nov. 19, art viewing assignment SOC 199 College Connections Nov. 11, presentation by Danielle Dept. of Art History, Willamette HIST 4/587 The Song and Yuan with Gina Kim Sociology Knapp ARH 607 Representing Architecture University Dynasties Michael Dreiling; Nov. 4, general J 201 Media and Society Maile S. Hutterer; Jan. 14, print Ann Nicgorski; Feb. 4, self-guided Ina Asim; Feb. 12, instructor-led OCS 3 Oral Communication Skills museum tour with Johanna Jennifer Schwartz; Nov. 19, extra viewing with Johanna Seasonwein museum tour museum tour Jessica Dinneen; Nov. 12, instructor- Seasonwein credit opportunity in conjunction led museum tour JSMA Student Member Advocacy ARTR 348 Screen Printing REL 317 Jesus and the Gospels with Schnitzer Cinema’s “The Video First Year Programs Council Bryan Putnam; Feb. 4, tour of Under David Reis; Feb. 12, tour of The Word ART 111 Introduction to Visual Arts Art of Julia Oldham” Amy Hughes Giard; Nov. 5, general Jan. 20, presentation by Esther Pressure with Johanna Seasonwein Became Flesh with June Black Ellen Osterkamp, LCC; Nov. 12, extra museum tour and facilitated ANTh 150 World Archaeology Harclerode credit opportunity in conjunction ARTD 252 Interactive Digital Arts HUM 102 Humanities II discussion for Freshman Interest Daphne Gallagher; Nov. 20, class with Danielle Knapp’s curator’s talk CAS 110 Humanities College John Park; Feb. 4, class assignment Regina Psaki; Feb. 12, art viewing Group (FIG) assistants with June Black assignment in the Soreng Museum “McCosh at Home and Abroad” Scholar Colloquium with Johanna Seasonwein (2 and Victoria Reis (2 sessions) ANTh 4/540 Southeast Asian Mary Jaeger; Jan. 21, museum sessions) MFA Crits Archaeology OCS 3 Oral Communication Skills RUSS 190 College Connections tour with June Black; tour of Audra Nov.12; with Johanna Seasonwein William Ayres; Feb. 5, art viewing with ARH 205 Western Art II Stephina Brewer; Nov. 5, instructor- Katya Hokanson; Nov. 20, tour of The Wolowiec: Complex Systems with Gina Kim Meredith Lancaster; Feb. 12, led museum tour ART 350 Digital Drawing Word Became Flesh with June Black Audra Wolowiec instructor-led tour of The Word Alison Ho; Nov. 12, self-guided tour ART 245 Introduction to AAAP 515 Transportation and ARH 610 China Past and Present J 361 Reporting I Became Flesh of Geraldine Ondrizek Printmaking Preservation Charles Lachman; Nov. 20, Asian art Lori Shontz; Jan. 21, extra credit Bryan Putnam; Feb.10, print viewing JSMA Student Member Advocacy Chris Bell; Nov. 6, art viewing with J 320 Gender, Media, and Diversity gallery tour with Gina Kim opportunity in conjunction with Ken and tour of Under Pressure with Council Johanna Seasonwein Debra Merskin; Nov. 12, class O’Connell’s lecture “100 Years of Art History Association Danielle Knapp Feb. 12, presentation by Victoria Reis assignment in conjunction with Art Faculty and Art Students in the OCS 3 Oral Communication Skills Nov. 20, presentation by Lisa Abia- Geraldine Ondrizek School of Architecture & Allied Arts” ARH 205 Western Art II HUM 102 Humanities II Erin Maloney; Nov. 6, instructor-led Smith and Danielle Knapp for “A Meredith Lancaster; Feb. 10, Regina Psaki; Feb. 13, art viewing museum tour ART 294/5 Introduction to Career in the Arts,” panel hosted by ARH 353 Modern Art, 1880–1950 instructor-led tour of The Word with Johanna Seasonwein Watercolor the Art History Association Joyce Cheng; Jan. 21, class HIST 190 Foundations of East Asian Became Flesh Erika Beyer; Nov.12, class assignment assignment Institute of Ecology and Evolution Civilizations History JSMA Student Member Advocacy in conjunction with Rhyndacus by ARH 205 Western Art II Feb. 13, self-guided museum tour Andrew Goble; Nov. 7, Asian gallery Council OCS 3 Oral Communication Skills Walton Ford, on view as part of the Stephanie Dunn; Feb. 10, instructor- tour with Faith Kreskey Nov. 20, presentation by Debbie Jessica Dinneen; Jan. 21, instructor- ARH 208 History of Chinese Art Masterworks on Loan Program led tour of The Word Became Flesh Williamson-Smith led museum tour Charles Lachman; Feb. 17, class University of Oregon Cultural ENG 260 Media Aesthetics AAD 199 Controversies in the assignment Forum ARH 209 History of Japanese Art OCS 3 Oral Communication Skills Priscilla Peña Ovalle; Nov. 13, print Visual Arts Laura Morris; Nov. 7, general Akiko Walley; Nov. 21, art viewing Darrin Divers; Jan. 23, instructor-led AAD 4/510 Museum Ethics viewing and facilitated discussion Catherine Ballard and Michael collections tour with Danielle Knapp, with Gina Kim (4 sessions) museum tour David Turner; Feb. 18, art viewing with Johanna Seasonwein Bukowski; Feb. 10, instructor-led Debbie Williamson-Smith, and Chris and facilitated discussion with Anne ANTh 150 World Archaeology GEOG 610 Qualitative Research museum tour White HIST 4/580 A History of Mexico: Rose Kitagawa Daphne Gallagher; Nov. 21, class Methods The Challenge of Nationhood ARH 4/510 Contemporary Art of PHIL 110 Human Nature assignment in the Soreng Museum Katie Meehan; Jan. 26, general ARCH 283 Architectural Design I Robert Haskett; Nov.13, art viewing the 1960s and 70s Nicolae Morar; Nov. 8, extra credit with museum staff (8 sessions) collections and gallery tour and Esther Hagenlocher, Cem Kayatekin, and facilitated discussion with June Kate Mondloch; Feb. 10, instructor- opportunity in conjunction with facilitated discussion with June Black, Melinda Nettles, Glenda Utsey, Black BA 199 College Connections led tour of Under Pressure Geraldine Ondrizek’s artist talk “From Danielle Knapp, and Chris White Daisy-O’lice Williams, and Hansjuerg Kay Westerfield; Nov. 25, general Eugenics to Genetics: Tracing Visual OCS 3 Oral Communication Skills HIST 387 Early China History Minder; Feb. 18, class meeting in museum tour with Exhibition ARTM 3/457 Intermediate/ Categorization in 21st Century Art” Marc Arndt; Nov .13, instructor-led Ina Asim; Feb. 10, instructor-led conjunction with “Anthony Belluschi Interpreter Advanced Jewelry museum tour museum tour in Conversation with Judith Sheine” WGS 199 College Connections Ruth Koelewyn; Jan. 27, art viewing ARH 300 Critical Approaches to Art Yvonne Braun; Nov. 10, tour of AAD 199 College Connections with Johanna Seasonwein ARH 205 Western Art II” ARH 208 History of Chinese Art History” Geraldine Ondrizek and Ryo Toyonaga: Gregory Gurley; Nov. 13, museum Stephanie Dunn; Feb. 11, instructor- Charles Lachman; Feb. 19, class Keith Eggener; Nov. 25, facilitated ART 131 Introduction to Drawing Awakening with June Black tour with Danielle Knapp led tour of The Word Became Flesh assignment discussion with Johanna Seasonwein Satoko Motouji; Jan. 28, class HIST 199 College Connections TA 367 Theatre History I assignment AAD 4/510 Museum Ethics SPAN 303 Expresiones Artisticas ARTD 250 Print Media: Digital Arts Michael Furtado; Nov. 11, tour of The Michael Najjar; Nov. 14, museum tour David Turner; Feb. 11, instructor-led Juanita Devereaux; Feb. 20, Alison Ho; Dec. 2, class assignment Word Became Flesh with June Black; with Exhibition Interpreter instructor-led museum tour 26 27

ARCH 4/584 Architectural Design I SPAN 490 Afro-Latin American ES 442 Caribbean Literature and OCS 3 Oral Communication Skills AAD 252 Art and Gender ARH 4/510 Nirvana Margaret Haight; Feb. 20, instructor- Literature Politics Tara Gabsi; April 23, instructor-led Julie Voelker-Morris; May 4; guest Akiko Walley; May 13, extra credit led tour of Architecture and Legacy of Lanie Millar; March 4, extra credit Alaí Reyes-Santos; April 8, instructor- museum tour lecture by June Black opportunity Pietro Belluschi opportunity in conjunction with led tour of Reconoci.do: Dominicans of ARCH 430 Architectural Context: ART 412 BFA Critique ARTC 354 Industrial Ceramics panel discussion “Human Rights Haitian Descent AAD 199 Art Meets Science Place and Culture Amanda Wojick; May 5, tour of Rick Brian Gillis; May 14, instructor-led Issues Related to Documentation” Julie Voelker-Morris; Feb. 24, tour of ES 101 Introduction to Ethnic Eleni Antonelli; April 23, instructor- Bartow with Danielle Knapp tour of The Maker’s Army Audra Wolowiec: Complex Systems and SPAN 312 Spanish in the Media/ Studies led museum tour OCS 5 Oral Communication Skills ANTH 450 Anthropology Museum facilitated discussion with June Black Español en los medios de Martha Camargo; April 9, tour of GEOG 142 Human Geography Jessica Dinneen; May 5, self-guided Daphne Gallagher; May 17, class comunicación Reconoci.do: Dominicans of Haitian JSMA Student Member Advocacy Katie Meehan; April 23, art viewing museum tour assignment Liliana Darwin López; March 5, tour Descent and class meeting with June Council and facilitated discussion with June of Reconoci.do: Dominicans of Haitian Black OCS 5 Oral Communication Skills REL 4/507 Death and the Afterlife Feb. 26, presentation by Arthurina Black (2 sessions) Descent and facilitated discussion Isaac Gaines: May 6, self-guided in East Asia Fears ES 101 Introduction to Ethnic with June Black (2 sessions) OCS 3 Oral Communication Skills museum tour Luke Habberstad; May 19, art viewing Studies MFA Critiques Tara Gabsi; April 24, instructor-led and facilitated discussion with Anne Dept. of Art and Dept. of the Martha Camargo; April 9, tour of COLT 301 Approaches to Feb. 26; with Jill Hartz and Danielle museum tour Rose Kitagawa History of Art & Architecture Reconoci.do: Dominicans of Haitian Comparative Literature Knapp March 7, facilitated discussion with Descent with June Black TA 651 Theatre Historiography Katherine Brundan; May 6, tour of TA 4/572 Native Theater J 454 Public Relations Campaigns Hung Liu in conjunction with her Michael Najjar; April 28, art viewing Gustavo Germano: Ausencias with Theresa May; May 19, instructor-led ARTM 3/457 Intermediate/ Connie Chandler; Feb. 26, artist’s talk and facilitated discussion with Anne June Black tour of Rick Bartow Advanced Jewelry Art presentation by Debbie Williamson- Rose Kitagawa SPAN 112 Intensive First Year Ruth Koelewyn; April 16, art viewing OCS 5 Oral Communication Skills PS 301 Art and the State Smith Spanish with Johanna Seasonwein J399 Design for Public Relations Jessica Waid; May 6, self-guided Joshua Plencner; May 20, tour of Rick Art History Association Nagore Sedano; March 10, tour of Nicole Dahmen; April 28, museum museum tour Bartow with Danielle Knapp GEOG 142 Human Geography Feb. 27, presentation by Esther Reconoci.do: Dominicans of Haitian tour and facilitated discussion with Katie Meehan; April 17, art viewing ART 245 Introduction to JSMA Student Member Advocacy Harclerode, Sharon Kaplan, Danielle Descent and facilitated discussion Debbie Williamson-Smith and facilitated discussion with June Printmaking Council Knapp, Johanna Seasonwein, and with June Black Black (3 sessions) PHIL 199 When Past Becomes Anya Dikareva; May 6, tour of Rick May 20, presentation by Johanna Debbie Williamson-Smith for “A ED 201 Foundations of Education: Present: Memory in Literature and Bartow with Danielle Knapp Seasonwein Career in the Arts,” panel hosted by AAD 4/508 Planning Interpretive Language Arts Strategies Philosophy the Art History Association Exhibitions Workshop OCS 5 Oral Communication Skills AAD 251 Arts and Visual Literacy Merrill Watrous, LCC; March 11, Veronica Alfano; April 29, tour of Alice Parman; April 20, instructor-led Jessica Waid; May 6, self-guided David Bretz; May 20, class assignment ARCH 4/585 Advanced general museum tour with Exhibition Gustavo Germano: Ausencias with tour of Soreng museum museum tour Architectural Design Interprete June Black ARH 199 Buddhism through Art James Tice; Feb. 27, collections tour ARH 199 Buddhism through Art ART 294/5 Introduction to Ben Brinkley; May 21, art viewing Center for Latino/a & Latin ANTH 345 Archaeology of East Asia with Kurt Neugebauer Ben Brinkley; April 21, instructor-led Watercolor with Gina Kim American Studies Gyoung-Ah Lee; April 29, tour of museum tour Erika Beyer; May 6, class assignment INTL 4/563 Population Asian galleries with Anne Rose ENG 267 History of the Motion March 12, presentation by June in conjunction with Rhyndacus by Displacement and Global Health AAD 252 Art and Gender Kitagawa (4 sessions) Picture Black for “Human Rights and Social Walton Ford, on view as part of the Kristin Yarris; March 3, tour of Julie Voelker-Morris; April 21, class Quinn Miller; May 26, instructor-led Memory in Guatemala,” a panel SOC 311 Introduction to Social Masterworks on Loan Program Reconoci.do: Dominicans of Haitian assignment tour of Frozen Film Frames: Portraits of hosted by the Center for Latino/a & Research Methods Descent and facilitated discussion ANTH 4/510 Critical Heritage Filmmakers by Jonas Mekas Latin American Studies ARCH 430 Architectural Context: Craig Van Pelt; April 29, instructor-led with June Black Studies Place and Culture tour of Gustavo Germano: Ausencias ARH 4/510 Nirvana TRiO Student Support Services, Philip Scher; May 7, tour of Rick COLT 303 Theories of the Novel: Eleni Antonell; April 21, instructor-led and Reconoci.do: Dominicans of Akiko Walley; May 27, art viewing and LCC Bartow and facilitated discussion with Sallies in the Modern and museum tour Haitian Descent facilitated discussion with Anne Rose Ted Calcaterra; March 19, museum Johanna Seasonwein Postmodern with Don Quijote and Kitagawa tour with June Black and Danielle J457 Curiosity for Strategists HC431H The Animal-Human Bond Oscar Wao AAAP 4/523 American Knapp David Koranda; April 21, tour of Rick in Nature and Culture: A Cross- ARH 101 Global Masterpieces Leah Middlebrook; March 4, tour of Architectural Preservation ARCH 4/586 Advanced Design Bartow with Danielle Knapp and Societal Historical Study Derry Jameson; May 28, instructor-led Reconoci.do: Dominicans of Haitian Chris Bell; May 7, instructor-led Studio Debbie Williamson-Smith Roxann Prazniak; April 30, instructor- museum tour (2 sessions) Descent and facilitated discussion museum tour led tour of Rick Bartow Erin Moore; March 30, tour of The GEOG 142 Human Geography JPN 199 J-Pop Globalization: with June Black J361 Reporting I Maker’s Army with Danielle Knapp Katie Meehan; April 21, art viewing OCS 4 Oral Communication Skills Japanese Popular Culture in the SPAN 490 Afro-Latin American Kathryn Their; May 12, tour of Rick ART 233 Beginning Drawing and facilitated discussion with June Daniel Wood, April 30, class World Literature Bartow with Danielle Knapp James Schauer; April 1, class Black (3 sessions) assignment Alisa Freedman; May 28, art viewing Lanie Millar; March 4, instructor-led SPAN 228 Herencia Latina II and facilitated discussion with Gina assignment AAD 4/521 Cultural Programming OCS 4 Oral Communication Skills tour of Reconoci.do: Dominicans of Heather Quarles; May 12, tour of Kim and Anne Rose Kitagawa John Fenn; April 22, tour of Rick Sandra Greenstreet; April 30, class Haitian Descent HIST 399 The Pacific War History Gustavo Germano: Ausencias with Jeff Hanes; April 6, art viewing with Bartow and facilitated discussion with assignment HC 434 Japanese Youth Culture ES 250 Introduction to African- June Black Danielle Knapp Alisa Freedman; May 28, art viewing Anne Rose Kitagawa and Lee Michels OCS 4 Oral Communication Skills American Studies HIST 186 Cultures of India and facilitated discussion with Gina ARCH 430 Architectural Context: Karen Ulloa; May 1, class assignment Alaí Reyes-Santos; March 4, extra ES 101 Introduction to Ethnic Arafaat Valiani; May 13, art viewing Kim and Anne Rose Kitagawa Place and Culture credit opportunity in conjunction Studies AAD 252 Art and Gender with Gina Kim Peter Keyes; April 22, instructor-led with panel discussion “Human Rights Lisa Beard; April 8, tour of Reconoci.do: Betsy Tanenbaum; May 3, class museum tour, facilitated by Johanna Issues Related to Documentation” Dominicans of Haitian Descent with assignment June Black (2 sessions) Seasonwein 28 29

