The Bohemian Movement Firmly Established Itself in the Far Off
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A Checklist of Publications and Discoveries in 2013
ARTICLE Part II: Reproductions of Drawings and Paintings Section A: Illustrations of Individual Authors Section B: Collections and Selections Part III: Commercial Engravings Section A: Illustrations of Individual Authors William Blake and His Circle: Part IV: Catalogues and Bibliographies A Checklist of Publications and Section A: Individual Catalogues Section B: Collections and Selections Discoveries in 2013 Part V: Books Owned by William Blake the Poet Part VI: Criticism, Biography, and Scholarly Studies By G. E. Bentley, Jr. Division II: Blake’s Circle Blake Publications and Discoveries in 2013 with the assistance of Hikari Sato for Japanese publications and of Fernando 1 The checklist of Blake publications recorded in 2013 in- Castanedo for Spanish publications cludes works in French, German, Japanese, Russian, Span- ish, and Ukrainian, and there are doctoral dissertations G. E. Bentley, Jr. ([email protected]) is try- from Birmingham, Cambridge, City University of New ing to learn how to recognize the many styles of hand- York, Florida State, Hiroshima, Maryland, Northwestern, writing of a professional calligrapher like Blake, who Oxford, Universidade Federal de Santa Maria, Voronezh used four distinct hands in The Four Zoas. State, and Wrocław. The Folio Society facsimile of Blake’s designs for Gray’s Poems and the detailed records of “Sale Editors’ notes: Catalogues of Blake’s Works 1791-2013” are likely to prove The invaluable Bentley checklist has grown to the point to be among the most lastingly valuable of the works listed. where we are unable to publish it in its entirety. All the material will be incorporated into the cumulative Gallica “William Blake and His Circle” and “Sale Catalogues of William Blake’s Works” on the Bentley Blake Collection 2 A wonderful resource new to me is Gallica <http://gallica. -
Federal Relief Programs in the 19Th Century: a Reassessment
The Journal of Sociology & Social Welfare Volume 19 Issue 3 September Article 8 September 1992 Federal Relief Programs in the 19th Century: A Reassessment Frank M. Loewenberg Bar-Ilan University, Israel Follow this and additional works at: https://scholarworks.wmich.edu/jssw Part of the Social History Commons, Social Work Commons, and the United States History Commons Recommended Citation Loewenberg, Frank M. (1992) "Federal Relief Programs in the 19th Century: A Reassessment," The Journal of Sociology & Social Welfare: Vol. 19 : Iss. 3 , Article 8. Available at: https://scholarworks.wmich.edu/jssw/vol19/iss3/8 This Article is brought to you by the Western Michigan University School of Social Work. For more information, please contact [email protected]. Federal Relief Programs in the 19th Century: A Reassessment FRANK M. LOEWENBERG Bar-Ilan University Israel School of Social Work The American model of the welfare state, incomplete as it may be, was not plucked out of thin air by the architects of the New Deal in the 1930s. Instead it is the product and logical evolution of a long histori- cal process. 19th century federal relief programsfor various population groups, including veterans, native Americans, merchant sailors, eman- cipated slaves, and residents of the District of Columbia, are examined in order to help better understand contemporary welfare developments. Many have argued that the federal government was not in- volved in social welfare matters prior to the 1930s - aside from two or three exceptions, such as the establishment of the Freed- man's Bureau in the years after the Civil War and the passage of various federal immigration laws that attempted to stem the flood of immigrants in the 1880s and 1890s. -
Definingromanticnationalism-Libre(1)
UvA-DARE (Digital Academic Repository) Notes towards a definition of Romantic Nationalism Leerssen, J. Publication date 2013 Document Version Final published version Published in Romantik Link to publication Citation for published version (APA): Leerssen, J. (2013). Notes towards a definition of Romantic Nationalism. Romantik, 2(1), 9- 35. http://ojs.statsbiblioteket.dk/index.php/rom/article/view/20191/17807 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:30 Sep 2021 NOTES TOWARDS A DEFINITION Romantic OF ROMANTIC Nationalism NATIONALISM [ JOEP LEERSSEN ABSTR While the concept ‘Romantic nationalism’ is becoming widespread, its current usage tends to compound the vagueness inherent in its two constituent terms, Romanticism and na- tionalism. In order to come to a more focused understanding of the concept, this article A surveys a wide sample of Romantically inflected nationalist activities and practices, and CT nationalistically inflected cultural productions and reflections of Romantic vintage, drawn ] from various media (literature, music, the arts, critical and historical writing) and from dif- ferent countries. -
Georgetown's Historic Houses
