MXF Archive and Preservation Format Registered Disclosure Document
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Product Owner's Manual Commercial Products Treadmills: • 946I •956I
Product Owner's Manual Commercial Products Treadmills: • 946i •956i • 966i CALORIES HEART RATE 123 Ellipticals: SmartRate •EFX546i WARMUP FATBURN CARDIO PEAK HIGH 456 •EFX556i 789 PROGRAMS HEART CLEAR 0 ENTER • EFX576i MANUAL RATE Before beginning any fitness program, see your physician for a thorough physical INTERVAL WEIGHT LOSS examination. Seek advice from your physician to learn the target heart rate appropriate for your fitness level. Do not allow children or those unfamiliar with its operation on or Cycle: near this equipment. Read the product owner's manual or consult a qualified instructor before operating this VARIETY PERFORMANCE equipment. Improper use of this equipment can result in serious injury. If you feel pain, faintness, or dizziness, • 846i stop exercising immediately. Climber: BACK OPTIONS OK •776i TIME PAUSE/ RESET QUICK START Important Safety Instructions Important: Save these instructions for future reference. Safety Precautions Read all instructions in the documentation provided with your exercise equipment, including all assembly guides, user guides, Always follow basic safety precautions when using this equipment and owner’s manuals, before installation of this device. to reduce the chance of injury, fire, or damage. Other sections in this manual provide more details of safety features. Be sure to read Note: This product is intended for commercial use. these sections and observe all safety notices. These precautions The display apparatus (hereinafter referred to as the console) is include the following: intended to be shipped with new Precor exercise equipment Read all instructions in this guide before installing and using the (hereinafter referred to as the base unit). It is not packaged for equipment and follow any labels on the equipment. -
Delivery Specifications for Commercials and Billboards
DELIVERY SPECIFICATIONS FOR COMMERCIALS AND BILLBOARDS 1. General This document covers the technical requirements for commercials and billboards commissioned in High Definition (HD) which are to be transmitted by the broadcaster. The broadcaster offers the option of electronic delivery by means of transferring computer files via the Internet, further described in section 3. A submission always consists of two files: the file containing image and audio data, and a file containing metadata. Next to this document, the General Terms and Conditions and Sales Restrictions must be accepted by the supplier. If the requirements included in this document are not fulfilled, the broadcaster retains the right to refuse or adapt the received production. 2. Specifications for the computer file The content is packaged in an MXF file containing compressed image and audio data. The file must be delivered in MXF format using ‘Operational Pattern 1a’, which is specified in the following section. 2.1 References A submission must at least comply with the following standards and recommendations: SMPTE 377M-2009 Material Exchange Format (MXF) – File Format Specification. SMPTE 378M-2004 Material Exchange Format (MXF) – Operational pattern 1A. (Single Item, Single Package) SMPTE 379M-2010 Material Exchange Format (MXF) – MXF Generic Container. SMPTE 381M-2005 Material Exchange Format (MXF) – Mapping MPEG Streams into the MXF Generic Container. SMPTE 382M-2007 Material Exchange Format – Mapping AES3 and Broadcast Wave Audio into the MXF Generic Container. ITU-R BT.709-5-2004 Parameter values for the HDTV standards for production and international program exchange. ITU-R BT.1702-2005 Guidance for the reduction of photosensitive epileptic seizures caused by television. -
Creating 4K/UHD Content Poster
