Debbie Harry She Blazed a Trail As the Influential Frontwoman of Blondie and Is a Timeless Style Arbiter

Total Page:16

File Type:pdf, Size:1020Kb

Debbie Harry She Blazed a Trail As the Influential Frontwoman of Blondie and Is a Timeless Style Arbiter EDITTHE The INT ERVIEW: Debbie Harry She blazed a trail as the influential frontwoman of Blondie and is a timeless style arbiter. TIFFANY BAKKER meets a true musical icon Photographs by trent McGinn or Debbie Harry, it’s the day after the night before. Yesterday, she Fattended and performed at New York’s star-studded Costume Institute Gala at the Metropolitan Museum of STYLE RÉSUMÉ Art. The theme was PUNK: Chaos to NAME: Debbie Harry Couture, in celebration of the hotly PROFESSION: Singer/ anticipated exhibition there, and was a songwriter celebration of the movement which MY STYLE IS: Different. Blondie – the band Harry has fronted Sometimes it’s a disaster on and off for nearly 40 years – helped and sometimes it’s not to spearhead and establish in the public MY GO-TO DESIGNERS: consciousness. Blazer and bracelet Stephen Sprouse, Marc Despite being “honored” that Anna by Alexander Jacobs and Donatella Versace. Wintour, US Vogue editor and chairman McQueen; T-shirt by T by Alexander Tommy Hilfiger made my of the Met, personally invited her to Wang; skirt by The Met gala gown, which I loved perform, Harry is currently musing over Row; ring by Ileana Makri EDITTHE what her punk peers – many long gone – would have thought of it all. She is certain some would have sneered, and the thought makes her laugh mischievously. “Can you imagine? They would have thought it was ridiculous, the antithesis of punk! But I bet they would have wanted to be there,” she adds shrewdly. Harry, of course, was the perfect choice for Wintour. As a woman on stage heading up a band of boys, she Blazer and pants was – and still is – independent, by Saint Laurent by Hedi Slimane; unapologetic and achingly cool, in T-shirt by Zoe charge of her life, her work and her Karssen; sandals look. She is an enduring inspiration. by Burberry Prorsum; ring At the Met Gala, for example, by Solange actress Anne Hathaway walked the Azagury-Partridge red carpet with white-blonde hair in homage to Harry, and stared from decades, that pale, brilliant, feline existence anti-commercialism) the front of the crowd, hands visage has been ingrained in our popular, selling some 40-million clasped at her chest, as Blondie collective mind. Musically, Blondie’s albums. “We set out to push as many “I loved FASHION, I performed Call Me to the illustrious work still sounds current today – the boundaries as possible,” says Harry. guests. band was ahead of its time, infusing “We were very ambitious, and it was wasn’t going to hide elements of pop (Hanging On The important to us to be successful.” that. I wanted to look ne of the most magnetic Telephone), rock (Atomic), disco Born out of the musical and good, I ENJOYED singers in music history, (Heart Of Glass), reggae (The Tide Is romantic relationship between looking good. I still OHarry is certainly the most High) and rap (Rapture) into its Harry and guitarist Chris Stein (the recognizable female face of the music. Blondie made the niche ideals pair split in the early 1990s after she enjoy looking GOOD” punk/new-wave era. For four and sound of punk (its very nursed him through a rare skin Debbie Harry performing THE with Blondie EDIT in 1980 disease for several years), the Harry takes credit as the creator DEBBIE’S go-to pieces diversity in Blondie’s music came, of her own image, with a little help she says, from their childhood roots from her friend, noted ’80s and the differing cultures both she designer Stephen Sprouse. But she in New Jersey and Brooklyn native never realized the impact her style Diane Kordas Stein were exposed to. His music was had, she says, until the band “I COULDN’T sexy and pulsating, a perfect foil for started venturing outside New York. do without