Right Arm Resource Update

Total Page:16

File Type:pdf, Size:1020Kb

Right Arm Resource Update RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 11/20/2019 Pinegrove “Phase” The first single from Marigold, in stores 1/17 Added early at WRLT, Music Choice, WCLX, WFIV, WBJB, WJCU, WYCE, XM Loft “Pinegrove continues to make introspective and energetic songs... a song about gratitude in the face of chaos.” - NPR National tour in Feburary Over 95 million total artist streams in the US Watch the video on my site - added to MTV Spankin’ New Music Devon Gilfillian “Unchained” From his debut album Black Hole Rainbow, in stores 1/10 Mediabase 40*, BDS Monitored Debut 34*, Indicator Debut 26*! Over 60 stations on board already! New: KBCO, WRNR, WXRV, WRLT, KCMP, KCSN, KXT, WFPK, WTMD, WCLZ, WNCS... Already on: WFUV, WPYA, WXPN, WXPK, KJAC, KTBG, KVOQ, WERS, WZEW, KPND, WNRN, WYEP... On tour with Grace Potter in Jan/Feb Dan Luke and the Raid “Fool” The first single from their New West debut Out of The Blue, out now New this week: Music Choice, WFPK, KSMF Already on: WTMD, WCLX, WFIV, WYCE, WFHB Just wrapped up a run of dates with Starcrawler then Seratones “Ready to stake their own claim as the next big thing from Bowling Green.” - FLOOD Dan’s brothers are Matt and Brad from Cage The Elephant G. Love “Go Crazy” (feat. Keb’ Mo’) The first single from The Juice, produced by Keb’ Mo’, in stores 1/17 BDS Indicator 24*, JBE Tracks 29, JBE Public 48*! New: WWCT, WCOO, KYMK ON: WRNR, Music Choice, WRLT, WXPN, WFPK, KPND, WCLX, WDST, KJAC, WYEP, KBAC, KMTN, KRML, KVYN, KMMS... “A party jam for our troubled times” - G. Love on the track The album also features Robert Randolph, Marcus King and more That Dog. “If You Just Didn’t Do It” / “Just The Way” Two options for radio from their new album Old LP, out now This is their first album in 22 years, following a string of releases on Geffen in the 90s The video for “Just The Way” features Jack Black and Maya Rudolph in a spoof of Three’s Company New: WCLX, KSLU, WERU Already on WFPK, WFIV, WYCE, KRVM ‘If You Just Didn’t Do It’ picked as a Rolling Stone “Songs You Need To Know” Jesse Malin “Chemical Heart” The new single from Sunset Kids, produced by Lucinda Williams ON: KJAC, WTMD, WDST, WEXT, KNBA, WBJB, WCLX, WFIV, KRVM, WMWV “Four stars... a celebration of survival that finds the New York City hardcore troubadour reflecting on life’s precious and fleeting moments.” - Rolling Stone More tour dates in December with more shows announcing soon Watch the video on my site Vampire Weekend “Sunflower” (feat. Steve Lacy) The third single from Father Of The Bride THREE GRAMMY NOMINATIONS! Album Of The Year, Best Alt Album, Best Rock Song (Harmony Hall) BDS New & Active, Mediabase Alternative 45*! New: WCLZ, WCNR, WOCM, WUSM ON: WRLT, KCMP, Music Choice, WXRV, WNCS, WRNR, WPYA, WFUV, WYEP, WERS, KJAC, KVNA, KTBG, WRSI, WJCU, WXCT, KVOQ, WDST... World tour returns to the US in May Saint Motel “Van Horn” The first single from their EP, The Original Motion Picture Soundtrack: Pt. 