Creating 4K/UHD Content Colorimetry Image Format / SMPTE Standards Figure A2. Using a Table B1: SMPTE Standards The television color specification is based on standards defined by the CIE (Commission 100% color bar signal Square Division separates the image into quad links for distribution. to show conversion Internationale de L’Éclairage) in 1931. The CIE specified an idealized set of primary XYZ SMPTE Standards of RGB levels from UHDTV 1: 3840x2160 (4x1920x1080) tristimulus values. This set is a group of all-positive values converted from R’G’B’ where 700 mv (100%) to ST 125 SDTV Component Video Signal Coding for 4:4:4 and 4:2:2 for 13.5 MHz and 18 MHz Systems 0mv (0%) for each ST 240 Television – 1125-Line High-Definition Production Systems – Signal Parameters Y is proportional to the luminance of the additive mix. This specification is used as the color component with a color bar split ST 259 Television – SDTV Digital Signal/Data – Serial Digital Interface basis for color within 4K/UHDTV1 that supports both ITU-R BT.709 and BT2020. 2020 field BT.2020 and ST 272 Television – Formatting AES/EBU Audio and Auxiliary Data into Digital Video Ancillary Data Space BT.709 test signal. ST 274 Television – 1920 x 1080 Image Sample Structure, Digital Representation and Digital Timing Reference Sequences for The WFM8300 was Table A1: Illuminant (Ill.) Value Multiple Picture Rates 709 configured for Source X / Y BT.709 colorimetry ST 296 1280 x 720 Progressive Image 4:2:2 and 4:4:4 Sample Structure – Analog & Digital Representation & Analog Interface as shown in the video ST 299-0/1/2 24-Bit Digital Audio Format for SMPTE Bit-Serial Interfaces at 1.5 Gb/s and 3 Gb/s – Document Suite Illuminant A: Tungsten Filament Lamp, 2854°K x = 0.4476 y = 0.4075 session display. -
MXF Application Specification for Archiving and Preservation
AS-AP MXF Archive and Preservation DRAFT FADGI Application Specification AS-AP MXF Archive and Preservation August 15, 2011 (rev 1h) Document Status This document-in-progress is being drafted by the Audio-Visual Working Group of the Federal Agencies Digitization Guidelines Initiative (FADGI; http://www.digitizationguidelines.gov/audio-visual/). The Working Group will transmit a refined version of this MXF Application Specification for Archive and Preservation (AS-AP) for finalization and publication by the Advanced Media Workflow Association (AMWA). Finalization will also depend upon the resolution of some technical matters that are dependencies for this specification. These dependencies are highlighted in the explanatory notes within this specification and in the accompanying document Preservation Video File Format Issues and Considerations (http://www.digitizationguidelines.gov/audio-visual/documents/FADGI_MXF_ASAP_Issues_20110815.pdf). This document has been drafted in the style of other AMWA application specifications (http://www.amwa.tv/projects/application_specifications.shtml), has borrowed a number of features from AS- 03, and refers to AS-02. Since AS-02 has not been published at this writing, this document (especially Annex B) includes wording copied from draft versions of that specification. Executive Summary This document describes a vendor-neutral subset of the MXF file format to use for long-term archiving and preservation of moving image content and associated materials including audio, captions and metadata. Archive and Preservation and files (AS-AP files) may contain a single item, or an entire series of items. Various configurations of sets of AS-AP files are discussed in the Overview. AS-AP files are intended to be used in combination with external finding aids or catalog records. -
Type D-11 HDCAM Data Stream and AES3 Data Mapping Over SDTI
PROPOSED SMPTE 369M SMPTE STANDARD for Television ¾ Type D-11 HDCAM Data Stream and AES3 Data Mapping over SDTI Page 1 of 11 pages Table of contents 1 Scope 2 Normative references 3 General specifications 4 Header data 5 Payload data 6 AES3 data 7 Auxiliary data 8 EDH Annex A SDI and SDTI operation at 23.98… Hz) Annex B SDI and SDTI operation at 24 Hz) Annex C Bibliography 1 Scope This standard specifies the mapping of type D-11 HDCAM compressed picture data stream into the SDTI payload area (SMPTE 305.2M) together with the mapping of four channels of AES3 data and time code data into H-ANC packets. Type D-11 HDCAM compressed picture data stream mapping is defined for source coded picture rates of 24/1.001/P, 24/P, 25/P, 50-I, 30/1.001/P, and 60/1.001. For the transmission of compressed picture data coded at source picture rates of 25/P and 50/I, the SDTI interface operates at a frame rate of 25 Hz. For the transmission of compressed picture data coded at source picture rates of 30/1.001P and 60/1.001I, the SDTI interface operates at a frame rate of 30/1.001 Hz. The transmission of compressed picture data coded at the source picture rates of 24/1.001/P and 24/P require the SDTI interface to operate at frame rates of 24/1.001 Hz and 24 Hz with the parameters defined in normative annex A and annex B of this standard. -