VITUAL FIELD TRIPS – GEORGETOWN’S HISTORIC HOUSES Log Cabin This log cabin looks rather small and primitive to us today. But at the time it was built, it was really quite an advance for the gold‐seekers living in the area. The very first prospectors who arrived in the Georgetown region lived in tents. Then they built lean‐tos. Because of the Rocky Mountain's often harsh winters, the miners soon began to build cabins such as this one to protect themselves from the weather. Log cabin in Georgetown Photo: N/A More About This Topic Log cabins were a real advance for the miners. Still, few have survived into the 20th century. This cabin, which is on the banks of Clear Creek, is an exception. This cabin actually has several refinements. These include a second‐story, glass windows, and interior trim. Perhaps these things were the reasons this cabin has survived. It is not known exactly when the cabin was built. But clues suggest it was built before 1870. Historic Georgetown is now restoring the cabin. The Tucker‐Rutherford House James and Albert Tucker were brothers. They ran a grocery and mercantile business in Georgetown. It appears that they built this house in the 1870s or 1880s. Rather than living the house themselves, they rented it to miners and mill workers. Such workers usually moved more often than more well‐to‐do people. They also often rented the places where they lived. When this house was built, it had only two rooms. Another room was added in the 1890s. -
Eugène Delacroix the Artist Eugène Delacroix Born in Saint-Maurice-En-Chalencon, France 1798; Died in Paris, France 1863
Eugène Delacroix Horse Frightened by Lightning , 1824–1829 watercolor, white heightening, gum Arabic watercolor on paper, 94 x 126 in. Museum of Fine Arts, Budapest, Hungary Self-Portrait, c.1837 oil on canvas The Louvre, Paris The Artist Eugène Delacroix Born in Saint-Maurice-en-Chalencon, France 1798; died in Paris, France 1863 Ferdinand Victor Eugène Delacroix was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic School. Born in France in 1798, Delacroix was orphaned at the age of 16. In 1816 he began his formal art training, learning the neoclassical style of Jacques- Louis David. Delacroix’s first major painting, The Barque of Dante, was accepted into the Paris Salon in 1822, earning him national fame. He turned away from the neoclassical style, and became one of the best-known Romantic painters, favoring imaginative scenes from literature and historical events. Highly acclaimed works include Death of Sardanapalus and Liberty Leading the People , a painting inspired by France’s uprising against King Charles X in 1830. In 1832, Delacroix spent 6 months in North Africa, and created many paintings inspired by Arabic culture and the sun-drenched landscape. Delacroix continued to be very popular in his lifetime, exhibiting many works in the Paris salon, and receiving commissions to decorate important Parisian buildings. Delacroix died on August 13, 1863. Art Movement Romanticism The Romantic Movement was inspired in part by the ideas of Rousseau, who declared that “Man is born free, but is everywhere in chains!” Romanticism emerged from the desire for freedom – political freedom, freedom of thought, of feeling, of action, of worship, of speech, and of taste. -
Bohemians: Greenwich Village and the Masses Joanna Levin Chapman University, [email protected]
Chapman University Chapman University Digital Commons English Faculty Books and Book Chapters English 12-2017 Bohemians: Greenwich Village and The Masses Joanna Levin Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/english_books Part of the American Popular Culture Commons, Literature in English, North America Commons, Other American Studies Commons, and the Other English Language and Literature Commons Recommended Citation Levin, Joanna. "Bohemians: Greenwich Village and The Masses." American Literature in Transition,1910–1920. Edited by Mark W. Van Wienen, Cambridge University Press, 2018, pp. 117-130. This Book is brought to you for free and open access by the English at Chapman University Digital Commons. It has been accepted for inclusion in English Faculty Books and Book Chapters by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. CHAPTER 8 Bohemians Greenwich Village and The Masses Joanna Levin Ever since Rodolphe, Henri Murger's prototypical struggling writer, stood before the grave of Mimi, his lost love and partner in the romance of bohemia, crying, "Oh my youth, it is you that is being buried," la vie boheme has represented a fabled transitional period between youth and mature adulthood in many an individual life, memoir, and Bildungsroman (Seigel 45). Similarly, ever since its inception in the wake of the 1830 Rev olution in France, bohemianism - as a larger subcultural movement has flourished during periods of historical transition. It was in the tumultuous lead-up to the Civil War that la vie boheme first took root in the United States (in a basement beer hall beneath the sidewalks of Broadway and Bleecker and on the pages of the New York Saturday Press), but it was dur ing the 1910s, the decade known for ushering in a host of radical and mod ernist movements, that bohemia assumed its most famous American form in New York City's Greenwich Village. -
Marie Emily Kulms Thesis-1