1, out now Mediabase 34*, BDS Monitored 33*, Indicator 22*, Mediabase Alt 35*! New: KSPN, KMMS, WZLO, WBSD ON: WXRV, WRNR, WRLT, KRVB, WNCS, WXPK, WPYA, WQKL, Music Choice, WYEP, KJAC, WZEW, KPND, WDST, WCLX, WXCT... 2020 World Tour US dates: 1/24 Orange County, 1/25 San Diego, 1/26 Phoenix, 1/28 Dallas, 1/31 Austin, 2/1 Houston... Mary Bridget Davies “The Right Of Way” From her album Stay With Me: The Reimagined Songs of Jerry Ragovoy, due in 2020 ON: WCLX, WFIV, WYCE, WCBE, KFMG, MSPR, WERU Mary Bridget is a Tony Award nominee for playing Janis Joplin in A Night With Janis Joplin, and has been on tour in that role The late Jerry Ragovoy wrote “Piece Of My Heart” and many others for Janis Joplin and “Time Is On My Side” for the Stones Karl Denson’s Tiny Universe “Something Sweet” The new single from Gnomes & Badgers, out now New: WFPK ON: KCSN, WNRN, WCLX, KBAC, KYSL, WMWV, WYCE, WFIV, WEXT, KMTN, WCLY, WOCM, WBJB, KUWR, KSLU, KRVM, WHRV Toured this month with Thievery Corporation Initial 2020 dates announced Karl spent the summer touring as the saxophone player for The Rolling Stones Relix premiered the official video - watch it on my site now Beth Hart “Bad Woman Blues” The first single from War In My Mind, out now BDS Indicator #30, JBE Tracks #30, Public #21! ON: WRLT, Music Choice, KVNA, KPND, WTMD, KRSH, WAPS, KTBG, WDST, WCLY, WCBE, WEXT, KYSL, WSGE, KROK, KTAO, WOCM, WFIV, WMWV, WCLX, KNBA, KMTN... “Think Janis Joplin meets Etta James” - Mojo Magazine Great sales! Produced by Rob Cavallo (Dave Matthews Band, Green Day) Chadwick Stokes & The Pintos “Hit The Bell With Your Elbow” The first single from his self-titled third solo album, out now New: KBAC, WYCE ON: KJAC, WDST, KRSH, WEXT, WCBE, WFIV, WBJB, WCLX, KMTN, KYSL, WMVY, KNBA, KRML, WJCU, WNCW, WFHB... Chad is also the frontman for Dispatch Tour: 12/4 Holyoke MA, 12/6 NYC, 12/7 Philadelphia, 12/8 DC, 12/10 Ann Arbor, 12/11 Kalamazoo, 12/13 Chicago, 12/14 St. Louis, 12/15 Nashville... Chelsea Cutler & Jeremy Zucker “You Were Good To Me” From their ep brent, out now ON: Music Choice, WZEW, WCOO, KRSH, WCLX, WFIV, WAPS, KYMK, WYCE, WCBE This is a streaming monster, with over 90 million across the board and over 61 million on Spotify alone - gaining around 400K per day “The song is affectingly wrought with the ambivalent agony of leaving someone when it’s not the easy thing to do.”- Paper Magazine Grace Potter “Love Is Love” From Daylight, out now Mediabase #16, BDS Monitored #15, Indicator #4, JBE Public 6*! ON: KGSR, WXRV, KRVB, CIDR, WMMM, WNCS, WRLT, WXPN, WFUV, KCSN, WFPK, KTBG, WRNR, WXPK, WTMD, KXT, WRSI, WYEP, WAPS, WPYA, KVNA, WCLZ, WERS, WQKL, Music Choice... Played on Jimmy Kimmel Live and CBS Saturday Morning this month Extensive headlining tour kicks off in January and runs through March Big Thief “Not” The first single from Two Hands, out now FMQB Public 29*! New: WMNF, WNCW ON: KCMP, WFUV, WFPK, WAPS, WYEP, WYMS, KEXP, Music Choice, KVOQ, WFIV, WCBE, WYCE, WRSI, WCLX, KCLC, WKZE, XM Loft... “A towering statement from a group constantly