DIGITAL PROJECTOR Features Specifications Native 1080P (1920X1080) Resolution 4000 ANSI Lumens; 3000:1 Contrast Ratio LAN Contro
DIGITAL PROJECTOR SH910 F U L L H D 1080P Features Specifications Projection System DLP Native Resolution 1080P(1920 x 1080) Native 1080P (1920x1080) Resolution Brightness 4000 ANSI Lumens 4000 ANSI Lumens; 3000:1 Contrast Ratio Contrast Ratio 3000:1 Display Color 1.07 Billion Colors LAN Control/Display; USB Reader/Display Lens F=2.41-2.91, f=20.72-31mm 1.5x Big Zoom; Wireless Display (optional) Aspect Ratio Native 16:9 (5 aspect ratio selectable) Throw Ratio 1.4-2.1 (65”@ 6.65 ft) TM 20W Speaker; SRS WOW HD ; Mic Input Image Size Diagonal 24” ~ 300” Zoom Ratio 1.5:1 Lamp Type OSRAM 280W Lamp Life (Normal/Eco Mode) 2000/3000 hours Keystone Adjustment Manual Vertical +/- 20 degrees Projection Offset 167%±5% Resolution Support VGA (640x480) to WUXGA (1920x1200) Horizontal Frequency 31-90 kHz Vertical Scan Rate 48-85 Hz Compatibility HDTV Compatibility: 480i, 480p, 576i, 576p, 720p, 1080i, 1080p Video Compatibility: NTSC, PAL, SECAM Interface Computer In (D-Sub 15pin) x1 (shared with Component) Monitor Out (D-Sub 15 pin) x1 HDMI V1.3 x1 Composite Video In (RCA) x1 S-Video In (Mini DIN 4pin) x1 Component Video in (RCA) x1 Audio In (Mini Jack) x1 Audio L/R in (RCA) x1 Audio Out (Mini Jack) x1 Input and Output Terminals Microphone in (Mini Jack) x1 Speaker 10W x2 LAN (RJ-45) x1 (LAN Control & LAN Display) 1 2 3 4 5 6 7 8 9 10 USB (Type A) x1 (USB Reader & Keyboard/Mouse & Wireless Dongle) USB (Type B) x1 (Download & Page up/down) USB (Type Mini-B) x1 (USB Display) RS232 (DB-9Pin) x1 DC 12V Trigger (3.5mm Jack) x1 Dimensions (WxHxD) 13.35” x -
Vcube User Manual
Table of Contents Table of Contents Welcome 1 What's New in VCube 2? 2 VCube Overview 5 How to Update 6 VCube User Interface 7 Tool and Transport Bars 11 Tool Bar 12 Transport Bar 16 Quick Settings for SD and HD Video Formats 19 Quick Settings for SD 21 Quick Settings for HD 23 Control Pages 25 Files 26 VCube Compositions 29 OMF Compositions 32 AAF and Apple XML Compositions 34 Media Files 36 Import Composition and Export Changes 38 Import Layer 39 Convert Still Images 40 Locators 42 View 44 Clips Information 45 Shortcuts 49 Workspace 50 ii Table of Contents Edit 52 Main 53 Clips 54 Layers 56 Tracks 58 Settings 59 Presets 60 Formats & Synchro 62 Video I/O 67 Xena LS Plug-in 68 Xena LH Plug-in 70 Xena 2 Plug-in 72 Overlay 74 Preview 76 Composition 78 Disk & Network Cache Buffers 81 User Interface 82 Isis 83 Encryption 84 Media Settings 90 Timeline 91 Video Engine 92 Output View 93 Script View 95 Recording and Editing 96 Recording 97 Editing 103 Timeline 104 Editing Functions 106 Layer Controls 110 iii Table of Contents Motion Rectangles (PiP) 111 Selections and Groups 114 Watermark and Text 115 Watermark 116 Text Clip 117 Utility Clips 119 Countdown Clip 120 Wipe Clip 122 Video Test Patern Clip 123 Audio Tone Clip 124 Conforming and Reconforming 125 Conversions 134 Export 135 Convert Media Files 136 Render 140 Import Images Sequence 144 Media Wrapper 146 Frame Rate Management 147 Using the QuickTime File Format 148 Using the MXF File Format 150 Using the MPEG Codec 151 Basic Settings 153 Video Settings 154 Advanced Video Settings 157 Audio Settings 164 Multiplexer Settings 167 Synchronization 171 Connections for synchronization 174 iv Table of Contents The USB Sync Board Oprtion 175 USB Sync Board Installation 176 Specific Control Panels 177 Virtual Transport 180 Network 183 VCube Chasing Pyramix through Virtual Transport. -
Standards Quarterly Report March 2021