The Art of Writing a Life: Heimatsuche and Bohemianism in the Poetry of Lasker-Schüler by Marie Emily Kulms A thesis submitted to the Department of German In conformity with the requirements for the degree of Master of Arts Queen’s University Kingston, Ontario, Canada (December, 2010) Copyright © Marie Emily Kulms, 2010 Abstract This study explores how the poetry of Else Lasker-Schüler (1869-1945) creates a personal space—a Heimat—through the poetic process. Through close readings of a selection of the poet’s works, I demonstrate the paradoxical relationship between physical structures and emotional or psychic freedom. I show how this association between form and fluidity reflects the poetic genre itself, while also drawing parallels to Lasker-Schüler’s biography and her relationships with the Berliner Bohème. Lasker-Schüler’s work has been viewed through many different lenses: Expressionism, Judaism, and feminism. Such interpretations can be problematic, as they impose limitations on the poet’s work and are thereby contradictory to the fluid qualities conveyed in her poems. Through close analysis of the formal and aesthetic aspects of Lasker-Schüler’s poetry, I illuminate this often neglected, but most important aspect of the fluctuating, creative space. Lasker-Schüler’s life circumstances forced her to live an unsettled life, but poetry seems to have functioned as a means of accessing the internal Heimat or Seelenlandschaft. The lyrical “I” of Lasker-Schüler’s poetry wanders throughout the poet’s collective works, her voice undergoing metamorphoses, leaving the reader to question this elusive poetic identity. The bohemians, who offered Lasker-Schüler an inspiring creative community, mirror this internal poetic world externally, as they embraced art and performance to create their chameleon-like identities. -
Changemakers: Biographies of African Americans in San Francisco Who Made a Difference
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Leo T. McCarthy Center for Public Service and McCarthy Center Student Scholarship the Common Good 2020 Changemakers: Biographies of African Americans in San Francisco Who Made a Difference David Donahue Follow this and additional works at: https://repository.usfca.edu/mccarthy_stu Part of the History Commons CHANGEMAKERS AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE Biographies inspired by San Francisco’s Ella Hill Hutch Community Center murals researched, written, and edited by the University of San Francisco’s Martín-Baró Scholars and Esther Madríz Diversity Scholars CHANGEMAKERS: AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE © 2020 First edition, second printing University of San Francisco 2130 Fulton Street San Francisco, CA 94117 Published with the generous support of the Walter and Elise Haas Fund, Engage San Francisco, The Leo T. McCarthy Center for Public Service and the Common Good, The University of San Francisco College of Arts and Sciences, University of San Francisco Student Housing and Residential Education The front cover features a 1992 portrait of Ella Hill Hutch, painted by Eugene E. White The Inspiration Murals were painted in 1999 by Josef Norris, curated by Leonard ‘Lefty’ Gordon and Wendy Nelder, and supported by the San Francisco Arts Commission and the Mayor’s Offi ce Neighborhood Beautifi cation Project Grateful acknowledgment is made to the many contributors who made this book possible. Please see the back pages for more acknowledgments. The opinions expressed herein represent the voices of students at the University of San Francisco and do not necessarily refl ect the opinions of the University or our sponsors. -
John Cage's Entanglement with the Ideas Of
JOHN CAGE’S ENTANGLEMENT WITH THE IDEAS OF COOMARASWAMY Edward James Crooks PhD University of York Music July 2011 John Cage’s Entanglement with the Ideas of Coomaraswamy by Edward Crooks Abstract The American composer John Cage was famous for the expansiveness of his thought. In particular, his borrowings from ‘Oriental philosophy’ have directed the critical and popular reception of his works. But what is the reality of such claims? In the twenty years since his death, Cage scholars have started to discover the significant gap between Cage’s presentation of theories he claimed he borrowed from India, China, and Japan, and the presentation of the same theories in the sources he referenced. The present study delves into the circumstances and contexts of Cage’s Asian influences, specifically as related to Cage’s borrowings from the British-Ceylonese art historian and metaphysician Ananda K. Coomaraswamy. In addition, Cage’s friendship with the Jungian mythologist Joseph Campbell is detailed, as are Cage’s borrowings from the theories of Jung. Particular attention is paid to the conservative ideology integral to the theories of all three thinkers. After a new analysis of the life and work of Coomaraswamy, the investigation focuses on the metaphysics of Coomaraswamy’s philosophy of art. The phrase ‘art is the imitation of nature in her manner of operation’ opens the doors to a wide- ranging exploration of the mimesis of intelligible and sensible forms. Comparing Coomaraswamy’s ‘Traditional’ idealism to Cage’s radical epistemological realism demonstrates the extent of the lack of congruity between the two thinkers. In a second chapter on Coomaraswamy, the extent of the differences between Cage and Coomaraswamy are revealed through investigating their differing approaches to rasa , the Renaissance, tradition, ‘art and life’, and museums. -