a her dreamy vocals. She remembers walking into one of pair of their early gigs at the Whiskey A Go close-fitting Acne black pants.” hile the music may have Go club in Los Angeles, and finding been engaging, Harry’s that “all the women had cut their striking image seemed hair and were wearing a lot of W Saint Laurent by just as important and garnered her makeup and black pants. I got a Hedi Slimane most of the band’s fame. “I’m thrill out of that”. basically a shy person,” she claims, It’s hard to believe that Harry is Helmut Lang Anita Ko adding that the attention took some Jimmy getting used to, but that she grew to Choo “enjoy it”. Punk was about brashness, “I THINK “I’m certainly not the GLOVES are but Harry’s beauty turned the only WOMAN in the sexy.” notion on its head. She was the Karl Lagerfeld genre’s first pinup. Occasionally, she world who never had says, there were calls to dirty it CHILDREN. [Chris and can I do?” didn’t feel a need. And I always down (like Patti Smith, the other I] didn’t feel a NEED” She gets equally frustrated by thought: there are a lot of children punk doyenne), but she stuck to her people asking her if she regrets in the world. I didn’t need to add to guns. “I loved fashion and I wasn’t not becoming a mother. “I’m that, you know?” going to hide that,” she says. “I a woman of 67. She says she certainly not the only woman in Of course, she doesn’t need to wanted to look good, I enjoyed doesn’t think about age as much as the world who never had explain her actions to us. She is looking good. I still enjoy looking she once did, but occasionally it children,” she says. “There are Debbie Harry – rules don’t bind her. good, although sometimes I see creeps up on her. “Sometimes I many reasons why Chris and I “I’ve had an incredible life so far,” myself on someone’s T-shirt and I win, sometimes I lose,” she laughs. “I didn’t. We were working very she says, flashing that dazzling wish I still looked like that!” just have to deal with it. What else hard, we were happy and we Harry smile. “I can’t complain at all.”.
Recommended publications
  • Press Release
    LOOKING AT MUSIC: SIDE 2 EXPLORES THE CREATIVE EXCHANGE BETWEEN MUSICIANS AND ARTISTS IN NEW YORK CITY IN THE 1970s AND 1980s Photography, Music, Video, and Publications on Display, Including the Work of Jean-Michel Basquiat, Blondie, Richard Hell, Sonic Youth, and Patti Smith, Among Others Looking at Music: Side 2 June 10—November 30, 2009 The Yoshiko and Akio Morita Gallery, second floor Looking at Music: Side 2 Film Series September—November 2009 The Roy and Niuta Titus Theaters NEW YORK, June 5, 2009—The Museum of Modern Art presents Looking at Music: Side 2, a survey of over 120 photographs, music videos, drawings, audio recordings, publications, Super 8 films, and ephemera that look at New York City from the early 1970s to the early 1980s when the city became a haven for young renegade artists who often doubled as musicians and poets. Art and music cross-fertilized with a vengeance following a stripped-down, hard-edged, anti- establishment ethos, with some artists plastering city walls with self-designed posters or spray painted monikers, while others commandeered abandoned buildings, turning vacant garages into makeshift theaters for Super 8 film screenings and raucous performances. Many artists found the experimental music scene more vital and conducive to their contrarian ideas than the handful of contemporary art galleries in the city. Artists in turn formed bands, performed in clubs and non- profit art galleries, and self-published their own records and zines while using public access cable channels as a venue for media experiments and cultural debates. Looking at Music: Side 2 is organized by Barbara London, Associate Curator, Department of Media and Performance Art, The Museum of Modern Art, and succeeds Looking at Music (2008), an examination of the interaction between artists and musicians of the 1960s and early 1970s.