STANDARDS QUARTERLY REPORT MARCH 2021 Result of SMPTE® Technology Committee Meetings 08-11 March 2021 Copyright © 2020 by the Society of Motion Picture and Television Engineers ®, Inc. (SMPTE ®) - All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, with the express written permission of the publisher. Society of Media Professionals, Technologists and Engineers ® 445 Hamilton Avenue White Plains, NY 10601 USA www.smpte.org SMPTE® Standards Quarterly Report Executive Summary SMPTE Standards Committee Meetings 8-11 March 2021 Host: Online Meeting This Executive Summary lists the new projects this quarter and gives a high-level view of project developments. More information on the status of the 150 active projects can be found in the detailed account, after this summary. Nine SMPTE Technology Committees (TCs) and no subgroups scheduled meetings at this round (the subgroups normally meet by telecon, so their normal cadence was able to continue through the meeting week). 120 members attended by remote access over the four days. Documents published in the last quarter from the work of each TC are listed on this page. New Projects that Began in the Last Quarter TC Type Project (links to online project Approval Date (links statement; these may not be publicly to this report) available yet) File Formats and Revision ST 2094-2 KLV Encoding and MXF Not known Systems Mapping File Formats and New Standard ST 2127-1 Mapping NGA Signals into Not Known Systems the -
Avid Media Composer and Film Composer Input and Output Guide • Part 0130-04531-01 Rev
Avid® Media Composer® and Film Composer® Input and Output Guide a tools for storytellers® © 2000 Avid Technology, Inc. All rights reserved. Avid Media Composer and Film Composer Input and Output Guide • Part 0130-04531-01 Rev. A • August 2000 2 Contents Chapter 1 Planning a Project Working with Multiple Formats . 16 About 24p Media . 17 About 25p Media . 18 Types of Projects. 19 Planning a Video Project. 20 Planning a 24p or 25p Project. 23 NTSC and PAL Image Sizes . 23 24-fps Film Source, SDTV Transfer, Multiformat Output . 24 24-fps Film or HD Video Source, SDTV Downconversion, Multiformat Output . 27 25-fps Film or HD Video Source, SDTV Downconversion, Multiformat Output . 30 Alternative Audio Paths . 33 Audio Transfer Options for 24p PAL Projects . 38 Film Project Considerations. 39 Film Shoot Specifications . 39 Viewing Dailies . 40 Chapter 2 Film-to-Tape Transfer Methods About the Transfer Process. 45 Transferring 24-fps Film to NTSC Video. 45 Stage 1: Transferring Film to Video . 46 Frames Versus Fields. 46 3 Part 1: Using a 2:3 Pulldown to Translate 24-fps Film to 30-fps Video . 46 Part 2: Slowing the Film Speed to 23.976 fps . 48 Maintaining Synchronized Sound . 49 Stage 2: Digitizing at 24 fps. 50 Transferring 24-fps Film to PAL Video. 51 PAL Method 1. 52 Stage 1: Transferring Sound and Picture to Videotape. 52 Stage 2: Digitizing at 24 fps . 52 PAL Method 2. 53 Stage 1: Transferring Picture to Videotape . 53 Stage 2: Digitizing at 24 fps . 54 How the Avid System Stores and Displays 24p and 25p Media . -
MPEG-2/4 H.264 Digital TV Receiver
TLV400S MPEG-2/4 H.264 Digital TV Receiver Overview The TLV400S professional HDTV new generation frequency agile receiver demodulates all satellite DVB/ATSC H.264/MPEG-2 HDTV frequencies and supplies crystal clear digital or analog video from all formats used by broadcast professionals in Europe, USA, Canada, Mexico, Brazil and Korea. It not only functions as a dual input broadcast demodulator but also works well as a professional H.264/MPEG-2 decoder. The output of the demodulator is available through either DVB ASI or SMPTE 310M connectors. With its DVB ASI inputs it is able to decode transport streams up to 40Mbps. Designed to support all the industry standard forms of the DVB/ATSC standard it supports 576i/480i, 576p/480p, 720p and 1080i decoding. Supported video outputs include both digital and analog formats with HDSDI with embedded audio, SDI, Y Pr Pb, RGB, and composite. Audio output is available through embedded audio, 2 channel XLR connectors, D-Sub 9P connector and BNC connectors. Features • Signal from 75ohm BNC-connector • May choose digital stream from satellite and DVB-ASI and SMPTE-310M signal • Selected digital stream is supplied in DVB-ASI and SMPTE-310M format signal • Dual MPEG-2(HD/SD) decoding, single MPEG-4/H.264 decoding (single audio decoding only) • H.264(MPEG-4)/MPEG-2 MP@HL compliant video decoder supplies digital and analog video signal • Digital video signal compliant with SMPTE-259M/SMPTE-292M(SDI) with embedded 8 channel audio (SMPTE-299M) • Dolby digital AC-3 and HE-AAC and MPEG-1/2 5.1 channel audio decoder (MPEG2 AAC-LC(13818-7), MPEG4 HE-AACv1(14496-3. -
