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Shifting Neighbourhood Dynamics and Everyday Experiences of Displacement in Kreuzberg, Berlin
Faculty of Humanities School of Design and the Built Environment Shifting Neighbourhood Dynamics and Everyday Experiences of Displacement in Kreuzberg, Berlin Adam Crowe 0000-0001-6757-3813 THIS THESIS IS PRESENTED FOR THE DEGREE OF Doctor of Philosophy of Curtin University November 2020 Declaration I hereby declare that: I. the thesis is being submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy II. the research is a result of my own independent investigation under the guidance of my supervisory team III. the research presented and reported in this thesis was conducted in accordance with the National Health and Medical Research Council’s (NHMRC) National Statement on Ethical Conduct in Human Research (2007). The proposed study received human research ethics approval from the Curtin University Human Research Ethics Committee (EC00262), Approval Number HRE2017-0522 IV. the thesis contains no material previously published by any other person except where due acknowledgement has been made V. this thesis contains no material which has been accepted for the award of any other degree or diploma in any university Signature: Adam Joseph Crowe Date: November 12, 2020 ii Abstract This research explores the socio-spatial impacts of shifting housing and neighbourhood dynamics in the gentrifying neighbourhoods of Kreuzberg, Berlin. The locality represents a prime example of an inner-city locality that has been reimagined and transformed by a series of powerful actors including, but not limited to, an increasingly financialised real-estate sector, a tourism industry promoting Kreuzberg as a destination for higher-income groups, and a city-state government embracing and promoting entrepreneurial approaches to urban governance. -
4 the Dynamics of Queer Politics and Gentrification in Berlin1
4 The Dynamics of Queer Politics and Gentrification in Berlin1 Zülfukar Çetin “An encounter between Muslims and homosexuals in a mosque was cancelled,” begins a report in the taz2, in order to scandalize the supposedly failed attempt at a meeting between LGBTI* representatives and spokespersons of the Berlin Şehitlik mosque (cf. Wierth 2014). Beyond such scandalizing reports, this chapter takes a retrospective look at homonationalist tendencies and their accompanying processes of transformation in urban district politics in German cities, taking Berlin as a representative case. Along the lines of the concept of a “dominant culture” developed by Birgit Rom- melspacher (1945–2015) (cf. Rommelspacher 1995), I will attempt to examine and explicate the concept of homonationalism, even as no claim to the perfect translatability of either concept will be made. Rommelspacher begins from the premise of the co-constitution and recipro- cal interplay of racist, heterosexist and class-specific relations of dominance in society. According to her, social analysis should look at “different dimensions of power” as structured “in terms of an interwoven network of dominance” (Rom- melspacher 2006, 3). Racism, heteronormativity, and class dominance mutually influence and condition one another and are strengthened through the practice of exclusions and inclusions in social spaces, such as living and work spaces or 1 Translated from the German by Smaran Dayal. This article first appeared in German as Homo- und queerpolitische Dynamiken und Gentrifizierungsprozesse in Berlin, a chapter of the book Schwule Sichtbarkeit – schwule Identität. Kritische Perspektiven by Zülfukar Çetin and Heinz-Jürgen Voß, published by Psy- chosozial-Verlag, Gießen, in 2016. -
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Hobbs, Mark (2010) Visual representations of working-class Berlin, 1924–1930. PhD thesis. http://theses.gla.ac.uk/2182/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Visual representations of working-class Berlin, 1924–1930 Mark Hobbs BA (Hons), MA Submitted in fulfillment of the requirements for the Degree of PhD Department of History of Art Faculty of Arts University of Glasgow February 2010 Abstract This thesis examines the urban topography of Berlin’s working-class districts, as seen in the art, architecture and other images produced in the city between 1924 and 1930. During the 1920s, Berlin flourished as centre of modern culture. Yet this flourishing did not exist exclusively amongst the intellectual elites that occupied the city centre and affluent western suburbs. It also extended into the proletarian districts to the north and east of the city. Within these areas existed a complex urban landscape that was rich with cultural tradition and artistic expression. This thesis seeks to redress the bias towards the centre of Berlin and its recognised cultural currents, by exploring the art and architecture found in the city’s working-class districts. -
