John Fowles's the Magus As a Postmodern Romance
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The Magus ***** a Biographical Essay by Joyce Kessler ***** March 6, 2018
The Magus ***** A biographical essay by Joyce Kessler ***** March 6, 2018 The Magus and the Metafiction I always account for the bewildering attitudes of young people by observing that they’ve been introduced to the Beatles’ albums out of the order of their release dates. My opinion about this is sympathetic: It has to mess with your mind to hear Sergeant Pepper before Yesterday, Today, and Tomorrow, or, for that matter, even before Revolver. Apparently, I was onto something because first reading in the early 1980s John Fowles’ The French Lieutenant’s Woman (published in 1969), followed by his Daniel Martin (published in 1977), and only then traveling backwards to read The Magus in 2018 (the 1977 revision, not the original 1965 version) set me up for big problems. I have to admit to a memory of picking up this long novel in the late ‘60s, but it seems that I have suppressed most of that experience. And while I’m confessing things – mostly to myself – I should add that I also vaguely remember having seen the 1968 movie made of The Magus, but except for a close-up of a torn mouth screaming, “Elutheria!” I may, again, have buried that film memory. We all know what they say: if you can remember the ‘60s, you probably weren’t there. Despite the fact that Fowles began composing The Magus in 1953 and worked on it for 12 years before publishing it after The Collector (1963) and The Aristos (1964), it seems to have resonated with his earliest reviewers. Eliot Fremont- Smith of the New York Times saw it in 1966 as “at once a pyrotechnical extravaganza, a wild, hilarious charade, a dynamo of suspense and horror, a profoundly serious probing into the nature of moral consciousness, a dizzying, electrifying chase through the labyrinth of the soul, an allegorical romance, a sophisticated account of modern love, a ghost story that will send shivers racing down the spine… -it is, in spite of itself, convincing.” It has held a respectable place on official book lists and in canons both in the UK and the USA for the many years since that time. -
An Analysis of Feminism Reflected in the Film the French Lieutenant's
American International Journal of Contemporary Research Vol. 4, No. 4; April 2014 An Analysis of Feminism Reflected in the Film the French Lieutenant’s Woman Siyu Gao Beijing Institute of Petrochemical Technology Qingyuan north road No.19, Huangcun, Daxing District, Beijing Beijing, China Abstract The novel The French Lieutenant's Woman is a masterpiece that John Fowles, a contemporary British writer created in the 60s of last century. In 1981, the film of the same name directed by Karel Reisz and adapted by playwright Harold Pinter. The French Lieutenant’s Woman is one of the world's most successful literary classic films. It is about a love story happened in England in nineteenth Century. Sarah, a woeful and mysterious woman in Victorian era, a virgin but claimed to have committed to a French lieutenant, be spurned for being regarded as a sinful and lustful woman. But her mystery, unique, boldness, melancholy beauty and wild enthusiasm could arouse compassion and adoration of men. She had a torrid love with Charles but eventually left quietly when Charles had dissolved engagement with Freeman. In the Victorian era -- a patriarchal social environment, the social status of women was affected by the patriarchy. The female was put in a humiliating position for a long time. In patriarchal oppression, the economy also forced to sponge on men which result in women’s being unable to enjoy the right of self-realization and self-independent. However, in this film, the heroine Sarah in the social context demonstrated bravery and determination of striving against traditional customs, pursuing after true love and defending against her freedom. -
The Post-Postmodern Aesthetics of John Fowles Claiborne Johnson Cordle
University of Richmond UR Scholarship Repository Master's Theses Student Research 5-1981 The post-postmodern aesthetics of John Fowles Claiborne Johnson Cordle Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Cordle, Claiborne Johnson, "The post-postmodern aesthetics of John Fowles" (1981). Master's Theses. Paper 444. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. THE POST-POSTMODERN AESTHETICS OF JOHN FOWLES BY CLAIBORNE JOHNSON CORDLE A THESIS SUBMITTED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF ~.ASTER OF ARTS ,'·i IN ENGLISH MAY 1981 LTBRARY UNIVERSITY OF RICHMONl:» VIRGINIA 23173 CONTENTS INTRODUCTION . p . 1 CHAPTER 1 MODERNISM RECONSIDERED . p • 6 CHAPTER 2 THE BREAKDOWN OF OBJECTIVITY . p • 52 CHAPTER 3 APOLLO AND DIONYSUS. p • 94 CHAPTER 4 SYNTHESIS . p . 102 CHAPTER 5 POST-POSTMODERN HUMANISM . p . 139 ENDNOTES • . p. 151 BIBLIOGRAPHY . • p. 162 INTRODUCTION To consider the relationship between post modernism and John Fowles is a task unfortunately complicated by an inadequately defined central term. Charles Russell states that ... postmodernism is not tied solely to a single artist or movement, but de fines a broad cultural phenomenon evi dent in the visual arts, literature; music and dance of Europe and the United States, as well as in their philosophy, criticism, linguistics, communications theory, anthropology, and the social sciences--these all generally under thp particular influence of structuralism. -