20130218 Technical White Paper.Bw.Jp
Sending, Storing & Sharing Video With latakoo © Copyright latakoo. All rights reserved. Revised 11/12/2012 Table of contents Table of contents ................................................................................................... 1 1. Introduction ...................................................................................................... 2 2. Sending video & files with latakoo ...................................................................... 3 2.1 The latakoo app ............................................................................................ 3 2.2 Compression & upload ................................................................................. 3 2.3 latakoo minutes ............................................................................................ 4 3. The latakoo web interface .................................................................................. 4 3.1 Web interface requirements .......................................................................... 4 3.2 Logging into the dashboard .......................................................................... 4 3.3 Streaming video previews ............................................................................. 4 3.4 Downloading video ...................................................................................... 5 3.5 latakoo Pilot ................................................................................................. 5 3.6 Search and tagging ...................................................................................... -
Digital Audio and Ancillary Data Services for ATV--The Work of The
DIGITAL AUDIO AND ANCILLARY DATA SERVICES FOR ATV - THE WORK OF THE ATSC SPECIALIST GROUP Graham S. Stubbs Eidak Corporation ABSTRACf that it is important that appropriate em phasis should be placed on defining the This paper describes the advice and accompanying sound channels, the features suggestions put forth by the Technology of the ancillary data and control services, Group on Distribution (T3) of the Advanced and the way in which they may be included Television System Committee (ATSC) re in the ATV transmission format. garding digital services for Advanced Televi sion (A TV). These recommendations were The charter of the ATSC Specialist based on the background work of the Spe Group on Digital Services (T3/S3) has been cialist Group (T3/S3) on Digital Services to conduct industry surveys and technical which conducted technical studies, and studies and to develop technical information surveys, and developed the suggestions and and recommendations on the following sub recommendations. jects. The Specialist Group commenced its studies in December, 1990. Rapid advances in multichannel com posite digital audio coding technology now A Sound & Ancilla:ry Data Services make it possible to plan to provide the con sumer (e.g. cable subscriber) with an expand Identification of the range of ATV ed audio experience to match wide screen sound channel requirements and high definition TV pictures. This paper how they might be satisfied with re summarizes the suggestions adopted by cent rapid advances in the state-of ATSC's T3 Group regarding audio and the art digital audio coding. Identifi ancillary data services, including the advice cation of the range of desirable that a standard service for A1V should in ancillary data services--including clude capacity for a minimum of five audio those already in use and in some channels with composite encoding.