KLOS Aug. 17Th 2014
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1 PLAYLIST AUG. 17th 2014 Live from the Hollywood Bowl! Special Guest Bob Eubanks! 1 2 9AM Wings – Venus and Mars – Venus and Mars ‘75 Spacey, melodic, hypnotic – Venus and Mars was crafted as a “suite” that would segue to the next song with very careful editing. / Wings – Rock Show – Venus and Mars ‘75 This is the second track of the “suite,” written for the forthcoming world tour. This became a staple beginning to many of the Wings live shows *Play Stones 66 Bowl spot here 9.10 BREAK Take request HERE The Beatles - Rock and Roll Music - Beatles For Sale (Berry) Lead vocal: John Incredibly, this stunning cover version of Chuck Berry’s classic hit from 1957 featuring John Lennon on lead vocal was captured in just one take on October 18, 1964. Like “Twist and Shout” and “Money (That’s What I Want)” before it, “Rock and Roll Music” is a prime example of Lennon making a previously known hit his own. The overdubbed piano part features John, Paul and George Martin pounding the SAME piano! The song 2 3 was featured on the Beatles 1965 European Tour and was the opening song during their 1966 concert tours. On U.S. album: Beatles ‘65 - Capitol LP The Beatles - Ticket To Ride - Help! (Lennon-McCartney) Lead vocals: John and Paul The Beatles’ ninth single release for EMI’s Parlophone label. Issued nearly four months prior to the “Help!” album’s release on July 19, 1965 in the U.S. and four days later in the UK. Recorded on February 15, 1965 and featuring a blistering lead guitar performance by Paul McCartney. John and Paul composed the song together based primarily on John’s idea. The song’s distinctive drum pattern was conceived by Paul. The complex song arrangement was highly innovative for the time, and certainly unlike anything being played on top 40 radio. John Lennon in 1970: “ ‘Ticket To Ride was slightly a new sound at the time. It was pretty heavy for then, if you go and look in the charts for what other music people were making. It's a heavy record and the drums are heavy too. That's why I like it.” McCartney said, “It was quite radical at the time.” Capitol Records printed “From the United Artists release ‘Eight Arms To Hold You’ ” on both sides of the single. On U.S. album: Help! - Capitol LP The Beatles - Think For Yourself - Rubber Soul (Harrison) Lead vocal: George The fifth original composition by George Harrison to be recorded by The Beatles was completed on November 8, 1965 in one take with overdubs under the working title “Won’t Be There With You.” The song features Paul playing his bass through a fuzz box to give it a distorted sound. On U.S. album: Rubber Soul - Capitol LP Julian Lennon – I Don’t WannaTo Know – Photograph Smile The Beatles - Any Time At All - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John Recorded June 2, 1964, the last day of recording for the “A Hard Day’s Night” album. John Lennon: “An effort at writing ‘It Won't Be Long’ - same ilk. C to A minor, C to A minor with me shouting.” The song was in an unfinished state when Lennon brought it to the band to record on June 2. The group worked out the arrangement throughout the day and night. Up against the wall on a deadline to submit the album, the piano section in the middle eight was left without lyrics. They had run out of time. On April 8, 1988, Lennon's handwritten lyrics for “Any Time At All” were sold for £6,000 at an auction held at Sotheby's in London. On U.S. album: 3 4 Something New - Capitol LP BREAK HERE/ TAKE REQUEST The Beatles - Good Morning Good Morning - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocal: John Based on a Kellogg’s Cornflakes television commercial John heard while sitting at the piano and feeling a bit “stuck” trying to write something for “Sgt. Pepper.” Paul plays a stinging guitar solo and flourishes with his right-handed Fender Esquire. The basic rhythm track was recorded on February 8, 1967 in eight takes, four of them complete. Overdubs followed with John’s lead vocal and Paul’s bass added on February 16. A horn section consisting of members of the Brian Epstein-managed band Sounds Inc. (previously Sounds Incorporated) was brought in on March 13. Sounds Incorporated had been one of the opening acts on the Beatles’ 1964 and 1965 tours. The Beatles - Sgt. Pepper’s Lonely Hearts Club Band (Reprise) - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocals: John, Paul, George, Ringo John Lennon – Mind Games – Mind Games ‘73 The title track was one of John’s most commercially