leapfrogging over themselves.” - Pitchfork “The song is a fan favorite at Big Thief’s live shows, but the studio recording is stunning.” - UPROXX Grammy Nominated: Best Alt Album (UFOF) White Reaper “Might Be Right” From their Elektra debut You Deserve Love, out now Mediabase 7*, BDS Monitored 6*, Indicator 8*, JBE Tracks 5*, Public 22*, Mediabase Alt 11*! ON: Sirius Spectrum, WXRT, KBCO, KGSR, WTTS, WXRV, WMMM, WRLT, KINK, KRVB, WRNR, CIDR, WQKL, KCMP, KCSN, KXT, WXPK, WFUV, WFPK, Music Choice... “A jubilant storm of tight pop rock that’s indebted to the previous generation, but not derivative.” - Consequence of Sound Pete Yorn “Calm Down” From Caretakers, out now Mediabase 4* and heading to #1, BDS Monitored 11*, Indicator #10, JBE Public 35*! New: WJCU, KNBA, WUMB ON: Sirius, WXRT, KGSR, KBCO, WTTS, KRVB, WXRV, WRLT, WRNR, WMMM, WQKL, KINK, WFUV, KCMP, WXPN, KCSN, KXT, WPYA, Music Choice, WNCS, WAPS, WXPK, KUTX, KVNA, KVOQ, WTMD, WCLZ... Full band tour through December Just played on The Tonight Show Chad Stokes talks politics, activism and music with the Boston Herald “Many of the songs on Chad Stokes new album, “Chadwick Stokes & the Pintos,” came together before the last presidential election. That can be hard to believe considering the political tone of the record. A dreamy dub wash of a song, “What’s It Going To Take” cries out at the epidemic of gun violence. A tribute to 38 Dakota men killed in a mass execution in 1862, “Chaska” reminds us of our history of state-sanctioned genocide. “Love and War” speaks of the trauma service men and women carry through life; “Blanket on the Moon” examines America’s immigration policy. “Every song I write is about our relationship with each other,” Stokes said. “And that is politics. So while I am writing about stories that I read about or experience that hit home, these micro stories can be about the macro.” It’s heavy stuff. And the love songs on the album only provide short breaks from the intensity. “I did have a sense, as an album, it needed a couple short, raw, love songs that would invite people further in,” he said. Stokes began his career in Boston-based Dispatch in the mid ’90s. A trio of hippies who looked to Bob Marley, Joe Strummer and Woody Guthrie during the heyday of grunge and hip-hop, Dispatch laid the groundwork for Stoke’s aesthetic and activism (the band’s early reunion concerts raised thousands for charity and incorporated fan service projects). Through 20 years, Stokes has continually tried to be an ally to the oppressed (see the album’s feminist anthem “Joan of Arc”). Right now that means pairing the Pintos’ release with a campaign to combat sexual harassment and assault at music venues through Calling All Crows, a social activist organization founded by Stokes and his wife, Sybil. The 12th annual benefit for Calling All Crows will be Dec. 21 at House of Blues. Now a husband and father, Stokes has constraints on his time that didn’t exist in the Dispatch-takes-the-country-by-van days. But somehow he has become even more prolific.
