The Brandenburg Gates: Unity, Division, and Reinvented Tradition in Post-Wall Berlin
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Brandenburg - Cup Junioren F R Griechisch-Römischer Ringkampf a N K F ) Urt Der (O 17
brandenburg - cup Junioren F r griechisch-römischer Ringkampf a n k f ) urt der (O 17. International Brandenburg – Cup in Wrestling 2018 Greco-Roman Style - Junior The German Wrestling Federation (Deutscher Ringer - Bund) is happy to invite your Greco-Roman Junior team to participate at the international tournament Brandenburg - Cup 2017 in wrestling which will be held in the city of Frankfurt (Oder) from 31 th August to 02 nd September 2018. Information: - The competition will be prepared and organised by Deutscher Ringer-Bund e. V. (DRB). Address: DRB Generalsekretariat Postfach : 44 01 09 44390 Dortmund phone: 0049-231-9678490 fax : 0049-231-96784919 e-mail: [email protected] - Date of competition: 01 st September 2018 in Frankfurt (Oder) - Competition site and place: Brandenburg-Halle Stendaler Strasse 26 15234 Frankfurt (Oder) Inscription and participants : - Size of the team (including referee): see costs below - The first inscription should reach the RSV Hansa 90 by 15 th July 2018. - The nominative inscription should reach the RSV Hansa 90 by 15 th August 2018 - The final inscription (nominative inscription) has to be submitted on 31 th August 2018 at the organiser’s competition secretariat five (5) hours before the beginning of the weigh -in. Technical organisation : - Weight categories at the competition :55 – 60 – 63 – 67 – 72 – 77 – 82 – 87 – 97 and 130kg, tolerance 2 kg - There will be 2 or 3 mats - Referee consultation will take place with the UWW delegate Prizes : - The organising committee will grant individual prizes for the weight categories. Costs: Costs for board and lodging for 5 persons of every official national team will be borne by the organiser from 31 th August 2018 dinner (evening) until breakfast on 02 nd September 2018 if your team includes at least 10 Athletes. -
Darius PETKŪNAS – the Sources of the 1545 Old Prussian Language
THE SOURCES OF THE 1545 OLD PRUSSIAN LANGUAGE CATECHISMS Darius Petkūnas Abstract The Teutonic Order in Prussia recognised and acknowledged its responsibility to catechise both the German-speaking colonists and the native population. The Reformation made no radical changes to these requirements, but gave them serious attention. During the 1540s to the 1560s, several Catechisms for the non-German subjects of the Duke of Prussia were pre- pared and published in Königsberg, including three in the Old Prussian language. The editor 189 of the first and second Old Prussian-language Catechisms published bilingual books, with the German Catechism on the left-hand page, and the same text on the right-hand page in the Old Prussian language. Reinhold Trautmann established that the source of the Decalogue in these books was Luther’s 1531 Small Catechism. However, he had difficulties confirming the sources of the remaining four parts of the Catechism, since he found a number of words and phrases which could not be identified as coming from Luther’s Catechisms. The article elaborates on Trautmann’s thesis that the source of the German Decalogue is Luther’s 1531 Enchiridion. In addition, it argues that the sources of the remaining parts of the Catechism were German-lan- guage catechetical and liturgical texts that were circulating in Prussia at that time. KEY WORDS: Duchy of Prussia, catechisation, Old Prussian language, Martin Luther. ANOTACIJA Vokiečių ordinas Prūsijoje suvokė ir pripažino savo pareigą katechizuoti tiek vokiečiakalbius ko- lonistus, tiek ir vietinius gyventojus. Reformacija neturėjo esminės įtakos šiems reikalavimams atsirasti, bet sustiprino jiems teikiamą dėmesį. -