Generating and Sustaining the Image of Berlin: an Empirical Analysis of the City Pr-Strategy Based on the Grounded Theory Methodology
GENERATING AND SUSTAINING THE IMAGE OF BERLIN: AN EMPIRICAL ANALYSIS OF THE CITY PR-STRATEGY BASED ON THE GROUNDED THEORY METHODOLOGY Tatiana Sitnikova (M.A.) Department of Economic Sciences and Media Technische Universität Ilmenau A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (Dr. phil) Supervisor: Prof. Dr. Jeffrey Wimmer Second Supervisor: Prof. Dr. Carsten Winter Thesis defense: 16.01.2018 urn:nbn:de:gbv:ilm1-2018000417 Table of contents Abstract ................................................................................................................................................... 4 Zusammenfassung ................................................................................................................................... 5 Author’s declaration on originality.......................................................................................................... 6 Eidesstattliche Erklärung ......................................................................................................................... 7 Acknowledgements ................................................................................................................................. 8 List of tables ............................................................................................................................................ 9 List of figures ........................................................................................................................................ -
Kiez Kieken: Observations of Berlin, Vol. 1, Spring 2012 Maria Ebner Fordham University, [email protected]
Fordham University Masthead Logo DigitalResearch@Fordham Modern Languages and Literatures Student Modern Languages and Literatures Department Publications Spring 2012 Kiez Kieken: Observations of Berlin, Vol. 1, Spring 2012 Maria Ebner Fordham University, [email protected] Annie Buckel Fordham University James Hollingsworth Fordham University Caroline Inzucchi Fordham University Matthew Kasper Fordham University See next page for additional authors Follow this and additional works at: https://fordham.bepress.com/modlang_studentpubs Part of the German Language and Literature Commons, Modern Languages Commons, and the Modern Literature Commons Recommended Citation Ebner, Maria, ed. Kiez Kieken: Observations of Berlin. Vol. 1, Spring 2012. Bronx, NY: Modern Languages and Literatures Department, Fordham University. Web. This Book is brought to you for free and open access by the Modern Languages and Literatures Department at DigitalResearch@Fordham. It has been accepted for inclusion in Modern Languages and Literatures Student Publications by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Authors Maria Ebner, Annie Buckel, James Hollingsworth, Caroline Inzucchi, Matthew Kasper, Kingsley Lasbrey, Alexander MacLeod, Sean Maguire, Leila Nabizadeh, Kathryn Reddy, Peter Scherer, and Kelsey Taormina This book is available at DigitalResearch@Fordham: https://fordham.bepress.com/modlang_studentpubs/1 ii k i k i zz nn KKK Observations of Berlin k Martyrs & Memories: Seeing Grün: -
The Sodomitic Reputation of Weimar Berlin Gregory Woods
9 The Sodomitic Reputation of Weimar Berlin Gregory Woods Resumo A Berlim da Republica de Weimar tornou-se a cidade europeia, por exceli!ncia, dos sonhos eroticos e dos pesadelos morais. Berlim tornou Sf 0 simbolo tanto das coisas maravilhosas que poderiam ser alcanr;adas se se lutasse por eias, quanta das coisas terriveis que poderiam aeonteeer se nao se lutasse contra elas. A proliferar;ao e a visibilidade da vida homossexual berlinense era tanto uma promessa quanto uma amear;a. 0 legado de Weimar nao foi tanto 0 moralismo vingativo do Nazismo, quanto 0 fervor eficaz com 0 qual a BerUm queer conseguiu se reestabelecer e prosperar depois da guerra, apesar de estar no iwsW epicentro da Guerra Fria. Palavras-chave: Berlim. Homossexualismo. Nazismo. Gragoata Niter6i, n. 14, p. 9- 27,1. sem. 2003 10 Visiting Berlin in 1919 in the aftermath of Germany's defeat in the Great War, Kurt von Stutterheim fOlmd that "all kinds of dubious resorts had sprung up like mushrooms". Censorship had been relaxed, with the result that "Notorious magazines, which no chief of police of former times would have permitted, were sold openly on the Potzdamer Platz". Having already deplored the open display of these lmnamed publications on the streets, Shltterheim could not resist going into the "dubious resorts" to see if they were any less shocking: "An acquaintance took me into a dance-hall where painted men were dancing dressed in women's clothes. I was refused admission to another resort because it was only open to women, half of whom were dressed as men" (STUTIERHEIM, 1939, p. -
Alumni & Friends of Comparative Literature and Translation Studies & the Graduate Center for Literary Research NEWS