    [Show full text]
  • 1. Mapplethorpe, Robert, “Patti Smith 1 Fifth Avenue,” 1978
    Olivia Swinford April 16, 2015 Mood Board 1 Citations 1. Mapplethorpe, Robert, “Patti Smith 1 Fifth Avenue,” 1978. Smith, Patti. Just Kids. New York: Ecco, 2010. 2. "Publicity Shots 1978 - Blondie." Blondie. Accessed April 16, 2015. http://www.blondie.net/photos/publicity-shots/#gallery/1277/1/0. 3. "See Who Was Playing at CBGB This Week in 1975." - The Strut. June 16, 2011. Accessed April 16, 2015. http://www.thestrut.com/2011/06/16/see-who-was-playing-at-cbgb- this-week-in-1975/. 4. Galindo, Brian. "17 Awesome Photos That Captured CBGB's Iconic 1970s Punk Scene." BuzzFeed. September 9, 2014. Accessed April 16, 2015. http://www.buzzfeed.com/briangalindo/17-awesome- photos-that-captured-cbgbs-iconic-1970s-punk- scen?utm_term=1dpwbpa&sub=3440532_3765090#.fd4LQj1Am. 5. Galindo, Brian. "17 Awesome Photos That Captured CBGB's Iconic 1970s Punk Scene." BuzzFeed. September 9, 2014. Accessed April 16, 2015. http://www.buzzfeed.com/briangalindo/17-awesome- photos-that-captured-cbgbs-iconic-1970s-punk- scen?utm_term=1dpwbpa&sub=3440532_3765090#.fd4LQj1Am. 6. Bokuniewicz, Carol "Album Cover, Talking Heads: Remain in Light, 1980." Cooper Hewitt, Smithsonian Design Museum. Accessed April 16, 2015. https://collection.cooperhewitt.org/objects/18644717/. 7. "Patti Smith Group -- Because The Night." Patti Smith Group -- Because The Night. Accessed April 16, 2015. http://www.springsteenlyrics.com/collection/moreinfo.php?item=6096 &height=500&width=700. 8. "Photos | Sex Pistols | The Official Website." Sex Pistols The Official Website. January 1, 2012. Accessed April 16, 2015. http://www.sexpistolsofficial.com/photos/?wppa-album=4&wppa- photo=302&wppa-occur=1. 9. "Punk Art Catalogue - Section II: Punk Magazine & School of Visual Arts - 98 Bowery: 1969-1989." Punk Art Catalogue - Section II: Punk Magazine & School of Visual Arts - 98 Bowery: 1969-1989.
    [Show full text]
  • Elvis Costello and Blondie
    FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] ELVIS COSTELLO & THE IMPOSTERS AND BLONDIE EMBARK ON CO-HEADLINING SUMMER TOUR, BEGINNING AT BETHEL WOODS ON SATURDAY, JULY 20TH Tickets on-sale Saturday, April 6th at 10 AM April 2, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival, today announced that Elvis Costello & The Imposters and Blondie will perform at the center on July 20th as the first stop on their coast-to-coast co-headlining tour. Tickets go on-sale Saturday, April 6th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Elvis Costello and Blondie shared spots near the top of the UK Singles Chart 40 years ago when Blondie's "Heart Of Glass” sat neck-and-neck alongside Elvis Costello & The Attraction’s "Oliver's Army” in the company of The Bee Gees, Gloria Gaynor and ABBA. The same week, Blondie's seminal album Parallel Lines reached #1 on the Album Chart while Costello's Armed Forces landed at #3. Elvis Costello & The Imposters’ last tour in late 2018 found the combo reaching new live performance peaks. The band "came out swinging” (Star Tribune) in Minneapolis, were “unstoppable” in Anaheim (OC Register) and played an “epic and euphoric” (Variety) show in LA that even at nearly three hours “[left] ‘em wanting more.” The Imposters are: Steve Nieve (keyboards), Davey Faragher (bass) and Pete Thomas (drums).
    [Show full text]
  • Smash Hits Volume 33
    FORTNIGHTLY March 6-19 1980 i: fcMrstfjg i TH LYING LIZARDS .;! albums STS EDMUNDS )ur GRRk/£V£t/HlfLK HATES 7EEJM THAT TVf^ itav UGLYMONSTERS/ ^A \ / ^ / AAGHi. IF THERE'S ONE THING THATMAKES HULK REALLYAM6RY, IT'S PEOPLE WHO DON'T LOOK AFTER THEIRT€€TH! HULK GOES MAD UNLESS PEOPLE CLEAN THEIR TEETH THOROUGHLY EVERY DAY (ESPECIALLY LAST THING ATNIGHT). HE GOES SSRSfRK IFTHEY DON'T VISITTHE DENTIST REGULARLY! IF YOU D0N7 LOOKAFTER YOUR TEETH, SOMEBODY MAY COME BURSTING INTO YOUR HOUSE IN A TERRIBLE TEMPER AND IT WON'T BE THE MamAM...... 