Dept. of Anthropology ART 233 Drawing I Department of Political Science University Counseling & Testing Black Student Union ATTENDANCE Daphne Gallagher: May 29, James Schauer; June 24, class Oct. 24, Luncheon Center June 13, graduation reception roundtable discussion with Amy assignment April 7, student art exhibition July 3,449 Department of Political Science University Advancement Lonetree in conjunction with the GEOG 481 Geographic Information Oct. 24, keynote, panel discussion, Alumni Association June 26–27, Bach Festival instrument August 3,927 “Art & (Dis)Place” panel of Things Science I and reception April 10, Multi-Cultural Reunion display You Know But Cannot Explain: A September 2,928 Nick Kohler; June 25, art viewing with Symposium Office of Academic Affairs Office of Academic Affairs June Black October 6,676 Nov. 4, 11, 18, 20, training April 21, training ENG 313 Teen and Children’s LING 4/510 Introduction to November 6,562 Literature Office of Admissions Art History Association Linguistics of Native Languages” December 2,998 Elizabeth Wheeler; June 3, instructor- Dec. 3, Opportunities/Oportunidades April 23–24, symposium Janne Underriner, Scott DeLancey, led tour of Rick Bartow: Things You outreach event January 4,987 Gregory Sutterlict; June 27,self- UO United Academics Know But Cannot Explain guided tour of Rick Bartow Confucius Institute for Global April 25, training February 7,765 JSMA Student Member Advocacy China Studies AAD 250 Art and Human Values Office of Admissions March 3,861 Council Jan. 9, lecture by Amanda S. Wright, Betsy Tanenbaum; June 30, May 6, Opportunities/Oportunidades June 3, general collections tour with “Parallelism and Performance in April 9,129 instructor-led museum tour (2 meeting Chris White the Artist Biographies of China’s sessions) May 6,441 Republican-Period (1911–49) Press” Center for the Study of Women in ARH 4/510 Nirvana EALL 210 China: A Cultural Odyssey Society June 3,376 Akiko Walley; June 3, art viewing and Arab Student Union Qing Ye Soreng; June 30, museum May 8, reception facilitated discussion with Anne Rose Jan. 16–17, student art and culture Total 62,099 tour with Anne Rose Kitagawa Kitagawa exhibition Office of Admissions May 9, Opportunities/Oportunidades In addition, the JSMA reached an Office of the Vice President for ITAL 105 Intensive First Year Italian outreach event audience of approximately 165,000 Harinder Khalsa; June 3, general OTHER UNIVERSITY USE Research and Innovation Office of Academic Affairs through community organizations museum tour with Sharon Kaplan Office of Admissions Jan. 30, meeting May 13, training including a special Art of the Athlete ED 201 Foundations of Education: Aug. 13, Opportunities/ Wayne Morse Center for Law and display at the Eugene Airport, Art Language Arts Strategies Oportunidades outreach event Politics Freshman Seminar and the Vineyard, Oregon Asian May 15, luncheon Merrill Watrous, LCC; June 10, Oregon Executive MBA Program Feb. 20, symposium and reception Celebration, Create Eugene, and the general museum tour with Exhibition Sept. 5, reception Office of Academic Affairs School of Journalism and Eugene Public Library. Interpreter Communication Office of Research, Innovation, and Feb. 24, meeting May 16, Pageturner Dinner LAW 199 Peace Building and Graduate Education Human Resources Transitional Justice Sept. 11, retreat Feb. 25, luncheon Human Resources William Johnson; spring term, self- May 26, meeting guided tour of Gustavo Germano: Office of Communications, Office of the Vice President for Department of Planning, Public Ausencias Marketing, and Brand Equity and Inclusion Management Feb. 25, reception Policy, and Management ES 352 Social Equity and Criminal Sept. 17, presentation May 28, awards ceremony Justice Office of the Vice Provost for Lundquist College of Business, Michael Hames-Garcia; spring term, Oregon Quarterly Undergraduate Studies MBA Program self-guided tour of Gustavo Germano: Sept. 17, reception Feb. 27, reception May 29, reception Ausencias Office of Communications, Office of Academic Affairs Office of Admissions HIST 382 Latin America: 1910– Marketing, and Brand March 3 and 12 training Management June 3, Opportunities/Oportunidades Present Center for Latino/a & Latin Sept. 18, presentation (2 sessions) meeting Reuben Zahler; spring term, self- American Studies guided tour of Gustavo Germano: Confucius Institute for Global March 12, luncheon University of Oregon Foundation Ausencias China Studies June 4, board meeting Office of International Affairs Oct.1, reception ARH 206 History of Western Art III: March 13, reception Lundquist College of Business, Baroque to the Present Office of Academic Affairs Master of Accounting Program Office of Academic Affairs Joyce Cheng; spring term, class Oct. 7, luncheon June 4, banquet March 17, training assignment Graduate School University of Oregon Foundation Research Development Services LA 4/508 Advanced Drawing: The Oct. 15, reception June 6, board meeting March 20, training Power of Sketches University of Oregon Foundation Human Resources Lanbin Ren; June 19, tour of Rick Office of Admissions Oct. 17, meeting June 10, retirement recognition Bartow with Danielle Knapp; tour April 1, Opportunities/Oportunidades reception of Asian galleries with Anne Rose University of Oregon Alumni outreach event Kitagawa Association Office of the President Office of Academic Affairs Oct. 17, reunion June 11, retirement recognition April 7, training reception 30 31

Acquisitions Instigator, 1997. Chine-collé with Books WESTERN Christopher Dresser, British, 1834– etching; ink and color on paper, 1904. Bowl, ca. 1875–1904. Silver, Various Japanese and Chinese Lacquerware and Jewelry ASIAN Ed. A.P., 16 5./8 x 14. Gift of Linda J. 1 ½ x 9 ¾ x 7 5/8. Gift of Margo Grant artists. 56 Manuscript or Woodblock- Lemmens. 2015:4.12 Various Russian artists. Selection Walsh. 2014:39.15 Metalwork printed illustrated books, 18th–20th Doze, 1996. Chine-collé with etching; of 26 lacquer pieces, ca. 1980s. Oil or Erickson Silver, American, ca. Konoike Y., Japanese, fl. late 19th– centuries. Thread-bound volumes, Collection ink and color on paper, Ed. A.P., 23 3/16 tempera on papier maché, various 1937–present. Bowl, mid. 20th early 20th century. Ladle, ca. 1880. including textile design, popular x 31 ¾. Gift of Linda J. Lemmens. sizes. Gift of Dr. and Mrs. R. G. Van century. Silver, 1 ¾ x 8 1/16 x 8 1/16. Gift of Sterling silver, 16 ¾ x 4 ½ wide. Gift of stories and didactic materials. KMP 2015:4.13 Horne. 2014:3.1–26. Margo Grant Walsh. 2014:39.34 Activity Margo Grant Walsh. 2014:39.8 Collection of Asian Art. 2014:28.1–56 Rendezvous in Nursery Garden I, ca. Georg Jensen Inc., Danish, 1904– James Fisher, American, fl. ca. present. Brooch, ca. 1933–44. 1997. Chine-collé with etching; ink Multimedia 1821–32. Candlesticks, ca. 1821–32. Prints and color on paper, Ed. A.P., 31 x Sterling silver, 2 x 2. Gift of Margo Silver, 5 x 4 x 4. Gift of Margo Grant Grant Walsh. 2014:39.24 HIRATSUKA Yuji, Japanese, 43 (mat). Gift of Linda J. Lemmens. MATSUBARA Ken, Japanese, Walsh. 2014:39.30a,b b. 1949. Eiffel Tower, Repetition Series, b. 1954. Mastermind, 1996. Chine- 2015:4.14 Brooch, ca. 1910. Sterling silver, Fisher Silversmiths Inc., American, Heisei period (1989–present), 2014. collé with etching; ink and color on Rendezvous in Nursery Garden II, 1993. 3 1/3 x 3. Gift of Margo Grant Walsh. 1939–70. Candelabra, 20th century. Music stand, book and iPad mini paper, Ed. 18/40, 15 7/8 x 13½. Gift of Chine-collé with etching; ink and 2014:39.54 Silver, 4 1/8 x 6 ½ x 6½ in. Gift of Margo 2nd generation, overall: 50 x 19¾. Linda J. Lemmens. 2015:4.1 color on paper, Ed. 12/30, 32 7/16 x Brooch, late 19th or early 20th Grant Walsh. 2014:39.23 Purchased with a gift from Steven 43 11/16 (mat). Gift of Linda J. Lemmens. century. Silver, purple stone, 1¾ High Pride, 1996. Chine-collé with Platzman & Julie Dowling. 2015:11.1 Clemens Friedell, American, 1872– etching; ink and color on paper, Ed. 2015:4.15 x 1 1/8. Gift of Margo Grant Walsh. 1963. Serving tray, 20th century. A.P., 15 13/16 x 13 7/16 (mat). Gift of Linda Pumice Scrape & Magic Mirror, 1994. 2014:39.55 Sterling silver, 11 (diameter). Gift of J. Lemmens. 2015:4.2 Chine-collé with etching; ink and Painting Brooch, 1945. Sterling silver, yellow Margo Grant Walsh. 2014:39.20 Temptation, ca. 1996. Chine-collé color on paper, Ed. 12/30, 16 7/8 x TOYONAGA Ryo, Japanese, stone, 2 1/8 x 2. Gift of Margo Grant Dessert bowls & undertrays, ca. 1915. with etching; ink and color on paper, 15 3/8. Gift of Linda J. Lemmens. b. 1960. Untitled–BW14, 2009. Walsh. 2014:39.56 Sterling silver, bowls: 4 ½ (diameter);