UC SANTA BARBARA NEWS FOR Alumni & Friends of Comparative Literature and Translation Studies & The Graduate Center for Literary Research Summer 2019—Spring 2020 UC SANTA BARBARA CHAIR OF THE PROGRAM UNDERGRADUATE ADVISOR NEWSLETTER EDITORS Comparative Literature Program Dominique Jullien Melissa Powell Marcel Strobel [email protected] [email protected] Jordan J. Tudisco 4206 Phelps Hall Santa Barbara, CA 93106-4130 VICE CHAIR STUDENT SERVICE MANAGER GRADUATE PROGRAM COORDINATOR Information: (805) 893-3161 Eric Prieto Carol Flores Tyler McMullen Fax: (805) 893-8341 [email protected] [email protected] [email protected] Comparative Literature UC Santa Barbara 01 Notes from the Chairs and Directors Dominique Jullien, Chair, Comparative Literature 01 Jean Marie Schultz, Incoming Chair, French & Italian 02 Elisabeth Weber, Chair, Germanic & Slavic Studies 02 Sara Pankenier Weld, Incoming Chair, Germanic & Slavic Studies 03 Suzanne Jill Levine, Advisor Emerita, Translation Studies Program 03 02 The Graduate Center for Literary Research 04 03 New Hires and New Affiliated Faculty 05 04 Updates from Affiliated Faculty 06 05 Newly Graduated 10 06 News from Our Alumni 11 07 New Doctoral Candidates 11 08 Welcoming New Graduate Students 12 09 Other Graduate Student Updates 13 10 Our Grads at the 2020 Institute for World Literature 15 11 UCSB Memory Studies Group 16 12 Undergraduate Honors Reception 17 13 PASC Staff Updates 18 Notes from the Chairs and Directors Dominique Jullien Chair, Comparative Literature In September 2019, I took over as chair of Comparative Literature, following seven years of Catherine Nesci’s superb leadership. This was a hard act to follow; I feel that I learned much, but there is still so much to learn every day. -
AG Stadt Raum N
English Haben edition und Brauchen ZeitungBerlin, Autumn 2015 Editors: AG Stadt Raum N. 1 Content Haben und Brauchen | AG Stadt Raum: Editorial (translation: Daniel Belasco New) . p. 3 Erik Göngrich: Drawings . pp. 5, 23, 26, 44 Ina Wudtke & Dieter Lesage: The Short Way to the Stadtschloss. Forum and Form. The Hegelmachine. (photos: Yusuf Beyazit, translation: Daniel Belasco New) . p. 6 Andrej Holm: Old Wine in Old Wineskins. Notes on the Return of Social Housing. (installations: Ina Wudtke, photos: Lena Deinhardstein, translation: Daniel Belasco New) . p. 15 Haben und Brauchen | AG Stadt Raum: Alternative Plan for a Pseudo-Hegemonic Project (photos: Kerstin Karge, translation: Daniel Belasco New) . p. 24 Kerstin Karge: Summary: Results of the AG Stadt Raum (topics, tags, possible forms of implementation) (translation Kerstin Karge) . p. 32 Katja Diefenbach: Beyond Ownership and Use – Against the Politics of Special Interests. Statement to kick off Haben und Brauchen Berlin’s concept weekend, February 15, 2014. (translation Rebecca M . Stuart) . p. 36 Legal Notice . p. 43 2 Editorial After two years of discussion with the Berlin Senate Chancellery for Cultural Affairs, Haben und Brauchen (To Have and To Need) organised an internal weekend workshop in February 2014 in order to draw up a blueprint for a long-term, coordinated dialogue with the Senate . This dialogue procedure is intended to stabilise the creative potential of Berlin and support those who are simultaneously nurtured and endangered by the diversity of living spaces, cultural dynamics and large social fluctuations. We, the Haben und Brauchen activists, are convinced that better understanding will be fostered on both sides through information sharing and a continual process of debate between politics and art . -
Qr. 3. 2018 No. 6 ISSN 2543-9839 EVENTS
qr. 3. 2018 no. 6 ISSN 2543-9839 EVENTS www.warsawinstitute.org Editorial Dear Readers, special geopolitical relationship is coming to an end before our very eyes: an old union, now almost 70 years old; an unusual relationship, because it is one between the defeated and the winner; Aa union that has brought many benefits, and not only to both these sides. This is how Grzegorz Kuczyński, an expert from The Warsaw Institute Foundation, diagnoses the geopolitical situation by looking at the current relations between between the United States and Germany. It is indeed hard to shake off the impression that this relationship is crucial for the current distribution of power, not only for Europe but for the entire world including Central Europe. Experts point out that the crisis in the European Union is multifaceted and that indeed we are witnessing the simultaneous occurrence of many crises: the crisis in the eurozone, the crisis in the context of pursuing a common foreign and security policy, the migration crisis, Brexit, and the growing threat and occurences of terrorist attacks. These trends have consequences for all members of the European community and increasingly call into question the effectiveness of EU leadership. EU countries with less economic potential, on the other hand, have little chance of resisting the pressure of European bureaucracy, which only increases a lack of trust towards EU institutions. In this issue of the Western Report, we examine the situation in Europe in its various aspects, focusing largely on geopolitics, demographics, and economics. 3/2018 3 Editorial I can refer here to an article by Tomasz Grzegorz Grosse who analyzed geopolitical changes in the EU, drawing attention to The their political, social, and economic dimensions. -