1 ! IF YOU WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FlU IN THE COUPON AND RETURN IT TO: HULK POSTER P.O BOX 1, SUDBURY, SUFFOLK COlO 6SL. tAeE(PUASETICKTHEAPPROPRIATEBOir)UNDERI3\Z\i3-l7\3lSANDOVER\JOFFERCLOSESONAPRIL30THmO.AUOW2SDAYSFORDELIVERY(sioaMPmisniA5l}l SH 1 uNAME ADDRESS X. i ^i J4 > March 6-19 1980 Vol 2 No. 5 Phew! Talk about moving ANIMATION mountains — we must have The Skids 4 shifted about six Everests' worth of paper this fortnight, what with ALABAMA SONG your voting forms and Walt David Bowie 4 Jabsco entries. With a bit of luck we'll have the poll results ready SPACE ODDITY forthe next issue but you'll find David Bowie 5 our Jabsco winners on page 26 of this issue. There's also an CUBA incredibly generous Ska Gibson Brothers 8 competition on page 24, not to mention our BIG NEWS! Turn to ALL NIGHT LONG the inside back page and find out Rainbow 14 what we mean . I'VE DONE EVERYTHING FOR YOU Sammy Hagar 14 Managing Editor HOT DOG Nick Logan Shakin' Stevens 17 Editor HOLDIN'
    [Show full text]
  • Kauffman Center for the Performing Arts Announces Rock Show Double-Header to Kick Off Kauffman Center Presents 2017-2018 Season
    NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Bess Wallerstein Huff, Director of Marketing Monday, February, 13, 2017 Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] KAUFFMAN CENTER FOR THE PERFORMING ARTS ANNOUNCES ROCK SHOW DOUBLE-HEADER TO KICK OFF KAUFFMAN CENTER PRESENTS 2017-2018 SEASON Blondie & Garbage: The Rage and Rapture Tour to stop at Muriel Kauffman Theatre on July 18 Kansas City, MO – The first announced show of its 2017-18 Kauffman Center Presents season will feature two quintessential rock ‘n’ roll acts. Blondie & Garbage: The Rage and Rapture Tour will perform for one night in Muriel Kauffman Theatre on Tuesday, July 18. Tickets for the show range from $79 to $149, and go on sale to the public at 10 a.m. Friday, February 24. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. ABOUT BLONDIE Singer-songwriter Debbie Harry, guitarist and co-writer Chris Stein, powerhouse drummer Clem Burke and their band- mates in the punk/new wave band Blondie are undeniable pop icons, their sound and sensibility as fresh as when they first topped the charts in the late 1970s. Since their groundbreaking 1978 album Parallel Lines, the members of Blondie have always been a forward-thinking – and forward-moving – group. Their brand of cross-genre rock has spawned hits including “Call Me,” “Rapture,” and “Heart of Glass,” bringing underground sounds into the mainstream. Blondie’s 11th studio album, Po11inator, is out in May. ABOUT GARBAGE Hailing from Madison, WI, Garbage is guitarist Duke Erikson, drummer Butch Vig, guitarist Steve Marker and lead singer Shirley Manson.
    [Show full text]
  • "Rip Her to Shreds": Women's Musk According to a Butch-Femme Aesthetic
    "Rip Her to Shreds": Women's Musk According to a Butch-Femme Aesthetic Judith A, Peraino "Rip Her to Shreds" is the tide of a song recorded in 1977 by the rock group Blondie; a song in which the female singer cat­ tily criticizes another woman. It begins with the female "speak­ er" addressing other members of her clique by calling attention to a woman who obviously stands outside the group. The lis­ tener likewise becomes a member of the clique, forced to par­ ticipate tacitly in the act of criticism. Every stanza of merciless defamation is articulated by a group of voices who shout a cho­ rus of agreement, enticing the listener to join the fray. (spoken! Hey, psf pst, here she comes !lOW. Ah, you know her, would YOIl look ollhlll hair, Yah, YOIl know her, check out Ihose shoes, A version of this paper was read at the conference "Feminist Theory and Music: Toward a Common Language," Minneapolis, MN, June 1991. If) 20 Peraino Rip Her to Shreds She looked like she stepped out in the middle of somebody's cruise. She looks like the Su nday comics, She thinks she's Brenda Starr, Her nose·job is real atomic, All she needs is an old knife scar. CHORUS: (group) 00, she's so dull, (solo) come on rip her to shreds, (group) She's so dull, (solo) come on rip her to shreds.! In contrast to the backstabbing female which the Blondie song presents, so-called "women's music" emphasizes solidarity and affection between women, and reserves its critical barbs for men and patriarchal society.