Recommended publications
  • Western Herald – SATURDAY: Jeremy Porter & the Tucos Bring
    Western Herald – SATURDAY: Jeremy Porter & the Tucos bring unique genre blend to Kalamazoo http://www.westernherald.com/arts-and-entertainment/saturday-jeremy-porter-the-tucos-bring-unique-genre-blend-to- kalamaz oo/ March 16, 2013 Craig Manning A&E Editor Growing up in Marquette, Mich., Jeremy Porter was probably one of those guys who spent as much time listening to the radio and spinning records on the turntable as he did hitting the books. At 16, he helped launch one of the Upper Peninsula’s first punk bands —called The Regulars—and instead of making curfew on Thursday nights, he spent them hanging out in ‘juice joints,’ cranking the amplifiers to capacity and, as his bio says, learning “what a rock bar smells like.” But while Porter’s educators probably frowned on that sort of behavior, clearly Porter is getting the last laugh. The singer/songwriter—who transplanted to the Detroit area back in the 80s—built a new trio called the Tucos in 2010, recruiting Jason Bowes (bass) and Gabriel Doman (drums) as his back-up. Almost three years later, the trio has supported nationally-recognized acts like Jesse Malin & the St. Mark’s Social and Whitey Morgan & The 78’s and brought their unique blend of 70s power pop, 80s punk rock and 90s alt-country to bars and clubs all over the midwest. On Saturday night, the Tucos will hit the stage at Louie’s Trophy House in Kalamazoo to support their excellent new full-length, Partner in Crime. Porter’s influences are rich and varied, all manifesting themselves at some point during Partner in Crime’s 46-minute runtime.
    [Show full text]
  • The History of Rock Music - the 2000S
    The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were.
    [Show full text]
  • DAVID RYAN ADAMS C/O PAX-AM Hollywood CA 90028
    DAVID RYAN ADAMS c/o PAX-AM Hollywood CA 90028 COMPETENCIES & SKILLS Design and construction of PAX-AM studios in Los Angeles to serve as home of self-owned-and-operated PAX-AM label and home base for all things PAX-AM. Securing of numerous Grammy nominations with zero wins as recently as Best Rock Album for eponymous 2014 LP and Best Rock Song for that record's "Gimme Something Good," including 2011's Ashes & Fire, and going back all the way to 2002 for Gold and "New York, New York" among others. Production of albums for Jenny Lewis, La Sera, Fall Out Boy, Willie Nelson, Jesse Malin, and collaborations with Norah Jones, America, Cowboy Junkies, Beth Orton and many others. RELEVANT EXPERIENCE October 2015 - First music guest on The Daily Show with Trevor Noah; Opened Jimmy Kimmel Live's week of shows airing from New York, playing (of course) "Welcome To New York" from 1989, the song for song interpretation of Taylor Swift's album of the same name. September 2015 - 1989 released to equal measures of confusion and acclaim: "Ryan Adams transforms Taylor Swift's 1989 into a melancholy masterpiece... decidedly free of irony or shtick" (AV Club); "There's nothing ironic or tossed off about Adams' interpretations. By stripping all 13 tracks of their pony-stomp synths and high-gloss studio sheen, he reveals the bones of what are essentially timeless, genre-less songs... brings two divergent artists together in smart, unexpected ways, and somehow manages to reveal the best of both of them" (Entertainment Weekly); "Adams's version of '1989' is more earnest and, in its way, sincere and sentimental than the original" (The New Yorker); "the universality of great songwriting shines through" (Billboard).
    [Show full text]
  • W DFHFM 90.3 Airshift Playlist Rob Nico Saturday, January 21, 2006 2
    W DFHFM 90.3 Airshift Playlist Rob Nico Saturday, January 21, 2006 2 – 6pm Song Title Artist Album (The show begins with a solo song by A.C. Newman who is the leader of New Pornographers.) Miracle Drug A.C. Newman The Slow Wonder Sing Me Spanish Techno New Pornographers Twin Cinema Boom Like That Mark Knopfler Shangri-La Stand By Me John Lennon Rock ‘N’ Roll So It Goes Nick Lowe Pure Pop For Now People (How about a Belle and Sebastion song? By the way they’re going to be in NYC in March at the Nokia Theater and New Pornographers are opening for them. ) Step Into My Office, Baby Belle & Sebastion Dear Catastrophe Waitress Married With Children Oasis Definitely Maybe Christian St. Marah Kids In Philly Riding With The King BB King & Eric Clapton Riding With The King (The movie Elizabethtown’s soundtrack includes a deep cut from Elton John’s Tumbleweed Connection, My Father’s Gun, which is on deck.) My Father’s Gun Elton John Elizabethtown: Original Soundtrack Daniel Elton John To Be Continued… Whatever Gets You Through the John Lennon & Elton John Shaved Fish Night I Saw Her Standing There Elton John & John Lennon To Be Continued… (The story goes that John Lennon asked Elton John to guest on Whatever Gets You Through the Night. Elton agreed with the stipulation that if the song went to Number 1, John would have to appear on stage at one of Elton’s shows. Well, Whatever Gets You Through the Night reached the top of the charts on November 16, 1974 and John Lennon appeared with Elton John in concert at Madison Square Garden on Thanksgiving, November 28, 1974 and together sang the new #1 hit, Lucy in The Sky with Diamonds and I Saw Her Standing There (a number by his estranged fiancé, Paul).