October 2008
Wiyo t Tribe 1000 W iyot Dr. Loleta, CA 95551 Phone: 707-733-5055 Fax: 707- 733-5601 Email: wiyot@ wiyo t.us Wiyot News Volume 11, 08 NovemberApril 2008 2008 Edited by Linda C . Woodin Wiyot Tribe 1000 Wiyot Drive, Loleta CA 95551 (707) 733-5055 www.wiyot.us served in Afghanistan and Iraq. Inside this issue: Vote We don’t want to honor them as a group, but as individuals. For each Of Interest 2 Vote who put his or her life on the line, it was a very personal experience. For Cultural From the Ground Up 4 Vote those recovering from the effects of Language 6 war, it is very much an individual ex- November 4th, 2008 Environment Around Us 8 perience. News and Notes from Social 11 Our veterans today are the every- Services Once again it’s time for the Ameri- day men and women. We know them Boys & Girls Club Calendar 13 can people to have their voice heard in as friends, neighbors, relatives, and co- the Presidential Election of 2008. En- workers. They have Tribal Calendar courage people you come into contact persevered and 15 with to register to vote, talk about the strengthened our country with their issues and become informed. sacrifices and con- The issues before us are many: the tributions many of which were beyond war in Iraq, Social Security monies, duty’s call. Veterans are our finest citi- health care for the millions of people zens. As we honor them, we also who have none, energy and the think about their successors, those never ending search for oil, the wild who are fighting to defend our free- government spending, and how to deal dom at home and abroad. -
Pacific Pastoralism: Ancient Poetics & The
PACIFIC PASTORALISM: ANCIENT POETICS & THE DECONSTRUCTION OF AMERICAN PARADISE A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AMERICAN STUDIES MAY 2014 By Travis D. Hancock Thesis Committee: Joseph Stanton (Chairperson) Brandy Nalani McDougall Robert Perkinson Keywords: Pastoral, Paradise, Pacific Islands, Hawai‘i, Herman Melville, Charles Warren Stoddard, Mark Twain, Theocritus, Longus ABSTRACT: This aim of this thesis is to deconstruct the etymology of the word “paradise” within the context of early Pacific narratives by popular American authors, and then within today’s tourist propaganda. Fundamental to that process is the imagination of “Pacific Pastoralism,” in which the pastoral tradition is considered as a predecessor to American traditions of describing the landscapes and peoples of the Pacific region, as those descriptions fueled an economy forcibly mapped onto that space. Herein texts are analyzed via close-reading comparisons, historical research, and more lyrical methods such as rhetorical stargazing, echolocation, and narrative technique. While this thesis is indebted to scholars in the fields of American Studies and English literature, it attempts to open space for Pacific Island Studies to epistemologically counter its cultural materialist claims. In total, this thesis is a critique of tourist marketing, which was ferried from antiquity to the Pacific on wooden ships, and today renders beaches little more than golf course sand-traps. Table of contents: 0. Pacific Pastoralism…………………………………………….. 1 1. Land-ho! Longus & Melville……………………………….. 14 2. Man-ho! Theocritus & Stoddard………………………….. 35 3. World-ho! Mark Twain & Literary Cartography…. -
Hillary Clinton and the Order of Illuminati in Her Quest for the Office of the President
Exclusive: Hillary Clinton and the Order of Illuminati in her quest for the Office of the President Exclusive: Hillary Clinton and the Order of Illuminati in her quest for the Office of the President “G is Grace, the Flaming Star is the Torch of Reason. Those who possess this knowledge are indeed Illuminati.”Adam Weishaupt "The doctrine of Satanism is a heresy; and the true and pure philosophic religion is the belief in Lucifer... but Lucifer, God of Light... is struggling for humanity against Adonay”Albert Pike Fast Fact on Belizean Grove NY Times reports that (at lest some members) of Belizean ✔ The Organization is the extension Grove work on special project. They want to put a woman of infamous Behemian Club. in the Office of U.S President. The project name is : White House Project. ✔ It's secret society club for women only. In contrast to it's main headquarters and mother ✔ They meet in January or February organization, Bohemian Club they have a web ✔ 125 in number site(belizeangrove.org ). Bohemian Club meets every year ✔ They call themselves: grovers on basically one campground called Bohemian Grove situated in California. Belizean Grove meets in US but also ✔ They consist of women, C.E.O's of in some countries of South America and members come big companies from America, Canada, South America, Iceland and New ✔ NY Times list companies like Santa Zealand. Fe Group, Circle Financial Group, PartnerCom,LearnVest, Accel Partners, Syncplicity, Bohemian Club/Grove meaning WomenCorporateDirectors, Xerox, Procter & Gamble, NYSE Bohemia was bounded by Bavaria (Bavarian Euronext,Temin & Company, Illuminati).Bohemian can have two meanings, a gypsy of Goldman Sachs, Nasdaq, society or shows connection to the Kingdom of Bohemia.