A Foreign Affair (1948)
Chapter 3 IN THE RUINS OF BERLIN: A FOREIGN AFFAIR (1948) “We wondered where we should go now that the war was over. None of us—I mean the émigrés—really knew where we stood. Should we go home? Where was home?” —Billy Wilder1 Sightseeing in Berlin Early into A Foreign Affair, the delegates of the US Congress in Berlin on a fact-fi nding mission are treated to a tour of the city by Colonel Plummer (Millard Mitchell). In an open sedan, the Colonel takes them by landmarks such as the Brandenburg Gate, the Reichstag, Pariser Platz, Unter den Lin- den, and the Tiergarten. While documentary footage of heavily damaged buildings rolls by in rear-projection, the Colonel explains to the visitors— and the viewers—what they are seeing, combining brief factual accounts with his own ironic commentary about the ruins. Thus, a pile of rubble is identifi ed as the Adlon Hotel, “just after the 8th Air Force checked in for the weekend, “ while the Reich’s Chancellery is labeled Hitler’s “duplex.” “As it turned out,” Plummer explains, “one part got to be a great big pad- ded cell, and the other a mortuary. Underneath it is a concrete basement. That’s where he married Eva Braun and that’s where they killed them- selves. A lot of people say it was the perfect honeymoon. And there’s the balcony where he promised that his Reich would last a thousand years— that’s the one that broke the bookies’ hearts.” On a narrative level, the sequence is marked by factual snippets infused with the snide remarks of victorious Army personnel, making the fi lm waver between an educational program, an overwrought history lesson, and a comedy of very dark humor. -
Handbook of Experimental Pharmacology Volume 83
Handbook of Experimental Pharmacology Volume 83 Editorial Board G.y' R. Born, London P. Cuatrecasas, Research Triangle Park, NC H. Herken, Berlin A. Schwartz, Cincinnati, OH Calciumin Drug Actions Contributors D. M. Bers, P. 1. R. Bevis, M. P. Blaustein, R. D. Bukoski, B. Ceccarelli, R. A. Chapman, S. Cockcroft, M. Crompton, A.W. Cuthbert, S. Ebashi, C. H. Evans, H. Fleisch, M. Fosset, M. L. Garcia, T. Godfraind, B. D. Gomperts, T. R. Hinds, P. Honerjager, M. Hugues, G. 1. Kaczorowski, U. Kikkawa, V. F. King, M. Lazdunski, B.A. Levine, I. MacIntyre, K.T. MacLeod, D. A. McCarron, 1. Meldolesi, C. Milet, C. Mourre, H. Nagamoto, T. Narahashi, Y. Nishizuka, Y Ogawa, T. Pozzan, 1. F. Renaud, G. Romey, H. Schmid-Antomarchi, M. Schramm, I. Schulz, T. 1. B. Simons, R. S. Slaughter, R. Towart, D. 1. Triggle, 1. Tunstall, F. F. Vincenzi, H. 1. Vogel, R.1. P. Williams, M. Zaidi Editor P.R Baker Springer-Verlag Berlin Heidelberg New York London Paris Tokyo PETER F. BAKER, Professor Sc. D., F.R.S. (t) Department of Physiology King's College, University of London, Strand, London WC2R 2LS, Great Britain With 123 Figures ISBN-13: 978-3-642-71808-3 e-ISBN-13: 978-3-642-71806-9 DOl: 10.1007/978-3-642-71806-9 Library of Congress Cataloging-in-Publication Data. Calcium in drug actions/contributors. D. M. Bers ... let al.]: editor, P. F. Baker. p. cm. -(Handbook of experimental pharmacology: v. 83) Includes bibliographies and index. 1. Calcium-Therapeutic use-Testing. 2. Calcium channels-Effect of drugs on. -
Speer: an Artist Or a Monster?