AAIG Survey Essay No 2 GALLEY Final
Periodizing and Historicizing German Afro-Americanophilia: From Counterculture to Post-Soul (1968–2005) Moritz Ege, University of Munich Andrew Wright Hurley, University of Technology Sydney This essay continues our thinking through of the implications of scholarship on what we have called ‘Afro-Americanophilia’ in twentieth century Germany. We set out our reasons for using this term in the introduction to this special edition; however it is worth stressing again here that the term is intended to designate the African-American- centredness of German interest in black culture, as opposed to the more generically ‘African’ that Negrophilia connotes, a term which is also often linked with a very specific phase in European culture, the 1920s.1 Especially in the wake of technologies like the jukebox, radio, film and television, and after defeat and Allied occupation in WWII, there has been a distinct German engagement with African American culture(s).2 Our term includes a deliberate juxtaposition (Black Power prefix; Greek suffix), which is intended to prompt attention to the tensions and ambiguities running through the ‘love.’ It is important to conceive of the complexity and implications of this love. In the 1 As in our previous joint essay, the culturally constructed yet crucial categories ‘black’ and ‘white’ will not be put in quotation marks or begin with a capital letter on the following pages (unless there is a context of identity politics and emphatic cultural pride among protagonists), but they should nonetheless be read as highly debated, unstable signifiers (with real-world references and effects in experiences, identities and politics), not as ‘neutral’, sociological denominations. -
University of California Santa Cruz Urban Space And
UNIVERSITY OF CALIFORNIA SANTA CRUZ URBAN SPACE AND NATIONAL MEMORY: THE NARRATIVES OF BERLIN, PRAGUE, AND GDAŃSK A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in LITERATURE by Erica Gale Smeltzer September 2016 The Dissertation of Erica Gale Smeltzer is approved: _________________________________ Professor Wlad Godzich, chair _________________________________ Professor Murray Baumgarten _________________________________ Professor Hunter Bivens _________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Erica G. Smeltzer 2016 TABLE OF CONTENTS ABSTRACT ................................................................................................................. v ACKNOWLEDGEMENTS ....................................................................................... vi INTRODUCTION ....................................................................................................... 1 Berlin ................................................................................................................. 2 Prague ............................................................................................................... 7 Gdańsk ............................................................................................................. 11 Methods ........................................................................................................... 13 I. BERLIN ................................................................................................................. -
Left and Right: Politics and Images of Motherhood in Weimar Germany
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2017 Left and Right: Politics and Images of Motherhood in Weimar Germany Michelle L. Vangen The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1858 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LEFT AND RIGHT: POLITICS AND IMAGES OF MOTHERHOOD IN WEIMAR GERMANY by MICHELLE VANGEN A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2017 © 2017 MICHELLE VANGEN All rights reserved ii Left and Right: Politics and Images of Motherhood in Weimar Germany by Michelle Vangen This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Rose-Carol Washton Long Chair of Examining Committee Date Rachel Kousser Executive Officer Supervisory Committee: Rosemarie Haag Bletter John Maciuika Diane Radycki THE CITY UNIVERSITY OF NEW YORK iii Abstract LEFT AND RIGHT: POLITICS AND IMAGES OF MOTHERHOOD IN WEIMAR GERMANY by MICHELLE VANGEN Advisor: Professor Rose-Carol Washton Long Art historians and cultural critics have long debated the aesthetic and political implications of the stylistic shift in Germany from pre-war experimentations with abstraction and expressive distortion to more clear-cut figuration in their paintings during the years following World War I.