Ed. A.P., 31 ½ x 24 ½. Gift of Linda J. 2015:4.16 Sumi ink, acrylic on paper, 60 x 84. Brooch, late 19th or early 20th undertrays: 6 (diameter). Gift of Lemmens. 2015:4.3 Chappy Chopping Choice, 1994. Museum Purchase. 2015:6.1 century. Silver, green stones, 2 x 1. Margo Grant Walsh. 2014:39.43a–d Freak, 1996. Chine-collé with etching; Chine-collé with etching; ink and Untitled-C8, 2011. Acrylic on canvas, Gift of Margo Grant Walsh. 2014:39.57 Chocolate pot, early 20th century. ink and color on paper, Ed. 20/35, color on paper, Ed. A.P., 16 7/8 x 15 3/8. 103 x 70. Gift of the artist. 2015:6.3 Brooch, ca. 1915. Sterling silver, 4 ½ Silver, wood, 6 x 7 ¼ x 3 ½. Gift of 32 9/16 x 26. Gift of Linda J. Lemmens. Gift of Linda J. Lemmens. 2015:4.17 x 4 ¼ in. Gift of Margo Grant Walsh. Margo Grant Walsh. 2014:39.44 2015:4.4 Supernatural Engagement, 1995. Sculpture 2014:39.58 Georg Jensen Inc., Danish, 1904– Turmoil, 1996. Chine-collé with Chine-collé with etching; ink and Henning Koppel, Danish, 1918–81, present. Canister, early 20th century. etching; ink and color on paper, Ed. color on paper, Ed. 5/25, 31 15/16 x PARK Sui, Korean, b. 1977. SuiTable, Republican period (1945–present), Brooch, ca. 1945. Sterling silver, 2 x 2. Sterling silver, 3 ¾ x 2 ½. Gift of Margo 3/30, 32 9/16 x 26 ½. Gift of Linda J. 24 1/16 (mat). Gift of Linda J. Lemmens. Gift of Margo Grant Walsh. 2014:39.53 Grant Walsh. 2014:39.10 Lemmens. 2015:4.5 2015:4.18 2013. Woven fishing line, 13 x 28 x 26. Purchased with funds from the Sauce ladle, 1929. Sterling silver, 2 x Chinachers, 1995. Chine-collé with The Stage of Lassitude, 1995. Chine- FarWest Steel Endowment. 2015:15.1 Metalwork 2 1/8 x 7 7/8. Gift of Margo Grant Walsh. etching; ink and color on paper, Ed. collé with etching; ink and color on 2014:39.11 9/25, 32 ½ x 24 ¾. Gift of Linda J. paper, Ed. 5/25, 24 x 32. Gift of Linda TOYONAGA Ryo, Japanese, Allan Adler, American, 1916–2002. Bowl, late 19th century or early 20th Lemmens. 2015:4.6 J. Lemmens. 2015:4.19 b. 1960. Untitled, 2001. Ceramic; Serving dish, ca. 1955. Sterling silver, base with rod, 30 x 18 x 8 ½. Museum 1 ½ x 16 ¼ x 6 ¼. Gift of Margo Grant century. Sterling silver, 2½ x 10 5/8 Boaster, 1997. Chine-collé with Wigged Witch, 1995. Chine-collé with Purchase. 2015:6.2 Walsh. 2014:39.7 x 10 5/8. Gift of Margo Grant Walsh. etching; ink and color on paper, etching; ink and color on paper, Ed. 2014:39.9 Ed. A.P., 16 5/8 x 14. Gift of Linda J. 18/35, 26 ¼ x 19 7/16. Gift of Linda J. Untitled-PM04, 2006. Acrylic resin, Porter Blanchard, American, 1886– Heath & Middleton, British, Lemmens. 2015:4.7 Lemmens. 2015:4.20 wire mesh, papier maché, 74 x 39 x 1973. Teapot, ca. 1923–73. Sterling 17. Gift of the artist. 2015:6.4 silver, wood, ivory, 5 x 8 ¾ x 6 ¾. Gift 1886–1953. Salt cellars and spoons, Shaker, 1997. Chine-collé with Woman Resting Her Elbow, ca. 1996. of Margo Grant Walsh. 2014:39.47 late 19th or early 20th century. Silver, etching; ink and color on paper, Chine-collé with etching; ink and glass, spoons: 2 3 x ¾; cellars: 1 5/8 Textile Ed. A.P., 16 5/8 x 14. Gift of Linda J. color on paper, Ed. A.P., 32 1/16 x 24 ¼. Albert Edward Bonner, British, fl. x 2 (diameter). Gift of Margo Grant Lemmens. 2015:4.8 Gift of Linda J. Lemmens. 2015:4.21 Korean. Woman’s Ensemble with 1905–13. Salt and pepper casters, ca. Walsh. 2014:39.49a–h 1905–13. Silver, blue stones, 2 3/8 x Braggart, 1997. Chine-collé with Open Fire, 1995. Chine-collé with Painted Orchid Decoration (Jeogori, 1 7/8 x 1 7/8. Gift of Margo Grant Walsh. James Dixon & Sons, British, etching; ink and color on paper, etching; ink and color on paper, 저고리), Republican Period 2014:39.51a, b 1823–1980s. Card case, 19th century. Ed. A.P., 16 5/8 x 14. Gift of Linda J. Ed. A.P., 25 ¾ x 34 ¼. Gift of Linda J. (1945–present). Silk, cotton. Gift of Sterling silver, 0.58 x 2 7/8 x 4. Gift of Lemmens. 2015:4.9 Lemmens. 2015:4.22 Young Doug Kim and Haing Ja Kim. Chicago Silver Co., American, Margo Grant Walsh. 2014:39.14 1923–56. Cream and Sugar Set, ca. Mover, 1997. Chine-collé with Cacnus, 1995. Chine-collé with 2014:37.1a–d 1923–25. Sterling silver, A: 3 ¼ x 4 ¾ x Albert Edward Jones, British, 1879– etching; ink and color on paper, etching; ink and color on paper, Korean. Man’s Outer Jacket with Peony 3; B: 3 ¼ x 4 ¾ x 3. Gift of Margo Grant 1954. Box, ca. 1902. Sterling silver, Ed. A.P., 16 5/8 x 14. Gift of Linda J. Ed. 27/30, 32 1/16 x 44. Gift of Linda J. (Jeogori, 저고리), Republican Period Walsh. 2014:39.36a,b enamel cabochon, 3 ½ x 5 5/8 x 4 ¼. Lemmens. 2015:4.10 Lemmens. 2015:4.23 (1945–present). Satin, gauze. Gift of Gift of Margo Grant Walsh. 2014:39.48 William G. deMatteo, American, Agitator, 1997. Chine-collé with Young Doug Kim and Haing Ja Kim. 1895–1980. Raised bowl, ca. 1950. All measurements are given in inches etching; ink and color on paper, 2014:37.2a–d Sterling silver, 5 ½ x 10. Gift of Margo Ed. A.P., 16 5/8 x 14. Gift of Linda J. height x width x depth. Grant Walsh. 2014:39.35 Lemmens. 2015:4.11 32 33

Lebolt & Company, American, George W. Shiebler, American, Wakely & Wheeler, British, 1909– Daniel Gordon, American, b. 1980. Jacques Callot, French, 1592–1635. Given in Honor of John and Carol 1882–1944. Tea service, ca. 1910–18. 1846–1920. Ladle, turn of the 20th present. Stacking beakers, ca. 1912– The Quake, 2007. C-print, ed. 1/5, 30 ½ Les Grandes Misères de la Guerre, 1633. Davis. 2014:44.6 Sterling silver, ivory, A: 6 ¾ x 9 ¼ x century. Silver, 4 x 12 ¾ x 3 5/8. Gift of 40. Sterling silver, approx. 3 ½ x 3. Gift x 39. Gift of Zach Feuer and Alison Portfolio of 18 etchings, approx. Automatic City Year 2, 2006. Inkjet on 5 ½, B: 4 x 6 x 4 ¾, C: 4 ¼ x 5 ½ x 3 ½, Margo Grant Walsh. 2014:39.32 of Margo Grant Walsh. 2014:39.52a–d Fox, Hudson, NY. 2014:43.1 3 1/8 x 7 ¼. Museum purchase with paper, ed. 18/20, 35 x 35. Gift of Greg D: 18 ¼ x 13 ¼ x ¾. Gift of Margo J.P. Sidel, American, 1875–1963. Whiting Manufacturing Co., Man and Bicycle, 2007. C-print, Ed. funds from the Amanda Snyder Kucera and Larry Yocom. 2014:44.7 Grant Walsh. 2014:39.18a–d Sauce boat, ca. 1930s. Sterling silver, American, 1866–1926. Coffee pot, 3/5, 30 ½ x 39. Gift of Zach Feuer and Endowment Fund, with additional support provided by Jim and Barbara Theaster Gates, American, b. Cake plate, ca. 1910–18. Sterling 6 5/8 x 5 1/8 x 3 3/8. Gift of Margo Grant ca. 1913. Silver, wood, 8 x 7 ¼ x 5 ½. Alison Fox, Hudson, NY. 2014:43.2 1973. Bitch, I Made This Pot, 2013. silver, 12 (diameter). Gift of Margo Walsh. 2014:39.42 Gift of Margo Grant Walsh. 2014:39.41 Walker and David and Marcia Hilton. Candida Hofer, German, b. 1944. 2015:13.1a–r Lithograph, screenprint, and rubber Grant Walsh. 2014:39.21 The Kalo Shop, American, 1900–70. William Hutton & Sons, British, New York Public Library IV; 1999. stamp on Somerset, ed. 12/100, 23 ¾ Iced tea spoons, 1927–38. Sterling Serving tray, ca. 1912–16. Sterling 1893–1930. Cream pitcher, 1907. C-print, artist’s Proof 1, 15 x 22 ½. Gift T.C. Cannon, Native American, x 31 ½. Gift of Greg Kucera and Larry silver, approx. 7 ½ (length). Gift of silver, 1 x 17 x 10 ¼. Gift of Margo Sterling silver, 4 1/8 x 4 ½ x 2 ½. Gift of of David Hoberman. 2014:40.7 1946–78. Two Guns Arikara, 1975. Yocom, Given in Honor of Robert Margo Grant Walsh. 2014:39.25a–h Grant Walsh. 2014:39.22 Margo Grant Walsh. 2014:39.50 Color woodblock print, ed. 106/200, Feldmar. 2014:44.8 Florian Maier-Aichen, German, 20 ½ x 16 ½. Gift of Larry and Jan Teaspoons, 1914–25. Sterling silver, Salt cellars, 20th century. Sterling b. 1973. Untitled (Tenaya Lake), Reed. 2014:42.3 Francisco Goya, Spanish, 1746– approx. 5 7/8 (length). Gift of Margo silver, porcelain, 5 ½ x 5/8. Gift of Book Art 2004. C-print, 72 x 93. Gift of David 1828. Disparate pobre, plate #11 from Grant Walsh. 2014:39.26a–h Margo Grant Walsh. 2014:39.29a–d Hoberman. 2014:40.9 Bruce Conner, American, 1933– Los Proverbios, 1815–23; published Darren Waterston, American, 2008. #115, 1970. Offset lithograph, Sugar spoons, 1921. Sterling silver, A: Salt and pepper casters, early 20th Stephen G. Rhodes, American, 1864. Aquatint and etching, with b. 1965. Monograph/Lobe, (St. Anne’s ed. 25/85, 12 ¼ x 12 ¼. Gift of the retouching in drypoint and burin, 5 3/8 (length), B: 5 ¼ (length). Gift of century. Sterling silver, 2 1/8 x 1 ¼ Press), 2001. Book/Etching, ed. 30/50, b. 1977. Excerpt (Cinema), 2007. Conner Family Trust. 2015:12.1 Margo Grant Walsh. 2014:39.27a–b x 1 ¼. Gift of Margo Grant Walsh. C-print with paint, ed. 1/5 2APs, sheet: 12 ¼ x 17 3/16; plate: 8 ½ x 12 5/8. 12 ½ x 10 x 1 ¾. Gift of Greg Kucera #126, 1970–71. Offset lithograph, ed. Gift of Marcia and David Hilton. Lemon fork, 1926. Sterling silver, 2014:39.37a–d and Larry Yocom. 2014:44.25 30 x 40. Gift of David Hoberman. 2014:40.11 16/90, 15 x 14 ¼. Gift of the Conner 2014:45.1 5 ½ x 5/8. Gift of Margo Grant Walsh. Pair of rectangular bowls, ca. 1917 Family Trust. 2015:12.2 2014:39.28 or later. Sterling silver, 2 ¼ x 8 ½ x 5 Christopher Russel, American, Diana Guerrero-Macia, American, Drawing (each). Gift of Margo Grant Walsh. b. 1974. Aftermath #27, 2014. #208, 1970. Offset lithograph, ed. b. 1966. Suggestion for Leaders, 2006. Tea service, 1916. Sterling silver, ivory, 10/35, 11 ½ x 9 7/8. Gift of the Conner Letterpress wood type print, ed. 2/15, large coffee pot: 7½ x 11 ¼ x 4 ¼. Gift 2014:39.6a,b Luis Gispert, American, b. 1972. Pigment print scratched with a razor, Lasonic, 2003. Marker on paper, 11 36 x 54. Purchased with funds from Family Trust. 2015:12.3 18 ½ x 15. Gift of Greg Kucera and of Margo Grant Walsh. 2014:39.31a–d The Randahl Shop, American, Larry Yocom. 2014:44.9 1914–65. Footed bowl, ca. 1935–65. x 8 ½. Gift of Zach Feuer and Alison the Patricia Noyes Harris Bequest. #209, 1970. Offset lithograph, ed. Pitcher, ca. 1925. Sterling silver, 6 ½ Fox, Hudson, NY. 2014:43.3 2014:35.1 10/35, 11 1/8 x 7 ½. Gift of the Conner Jane Hammond, American, b. 1950. x 8 x 6 ¼. Gift of Margo Grant Walsh. Sterling silver, 4 ¼ x 6 x 6 ¼. Gift of Margo Grant Walsh. 2014:39.13 Jim Shaw, American, b. 1952. Todd Simeone, American, b. 1978. Family Trust. 2015:12.4 Love Laughs, 2005. Lithograph with 2014:39.38 hand coloring and collage, ed. 13/45, Pitcher, ca. 1911–39. Sterling silver, 9 Dream Drawing (In a Mexican Gameboard, 2003. Ultrachrome #501,#502,#503,#504,#505, 1970. Small bowl, 1925. Sterling silver, 4 ¾ restaurant, Laurie-Jean is doing archival photograph, ed. 4/5, 32 ½ x Offset lithograph, ed. 7/90, 8 x 7 1/8. 51 1 x 33 ¾. Gift of Greg Kucera and x 1 ½. Gift of Margo Grant Walsh. x 8 ½ x 7. Gift of Margo Grant Walsh. Larry Yocom, Given in Honor of Bruce 2014:39.19 cheers...), 1992. Pencil on paper, 32 ½. Gift of Greg Kucera and Larry Gift of the Conner Family Trust. 2014:39.39 12 x 9. Gift of David Hoberman. Yocom. 2014:44.22 2015:12.5a–e Bowerman. 2014:44.10 Small bowl, early 20th century. Serving set, ca. 1925. Sterling silver, A: 2014:40.12 Caleb Larsen, American, b. 1979. 10 ¼ (length), B: 9 ½ (length), C: 9 ½ Brett Weston, American, 1911–93. Cornelis Cort, Dutch, 1533–78. Sterling silver, 3 x 5 3/8 x 4 ¼. Gift of Dream Drawing (Marnie and I were Selection of 49 Silver Gelatin Mary Magdalene, 16th century. The Epic of Gilgamesh Being Read by a Margo Grant Walsh. 2014:39.40 (length). Gift of Margo Grant Walsh. Computer, 2007. Text, digital speech, 2014:39.2a–c in a VW with my mom...), 1994. prints,1941–1980, dimensions Engraving, ca. 3 x 2. Gift of Marcia Erik Magnussen, American, 1884– Pencil on paper, 12 x 9. Gift of David vary. Gift from the Christian Keesee and David Hilton. 2014:45.3 and computer, Dimensions vary. Gift 1961. Small bowl, early 20th century. Pitcher, ca. 1930. Sterling silver, 9 ½ Hoberman. 2014:40.13 Collection. 2015:1.1–49. of Greg Kucera and Larry Yocom. x 7 ¼ x 6. Gift of Margo Grant Walsh. Steve Dibenedetto, American, 2014:44.11 Sterling silver, 3 x 6 ¾ x 5 ¼. Gift of b. 1958. History of Separation, 2004. Margo Grant Walsh. 2014:39.12 2014:39.33 Jeffry Mitchell, American, b. 1958. Mixed Media Prints Etching, ed. 24/27, 22 ½ x 31. Gift Mueck-Cary, American, ca. 1940s– Dirk van Erp, American, 1860– of Greg Kucera and Larry Yocom, Three Botanicals (Lotus Pod), 1989. 50s. Compote, ca. 1940s–50s. Silver, 1933. Pitcher, late 19th or early 20th Jeff Sonhouse, American, b. 1968. Anne Appleby, American, b. 1954. Given in Honor of Jordan Schnitzer. Etching with hand coloring and chine 3 ½ x 7 1/8. Gift of Margo Grant Walsh. century. Sterling silver, 9 ½ x 7 7/8 3 Dollar Bill Appeal, 2006. Mixed Winter, 1999. Aquatint, ed. 38/50, 2014:44.3 collé, ed. 1/20, 22 x 15. Gift of Greg 2014:39.1 x 6 3/8. Gift of Margo Grant Walsh. media on paper, 15 ½ x 11. Gift of 16 x 20. Gift of Greg Kucera and Larry Kucera and Larry Yocom, Given in 2014:39.17 David Hoberman. 2014:40.14 Yocom, Given in Honor of Dick Easley. Lesley Dill, American, b. 1950. Honor of Arlene Schnitzer. 2014:44.12 Mulholland Brothers, Inc., 2014:44.1 Listen, 2004. Lithograph with American, 1915–34. Bowl, ca. 1914– Fork blank, ca. 1920. Sterling silver, horsehair, ed. AP 8/20, 15 x 6. Gift John Newman, American, b. 20. Sterling silver, 2 ¼ x 8 ½ x 8 ½. Gift 8 x 1. Gift of Margo Grant Walsh. Photography Mark Bennett, American, b. 1956. of Greg Kucera and Larry Yocom. 1948. Rohwer Internees #2, 2006. 2014:39.5 Home of Blanche and Jane Hudson Lithograph, ed. PP 7, 18 ½ x 14. Gift of Margo Grant Walsh. 2014:39.45 William Castellana, American, 2014:44.4 William van Erp, American, 1900– (Whatever Happened to Baby Jane), of Greg Kucera and Larry Yocom. Carl Poul Petersen, Danish, b. 1968. Boy with Lollypop / Wallabout 2003. Pigment print, ed. 7/20, 20 x 30. Marcel Dzama, Canadian, b. 1974. 2014:44.13 Canadian, 1895–1977. Compote, ca. 77. Pair of serving dishes, ca. 1950. Street – Williamsburg, Brooklyn, Scared of His Own Ghost, 2008. Silver plate, ivory, A: 2 13/16 x 17 ¼ x Gift of Greg Kucera and Larry Yocom. Deborah Oropallo, American, b. 1930. Sterling silver, 7 3/8 x 6 5/8 x 6 1/8. 2013–11–22. Archival pigment ink 2014:44.2 Lithograph with photoluminescent Gift of Margo Grant Walsh. 2014:39.46 211 5/16; B: ½ x 16 ¾ x 10 7/8. Gift of print, ed. 6/40, 13 x 19. Gift of William pigment, ed. 114/175, 14 x 25 ½. Gift 1954. Lion Tamer, 2007. Pigment Margo Grant Walsh. 2014:39.3a,b Nicolaes Pieterszoon Berchem, print on Hahnemuhle 310g paper, Alfredo Sciarrotta, American, Castellana. 2014:32.1 of Greg Kucera and Larry Yocom. Teaspoon blank, ca. 1960. Sterling Dutch, 1621–83. Cows Fording the 2014:44.5 ed. of 10, 40 x 30. Gift of Greg Kucera 1907–1985. Footed bowl, ca. 1960. Rineke Dijkstra, Dutch, b. 1959. Stream, 1649. Etching, sheet: 8 x 10 and Larry Yocom, Given in Honor of Sterling silver, 4 ¼ x 9 ¾ x 9 ¾. Gift of silver, 5 ¾ x 1 ¼. Gift of Margo Grant Stephanie, Saint Joseph Ballet School, Benjamin Edwards, American, Walsh. 2014:39.4 ¾; plate: 6 15/16 x 9 9/16. Gift of Marcia Arlene Schnitzer. 2014:44.15 Margo Grant Walsh. 2014:39.16 Santa Ana, CA, USA, March 22; 2003. and David Hilton. 2014:45.4 b. 1970. Automatic City, 2006. C-print, framed, ed. 7/10, 49 5/8 x 42 1/8. Lithograph, ed. 35/40, 28 ½ x 50. Gift Gift of David Hoberman. 2014:40.5 of Greg Kucera and Larry Yocom, 34 35