successful in the two years since “Imagine.” This was the only single issued off the album as well. “Mind Games” had be in gestation for over three years, having started out with the titles, “Make Love Not War,” and “I Promise.” *Play Rascals Bowl spot here 9.43 BREAK *Play Springfield Bowl spot HERE into me> Take request HERE/ The Beatles - Back In The U.S.S.R. - The Beatles (Lennon-McCartney) 4 5 Lead vocal: Paul Written while in India, Paul’s “Back In The U.S.S.R.” is based on Chuck Berry’s 1959 hit “Back In The U.S.A.,” but was written to mimic the classic sound of the Beach Boys. Beach Boys lead singer Mike Love was on the Transcendental Meditation sojourn in India with the Beatles in the spring of 1968 and as McCartney was working on his new song, Love suggested the lyrics about Ukraine and Moscow girls, similar to his lyrics in “California Girls.” Recording began on August 22, 1968, and it was during this session that Ringo Starr officially quit the band. His departure was blamed on a disagreement with Paul over his drumming. Ringo flew to the Mediterranean to spend time on actor Peter Sellers’ yacht. It was there that he wrote “Octopus’s Garden.” On September 3, Ringo returned to the studio to find his drum kit smothered in flowers. Ringo: “I felt tired and discouraged … took a week’s holiday, and when I came back to work everything was all right again.” But Ringo added, “Paul is the greatest bass guitar player in the world. But he is also very determined; he goes on and on to see if he can get his own way. While that may be a virtue, it did mean that musical disagreements inevitably arose from time to time.” / The Beatles - Dear Prudence - The Beatles (Lennon-McCartney) Lead vocal: John Recorded at Trident Studios’ eight-track recording facilities on August 28, 29, and 30, 1968. Ringo Starr had quit the band temporarily and the three remaining Beatles moved forward with sessions for the new album. John Lennon’s “Dear Prudence” features Paul McCartney on drums. The guitar picking which opens and runs through the song is supplied by John on his Epiphone Casino. The finger-picking style was taught to him by folk singer Donovan earlier in the year while they were in India. George Harrison plays his Gibson Les Paul guitar and overdubbed a distorted Fender Telecaster lead guitar part. In addition to his drumming, Paul plays his Rickenbacker bass guitar, provides the piano track and a very short burst of flugelhorn. John wrote the song in Rishikesh, India, for Prudence Farrow, sister of the actress Mia Farrow, who had cordoned herself off in a hut to meditate for hours on end. Lennon’s song was a plea for her to take a break from her excessive meditation and join the others on the trip. Wings – Tomorrow – Wild Life ‘71 Contains the lyrics: Honey, pray for sunny skies so I can speak to rainbows in your eyes. Let's just hope the weatherman is feeling fine and doesn't spoil our plan. The Beatles - If I Needed Someone - Rubber Soul (Harrison) Lead vocal: George The fourth original composition by George Harrison to be recorded by The Beatles was heavily inspired by the 12-string guitar sound of The Byrds. The introduction of George Harrison’s “If I Needed Someone” is strikingly similar to the introduction of The Byrds’ “The Bells Of Rhymney.” Harrison commented that the song was “like a million other songs written around the D chord.” The backing track was recorded in one take on 5 6 October 16, 1965. George’s double-tracked lead vocal and John and Paul’s backing vocals were added two days later. The song was performed live by The Beatles in late 1965 and was a staple of their 1966 world tour. On U.S. album: Yesterday and Today - Capitol LP The Beatles - She Said She Said - Revolver (Lennon-McCartney) Lead vocal: John The rhythm track was finished in three takes on June 21, 1966, the final day of recording for “Revolver.” When the recording session started the song was untitled. The key line came from a real-life incident. On August 24, 1965, during a break in Los Angeles from their North American Tour, The Beatles rented a house on Mulholland Drive. They played host to notables such as Roger McGuinn and David Crosby of the Byrds, actors and actresses, and a bevy of beautiful women, “From Playboy, I believe,” Lennon remembered. John, high on acid, found himself in a strange conversation with actor Peter Fonda, who kept coming up to him and whispering, “I know what it’s like to be dead.” As a child, Fonda had a near-death experience after accidentally shooting himself on the stomach.