Constructing the Past Volume 7 Issue 1 Article 14 2006 Speer: An Artist or a Monster? Emily K. Ergang Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/constructing Recommended Citation Ergang, Emily K. (2006) "Speer: An Artist or a Monster?," Constructing the Past: Vol. 7 : Iss. 1 , Article 14. Available at: https://digitalcommons.iwu.edu/constructing/vol7/iss1/14 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by editorial board of the Undergraduate Economic Review and the Economics Department at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Speer: An Artist or a Monster? Abstract This article discusses the life of Albert Speer, who was hired as an architect by Hitler. It describes him as being someone who worked for a career and ignored the political implications of who he was working for. This article is available in Constructing the Past: https://digitalcommons.iwu.edu/constructing/vol7/iss1/14 Constructing the Past Speer: An Artist or a Monster? Emily Kay Ergang The regime of Adolf Hitler and his Nazi party produced a number of complex and controversial. -
The Research of Motifs in Interactive Media Art Concerning the Visual
The Research of Motifs in Interactive Media Art Concerning the Visual Aspect Penesta Dika Submitted in total fulfillment of the requirements of the degree of Doctor of Philosophy April, 2008 Institute of Interface Cultures at the University of Art and Industrial Design in Linz, Department for Media Studies Supervisors: Prof. Christa Sommerer & Prof. Oliver Grau Table of Contents 1. State of the Art: Books and Online Sources 2. Introduction to Interactive Media Art Digital art and new media art Forms and origins of interactive media art Origin, meaning and forms of interaction Interfaces as GUI, or as devices and environments equipped with sensors The history of the technology of interactive media art Mechanical calculators, electronic computers Software developments Inventions in form of devices/equipments 3. Introduction to Motifs, Visual Motifs and the Methods for their Research Categories of Visual Motifs 4. Objective Visual Motifs 4.1. Human Motifs: Historical Overview 4.2. Human Motifs in Interactive Media Art 4.2.1. Portrait and Bust in Interactive Media Art 4.2.2. Author‐Visitor‐Portrait and Visitor‐Portrait Invitation to be touched and the Touch ‐ Screen 4.2.3. Interactive Video‐Portrait and Interactive Bust Interactive Self‐portrait 2 4.2.4. The Inside of the body: the trip through our insides 4.2.5. Body Parts Dancing sculptures of legs “Talking” virtual hands and “real” third hand 4.2.6. Résumé 4.3. Animals or Plants as Motifs: Historical Overview 4.4. Animals and Plants as Motifs in Interactive Media Art 4.4.1. Evolutionary Designed Biological Motifs 4.4.2. -
Hitler's Germania: Propaganda Writ in Stone
Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Hitler's Germania: Propaganda Writ in Stone Aaron Mumford Boehlert Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Architectural History and Criticism Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Boehlert, Aaron Mumford, "Hitler's Germania: Propaganda Writ in Stone" (2017). Senior Projects Spring 2017. 136. https://digitalcommons.bard.edu/senproj_s2017/136 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Hitler’s Germania: Propaganda Writ in Stone Senior Project submitted to the Division of Arts of Bard College By Aaron Boehlert Annandale-on-Hudson, NY 2017 A. Boehlert 2 Acknowledgments This project would not have been possible without the infinite patience, support, and guidance of my advisor, Olga Touloumi, truly a force to be reckoned with in the best possible way. We’ve had laughs, fights, and some of the most incredible moments of collaboration, and I can’t imagine having spent this year working with anyone else. -
Framed Memories of Berlin
Framed Memories of Berlin Kacmaz Erk, G., & Wilson, C. (2018). Framed Memories of Berlin: Film, Remembrance and Architecture. Architecture and Culture, 6(2), 243-263. https://doi.org/10.1080/20507828.2018.1478513 Published in: Architecture and Culture Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights Copyright 2018 Taylor and Francis. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:02. Oct. 2021 Framed Memories of Berlin: Film, Architecture and Remembrance Abstract Collective memory can be defined as a shared notion of how a social group constructs its past. Architecture and cinema play a major role in the creation of collective memory, buildings by structuring lived experiences and films by framing, re-presenting and fixing those experiences so that they can be collectively revisited. -
16 November 2018 in Bonn, Germany