Philip Pearlstein, American, woodblock print; ink and color Multimedia Circle of Jan Gossaert, Follower of Joos van Cleve, Jean-Michel Basquiat, American, b. 1924. Untitled, from Six Lithographs on paper; Ed. 27/75, 16 9/16 x 11 1/16. Netherlandish, 1479–1532. Netherlandish, 1485–1541. 1960–88. Untitled, 1981. Acrylic Various American and European Drawn from Life, 1970. Lithograph, Museum Purchase. 2015:2.1 Madonna and Child with music- Madonna of the Cherries, second and marker on wood, 22 x 16 x 3 1/8. artists. Point of View: A Contemporary 30 1/8 x 22. Gift of Dr. Phyllis Yes. making angels, first half of the 16th quarter of the 16th century. Oil on Private Collection. L2014:55.1 Lucas van Leyden, Dutch, 1494– Anthology of the Moving Image (DVD 2014:34.1 century. Oil on panel, 40 ¼ x 30 ¼. cradle board, 26 ½ x 20. Estate of Roy 1533. Saints Peter and Paul Seated Collection) from New Museum, 2004. Untitled, 1982. Pastel, oilstick, colored Estate of Roy and Jeanne Neville. and Jeanne Neville. 2014:27.1 Paulus Potter, Dutch, 1625–54. in a Landscape, 1527. Engraving, 4 x DVD Portfolio and photograph, ed. crayon and charcoal on paper, 30 x 2015:3.1 Cowherd, 1649. Etching, 7 ¼ 8 5/16. Gift 5 7/8. Gift of Marcia and David Hilton. of 1500. Gift of Greg Kucera and Larry Michael Wetzel, American, b. 43. Private Collection. L2014:63.1 of Marcia and David Hilton. 2014:45.5 2014:45.2 Yocom. 2014:44.14 Salomon Huerta, Mexican- 1966. Centerpiece, 2004. Oil and egg Joseph Beuys, German, 1921–86. Martin Puryear, American, b. 1941. Darren Waterston, American, b. American, b. 1965. Untitled tempera on panel, 32 x 40. Gift of Vitrine Iphigenie IV, 1961–76. Cast (Wrestler), 2007. Oil on wood, 12 x 12. David Hoberman. 2014:40.18 Shoulders, (Paulson Press), 2002. 1965. Fugue, 2007. Pigment print Painting iron (casting 1976), marked with a Softground etching with chine collé, on Innova, ed. 1/20, 40 ½ x 28 ½. Gift Gift of David Hoberman. 2014:40.19 Jakub Julian Ziolkowski, Polish, cross with yellow crayon and put ed. 21/25, 35 x 28. Gift of Greg Kucera of Greg Kucera and Larry Yocom, Mike Bayne, Canadian, b. 1977. Matt Johnson, American, b. 1978. b. 1980. Untitled, 2007. Oil on canvas, on the child’s chair by Beuys in and Larry Yocom, Given in Honor of Given in Honor of Bruce Bowerman. Untitled (white house with dead tree), Parlor Trick, 2005. Nickel plated 13 ¾ x 11 3/8. Gift of David Hoberman. 1985–86, variable dimensions. Private Jordan Schnitzer. 2014:44.16 2014:44.24 2007. Oil on masonite panel, 6 x 4. bronze, glass, salt and oil paint, 2014:40.15 Collection. L2014:76.2 Gift of David Hoberman. 2014:40.1 David Rathman, American, b 1958. Passage from the Flowering (The ed. 3/3, 7 ¼ x 7 ½ x 3. Gift of David Louise Bourgeois, French, 1911– The Way We Get By, 2009. Etching, ed. Fourfold Sense), 2007. 1 of 13 prints Countertop #4, 2003–04. Oil on Hoberman. 2014:40.16 Sculpture 2010. Les Fleurs, 2009. Gouache on AP 1/5 of 10, 18 ¾ x 24 3. Gift of Greg with artist’s hand coloring in cloth- board, 5 x 7. Gift of David Hoberman. Raffi Kalenderian, American, paper, 12 drawings, each 23 ½ x 18. Kucera and Larry Yocom. 2014:44.17 covered portfolio with 13 letterpress 2014:40.2 b. 1981. Untitled, 2004. Gouache Alexander Phimister Proctor, Private Collection. L2014:76.3 American, 1860–1950. Pioneer broadsides of original text by Tyrus Brian Calvin, American, b. 1969. on paper, 20 x 15. Gift of David Fritz Scholder, American, Mother [scale working model], ca. Jan the Elder Brueghel, Flemish, Miller, ed. 13/40, 18 x 13. Gift of Greg Twin Palms, 2004. Acrylic on canvas, Hoberman. 2014:40.8 1937–2005. Desert Flower, 1981. 1930. Bronze, 14 3/8 x 9 5/8 x 15. Gift of 1568–1625. Summer Landscape with Kucera and Larry Yocom, Given in 16 x 12. Gift of David Hoberman. Lithograph, ed. 42/50, 22 ½ x 30 1/8 in. Neil Koch, American; Pacific John Herman. 2015:14.1 Tilt-Carts, 1612. Oil on copper, 9 ¾ x Gift of Larry and Jan Reed. 2014:42.1 Honor of Linda Tesner. 2014:44.26 2014:40.3 Northwest, 1922–2001. Autumn 14 ¾. Private Collection. L2014:83.1 Weeper from the Flowering (The Rebecca Campbell, American, b. Colors in Kittitas, 1946. Gouache on Dancers at Zuni, 1978. Lithograph, ed. Textile Anthony Caro, British, 1924–2013. 118/150, 22 ½ x 30. Gift of Larry and Fourfold Sense), 2007. 1 of 13 prints 1971. Pink Underneath, 2004. Acrylic paper, ca. 20 ½ x 14 ½. Gift of James Dumbfound, 1976. Steel and paint, Jan Reed. 2014:42.2 with artist’s hand coloring in cloth- on paper, 90 ½ x 60. Gift of David McGrath. 2015:5.2 Jo Hamilton, American, b. 1972. 21 x 50 x 15. Private Collection. covered portfolio with 13 letterpress Hoberman. 2014:40.4 Crochet Portland, 2006–2009. Mixed Roger Shimomura, American, Yakima River Canyon, 1946. L2014:72.6 broadsides of original text by Tyrus crocheted yarn, 80 x 114. Purchased b. 1939. End of the Rainbow, 2004. Jean-Pierre Capron, French, Watercolor with casein on paper, Marc Chagall, French, 1887–1985. Miller, ed. 13/40, 17 7/8 x 12 7/8. Gift of with funds from Peter Buck & Silkscreen, ed. AP, 27 ½ x 22 ½. Gift of 1921–1997. Ile de France, 1961. Oil 15 5/8 x 21 ¾. Gift of James McGrath. Les Tulipes Mauves (The Mauve Tulips), Greg Kucera and Larry Yocom, Given Chloe Johnson, Farzin & Suzie Turk, Greg Kucera and Larry Yocom, Given on canvas, 21 5/8 x 18 1. Gift of Carol 2015:5.3 1928. Oil on paper on canvas, 26 ¼ in Honor of Linda Tesner. 2014:44.27 Shannon Tres and Andrew Ricker. in Honor of Larry Fong. 2014:44.18 Bassie. 2014:29.1 Oregon Mountain Evening, Coburg x 20 ½ (painting). Anonymous Loan. Lisa Yuskavage, American, b. 1962. 2015:7.1 Mike Davis, American, b. 1961. A Hills Range, 1946. Watercolor on L2014:75.1 Enter the Rice Cooker, 1994. 13-color Weeds, 2001. Dry point etching and Secret Best Kept, 2011. Oil on canvas, paper, 12 x 18. Gift of James McGrath. silkscreen on paper, ed. 170/170, 42 aquatint, ed. 22/50, sheet: 11 x 9 ½; Saint Jean, Cap-Ferrat, 1949. Gouache, 36 x 64. Gift of Andrew Teufel. 2015:5.4 x 47. Gift of Greg Kucera and Larry image: 4 x 3 ½. Gift of Greg Kucera watercolor, colored wax crayon and 2014:36.1 Yocom, Given in Honor of Josine and Larry Yocom. 2014:44.28 James Lavadour, American; Pacific Incoming Loans India ink on paper, 12½ x 9½. Private Starrels. 2014:44.19 Chris Dorland, Canadian-American, Northwest, b. 1951. Torch, 2012. Collection. L2014:90.2 Oil on panel, 48 x 60. This work was James Siena, American, b. 1957. b. 1978. Untitled (white heat), 2006. Josef Albers, German American, John Chamberlain, American, Mixed Media acquired with the assistance of The Infected Lattice, 2004. Lithograph, Oil on linen, 44 x 66. Gift of David 1888–1976. Homage to the Square, 1927–2011. Mr. Moto, 1963. Painted Ford Family Foundation through a ed. 17/20, 17 ½ x 14 ½. Gift of Greg Jennifer A. González, American; Hoberman. 2014:40.17 1972. Oil on masonite, 24 x 24. and chromium-plated steel, 29 ½ x 32 special grant program managed by Kucera and Larry Yocom, Given in Guillermo Gomez-Peña, Mexican- Mari Eastman, American, b. 1970. Private Collection. L2014:121.1 x 23. Private Collection. L2014:124.1 Honor of Salvatore Milo. 2014:44.20 American, b. 1955; Felicia Rice, the Oregon Arts Commission and the Marlboro Man, 2003. Acrylic and Homage to the Square: Warm-Near, Salvador Dali, Spanish, 1904–89. American; and Gustavo Vazquez, Van Duyn Acquisition Endowment. Two Perforated Combs, 2006. glitter on linen, 33 x 34. Gift of Craig 1966. Oil on masonite, 32 x 32. Cinq personages surréalistes: femmes Mexican-American. DOC/UNDOC 2015:9.1 Stenciled pigmented linen on and Lynn Jacobson. 2014:41.1 Private Collection. L2014:72.2 à tête de fleurs, femme à tiroirs pigmented cotton base, ed. 30/50, (Documentado/Undocumented): Ars James McGarrell, American, (évocation du jugement de Paris), Brussels Palace, 2004. Acrylic and Karel Appel, Dutch, 1921–2006. 10 x 8. Gift of Greg Kucera and Larry Shamánica Performática, 2014. Mixed b. 1930. Summer Stairs, 1958–59. Oil 1937. Gouache, brush and ink on glitter on canvas, 22 x 16. Gift of Craig Between Mud and Heaven, 1962. Yocom, Given in Honor of Frank media, 17 ¾ x 11 1/8 x 1 ¼ (accordion on composition board, framed: 54 pink paper, 19 ¼ x 25 1/8. Collection of and Lynn Jacobson. 2014:41.2 Oil on canvas, 51 3/16 x 63 ¾. Private Okada. 2014:44.21 book extends to 378). Purchased with x 48. Gift of Karen Lock in honor of Andrew S. Teufel. L2015:13.1 funds from the Patricia Noyes Harris Karel Funk, Canadian, b. 1971. John Haislip. 2014:30.1 Collection. L2014:111.1 Jeffrey Simmons, American, Walton Ford, American, b. 1960. Bequest. 2015:8.1 Untitled #4, 2003. Acrylic on panel, Frank Auerbach, British, b. 1931. b. 1968. Blind Agent, 2008. White Jeanette Mundt, American, Rhyndacus, 2014. Watercolor, 13 x 13. Gift of David Hoberman. Reclining Head of Julia, 2013–14. ground aquatint, aquatint, drypoint b. 1982. After Heda, 2011. Oil on gouache and ink on paper, 119 ¼ x 2014:40.6 Acrylic on board, 20 1/8 x 20. Private and burnishing, ed. 1/35, 28 x 20. canvas on panel, 9 x 12. Gift of David 60 ¼. Private Collection. L2014:47.1 Norma Driscoll Gilmore, American; Hoberman. 2014:40.10 Loan. L2014:127.1 Gift of Greg Kucera and Larry Yocom. Helen Frankenthaler, American, Pacific Northwest, b. 1927. Sitting Georg Baselitz, German, b.1938. 2014:44.23 Alfred H. Schroff, American, 1863– 1928–2011. Bach’s Sacred Theatre, Nude, 1947. Oil on canvas, framed: Bitte vortreten linksherum, 2014. Oil TERAOKA Masami, Japanese- 1939. Seventeen Mile Drive, Carmel, 1973. Acrylic on canvas, 122 x 96. 31 5/8 x 21 ½. Gift of James McGrath. on canvas, 118 1/8 x 83 ½. Private American, b. 1936. AIDS Series/ 1926. Watercolor on paper, 22 ½ Private Collection. L2014:72.3 2015:5.1 Collection. L2014:76.1 Geisha in Bath, 2008. 48-color x 26 ½. Gift in Memory of Lois and Benson Mates. 2015:10.1 36 37