    [Show full text]
  • Its Worst Christmas in Years 5 Holiday Sales Strategie
    JIMMY IVINE ON U2, YOUTUBE AND WHEN TO EXPECT DRE DAY >P.16 BRANDY'S BIG COMEBACK >P.37 DR PEPPER'S GUNS N' ROSES PROMOTION GOES FLAT >P.6 COMMON'S `MIND' GAMES >P.38 WHAT THE MUSIC BIZ CAN LEARN FROM OBAMA >P.8 EXPERIENCE THE BUZZ BLACKEST FR Why Physical Retail Expects Its Worst Christmas In Years DECEMBER 6, 2008 www.billboard.com PLUS. www.billboard.biz US $6.99 CAN $8.99 UK £5.50 Fore SCII 3 -DIGIT 907 The Season's Digital i EENCTCC 000/004 120193NBB /CB /9AMAR10 001 A04 Look Next Year's Hit II1I11II111I11I1II111_111_111_1111111111111111111111 A At 0012 MONTY GRBBNLY i A 3740 ELM AVE 000880 5 Holiday Sales Strategie LONG BEACH CA 90807 -3402 www.americanradiohistory.com LOEB& LOEB LLP PPESENTS B J music& money S Y M P O S I U M March 5, 2009 St. Regis, New York City CONNECT WITH THE DEALMAKERS DRIVING THE MUSIC BUSINESS Now in its 8th year, this one -day event brings TOPICS INCLUDE: together the best minds from the music, legal, Investing in Online Music Start -Ups financial and Wall Street communities for an in -depth Working with Consumer Brands examination of the financial realities with which the Trends in Venture Capital and Private Equity music industry is contending. Mobile Music Applications Music Publishing M &A Join Billboard and today's most important entertainment Behind the Scenes: Case Studies executives for compelling keynote interviews, informative panel sessions, networking receptions and more. CONFIRMED SPEAKERS: Roger Faxon, Chairman /CEO, EMI Music Publishing Scott Sperling, Co- President, Thomas H.