A Critical Study of the Novels of John Fowles
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1986 A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES KATHERINE M. TARBOX University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation TARBOX, KATHERINE M., "A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES" (1986). Doctoral Dissertations. 1486. https://scholars.unh.edu/dissertation/1486 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES BY KATHERINE M. TARBOX B.A., Bloomfield College, 1972 M.A., State University of New York at Binghamton, 1976 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English May, 1986 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This dissertation has been examined and approved. .a JL. Dissertation director, Carl Dawson Professor of English Michael DePorte, Professor of English Patroclnio Schwelckart, Professor of English Paul Brockelman, Professor of Philosophy Mara Wltzllng, of Art History Dd Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. I ALL RIGHTS RESERVED c. 1986 Katherine M. Tarbox Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. to the memory of my brother, Byron Milliken and to JT, my magus IV Reproduced with permission of the copyright owner. -
EXISTENTIALISM in VICTORIAN ERA: REVIEWING JOHN FOWLES's the FRENCH LIEUTENANT's WOMAN Nimmy Mariam Jacob
VEDA’S JOURNAL OF ENGLISH LANGUAGE AND LITERATURE (JOELL) Vol.7 Issue 3 An International Peer Reviewed(Refereed) Journal 2020 Impact Factor (SJIF) 4.092 http://www.joell.in RESEARCH ARTICLE EXISTENTIALISM IN VICTORIAN ERA: REVIEWING JOHN FOWLES'S THE FRENCH LIEUTENANT'S WOMAN Nimmy Mariam Jacob (Post Graduate in English Language and Literature(2019), Plavilakandathil(H),Arattupuzha P.O., Pathanamthitta, Kerala, 689123.) DOI:10.33329/joell.7.3.20.30 ABSTRACT Victorian novels presented carefully constructed conventional characters that does not deviate from the social standards. It was hard to find whether any deviant people survived then. The Victorians survived on a turbulent ground with Darwin's theory of evolution and various political reforms. Darwin shook their religious adherence. There were people who struggled hard to maintain the status quo with their blind belief and aversion to change. Some of them believed in Darwin and exhibited themselves as free thinking men. In reality they possessed a chaotic soul and were trying hard to balance their Victorian essence and Modernity. Rarely lived some legendary men who transcended their age. These men often failed to find their space in any manuscripts of the time. The French Lieutenant's Woman, traces the roots of a 20th century philosophy named Existentialism in the predecessors. History has the feature of characteristically representing everything in groups or forms. Undermining the inconspicuous exclusivities provides an indubitable awareness about the period. Keywords: Conventions, Existentialism, Solitariness, Redemption, Victorianism. Author(s) retain the copyright of this articleCopyright© 2020VEDAPublications Author(s) agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License . -
Frenchlieutenantswom
Virtual April 6, 2021 (42:10) Karel Reisz: THE FRENCH LIEUTENANT’S WOMAN (1981, 124 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the virtual BFS Vimeo link for our introduction to The French Lieutenant’s Woman Zoom link for all Spring 2021 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Directed by Karel Reisz Based on the novel by John Fowles Screenplay by Harold Pinter Produced by Leon Clore Original Music by Carl Davis Cinematography by Freddie Francis Liz Smith....Mrs. Fairley The film was nominated for five Oscars, including Patience Collier....Mrs. Poulteney Best Actress in a Leading Role (Meryl Streep) and David Warner....Murphy Best Writing, Screenplay Based on Material from Another Medium (Harold Pinter), at the 1982 Karel Reisz (21 July 1926, Ostrava, Academy Awards. Czechoslovakia—25 November 2002, London, England) directed 13 theatrical and tv films: “Act Meryl Streep....Sarah/Anna Without Words I” (2000), The Deep Blue Sea (1994), Jeremy Irons....Charles Henry Smithson/Mike Everybody Wins (1990), Sweet Dreams (1985), The Hilton McRae....Sam French Lieutenant's Woman (1981), Who'll Stop the Emily Morgan....Mary Rain (1978), The Gambler (1974), Isadora (1968), Charlotte Mitchell....Mrs. Tranter Morgan (1966), Night Must Fall (1964), Saturday Lynsey Baxter....Ernestina Night and Sunday Morning (1960), We Are the Jean Faulds....Cook Lambeth Boys (1958) and Momma Don't Allow Peter Vaughan ....Mr. -