Theaster Gates, American, b. Woldgate Woods, 24, 25 and 26 Eternal Moods, November 18, 2012. Barnett Newman, American, 1905– Auguste Rodin, French, 1840–1917. Outgoing Loans 1973. Civil Rights Tapestry 1, 2012. October, 2006. Oil on canvas, 6 Black -and-white photograph on 70. Untitled, 1945. Ink on paper, 10 8/10 Pierre de Wissant, from The Burgers of Decommissioned fire hoses and canvases, each 36 x 48; overall 72 x digital metallic glossy media, ed. 1/1, x 7 ½. Private Collection. L2014:66.3 Calais, modeled 1884-86. Cast bronze, Loaned to the Hallie Ford Museum wood, 2 parts: 70 1 x 130 3 x 144. Private Collection. L2014:80.1 73 ¼ x 48 ¼; 91 x 66 (framed). Private Untitled, 1959. Ink on paper, 37 7/8 x 61 ¾ x 56 ¼ x 94 ½. Rappaport Rodin of Art, Willamette University, June 3 1 (overall). Private Collection. Zhang Huan, Chinese, b. 1965. The Collection. L2014:103.3 24. Private Collection. L2014:66.4 Collection. L2014:128.1 6–Aug. 23, 2015, for the exhibition L2015:15.3 Mel Katz: On and Off the Wall Creation of the World No. 3, 2011. MARUYAMA Ōkyo, Japanese, Isamu Noguchi, American, 1904– Edward Ruscha, American, b. 1937. Arshile Gorky, Armenian-American, Ash on linen, 23 7/8 x 31 ½. Private 1733–95. Dragon (and Wind), Edo 88. Untitled, 1986. Swedish granite, Shock the World, 1989. Sprayed acrylic Mel Katz, American, b. 1932. 1904–48. Delicate Game, 1946. Oil Collection. L2015:54.2 (Tokugawa) period (1615–1868); 75 3/8 x 14 1/8 x 13 ; base 13 3/8 x 14 1/8 x on heavy paper, 40 x 30. Private Overlap, 2004. Painted aluminum, on canvas, 34 x 44. Private Collection. The Creation of the World No. 2, 2011. Tenmei period (1781–89). Six-panel 13 5/8. Private Collection. L2015:44.1 Collection. L2014:90.1 96 ¼ x 59 x 22 ¼. Gift of Jordan D. L2014:70.1 folding screen; ink and gold leaf on Schnitzer and his Family Foundation. Ash on linen, 24 ¼ x 36 ½. Private Mirror, 1944 (fabricated 1994). Bronze SUPERB, 1988. Acrylic and oil on Adolph Gottlieb, American, 1903– Collection. L2015:54.3 paper, Each (outside size): 72 1/16 x canvas, 16 x 20 in. Private Collection. 2004:2.1 148 1/16. Anonymous Loan. L2014:86.1 cast from the painted plywood 75. Transfiguration IV, 1958. Oil on Anish Kapoor, British, b. 1954. original, ed. AP1 from an edition of L2015:56.1 Grey Concrete/Steel II, 1985. Concrete canvas, 60 ½ x 40. Private Collection. Untitled, 1998. Terracotta with Tiger (and Bamboo), Edo (Tokugawa) six plus two artist’s proofs, 95 x 36 x Mark Ryden, American, b. 1963. and steel, approx. 174 x 14 x 12 in. L2014:66.1 platinum glaze, 16 7/8 x 16 7/8 x 16 7/8. period (1615–1868); Tenmei period 28 ½. Private Collection. L2015:47.1 The Butcher Bunny, 2000. Oil on panel, Gift of Dianne C. Anderson. 2013:39.1 Morris Cole Graves, American, Private Collection. L2014:106.1 (1781-1789). Six-panel folding 16 x 16. Private Collection. L2014:64.1 screen; ink and gold leaf on paper, Kenneth Noland, American, 1924– 1910–2001. Hero: Portrait of the Irish Mike Kelley, American, 1954–2012. 2010. Bolton Landing: Singing the Joaquin Sorolla, Spanish, 1863– Loaned to the Indiana University Celtic Temperament, 1955. Oil on Each (outside size): 72 1/16 x 148 1/16. Ahh..Youth, Executed in 1990. Anonymous Loan. L2014:86.2 Blues, 1962. Acrylic on canvas, 64 ½ x 1923. Vuelta de la Pesca, Playa de Art Museum, Bloomington, masonite, 33 x 48. Private Collection. Cibachrome, ed. 10/10 plus two 64 ¼. Private Collection. L2014:72.5 Valencia (The Return from Fishing, Indiana, Oct. 4–Dec. 21, 2014, L2014:71.5 artist’s proofs, 24 ¼ x 136. Private Roberto Matta, Chilean, 1911– Valencia Beach), 1908. Oil on canvas, for the exhibition Pierre Daura: 2002. Nights Dimensions, 1940. Oil Albert Oehlen, German, b. 1954. Mark Grotjahn, American, b. 1968. Collection. L2014:53.1 Untitled, 2013. Paper and oil on 35 ½ x 43 ¼. Private Collection. Picturing Attachments Travelling Untitled (Yellow Scrape Monkey Eyes on canvas, 26 x 18. Private Collection, L2015:4.1 to: Georgia Museum of Art, Athens, Carpet #7, 2003. Acrylic on carpet, Los Angeles. L2014:33.1 canvas, 82 11/16 x 106 5/16. Private Falling Tiger Face 45.41), 2014. Oil on mounted on wood, 46 1/8 x 64 ¼. Collection. L2014:58.1 Unknown, Japanese. Awakening: Feb. 21–Apr. 19, 2015; Daura Gallery, cardboard mounted on linen, 50 3/8 x Untitled, 1941. Graphite and colored Lynchburg College, Virginia, May Private Collection. L2014:77.1 Jules Olitski, American, 1922– Wish-Fulfilling Pearl (Hōju), Edo 40 3/8. Private Collection. L2015:21.1 pencil on paper, 14 ¾ x 21 7/8. Private period (1615–1868)?. Hanging 10–Aug. 1, 2015; Joel and Lila Ellsworth Kelly, American, b. 1923. Collection, Los Angeles. L2014:33.2 2007. Mushroom Joy, 1959. Acrylic Harnett Museum of Art, University Untitled (Standard Lotus XIV Face Four Panels, 2012. Oil on canvas, four on canvas, 69 ½ x 81 ¼. Private scroll; ink, color and gold on paper, 44.13), 2012. Oil on cardboard Paroxysm of Unknown (Eruption), Overall: 70 5/8 x 23; Image: 36½ x 15). of Richmond, Virginia, Aug. 19–Oct. panels, 27 x 120. Private Collection. Collection. L2014:72.4 8, 2015 mounted on linen, 73 ½ x 53. Private L2015:10.1 1941. Graphite and colored pencil on Collection of Ryo Toyonaga & Alvin Collection. L2015:22.1 paper, 19 ¾ x 25 ½. Private Collection, Jackson Pollock, American, 1912– Friedman-Kien. L2014:71.1 Pierre Daura, Catalan-Spanish, KUSAMA Yayoi, Japanese, b. 1929. Los Angeles. L2014:33.3 56. Black and White Painting, 1896–1967. Martha, ca. 1943. Chalk Wade Guyton, American, b. 1972. INFINITYNETS [EHKO], Heisei period ca. 1952. Oil on canvas, 58 x 18. Circle (Ensō), Edo period (1615– Untitled, 2005. Epson UltraChrome Amedeo Modigliani, Italian, 1884– 1868)?. Hanging scroll; ink on paper, on paper, 12 ¼ x 9. Gift of Martha (1989–present), 2014. Acrylic on Private Collection. L2014:54.1 Daura in memory of Chapin D. Clark. inkjet on linen, 56 x 36. Private canvas, 6 ¾ x 63 ¾. Private Collection. 1920. Les Deux Filles, 1918. Oil on overall: 56 x 28; image: 19 1/8 x 20 1. canvas, 39 3/8 x 25 5/8 in. Anonymous. Richard Prince, American, b. 1949. Collection of Ryo Toyonaga & Alvin 2004:14.24 Untitled, 2010. Epson UltraChrome L2014:79.1 Untitled (Cowboy), 1992. Ektacolor inkjet on canvas, in two parts, 84 x 69 L2015:12.1 Friedman-Kien. L2014:71.2 Daura with Cane and Family, 1970–71. Fires, Shōwa period (1926–89), 1987. photograph, ed. 2/2, 61 x 41. Private Oil on canvas, framed: 32 ½ x 26 ½. each. Private Collection. L2014:116.1 Acrylic on canvas, 76 ½ x 51 ½. Private Claude Monet, French, 1840–1926. Collection. L2014:56.1 Wish-Fulfilling Pearl (Hōju), Edo Matinée sur la Seine, effet de brume, period (1615–1868)?. Hanging scroll; Gift of Martha Daura in memory of David Hammons, American, Collection. L2015:46.1 Untitled (Car Hood), 2013. Steel, Chapin D. Clark. 2004:14.4 b. 1943. Untitled, 2014. Mixed 1897. Oil on canvas, 25 5/8 x 36 ¼. ink, color and gold on silk, overall: Roy Lichtenstein, American, 1923– Private Collection. L2015:41.1 fiberglass, wood, acrylic and bondo, 70 1/8 x 24 ¼; image: 35 3/8 x 16 3/8. media, 120 x 96. Private Collection. 97. Still Life with Sculpture, 1974. 58 ¾ x 63 ½ x 5 ½. Private Collection. L2014:61.1 Henry Spencer Moore, British, Collection of Ryo Toyonaga & Alvin Oil and magna on canvas, 42 x 52. L2014:91.1 FriedmanKien. L2014:71.3 Damien Hirst, British, b. 1965. Private Collection. L2014:110.1 1898–1986. Family Group, Conceived in 1944 and cast in Anyone Can Find Me, 1990. Acrylic and Transformation Tableau of Amida’s Mantra, 2008. Butterflies and Glenn Ligon, American, b. 1960. silkscreen on canvas, in two parts, 85 household gloss on canvas, 60 1956–57 in an edition of 11+1 by Pure Land (Taima Mandara), Edo Stranger #57, 2012. Oil stick, acrylic, the Fiorini Foundry in London. x 96. Private Collection. L2014:92.1 period (1615–1868)?. Handcolored diameter (72, framed). Private and coal dust on canvas, 72 x 72. Collection. L2015:6.1 Bronze, 6 (height). Private Collection. Gerhard Richter, German, b. 1932. woodblock print mounted as Private Collection. L2015:51.1 L2014:68.1 Wolken (Fenster), 1970. Oil on canvas, hanging scroll; ink, color and gold Moscow, 2014. Scalpel blades, skin Peter Lik, Australian, b.1959. Berthe Morisot, French, 1841–95. Four parts, 78 ¾ x 39 3/8. each; total pigment on paper, overall: 103 x graft blades, razor blades, zips, Phantom, April 10, 2013. Black 78 ¾ x 157 3/8. Private Collection. 81 ¾; image: 72 1/8 x 70½. Collection of stitching needles, tattoo needles, Jeune Femme Relevant ses Cheveux; -and-white photograph on digital (Young Woman Lifting her Hair), L2014:107.1 Ryo Toyonaga & Alvin Friedman-Kien. aluminum filings, stainless steel metallic glossy media, ed. 1/1, 39 ½ L2014:71.4 studs, safety pins and gloss paint 1894. Oil on canvas, 25 9/16 x 21 ¼. Abstraktes Bild, 1986. Oil on canvas, x 59 ¼; 57 7/8 x 77 ½ (framed). Private Anonymous Loan. L2014:75.2 39 ¼ x 43 ¼. Private Collection. Andy Warhol, American, 192887. on canvas, 73 13/16 x 109 3/8. Private Collection. L2014:103.1 Collection. L2015:6.2 MURAKAMI Takashi, Japanese, L2014:49.1 Debbie Harry, 1981. Acrylic and Illusion, December 2, 2011. Fujifilm, b. 1962. Spiral, Heisei period September, 2009. Digital print silkscreen ink on canvas, 42 x 42. David Hockney, British, b.1937. Fujiflex Crystal Archive (Silver Halide), Private Collection. L2015:25.1 What About the Caves?, 1991. Oil on (1989–present), 2014. Acrylic and between two pieces of glass, ed. ed. 1/1, 48 ½ x 73 ½ in. Private platinum leaf on canvas mounted 25/40, 26 x 35 ½. Private Collection. canvas, 36 x 48; framed 46 ¼ x 58 ¼. Collection. L2014:103.2 Private Collection. L2014:78.1 on aluminum frame, 59 x 59. Private L2015:5.1 Collection. L2014:104.1 38 39