    [Show full text]
  • Adam Deitch Quartet - Egyptian Secrets
    Adam Deitch Quartet - Egyptian Secrets Adam Wakefield - Gods & Ghosts Adrian Quesada - Look at My Soul: The Latin Shade of Texas Soul Ages and Ages - Me You They We Alexa Rose - Medicine for Living Alfred Serge IV - Sleepless Journey Alice Wallace - Into the Blue Allah-Las - Lahs Allison deGroot & Tatiana Hargreaves - Allison deGroot & Tatiana Hargreaves Allison Moorer - Blood Altin Gun - Gece Amanda Anne Platt & The Honeycutters - Live at the Grey Eagle Amy LaVere - Painting Blue Amy McCarley - Meco Anders Osborne - Buddha and the Blues Andrew Bird - My Finest Work Yet Andrew Combs - Ideal Man Andy Bassford - The Harder They Strum Andy Statman - Monroe Bus Andy Thorn - Frontiers Like These Angelique Kidjo - Celia Angie McMahon - Salt Arlen Roth - TeleMasters Armchair Boogie - What Does Time Care? Austin Plaine - Stratford Aubrey Eisenman and The Clydes - Bowerbird Avery R. Young - Tubman Avett Brothers - Closer Than Together Aymee Nuviola - A Journey Through Cuban Music Bad Popes - Still Running Balsam Range - Aeonic Bayonics - Resilience BB King Blues Band - The Soul of the King Beatific - The Sunshine EP Bedouine - Bird Songs of a Killjoy Ben Dickey - A Glimmer On the Outskirts Beth Bombara - Evergreen Beth Wood - The Long Road Better Oblivion Community Center - Phoebe Bridgers & Conor Oberst Big Band of Brothers - A Jazz Celebration of the Allman Brothers Band Big Thief - Two Hands Bill Noonan - Catawba City Blues Billy Strings - Home Black Belt Eagle Scout - At the Party With My Brown Friends Black Joe Lewis & The Honeybears - The Difference Between Me & You Black Keys - Let's Rock Blue Highway - Somewhere Far Away Blue Moon Rising - After All This Time Bobby Rush - Sitting On Top of the Blues Bombadil - Beautiful Country Bon Iver - I, I Bonnie Bishop - The Walk Brittany Howard - Jaime Brother Oliver - Well, Hell Bruce Cockburn - Crowing Ignites Bruce Hornsby - Absolute Zero Buddy & Julie Miller - Breakdown on 20th Ave.
    [Show full text]
  • Alt-Nation: Everything Is New
    Alt-Nation: Everything is New D Generation – Nothing Is Anywhere (Bastard Basement Records) D Generation return after 17-year hiatus since their last album, Through The Darkness, with Nothing Is Anywhere to serve up another gritty platter of rock ‘n’ roll from the bowels of Avenue A. On Thru The Darkness, D Generation dealt with the Rudy Giuliani-led Disney gentrification of New York City while the band was becoming in disarray, trapped in music business purgatory. Flash forward to 2016 where the hedge fund brigade has taken over New York City and rage is something one buys at Hot Topic. Nothing Is Anywhere kicks off with a nostalgia stomp-back reflecting back to a ’90s circus of freaks hanging out on a Tuesday night in “Queens of A.” The autobiographical anthem “Apocalypse Kids” channels hardcore sing-a-long swooping choruses in the most Cheap Trick way possible with all the “perfect imperfections” intact. Nothing Is Anywhere is no nostalgia go-cart as “20th Century Blues” has the swagger of a T-Rex chopping on The Hellacopters begging for change on the Bowery. “Militant” launches into a hardcore rage while defiantly ending with “you can’t touch my soul.” The infectious “Rich Kids” would be enough to make me actually heart radio if their DJs actually played it. “Piece of the Action” is an observation of the stark reality of looking out over the wealthy migrants who have come to New York looking for something that isn’t theirs. The reason why D Generation with their dirty Lower East Side Faces meets Dead Boys riffs and singer Jesse Malin’s clever turn of the lyrics matters is because Nothing Is Anywhere is raw and the real deal.
    [Show full text]
  • Is This Jazz?: an Interview with Leland Baker,Jazz Insights: David Wallis Reeves,Music in the Sky: Rooftop at Providence G Is Ho
    Rock ‘n’ Roll Villains: Ravi Shavi unleash Special Hazards On their third full-length release, Special Hazards, Ravi Shavi unleash a collection of 14 songs chock full of grooves, trashy surf and classic pop. Gems like “Going Going Gone” come off like a letter to an old flame with singer/guitarist Rafay Rashid asking, “How’s the city, how’s your mom, do you still have a car, have you taken your pills, have you smoken a joint?” The wistful chorus features backing vocals from Roz Raskin. One of the older songs in Ravi Shavi’s repertoire, “Is It True,” is a sunny burst of classic pop buttressed by backing vocals from Raskin as well as Kate Jones and Emily Shaw of The Sugar Honey Iced Tea. “High Hopes” has a Cramps-style guitar-from-the-gutter stomp with a guest appearance by Ian O’Neil of Deer Tick. O’Neil also appears on “Violence,” which has an early 2000s alternative rock flavor. “Absent Minded Fool” is a lament with the feel of a cool flamenco guitar gone wrong. The final track, “Casino,” is my favorite with its eerily seductive lyrics like, “Why don’t you take a gamble, I’ll be your casino,” floating like smoke through the air over a funky garage backbeat. Special Hazards is available now on Ravi Shavi’s Bandcamp page with physical copies on vinyl and CD coming later this year. I spoke with Rafay Rashid to discuss pandemic living, how he and guitarist Nick Politelli write, and the villainous undercurrent flowing through Special Hazards.