The French Lieutenant's Woman
1993/ /2014 Whose Story?: The Screen Adaptation of John Fowles’s The French Lieutenant’s Woman Sara Martín Alegre Tesina/(MA) Dissertation Programa de Doctorat en Filologia Anglesa Departament de Filologia Anglesa i de Germanística Universitat Autònoma de Barcelona Contents Abstract ........................................................................................................................ 1 1. Introduction: Establishing the Ownership of Stories ................................................... 1 1.1. Reconsidering the Role of the Screen Playwright ................................................ 4 1.2. Reconsidering Screen Adaptations .................................................................... 13 2.The Novel and the Novelist: Obsessive Authorial Control ......................................... 19 2.1. Vindicating the Victorian Author: The Problem of Controlling the Female Protagonist .............................................................................................................. 19 2.2. The French Lieutenant’s Woman in Conversation with Other Texts: Overcoming the Need for a Husband ........................................................................................... 30 3. The Novel and the Screenwriter: Rewriting from Scratch......................................... 41 3.1. Between Stage and Screen: Harold Pinter ......................................................... 41 3.2. From Project to Film: Selling The French Lieutenant’s Woman to American Audiences ............................................................................................................... -
Writing the Feminine: John Fowles's Modern Myth Priscilla Peichin Lin
Writing the Feminine: John Fowles’s Modern Myth Priscilla Peichin Lin, Fongshan Elementary School, Taiwan The Asian Conference on Arts and Humanities 2019 Official Conference Proceedings iafor The International Academic Forum www.iafor.org Fowlesian women struck me as being courageous and other-worldly upon my first reading of them. Rather than voiceless sources of male creativity, John Fowles’s women characters tend to be vivid practitioners of the arts, presiding over all the arts which constitute civilized life. In Fowles’s works, he invokes a mythic struggle for the emergence of the independent and self-defining voice of modern women as both thinkers and creators. He reflects on “sexual differences” 1 and explores relationships between men and women, and has built his major themes around the contrast between masculine and feminine mentality. Despite his technical experimentation and stylistic diversity, Fowles exhibits a thematic consistency in his advocacy of feminism.2 His preoccupation with the individuals’s place in the world of social and sexual relations generates a number of recurring motifs. Of these, the question of freedom and the search for a valid foundation on which to base one’s choices have in fact occupied much of Fowles’s works. Taken as a whole, he has created multi-leveled romance fiction of considerable complexity and depth. Labeled a “fellow-traveller with feminism,”3 Fowles has always constructed his fiction upon the principle that women are intrinsically better, more authentic, and freer than men. In his fiction, women tend to appear as the representatives of a humanizing force (Lenz 224). -
Book Reviews David Richards Bridgewater State College
Bridgewater Review Volume 4 | Issue 1 Article 12 Apr-1986 Book Reviews David Richards Bridgewater State College Hal DeLisle Bridgewater State College Richard A. Henry Bridgewater State College Recommended Citation Richards, David; DeLisle, Hal; and Henry, Richard A. (1986). Book Reviews. Bridgewater Review, 4(1), 22-25. Available at: http://vc.bridgew.edu/br_rev/vol4/iss1/12 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Book Reviews Tavris disputes each of these beliefs. tunately, these three conditions are seldom Rather, she views anger as a social event. a met. form of communication. To be sure, anger Does alcohol release anger? Alcohol ANGER is in part a product of our biological soothes angry individuals as often as it heritage. However, unlike animal aggres inflames them. Tavris suggests that alcohol The Misunderstood sion, which may occur more or less auto merely provides one with a social excuse to matically in response to certain stimuli, behave in ways that might be otherwise Emotion human anger is influenced by judgment and threatening or uncomfortable. choice. Which sex has the anger problems? Tav For example, whether or not we become ris produces some interesting statistics. Carol Tavris angry in a given situation depends upon our Very few studies have found any sex dif interpretation of that situation. Behind ferences in proneness to or expression of Simon and Schuster, Inc. every incidence of anger is the belief that anger. Males are more aggressive than fe New York: 1982 someone is not behaving as he or she ought males, but only to strangers. -