Over $10,000 Ginevra ’82 and James Ralph ’82 Kelli ’87 and Barton Sherman ’84 Catherine ’77 and David Johnson ’76 Craig Cherry Arlene Schnitzer Trust Reed Family Foundation Yvonne and Charles Stephens ’72 Judith Johnson Paula ’78 and Dennis Conn Bowmont Art Partners Global, LLC Carol ’75 and Keith Richard ’64 Christine Sullivan ’76 and Lynda Lanker Martha and Robert Crist Brad Alan Grey Trust Susanne and Randall Stender John Rude ’79 Christine ’73 and Leonard Lonigan Jean Names-Cross ’76 and Honor Roll Norman Chun ’72 Thrasher Family Susy and Jack Wadsworth, Jr. Nicola ’86 and James Maxwell ’67 Gary Cross ’64 City of Eugene Christine Kollmorgen and Wells Fargo Foundation Maria Bolanos-McClain and Ellen and Lawrence Crumb E. Rhodes and Leona B. Carpenter Charles Zachem III Ken McClain Sandi Cullimore 2014–2015 Ann ’86 and Erik Muller ’65 William Cummings Foundation $500–$999 Estate of Jeanne F. Neville Madgil Overley ’03 David Esrig, M.D., P.C. $3,000–$4,999 Dorothy and Frank Anderson The JSMA greatly values Estate of Mark Sponenburgh James Peterson Rosemary Delgado ’76 and Karla and William Chambers Joyce Benjamin ’71 Fidelity Charitable Gift Fund Susan Polchert and Stephen McGirr Joseph Udovic ’88 its members and donors Janine and Joseph Gonyea III Irwin Berman Cheryl Ramberg ’66 and Allyn Ford Ivy ’76 and Mark Pruett Delta Kappa Gamma Lambda Chapter The Kinsman Foundation Patricia and William Brommelsiek without whose support our Friedman-Kien/Toyonaga Foundation Debbie and Michael Stalker Elaine DeMartin-Webster and Russell Donnelly public programs, exhibitions, Harsch Investment Properties, LLC Tris O’Shaughnessy and Steven Webster Michael LeFetra $1,500–$2,999 Elizabeth and Roger Hall Gregory Stripp ’85 Diane and Jerome Diethelm publications, and other special Elizabeth ’89 and Mark Holden Maurice Marciano Alex Marshall Fine Art Inc. Nathaniel Teich Deborah Dotters and Vern Katz James Kitterman ’73 projects would not be possible. Mark Haddawy, Inc. Donata Carlson and Michael Balm William Waddel, Jr. Kay and Arthur Emmons Michael Liebling The following are supporters National Museum of Korea Patti ’82 and Thomas Barkin Sally and Jim Weston Bry Engle Jaylynn and Michael Milstein Oregon Arts Commission Maureen Bernard ’58 Nancy English who gave gifts to the JSMA Kurt Neugebauer ’93 The Oregon Community Foundation Anne and Terrence Carter Jamie Leaf and Kim Eschelbach between July 1, 2014, and June Patricia Neuner $100–$249 Peter Morton Foundation Susan Cox and F. Gregory Fitz-Gerald Kimberly and David Esrig Julianne Newton and Rick Williams Martha Abbott ’71 30, 2015. Every effort is made Drs. Elizabeth Moyer and Delyn ’72 and Robert Dunham ’73 Alison Evans and Keith Johnson Geraldine Ondrizek Vicki and David Amorose Michael Powanda Jill Hartz and Richard Herskowitz Susan and Bruce Eveland to compile a comprehensive Elizabeth Stormshak and Tomi and E. Barrett Anderson Jordan Schnitzer ’73 Anne Niemiec and David Kolb Sherilyn and Michael Farris list. Any omissions are Susana and Edward Anderson ’49 Schwab Charitable Fund Ann G. ’55 and Ronald G. Lyman ’54 Douglas Park ’93 Ann ’77 and David Fidanque Joyce ’67 and Richard Anderson inadvertent. Please call us Anonymous Marceline Hammock ’60 and Richard Shannon III Michael Forster Patricia Mallick ’81 and Andrew Teufel Herbert Merker ’60 Mary Smith Kris and Walter Fox at 541-346-0974 with your Gordon Anslow The Brett Weston Archive Mary Jean and Lee Michels Judith ’82 and Raymond Sobba Lynn and David* Frohnmayer updated information. Thank Karen ’76 and Sarkis Antikajian The Coeta & Donald Barker Vinie and J. Sanford Miller Tykeson Family Charitable Trust Rebecca Mikesell and Charles Fuller Susan Archbald you for your support! Foundation Hope Huges Pressman ’42 Willie and Don Tykeson ’51 Ellen Gabehart Andrea ’67 and David Arlington ’69 Margo Grant Walsh ’60 Bette and Dwayne Rice ’70 United Way of Lane County Suzanne Congdon and Randy Garitty Cecilia and Robert Armour ’67 Andrew Ricker Glenda ’71 and Michael Utsey Geoffrey C. Beaumont Trust Phoebe Atwood ’45 Nancy ’68 and Michael Rose ’62 Dominick Vetri Adriana and Ansel Giustina $5,000–$9,999 Robin and Avon Babb Mark Sandelson Yvonne and James Wildish ’54 Margaret Gontrum Addison Fine Arts, LLC Nadine Batya Elaine Bernat ’78 and Donna Gould ’62 Bank of America Foundation Sara Batya Roger Saydack ’80 Kyungsook ’61 and John Gregor ’56 Norman Brown, Jr. ’68 and $250–$499 Marcella Bell Kenda ’74 and Kenneth Singer Joyce Griffith ’81 and Anne Cooling Karen Alvarado ’60 Elizabeth ’68 and Richard Berg, Jr. ’77 The David A. Kolb Trust Raymond Birn Peter Buck and Chloe Johnson John Barry Judith and David Berg The Ford Family Foundation Hallis California Community Foundation Ruth ’51 and Owen Bentley, Jr. ’50 Robin and Roger Best ’75 The Jon & Abby Winkelried Mary ’74 and Scott Halpert Elizabeth Firestone Graham Francine and Scot Berryman Bill Bishop Foundation Jeffrey Hanes Foundation Rebecca ’94 and Bernard Bradvica Melva and Shawn Boles The Seattle Foundation Erin Hart ’08 Ziad Ghandour Linda Lawrence-Canaga and Virginia and Bernard Bopp Susan and Farzin Turk ’87 Stephanie Wood and Robert Haskett Gourmet Group II Robert Canaga ’90 Sally ’58 and Richard Briggs ’56 Sharon Ungerleider ’70 David Herman ’83 Marcia and David Hilton Ellen Climo and Marc Lipson Pamela Brills Elizabeth Wadsworth and Paul Peppis Ellen Herman David Hoberman Nancy Cummings Abby and Jon Winkelried Linda ’71 and Donald Brodie David Himber Ikon Art Corporation Diane ’82 and Larry Dann Grete and Warren Brown Mary Holland Chloe Johnson Cameron and Newton Davis ’66 Anonymous Maurice Holland Mary Keene ’72 $1,000–$1,499 Louise Bishop and James Earl Jeanette Kessler and Andrew Burke Monica Houck Kendall Subaru Daura Foundation Margot Fetz Cristina and Kenneth Calhoon Dawne ’71 and Gregory Howard ’74 Leonardo DiCaprio Foundation Emerald Building Violet and Robert Fraser Janet and Leonard Calvert ’55 James Howard Jr. ’94 Magsberg Art Holdings, LLC JoMae and Joseph Gonyea II Dorothy Frear ’56 Karla and Frederick Carr Miriam and Herbert Hubbard Emilio Masci Jon LaBranch ’67 Verda Giustina Jennifer Carroll ’00 Corinne Hunt ’75 Mayflower Trust Natalie and Robin Newlove Quinton Hallett and Dennis Gould ’62 RosaLinda Case Jane Huyer and Robert Smith ’59 Oregon Cultural Trust Rennie’s Landing Melinda Grier ’88 Catherine Cheleen-Mosqueda ’87 and Marlene ’72 and Duane Iversen ’75 QSL Print Communications, Inc. Susan and Heinz Selig Jerrlyn ’80 and Kip Henery Rafael Mosqueda Janet ’74 and John Jacobsen

* Deceased 40 41

Mary and Jerry Jaqua Michelle Petrofes and Dale Harris $1–$99 June Brooks ’85 and Daniel Kaye Mari and Mark Dembrow ’74 Barbara and James Gant ’57 Kathleen ’76 and Darrel Jenson ’76 Sharon and Michael Posner Deborah Abrams-Simonton Penelope and Gary Brown Kanchan ’76 and Nilendra Deshpande Carolyn Garcia Jerome S. Maliner Trust Sharon and Otto Poticha Patricia Adlum ’51 Donna ’56 and Donald Bruyere Caroline DeVorss ’94 Laeh Garfield Carol and G. Wallace Johansen Joy Poust ’71 Gerald Alexanderson ’55 Janet ’81 and Jon Buerstatte ’82 Joan Dickey Elizabeth and Michael Garfinkel James L. Johnson, Sr. Elizabeth Pownall Alice Parman Living Trust Susan ’79 and George Burgott Kirsten Diechmann ’82 Nancy Garrett Andrea and Michael Johnson Kathleen Lindlan ’98 and Lucille Allsen ’69 Ron Burley Jessica Dinneen Seth Garrett Bradley Jostock ’87 Michael Raymer Thomas Allsen ’69 Theodore Bushek ’70 Patricia Condron and Ronald Kathryn and Lance Genoves Katharine Joyce ’72 Severena Johnston ’88 and Jean ’72 and F. Burnell Ambrose Lynn ’71 and Bill Buskirk ’71 Dobrowski John Gilbert ’69 Ruth ’96 and Max Keele Michael Rear ’89 Susan Anderson Margaret Byrne Ann and Leslie Dos Reis Hannah and Daniel Goldrich Nancy ’62 and Allen Kibbey ’62 Robert Reeves ’97 Blake Andrews Karrin ’80 and Theodore Calhoun May ’64 and John Downey M. J. Gordon Anne Rose Kitagawa Constance and James Regali Grayson Andrews Cage Campbell Peter Doyle Linda Gourlay-Nelkin and Summer ’91 and Jeffery Knowlton Victor Richenstein ’77 Susan Applegate ’67 Beth and Robert Campbell Dr. Kelly, Inc. David Nelkin Ruth Koenig ’68 Sue Ellen and Earle Richmond Jr. ’63 Vernon Arne ’71 Thomas Caples Sandra Drengacz ’82 Colette Govan ’82 Carol Kriekis ’78 Carol and Todd Robertson Patricia Allene Atkins Jean Carley Martha Murray and Kent Duffy ’71 Thelma Greenfield ’44 Andrew Lagerquist Janet Robyns ’80 and George Jones ’73 Guanghong and David Atman Alice ’68 and Ronald Carlson Dianne Dugaw David Gremmels Jennifer Lamberg Vincenza Scarpaci and Peter Rodda John Attig Rebecca and James Carlson ’73 Don Dumond ’62 Heidi and Scott Grew Susan Leek Kenneth Ross Arline and Donald Bahret Patricia Carriere Sharon and James Duncan Dawn and Douglas Gubrud ’84 Geraldine Leiman ’41 Sheila Roth Gwendolyn ’87 and Dennis Bailey ’70 Deborah Casey ’78 and John Witte ’77 MaryAlice Dwyer Dawn and David Guenther Margaret and Richard John Roupe ’04 Darelle Baker ’82 Miriam Castellon Jordan ’09 and E & N Winter Rev Liv Trust Joanne Gulsvig Leutzinger ’62 Paula and James Salerno Patricia Baker ’78 Max Jordan Katherine Eaton ’52 Cynthia and Akshay Gupta Hope Lewis Deidre and Clinton Sandvick ’08 Monique Balbuena Louis Caton ’90 Arthur Edelmann ’82 Annette Gurdjian ’84 Joanne Carlson and Phyllis ’77 and Brad Sargeant Judith Baldwin Susan Lax and Richard Chartoff Karin Edla Lois ’87 and David Hagen Alexandre Lockfeld Pamela Whyte ’77 and Michael Balk ’72 Sandra and Craig Cheshire ’58 Ali Edwards Pamela Haggard Linda ’83 and Philip Lynch ’69 Ronald Saylor ’70 Walter Bartlett ’89 Joan and Craig Clark II ’63 Rina and Lee Eide ’69 Kathryn and Herbert Hahn Eleanor and Jerome Maliner Eric Schabtach Shandon Bates Dorothy Becker Clark Michele Neal and William Ekstrand Debora and John Halpern, Jr. ’74 Marcella Bell Revocable Trust Jan and Andrew Schink Mary Battin ’75 Rich Clarkson Ellen McBain Hubbe Rev Liv Trust Ann Hamilton Susan Markley ’63 Dorothy Schuchardt Jean and Howard Baumann Nancy and George Classen ’71 Judith and Dennis Ellison ’69 Sue Hamilton Cathryn Marsh Mary and Ronald Sherriffs Gwendolyn and William Beaty Janet ’72 and Mark Clay Barbara and Eugene Emge Sarah Hampson Erin Martin Georgette and Robert Silber Nancy ’73 and Jeffrey Beckwith Robin Cochran ’84 Celinda English Esther Harclerode ’11 Lois Martin Catherine and John Smith Judith Bender Paula and Riccardo Coen Joann and Benjamin Epstein Victoria Harkovitch ’75 and Wayne Martin Catharine and Raymond Staton Margaret Bennett Carol and David Cohen Esther Erford John Holtzapple III ’91 Sandra and Robert Mattielli Janell Sorensen ’79 and Jane and Alec Bentley Constance Cole ’89 Estate of Patricia Harris Noyes Judith ’64 and Timothy Harold ’63 Anthony McAdoo and Clinton McNutt William Sullivan ’79 Carol and Marvin Berkman Mandy Cole Karen Estlund Katie ’06 and Kyle Harris ’05 McClure Loving Trust Christina Svarverud ’94 Adele Berlinski ’09 Victor Congleton Norma Etter Sylvia Hart Joel McClure Jr. Marion Sweeney Marcia Berman James Conklin Amity Cleary-Evans and Russell Evans Amy Hause Pamela McClure and Leroy Johnston The Laura Russo Gallery, Inc. Laura and Daniel Betty M. Mary Nuwer and James Coons ’76 Nancie Fadeley ’74 Steven Havens Nancy McFadden ’68 Carol Thibeau Margaret Bidart Copper Windmill Ranch Shira Fadeley ’85 Carmen Hayes J. Douglas McKay ’59 Andrea Timmermann ’60 Mary Birmingham Dorothy and Paul Cossaboon Victoria Shellcerf and Stuart Faulk Kay Hayford Lisa and Andrew Mirhej Brandy Todd ’01 Carson Black Katherine ’81 and Michael Judith and Thomas Fawkes Kathryn and Mark Heerema Margaret and Larry Moore Anonymous June Koehler ’12 Coughlin ’79 Kate Feeney Eleanor Hein JoAnn ’82 and Michael Mooser Hildur ’90 and Todd Tritch Carol Blackwell ’69 Ann Councill Cara Filsinger ’92 John Heintz Denise Gudger and Roderick Morris Duke Vandervort III Janet Dahlgren ’91 and Carolyn Craig and Michael Bateman Phyllis Fisher Henriette ’87 and Elwin Heiny ’77 Twinkle Morton ’78 Jayme Vasconcellos Timothy Blood ’74 Croft Family Trust Kelly Fitzpatrick Lynne ’79 and Dennis Hellesvig ’60 Mary and Richard Mowday Allison ’76 and Richard Walker Johnny Bojarsky Priscilla and David Croft Stephen Flanagan Mary and John Henzie Constance and Dale Mueller ’68 Barbara ’83 and James Walker June Boles Dorothy ’66 and John Cruickshank Nancy Fletcher Timothy Hilton ’84 Barbara ’78 and John Mundall Elizabeth Naylor and James Watson ’91 Ernest Bonyhadi Jon Cruson ’64 Rhea ’74 and Donald Forum Mary Hindman Christie ’73 and Robert Newland ’71 Christina Wesely ’84 Nina Boswell Linda and John Cummens Lois Foss-Taylor ’75 Barbara and Jon Hofmeister ’68 Nils & Joyce Norman Revoc Liv Trust Anita ’75 and John White ’74 Bruce Bowerman Susan Curtin ’76 Don Fox ’48 Anne Hohenemser Beatrice Nissel Pamela Perryman ’74 and Elizabeth Boyd ’84 and Frances and Michael Curtis ’67 Noreen Franz-Hovis ’86 and Ruth Hollander Joyce Norman Robert Whitman Marc Spence ’84 Kathleen and Brian Danaher ’74 J. Scott Hovis ’82 Mary and Jack Holley Sharane and Sidney Norris Lee and Ray Wiley Virginia Boyer David & Kitty Piercy Trust Linda Frison ’69 Linda and Ralph Hollingsworth Linda and Ralph Overgard Carol and Tom Williams Audrey ’59 and Ray Bradshaw ’86 Anna and Joseph Davis Deena and David Frosaker ’75 Sandra and Lewis Horne Steven Page ’86 Joan Wozniak ’70 Karen and Peter Brandt Mary Deiters ’80 and Thomas Faxon Shirley Froyd Sharon Reed and Mark Horney ’91 Joby and G. James Patterson Cynthia Wenks ’03 and W. H. Brandt Anita Dekker Analee Fuentes ’94 Elizabeth Hosokawa Emaly and Hugh Perrine Michal Young ’83 Ruth and Clifford BreMiller Rebecca ’87 and Mark Delavan Annie Fulkerson and Douglas Brown Ellen Hubbe Barbara Perry ’68 and Robert Weiss Gesell Brook ’70 and Bradford Whiting Brigitte and John Delay Erika ’00 and Robert Funk Maurice Hudson ’52 42 43