    [Show full text]
  • The History of American Punk Rock 1980 – 1986
    THE HISTORY OF AMERICAN PUNK ROCK 1980 – 1986 A documentary film by Paul Rachman Inspired by the book American Hardcore: A Tribal History by Steven Blush A SONY PICTURES CLASSICS RELEASE East Coast Publicity: West Coast Publicity: Distributor: Falo Ink. Block Korenbrot Sony Pictures Classics Shannon Treusch Melody Korenbrot Carmelo Pirrone Betsy Rudnick Lisa Danna Angela Gresham 850 7th Ave, Suite 1005 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-445-7100 tel 323-634-7001 tel 212-833-8833 tel 212-445-0623 fax 323-634-7030 fax 212-833-8844 fax Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com SYNOPSIS Generally unheralded at the time, the early 1980s hardcore punk rock scene gave birth to much of the rock music and culture that followed. There would be no Nirvana, Beastie Boys or Red Hot Chili Peppers were it not for hardcore pioneers such as Black Flag, Bad Brains and Minor Threat. Hardcore was more than music—it was a social movement created by Reagan-era misfit kids. The participants constituted a tribe unto themselves—some finding a voice, others an escape in the hard-edged music. And while some sought a better world, others were just angry and wanted to raise hell. AMERICAN HARDCORE traces this lost subculture, from its early roots in 1980 to its extinction in 1986. Page 2 ABOUT THE PRODUCTION Paul Rachman and Steven Blush met through the hardcore punk rock scene in the early 1980s. Steven promoted shows in Washington, DC, and Paul directed the first music videos for bands like Bad Brains and Gang Green.
    [Show full text]
  • “Gypsy Punks”: the Performance of Real and Imagined Cultural Identities Within a Transnational Migrant Group
    Journal of Popular Music Studies, Volume 24, Issue 1, Pages 3–24 Russian Jews and “Gypsy Punks”: The Performance of Real and Imagined Cultural Identities within a Transnational Migrant Group Rebecca Jablonsky New York University Introduction This article will discuss the implications of the construction of cultural space among Russian Jews in New York City and the narratives employed to collectively produce and claim this space, particularly the repeated notion of being without a “home” or “place.” Analysis of these narratives will address the uniqueness of Russian Jewish identity and the historical factors that contributed to the isolation of Russian Jews in their homeland and in New York.Special attention will be paid to physical Russian Jewish spaces, considering these spaces as mediating agents in constructing cultural identity, as well the role of the music scene as it relates to cultural cohesion. This focus is drawn from communications scholar David Morley’s assertion that media technologies tend to “transport the individual or small family group to destinations (physical, symbolic or imaginary) well beyond the confines of home or neighborhood, combining privacy with mobility” (149). Considering Russian Jews as a highly mobile group that centers on the exclusion of others, inclusion manifests itself through the construction of, and participation in, spaces that represent their physical and imagined communities. Using historical and theoretical research, a literature review, ethnographic techniques, interviews, analyses of songs and media, and the presentation of personally recorded media, Russian Jewish identity and alienation will be used as a means of understanding the “gypsy punk” movement that has emerged in the popular New York City nightclub, Mehanata, also known as “The Bulgarian Bar.” The rising fame of the self- proclaimed gypsy punk band Gogol Bordello will be considered, along with the textual, audio, and visual media that presents this scene to participants.