Colin-Wilson-The-Occult.Pdf
2 CONTENTS PREFACE INTRODUCTION PART ONE A Survey of the Subject 1. Magic – The Science of the Future 2. The Dark Side of the Moon 3. The Poet as Occultist PART TWO A History of Magic 1. The Evolution of Man 2. The Magic of Primitive Man 3. Adepts and Initiates 4. The World of the Kabbalists 5. Adepts and Impostors 6. The Nineteenth Century – Magic and Romanticism 7. The Beast Himself 8. Two Russian Mages PART THREE Man's Latent Powers 1. Witchcraft and Lycanthropy 2. The Realm of Spirits 3. Glimpses 3 PREFACE A SINGLE OBSESSIONAL IDEA RUNS THROUGH ALL my work: the paradoxical nature of freedom. When the German tanks rolled into Warsaw, or the Russians into Budapest, it seemed perfectly obvious what we meant by freedom; it was something solid and definite that was being stolen, as a burglar might steal the silver. But when a civil servant retires after forty years, and finds himself curiously bored and miserable, the idea of freedom becomes blurred and indefinite; it seems to shimmer like a mirage. When I am confronted by danger or crisis, I see it as a threat to freedom, and my freedom suddenly becomes positive and self-evident – as enormous and obvious as a sunset. Similarly, a man who is violently in love feels that if he could possess the girl, his freedom would be infinite; the delight of union would make him undefeatable. When he gets her, the whole thing seems an illusion; she is just a girl... I have always accepted the fundamental reality of freedom. -
John Fowles's “The Ebony Tower”
Eger Journal of English Studies IX (2009) 2131 Homage and a Kind of Thumbed Nose to a Very Old Tradition: John Fowles’s “The Ebony Tower” Tibor Tóth The predominant atmosphere of the novella is shaped by various approaches to apocalypse, a theme which has always been an exciting asset of John Fowless art. This charismatic artist defines apocalypse as the triumph of ignorance over knowledge and John Fowles describes comprehensively the soft terror that emerges from the above state of affairs. In John Fowless interpretation neither knowledge nor ignorance can be described in traditional ways. The only chance of understanding and recycling these evergreen conditions is provided by variations. In the works of John Fowles variations threaten with some sense of anarchy, so, there is need for a constant, a point of reference which is, as usual, provided by woman in The Ebony Tower as well. At the surface level of the novella, the main characters are the two male characters who stand for traditional and abstract art respectively, yet it is woman (and her many possible interpretations or impersonations) who offers the author, his characters and the readers the chance to interpret the above situation. For John Fowles woman is nature, intellect, past and present, in short life itself, and she can help man overcome ignorance and escape the hypnotic power of apocalyptic tradition. The above definition might sound a bit pompous, so, I have amended it with the help of the title I have chosen for this paper: woman teaches man that art and life can be reconciled if he pays homage and also shows a kind of thumbed nose to an evergreen tradition and in this context sex, or rather sexuality becomes a central metaphor expressive of both the eternal and the momentary variations or revelations of creativity. -
A Critical Study of the Novels of John Fowles Katherine M
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 1986 A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES KATHERINE M. TARBOX University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation TARBOX, KATHERINE M., "A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES" (1986). Doctoral Dissertations. 1486. https://scholars.unh.edu/dissertation/1486 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. A CRITICAL STUDY OF THE NOVELS OF JOHN FOWLES BY KATHERINE M. TARBOX B.A., Bloomfield College, 1972 M.A., State University of New York at Binghamton, 1976 DISSERTATION Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English May, 1986 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. This dissertation has been examined and approved. .a JL. Dissertation director, Carl Dawson Professor of English Michael DePorte, Professor of English Patroclnio Schwelckart, Professor of English Paul Brockelman, Professor of Philosophy Mara Wltzllng, of Art History Dd Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. I ALL RIGHTS RESERVED c. 1986 Katherine M. Tarbox Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. to the memory of my brother, Byron Milliken and to JT, my magus IV Reproduced with permission of the copyright owner.