Wendy Huhn Jerilyn and Ronald Lancaster ’68 Scott McNeeley Nancy Ponder ’84 and Karen Seidel Judith Spector-Volem and Dana Hulburt Gayle Landt ’75 and Martin Jones, Jr. Mary Ellen and Robert McNutt ’60 David Feinstein ’04 Anuncia Escala ’93 and Timothy Volem ’92 Cindy Humphres and Mark Cynthia ’70 and Stephen Lane Howard Meares Jr. Albert Poston ’69 Paul Semonin ’94 Deborah Welker ’85 and Kerry Wade Humphreys Kelly ’84 and James Lanzarotta ’84 Patricia Thomas and Elisabeth Potter ’60 Marsha and Steven Shankman Janet Wagner and Christopher Rubin Emma Illig Claudia Lapp and Gary Rabideau Russell Mecredy ’80 Amanda Powell Marna Broekhoff ’66 and LiDona Wagner ’06 Images by Jon Jay Cruson Anita and Ronald Larson Mona Meeker Camilla Pratt Ralph Shattuck ’64 Jo Ellen Waldvogel Stephanie Jennings and Robert Darlene and John Lashbrook Ann Meeks Sue ’75 and Hubert Prichard ’72 Marie and Timothy Shearer ’88 Marion Walter Inerfeld Cindee Lee Terry Melton ’64 Virginia Prouty Kathleen Shelley ’49 Janice and James Ward Jane Ingle Julia Lesage Twila Mercier Elizabeth and Klaus Putjenter Elizabeth Shelton Marilyn Warner Gwyneth Iredale Martha MacRitchie and Michael Lewis Coleen Miller Janet Pylar Jill Blackhurst-Sheridan and Margaret and Daniel Weill Cathryne Irwin ’88 Phyllis Lewis Marsha ’86 and Leland Miller Jacqueline ’58 and John Pynes ’70 George Sheridan, Jr. Kathryn Weit James Jackson Deborah ’90 and Shlomo Libeskind Marni and David Moch Sandra ’81 and Richard Quigley Catherine Sibert Martha Welches Catherine and Thomas Jackson Ann and Edward Lichtenstein Elizabeth and James Mohr Mathew Quilter Dene and John Sihler Bradley Welt ’83 Corinne ’88 and David Jacobs ’88 Mark Lipson Edward Monks Marjory Ramey ’47 Candace ’72 and Clinton Simpson ’77 Sally Welt Kadri ’02 and Paul Jacobsen Mary Llorens Eleanor Montagna Stephen Ramey Nancy Smith Christina Welzen Esther Jacobson-Tepfer and Karen Locke ’76 Lawrence Moran Marie Rasmussen ’78 Gayle Delgrosso and Terry Smith Elizabeth and Louis Wenzl ’68 Gary Tepfer ’75 Wendy Loren ’90 Vicki Morgan and Michael Duran Marjorie Read Sara and Oliver Snowden III ’90 MaryEllen West ’53 Marcia and John Jarrett William Losie ’78 and Laree and Larry Morgenstern Harriet Rebuldela Katherine and Joseph Softich Susan Whitney Vicki Jefferson ’79 Timothy Vinson ’87 Mary Morrison Helen Reed ’70 Nancy and James Soriano Kathi Wiederhold ’76 and Barbara and Timothy Jenkins Susan Lowdermilk ’91 Phyllis Helland and Ginny ’64 and Roger Reich Molly and Jonathan Stafford ’69 Kent Howe ’78 Christine and Daniel Jepsen Sarah Lowe and David Allender Raymond Morse ’85 Alicia and Robert Remington Bonnita Stahlberg ’68 Maureen and Daniel Williams ’62 Jo Ellen Waldvogel Trust Mervyn Loya Madonna Moss Gwen and George Rhoads ’76 Sheila and Richard Steers Jerold Williams ’53 Beverly Johnson ’48 Eugene Luks Robert Murray Stephen Rhodes ’69 and Claire Stewart Patsy and Richard Williams Kathellen Johnson Sandra Luks Paula Naas-Gilbert Douglas Hedden Sara and Kris Stewart Deborah Williamson Sandra and Mark Johnson Olivia Lundberg Evelyn Nagy Colette ’84 and Stephen Richardson Kimberley Still ’80 Dina Wills ’80 and D. Bjorn Olson ’84 Sherri Jones Judy Lyons ’61 Nancy and Saul Naishtat ’95 Peggy and Richard Ries George Stovall ’57 Patricia Wilson Milton Jones Andrea and Thomas Macha Lynn Nakamura ’76 Mary Robert ’47 Lotte Streisinger Jule Wind ’99 Donna Joo ’90 Ernestine Mackey Carolyn and William Neel ’65 Thelma Somerquist and Lisa Stripp Gillis ’91 and Glenn Gillis David Winett Janice Anderson ’70 and Ellen and Jack Maddex, Jr. Kieu-Thu Nguyen Larry Robidoux Richard Stumpf ’87 Laura and David Winkleblack John Joyce ’70 Marina Guenza and Andrew Marcus Sally ’57 and Herbert Nill ’51 Linda and Paul Rockey Fay Sunada and Patrick Wagner Norma and Everett Winter ’56 Jane Kammerzelt Margaret K Bennett Trust LaVena Nohrenberg Linda and Thomas Roe ’61 Merrily and Martin Sutton ’78 Wisner Family trust Sharon Kaplan Michelle ’82 and Curt Markus, Jr. ’76 Michael Nohrenberg Roehl & Yi Investment Advisors Deborah Sweet Ruth and Herbert Wisner Christina Kapsa ’05 Stephanie Winsor ’80 and Ronald Norberg Ellen Singer and Gary Rondeau Ingeborg Tarantola ’00 Jean ’68 and Harold Wood Karen M Seidel Revocable Trust George Marshall, Jr. ’68 Margaret and Ingolf Noto Camille and Alan Ronzio ’70 Leonard Tarantola Lauren ’98 and William Worth ’01 Alice Kaseberg ’67 and Robert Bowie Joy Marshall OH SO JO LLC Mary Ann Roos Jennifer and Jason Tavakolian Leslie and Charles Wright Jim Kaykas-Canterburry Debra Martin ’74 Mark O’Harra Annette and Mike Rose Anne Teigen and Robert Smith Sarah Wyer ’14 Suzanne Kaykas-Canterbury Nancy Martin Ann Ollman Cecilia Rosenow ’02 Pauline and Simon Thaler ’89 Carol Yahner Joan Kelley ’92 Mary Jayne Robert Rev Liv Trust Eleanor Orr Frank Rossini ’74 Diane Etzwiler ’90 and Linda Yeager Sharon ’88 and Alexander Kelly ’76 Tana ’69 and David Mason Suzanne Ortiz and John Criscitiello Karen ’94 and Nicholas Russo Robert Thallon ’73 Hoobok ’14 and Jayman Yi Jane King Alexander Mathas ’84 Louis Osternig ’71 Janice Rutherford ’63 The Sutton Trust Yvonne Young ’88 Steven King ’80 Terry Mauney ’67 Alice Parman Walker Ryan Victoria Thibeau Jessica Zeeb Linda ’85 and Timothy King Beverly Mazzola and John Simoni Caroline Passerotti Lois Safdie and Charles Bader Kathleen and Mark Thomas ’76 Judy Zehr and Christopher Overton ’80 Karen Kirchhoff Hally McCabe ’90 Cathy Barnes and Donald Pate Linda and Martin Sage Angela Thompson ’06 Ann ’89 and William Zeman Sherrill Kirchhoff ’82 Catherine McClure ’81 Kenneth Paul Jill Sager Carmelita Thompson John Zerzan Eunice Kjaer Joshua McCoy Brandie and Chad Perkins Joyce Sanders Annick Todd Le Douarec ’87 Heather and Kurt Zimmer ’91 Charles Kleinhans Margot and Gerald McDonnell Barbara Perrin Linda Schaefers ’69 Sharon Torvik ’67 Lynn Klingensmith Ann ’73 and Ronald McGill ’72 Eric Petersen Mindy and Neil Schifberg Catherine Truax and Ronald Lillejovd Linda Ague and Kirk Kneeland ’70 Donna ’69 and George Anita Browning and Todd Peterson Arline Schneider Joan Truckenbrod Cynthia and George Kokis McGuinness ’71 Virginia Peticolas ’86 Tina Schrager Anne Tunzi David Koranda ’78 Ane McKee Mary Petrilla Rebecca Schulte Robert Uhler ’91 Martha ’87 and Sergio Koreisha Jill and Gary McKenney ’76 Jeanette Philips Wendy and William Schwall ’76 Kathryn Utsey ’98 Roland Korinek Nancy and James McKittrick ’57 Lura ’92 and John Pierce Nancy and Gerald Schwecke Peter Utsey ’03 Pamela Love and George Koris Mary McKrola ’86 Catherine and David Piercy ’85 Alice Davenport and Ernst Schwintzer Eugenia ’70 and Robert Van Iderstine Rebecca and Peter Kovach ’74 Christy McMannis ’72 and Nancy Pobanz ’81 Natalie ’02 and Loren Scott ’02 Julie Vandermost Judith and Kenneth Kulluson Ronald Renchler ’78 Linda and David Pompel Jr. ’61 Elizabeth and Charles Search Jr. Caroline and Dennis Viene Dana and Eric Kvernland ’73 Martha McMillen and Allan Gemmell Stephanie ’80 and Douglas Sears ’69 Phyllis Villec 44 45