    [Show full text]
  • PS122 Gala 17 Silent Auction Artworks
    Silent Auction Catalog Artworks LOT #5: Lynn Hershman Leeson Wrapped, 2007. Digital Archive Print. 31” x 24”. Edition of 6. Courtesy of the artist and Bridget Donahue. Value: $18,000 Minimum Bid: $12,000 Lynn Hershman Leeson (born 1941 in Cleveland, Ohio) is an artist and filmmaker whose five decade long career addresses the relationship between the body and technology. Her practice in media-based technology has helped legitimise digital art forms. Her work is featured in the collections of the Museum of Modern Art, the Walker Art Center, and the University Art Museum in Berkeley California. Her retrospective exhibition “Lynn Hershman Leeson: Civic Radar” is currently on view at the Yerba Beuna Center for the Arts until Mary 21, 2017. The New York Times calls Leeson “a pioneer feminist in the realm of film and performance.” LOT #6: assume vivid astral focus Suite of Four Obama Ladies, 2013. Color screen print and digital pigmented layer on Rieves BFK paper. Each 18” x 28”. Edition of 10. Courtesy of Suzanne Geiss. Value: $6,500 Minimum Bid: $2,000 assume vivid astro focus (avaf) is both an alias of Brazilian-born New York-based artist Eli Sudbrack, and the name of an international group of visual and performance artists, with French multimedia artist Christophe Hamaide-Pierson one of the main collaborators. avaf is included in the permanent collection of the Museum of Modern Art, New York and the Judith Rothschild Foundation Contemporary Drawing Collection. LOT #7: Angelo Filomeno Untitled, 2004. Embrodery and crystal on fabric. 20.5” x 20.5”. Courtesy of Sheri L.
    [Show full text]
  • Blondie the Platinum Collection Mp3, Flac, Wma
    Blondie The Platinum Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: The Platinum Collection Country: Netherlands Released: 1994 Style: New Wave, Pop Rock MP3 version RAR size: 1987 mb FLAC version RAR size: 1233 mb WMA version RAR size: 1660 mb Rating: 4.7 Votes: 725 Other Formats: DMF MP2 VOX AAC WAV ADX AUD Tracklist Hide Credits X Offender 1-1 3:12 Producer – Richard GottehrerWritten-By – Deborah Harry, Gary Valentine In The Flesh 1-2 2:31 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry Man Overboard 1-3 3:21 Producer – Richard GottehrerWritten-By – Deborah Harry Rip Her To Shreds 1-4 3:21 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry Denis 1-5 2:18 Producer – Richard GottehrerWritten-By – Neil Levenson Contact In Red Square 1-6 2:00 Producer – Richard GottehrerWritten-By – Jimmy Destri Kung Fu Girls 1-7 2:31 Producer – Richard GottehrerWritten-By – Deborah Harry, Gary Valentine, Jimmy Destri I'm On E 1-8 2:13 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry (I'm Always Touched By Your) Presence, Dear 1-9 2:43 Producer – Richard GottehrerWritten-By – Gary Valentine Poets Problem 1-10 2:20 Producer – Richard GottehrerWritten-By – Jimmy Destri Detroit 442 1-11 2:28 Producer – Richard GottehrerWritten-By – Chris Stein, Jimmy Destri Picture This 1-12 2:56 Producer – Mike ChapmanWritten-By – Chris Stein, Deborah Harry, Jimmy Destri Fade Away And Radiate 1-13 4:01 Producer – Mike ChapmanWritten-By – Chris Stein I'm Gonna Love You Too 1-14 2:08 Producer
    [Show full text]
  • C Annual Fall Sale
    40 C R O C K O N by EthKe Ann Vare Petty is "pure rock"? My dear records. Look' at AC/DC. Now is, an opinion. As writer Spider ALBUM REVIEWS misinformed child, he is merely that is music. Heavy metal is Robinson says, “A critic is your basic, boring pop—the superior, and platinum is the someone who tells you whether Theartist......... Debbie Harry stuff that rises up the song proof of a good group. or not something is ‘art.’ A The album..................KooKoo charts to the Top Ten (the ten —Unsigned. reviewer tells you if he likes it.” I The label.................Chrysalis worst songs in America, in other Dear Anonymous Teenaged am a record reviewer, happily words). What I know is rock Male Reader:I take it you sharing my own (reasonably in­ The cover art of Blondie's real you call "posturing, prehistoric, weren’t pleased with my review formed) tastes with you. Feel lead singer's solo debut is so macho, mindless gunk." Well, of Van Halen. Well, I stand by spellbinding (it was created by More Rock On that "gunk” sells a hell of a lot of my opinion—and that's what it the set designer of the film Page 41 "Alien") that one expects a similar eerie beauty from the music. Tough luck. Harry has gotten together with the Chic organization (pro­ genitors of "Le Freak." pro­ ducers of Sister Sledge) to record an album of soft-soaped, ANNUAL disco/funk/rap that is not so bad in and of itself—it just seems like an ethnic rip-off coming from this lily-white warbler.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • The Collection Is the Largest Fashion Donation in the Museum's History
    FOR IMMEDIATE RELEASE Images available upon request. The IMA at Newfields announces major gift of Indiana fashion designer Stephen Sprouse’s work The collection is the largest fashion donation in the museum’s history INDIANAPOLIS, Nov. 7, 2019— The Indianapolis Museum of Art at Newfields announces the landmark acquisition of the Stephen Sprouse Collection. This is one of the largest single gifts the IMA has ever received. It includes thousands of pieces, including men’s and women’s clothing, shoes, accessories, textile samples, design sketches, audio-visuals, photographs, business documents and press clippings. Two important portraits of Sprouse painted by Andy Warhol in 1984 are also part of this significant gift. “We are thrilled to have been entrusted with Stephen Sprouse’s legacy,” said Niloo Paydar, curator of textile and fashion arts at the IMA. “This acquisition marks the creation of the definitive collection of Stephen Sprouse fashion and archives–a chapter in 1980s and ‘90s American fashion history with roots in Indiana that the Indianapolis Museum of Art is proud to steward.” Joanne Sprouse and Brad Sprouse, Stephen’s mother and brother, donated the collection and archives in memory of Stephen to honor his legacy. Highlights include two rare leather jackets by Sprouse that were hand painted by the Italian artist Stefano Castronovo in the mid-1980s. The jackets depict a young Andy Warhol and Debbie Harry, the lead singer of Blondie. A unique dress worn by supermodel Kate Moss for the Choose or Lose campaign commercial in 1996 is also a part of the gift. Andy Warhol (American, 1928–1987), Stephen Sprouse (Double A fashion visionary, Stephen Sprouse (1953–2004) is best Portrait), 1984, synthetic polymer and silkscreen inks on canvas, 40 × 40 × 1-1/2 in.
    [Show full text]
  • WARHOL on VINYL: the Record Covers, 1949–1987+ June 21, 2014–March 15, 2015 WARHOL on VINYL: the Record Covers, 1949–1987+
    Cranbrook Art Museum WARHOL ON VINYL: The Record Covers, 1949–1987+ June 21, 2014–March 15, 2015 WARHOL ON VINYL: The Record Covers, 1949–1987+ June 21, 2014–March 15, 2015 Curated by Laura Mott © 2014 Andy Warhol Foundation for the Visual Arts / ARS, New York, NY. Cranbrook Art Museum Andy Warhol was a lightning rod for popular culture, and the thunder that accompanied its bright flash was music—rock, classical, musicals, opera, jazz, soul, experimental, and everything in between. Warhol had a fervent appreciation for all types of music. When entering the Factory it was not uncommon to find him working with two stereos blasting simultaneously, one playing Bach and the other rock-n-roll.1 Sometimes Fig. 1 Fig. 2 Warhol would listen to the same piece of music one hundred times in a A Program for Mexican Music Melodic Magic by Lew White at the row without tiring; he explained it was done “in order to understand what conducted by Carlos Chávez, 1949. Organ and His Orchestra, circa 1953. it meant.”2 His role as cultural provocateur and producer of The Velvet © 2014 Andy Warhol Foundation for © 2014 Andy Warhol Foundation for the Visual Arts / ARS, New York, NY. the Visual Arts / ARS, New York, NY. Underground is well known, and the combination of art and music was a Reproduced by permission of Sony Reproduced by permission of Sony constant throughout his professional life from 1949 until his death in 1987. Music Entertainment. Music Entertainment. However, his design of record covers was the only medium in which he worked consistently throughout his nearly forty years of artistic production.
    [Show full text]