    [Show full text]
  • August 13, 2019 Big Thief Announce New Album, Two Hands, Due
    August 13, 2019 For Immediate Release BIG THIEF ANNOUNCE NEW ALBUM, TWO HANDS, DUE ​ ​ OCTOBER 11TH VIA 4AD, AND PRESENT LEAD SINGLE, “NOT” CATCH THEM ON TOUR THIS FALL Two Hands Cover Artwork ​ Big Thief are pleased to announce their new album, Two Hands, due October 11th via ​ ​ ​ ​ 4AD, and present its lead single, “Not.” The band had only just finished work on their ​ ​ ​ 3rd album, U.F.O.F. -“the celestial twin”- days before in a cabin studio in the woods of ​ ​ ​ Washington State. Now it was time to birth U.F.O.F.’s sister album -“the earth twin”- ​ ​ Two Hands. 30 miles west of El Paso, surrounded by 3,000 acres of pecan orchards and ​ only a stone’s throw from the Mexican border, Big Thief (a.k.a. Adrianne Lenker, Buck ​ ​ ​ Meek, Max Oleartchik, and James Krivchenia) set up their instruments as close ​ ​ ​ ​ ​ together as possible to capture their most important collection of songs yet. Where U.F.O.F. layered mysterious sounds and effects for levitation, Two Hands grounds itself ​ ​ ​ on dried-out, cracked desert dirt. In sharp contrast to the wet environment of the U.F.O.F. session, the southwestern ​ ​ Sonic Ranch studio was chosen for its vast desert location. The 105-degree weather ​ boiled away any clinging memories of the green trees and wet air of the previous session. Two Hands had to be completely different— an album about the Earth and the ​ ​ bones beneath it. The songs were recorded live with almost no overdubs. All but two ​ ​ songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever.
    [Show full text]
  • Catfish and the Bottlemen
    RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 9/11/2019 Big Thief “Not” The first single from Two Hands, in stores October 11 New: WFUV, WFIV, WCBE, KDEC, WERU ON: KCMP, WFPK, WYMS, KEXP, KVOQ, WYCE, WRSI, KRCL “A towering statement from a group constantly leapfrogging over themselves.” - Pitchfork “The song is a fan favorite at Big Thief’s live shows, but the studio recording is stunning.” - UPROXX On tour this fall Lots of press TBA Robbie Robertson “Let Love Reign” (w/Glen Hansard) The official single from Sinematic, in stores September 20 New: WAPS, KYSL, WCBE, KXCI, KDTR, KAXE ON: WFPK, WEHM, WCLX, KOZT, WYCE, WFIV, WMVY, KSUT, WBJB, WMWV, KMMS, KPIG, KROK, KDEC and more Inspired by the peace ideals of John Lennon “There was something a little naive about John Lennon going around singing about peace, but in that period young people celebrating love and peace helped end a war.” - Robbie Grace Potter “Love Is Love” From her new album Daylight, out 10/25 Mediabase 33*, BDS Monitored 23*, Indicator 19*, FMQB Public 21*! Most Added AGAIN! New: WXRV, WRSI, WYEP, KYMK, KBAC, WBZS, KRML... Already on: KGSR, KRVB, WNCS, WRLT, WXPN, WFUV, KCSN, WFPK, KTBG, WRNR, WXPK, WTMD, KXT, WAPS, WPYA, KVNA, WCLZ, WERS, WWCT, Music Choice... Produced by her husband, Eric Valentine Tour announcing soon Trigger Hippy “Don’t Wanna Bring You Down” The first single from Full Circle & Then Some, in stores 10/11 Already on: WRLT, KVNA, KPND, WCLX, WCLY, WYCE, KYSL,
    [Show full text]