JSMA Endowments Linda J. Lawrence-Canaga and Oregon Arts Commission The JSMA thanks the following Student Mental Health Association, Tom Autzen Museum of Art Robert Canaga ‘60 Steven Platzman businesses and individuals for Veneta Elementary School, Western Endowment Fund Norman Chun ‘72 Larry and Jan Reed their in-kind donations: Association of Convention & Visitors Julie Collis Carol ‘75 and Keith Richard ‘64 Bureaus, and Willamalane Park and Ballinger Endowment Fund Bijou Art Cinemas, The Duck Store, Frederick W. Dodge Andrew Ricker Recreation District. Coeta and Donald Barker Foundation Dutch Bros, Eugene Magazine, KLCC, Carol Steichen Dumond ’45 and Don Nancy ‘68 and Michael Rose ‘62 Changing Exhibitions Endowment Oakway Heritage Courtyard, Oregon Dumond ‘62 Tres Shannon Fund Quarterly, QSL Printing, and Yogurt Alice Evans Amanda Snyder Acquisition Maureen Day Bernard Endowment Extreme Grants to the JSMA Fund Phyllis Porter Hawk ‘47 Endowment Coeta and Donald Barker Foundation L. Clifton and Cleo M. Culp Museum of Melvin and H.J. Lindley Andrew Teufel E. Rhodes and Leona B. Carpenter Art Endowment Fund Dean and Lucille McKenzie ‘78 Ryo Toyonaga and The JSMA provided in-kind Foundation Farwest Steel Korean Art Endowment Aileen ’41 and Arthur McNett ‘43 Alvin Friedman-Kien Elizabeth Firestone Graham Fund Alan K. and Ellen Newberg ‘69 Susan and Farzin Turk ‘87 donations to support the Foundation Allyn and Cheryl Ford Contemporary Hattie Mae Nixon ‘61 Van Duyn Art Museum Fund following organizations The Ford Family Foundation Art Acquisitions Endowment Fund Hope Hughes Pressman ‘42 James Van Horne ARC of Lane County, Arts and Kennedy Center Cheryl and Allyn Ford Educational Michael R. ’62 and Nancy Oft Rose ‘68 Barbara ‘83 and James Walker Business Alliance of Eugene (ABAE), Kinsman Foundation Outreach Endowment Fund in the Chris A. and Christine D. Smith ‘76 Margo Grant Walsh ‘60 Arts Umbrella, Big Little School, Boys Korea Foundation Jordan Schnitzer Museum of Art Sally Smith Terri Warpinski & Girls Club of Western Lane County, Korean National Research Institute of William A. Haseltine Endowment Sharon M. Ungerleider ‘77 Brett Weston Archive Buena Vista Elementary School, City Cultural Heritage Fund Margo Grant Walsh ‘60 Phyllis Yes of Eugene Police Department, Cinema Oregon Arts Commission Edna Pearl Horton Memorial Terri L. Warpinski Larry Yocom Pacific, Confucius Institute, Corridor Oregon Cultural Trust Endowment Fund School, DisOrient Film Festival, National Endowment for the Arts LaVerne Krause Museum of Art The Duck Store, Edison Elementary National Endowment for the Memorial Endowment Fund Donors and Funders of Art School, Edgewood Elementary Humanities David John McCosh and Anne Addison Fine Arts, LLC School, Emerging Leaders Arts National Museum of Korea Kutka McCosh Memorial Museum Carol Bassie Network, Eugene Mayor’s Art Show, United States Department of Endowment Fund Peter Buck and Chloe Johnson EWEB Child Development Center, Education Museum of Art Docent Council William Castellana HIV Alliance, Holt International, Endowment Fund Amity Cleary-Evans and Russell Evans Japan-America Society of Oregon, Max and Hattie Mae Nixon Endowed Farwest Steel Fund McCornack Elementary, Museum of Fund for the Jordan Schnitzer Zach Feuer and Alison Fox Natural and Cultural History at the Museum of Art Fidelity Charitable Gift Fund University of Oregon, Museums of Amanda Snyder Endowment Fund Ford Family Foundation Springfield/Eugene, Nearby Nature, Soreng Museum of Art Internship John Haislip and Karen Locke ‘76 Northwest Christian University, Endowment Fund Quinton Hallett and Dennis Gould ‘62 Northwest Community Credit Jordan Schnitzer Museum of Art John Herman Union, Oregon Chapter of Meeting Operating Endowment Fund Marcia and David Hilton Professionals International, O’Hara University of Oregon Museum of Art David Hoberman Catholic School, Oregon Bach Endowment Fund Mary Holland Festival, Oregon Quarterly, Patterson Maurice Holland Preschool, Pleasant Hill High School, Craig and Lynn Jacobson Spring Creek Elementary, The Arnold Bennett Hall Society Christian Keesee Register-Guard, Roosevelt Middle School, Saint Thomas Moore Catholic The ABHS honors individuals Haing Ja ’68 and Young Doug Kim ‘68 Greg Kucera Church, Springfield Neighborhood who provide for the future of the Watch, Spring Creek Elementary, University of Oregon in their estate Linda Lemmens Wendy Loren ‘90 Travel Lane County, University plans. The following individuals of Oregon Alumni Association, have included the Jordan Schnitzer Peggy Mates in Memory of Lois and Benson Mates University of Oregon Art History Museum of Art in their wills. We are Association, University of Oregon grateful for their support. Rebecca Mikesell and Charles Fuller Elizabeth Moyer and Michael Arts and Administration, University Rosita Brandwayn Almes Powanda of Oregon Black Student Union, Phoebe Smith Atwood ‘45 Estate of Jeanne Neville and University of Oregon Recreation Mary Jane Battin Roy Neville Center, University of Oregon School Maureen Day Bernard ‘58 Joyce Norman of Journalism, University of Oregon Ann Ostenson Brewer ‘53 Estate of Patricia Harris Noyes Slam Poets, University of Oregon 46 47

Jamie Leaf Kristi Creighton Kyle Demmon Mimi Gomalo Exhibition Interpreters Dragon Puppet Theatre Visitor Services & Facility Hayden Crook Laura Figa Jessica Hernandez Patti Barkin Paula Coen Rental Coordinator Kathleen Darby Lena Freeman Nicole Kim Carol Blackwell Marti Crist Justin Stuck Drue Edney Bridget Hall Grace Kwon Rebecca Bradvica May Downey Facilities Services Miranda Einy Maia Hetherington Amos Lachman Patti Brommelsiek Margaret Leutzinger Staff & Volunteers Coordinator (May-) Jordyn Fox Andrea Kennard Susan Mannheimer Janet Buerstatte Jean Nelson Gabrielle Gomez Natalie Knoetgen Tim Rake Zach Twardowski Susan Burgott Sharane Norris Gabrielle Gonzalez Jade Lazaris Alder Shibley Special Events Assistant Dee Carlson Lura Pierce STAFF Curatorial Marina Harrington Nick Leppmann Emily Silvestri (-June) RosaLinda Case Yvonne Stephens Administration June Black Miguel Hernandez Asha Logan Courtney Theim Lou Caton Lee Wiley Samantha Keller Emily Monfort Merrit Thompson Jill Hartz Associate Curator for Elaine DeMartin-Webster Risk Management Michelle Knight Autumn Morrison Jeff Toreson Executive Director Academic Programs & the Delyn Dunham Arts of the Americas and Anthony Cranford Madi Layton Kyle Oliverio Alexa Villanueva Ann Fidanque Bry Engle LEADERSHIP COUNCIL Europe Museum Security Hanyu Lu Stephen Park Sarah Wyer Jennifer Frenzer-Knowlton Accounting Technician Administrator Anne Magratten Sandra Piele Philip Piele Anne Rose Kitagawa Ellie Gosselink Samantha Hull Allison Mertz Hannah Price World of Work Internship President Chief Curator of Dee Atkinson Mary Halpert Administrative Assistant Keira Meyer Stacy Ray Roth Program Cheryl Ford Collections, Curator of Security Officer Ruth Hollander (-August) Alexandra Mickle Aodan Reddy Vice President Asian Art, & Director of Tyler Ackers Cindy Humphreys Dawn Davey Mary Morgan Emma Shortt Keith Achepohl Kurt Neugebauer Academic Programs Security Officer Kanani Almeida Cathy Irwin Associate Director of Halley Perry Pani Soltani Kiya Brown Marlene Iversen Carlos Aguirre Danielle Knapp Kim Diaz Administration and Noriko Rice Caitlin Stacy Audrey Chen Sherri Jones Tim Clevenger* McCosh Associate Curator Security Officer Exhibitions Taylor Rikhoff Kevin Strong-Holte Carlos Choto Ruth Koenig Anne Cooling Johanna Seasonwein Wade Kerry Marion Rosas Katherine Tseng Keith Eggener Liz Pehaim (temp) Kaelee Clark Claudia Lapp Senior Curator of Western Security Officer Stacey Roth Alexa Villanueva Janine Gonyea Accounting Technician Olivia Denton Anita Larson Art Claire Sabitt Brandi Wilkins Athena Duus Jennifer Lee Jeff Hanes and Human Resources Ali Sunseri Elizabeth Willey David Hilton Coordinator (October-) Marissa Gibson Carol Martin Development STUDENTS, Chelsey Thornton Joseph Wyer Noah Leighty Nicki Maxwell Sue T. Keene Victoria Reis (temp) Lee Michels Esther Harclerode Jeff Toreson Kelsey Zafian Omar Maya Lopez Cathy Mosqueda Administrative Assistant VOLUNTEERS, & Phaedra Livingstone Development Program Selena Trevino Allie McPheeters Ann Muller (August-) OTHER WORKERS Doug Park Manager (October-) Paul Turner Monitors Josh Melick Nancy Naishtat Elizabeth Weber Kristine Vail Diana Avila Hope Hughes Pressman** Tom Jackson Collections / Curatorial Madison Oviatt Eunju Nam Interim Financial Services Tony Washington Iago Bojczuk Beverly Nelson Ben Saunders Director of Development Chyna Bounds Hunter Ruland Spaulding (-August) Jessica Zachem Dash Bong Sharane Norris Chris Smith*** Kathleen Brennan Adalrik Schneider Stephanie Dunn Elisa Pandolfi Christine Smith Michelle Bynum Emma Shortt Education Facilities/Event Support Amina Dureti Mary Petrilla Randy Stender Collections Izzy Cho Kyra Touchstone Lisa Abia-Smith Jeremy Eclarinal Sara Fatimah Sebastian Zapata Lura Pierce Greg Stripp* Miranda Callander Stephanie Dunn Director of Education Christian George Megan Garland Ellwood Zwovic Elaine Pruett Dom Vetri Registrar Christie Hajela Edatu “Mimi” Gomalo Nina Reynolds Rick Williams Katherine Doyle Sangah Kim Alfredo Gonzalez Cruz Joey Capadona Jessica Hernandez Bette Rice Charles (Chip) Zachem III Instructor Meredith Lancaster Bryan Kelly JSMAC (JSMA Student Chief Preparator Trevor Moore Hannah Hynes-Petty Colette Richardson *ex-officio Arthurina Fears Beth Robinson Member Advocacy Jonathan Smith Judd Smith Zoey Lake Council) Janet Robyns **honorary Museum Educator for Rachel Smith Charlotte Leveque ***Past President Collections Database Jeff Toreson Sarah Wyer (GTF) Camille Ronzio Studio Programs Caitlin Stacy Linh Nguyen Coordinator & Connor Wingo Chair Sheila Roth Sharon Kaplan Megan St. Claire Ngan “Cindy” Luu Executive Committee Photographer Ken Wymer Shannon Barry Madeline Salzman Museum Educator (-June) Grazia Rutherford-Swan Chris White Cait Bothwell Gary Sappington Philip Piele Communications Fevean Siyoum Collections Manager Summer Knowlton Event Volunteers Kathleen Brennan Linda Schaefers President Tour Coordinator Dan Anthony Amanda Wymer Lynn Spang Jeff Hanes Carolina Arredondo Shahad Alamoudi Lena Freeman Shannon Barry Bridget Hall Yvonne Stephens Doug Park Communications Sanchez Lira Visitor Services Facilities, Events, and Arunima Bhattacharjee Christie Hajela Merrily Sutton Greg Stripp Diane Nelson Hana Campbell Visitor Services Kathleen Brennan Carolina Arrendondo Andrea Kennard Jan Wagner James Walker Museum Design Services Megan Connor Sanchez Lira Allison Walker Rick Williams Brynn Allen Cait Bothwell Grace Kwon Manager Lena Freeman Caitlin Bothwell MaryMaggs Warren Special Events Assistant Clint Burke Emma Oravecz Staff representatives: Debbie Williamson-Smith Courtney Cannell Dina Wills Jill Hartz, Kurt (June-) Education Riley Burns Noriko Rice Communications Manager Kianna Cacchione Isabelle Cho Stacey Ray Roth Hoobok Yi Neugebauer, Anne Rose Larry Booman Sophie Blum Emily Carroll Sara Fatimah Jeff Toreson Kitagawa, Lisa Abia-Smith Custodian Barbara Brock Jillian Castoe-Voltura Kiah Frohnauer Alexa Villanueva Josh Chadwick Courtney Cannell Yi-Yin Chien Deena Frosaker Brandi Wilkens Building & Design Media Alexandra Carthew Mariah Crowley Salvador Garibay Manager (-September) Sasha Chang Megan Danielson Kena Gomalo 48

Collections Committee Staff representatives: Rebekah Marsh Lee Michels Lisa Abia-Smith and Nicole Martin Co-Chair Danielle Knapp Nancy McMahon Johanna Seasonwein Sustaining Tomorrow: Martha McMillen Co-Chair Christine Smith and Greg Donna Moore Keith Achepohl Stripp Jackie Ofner Carlos Aguirre Staff representatives: Charlotte Oien Terry Carter Jill Hartz and Kurt Jennifer Papé Keith Eggener Neugebauer Bette Rice Brian Gillis Nancy Schwecke David Hilton Program Support Susan Selig Sue Keene Committee Kelli Sherman Sandi South Michael Stalker Jeff Hanes Chris Storment Jim Walker Co-Chair Hildy Tritch Akiko Walley Lisa Abia-Smith Kim Williams Rick Williams Co-Chair Sarah Zachem Student representative: Philip Piele Meredith Lancaster Ben Saunders Staff representatives: Sarah Wyer Jill Hartz, Anne Rose Staff representatives: Kitagawa, Danielle Knapp, Jill Hartz, June Koehler, June Black, Chris White Debbie Williamson-Smith

Development Committee Board Development Philip Piele Committee Co-Chair Doug Park Randy Stender Chair Co-Chair Anne Cooling Janine Gonyea Philip Piele Hope Hughes Pressman Hope Pressman Chris Smith Sharon Ungerleider Christine Smith Dom Vetri Sharon Ungerleider Staff representatives: Sarah Wyer Jill Hartz Staff representatives: Jill Hartz, Tom Jackson, Gourmet Group Esther Harclerode Robin Babb Marilyn Bartusiak Long-range Planning Francine Berryman Committee Lori Beyerlein Rick Williams Julie Budge Chair Dee Carlson Bridging Cultures: Leanne Collis Keith Achepohl and Keith Kate Coughlin Eggener Fran Curtis Staff representatives: Kathryn Daniel Jody Seasonwein and Delyn Dunham Chris White Colleen Fitzgibbons Jill Hartz, Editor Diane Nelson, Designer Engaging Community: Cheryl Ford Printed by Bridgetown Printing Company Randy Stender and Carlos Adriana Giustina Aguirre Trish Gory © 2015 University of Oregon Press. All rights Staff representatives: Dawn D Gubrud reserved. No portion of this publication may be Debbie Williamson-Smith, Denise Gudger reproduced without the written permission of and June Black Cindy Gupta the publisher. Edie Ireland Learning Together: Lisa Korth An equal-opportunity, affirmative-action Janine Gonyea and Chip Andrea Macha institution committed to cultural diversity Zachem and compliance with the Americans with Disabilities Act. Cover: TOYONAGA Ryo, Japanese, b. 1960. Untitled, 2001. Ceramic; base with rod, 30 x 18 x 8 ½ inches. Museum Purchase. 2015:6.2

Back cover: HIRATSUKA Yuji, Japanese, b. 1954. Freak, 1996. Chine-collé with etching; ink and color on paper, Ed. 20/35, 32 9/16 x 26 inches. Gift of Linda J. Lemmens. 2015:4.4

Opposite: Rineke Dijkstra, Dutch, b. 1959. Stephanie, Saint Joseph Ballet School, Santa Ana, CA, USA, March 22, 2003. C-print, framed, Ed. 7/10, 49 5/8 x 42 1/8 inches. Gift of David Hoberman. 2014:40.5