United Nations/Germany High Level Forum: The way forward after UNISPACE+50 and on Space2030 13 – 16 November 2018 in Bonn, Germany USEFUL INFORMATION FOR PARTICIPANTS Content: 1. Welcome to Bonn! ..................................................................................................................... 2 2. Venue of the Forum and Social Event Sites ................................................................................. 3 3. How to get to the Venue of the Forum ....................................................................................... 4 4. How to get to Bonn from International Airports ......................................................................... 5 5. Visa Requirements and Insurance .............................................................................................. 6 6. Recommended Accommodation ............................................................................................... 6 7. General Information .................................................................................................................. 8 8. Organizing Committe ............................................................................................................... 10 Bonn, Rhineland Germany Bonn Panorama © WDR Lokalzeit Bonn 1. Welcome to Bonn! Bonn - a dynamic city filled with tradition. The Rhine and the Rhineland - the sounds, the music of Europe. And there, where the Rhine and the Rhineland reach their pinnacle of beauty lies Bonn. The city is the gateway to the romantic part of -
Berlin - Wikipedia
Berlin - Wikipedia https://en.wikipedia.org/wiki/Berlin Coordinates: 52°30′26″N 13°8′45″E Berlin From Wikipedia, the free encyclopedia Berlin (/bɜːrˈlɪn, ˌbɜːr-/, German: [bɛɐ̯ˈliːn]) is the capital and the largest city of Germany as well as one of its 16 Berlin constituent states, Berlin-Brandenburg. With a State of Germany population of approximately 3.7 million,[4] Berlin is the most populous city proper in the European Union and the sixth most populous urban area in the European Union.[5] Located in northeastern Germany on the banks of the rivers Spree and Havel, it is the centre of the Berlin- Brandenburg Metropolitan Region, which has roughly 6 million residents from more than 180 nations[6][7][8][9], making it the sixth most populous urban area in the European Union.[5] Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. Around one- third of the city's area is composed of forests, parks, gardens, rivers, canals and lakes.[10] First documented in the 13th century and situated at the crossing of two important historic trade routes,[11] Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933) and the Third Reich (1933–1945).[12] Berlin in the 1920s was the third largest municipality in the world.[13] After World War II and its subsequent occupation by the victorious countries, the city was divided; East Berlin was declared capital of East Germany, while West Berlin became a de facto West German exclave, surrounded by the Berlin Wall [14] (1961–1989) and East German territory. -
Architecture in Berlin. a Walk Through History Instructor
Course title: Architecture in Berlin. A Walk through History Instructor: Dr. Gernot Weckherlin Email address: [email protected] Track: A-Track Language of instruction: English Contact hours: 48 (6 per day) ECTS-Credits: 5 Prerequisites: Students should be able to speak and read English at the upper intermediate level (B2) or higher. Course description This course gives a wide overview of the development of public and private architecture in Berlin during the 19th, 20th and 21st centuries. Following an introduction to the urban development and architectural history of the Modern era, the Neo-Classical period will be surveyed with special reference to the works of Schinkel. This will be followed by classes on architecture of the German Reich after 1871, which was characterized by both modern and conservative tendencies and the manifold activities during the time of the Weimar Republic in the 1920s such as the Housing Revolution. The architecture of the Nazi period will be examined, followed by the developments in East and West Berlin after the Second World War. The course concludes with a detailed review of the city’s more recent and current architectural profiles, including an analysis of the conflicts concerning the re-design of Berlin after the Cold War and the German reunification. Seven walking tours to historically significant buildings and sites are included (Unter den Linden, Gendarmenmarkt, New Housing Estates, Chancellory, Potsdamer Platz, Holocaust Memorial etc.). The course aims to offer a deeper understanding of the interdependence of Berlin’s architecture and the city’s social and political structures. It considers Berlin as a model for the highways and by-ways of a European capital in modern times. -
A History of German-Scandinavian Relations
A History of German – Scandinavian Relations A History of German-Scandinavian Relations By Raimund Wolfert A History of German – Scandinavian Relations Raimund Wolfert 2 A History of German – Scandinavian Relations Table of contents 1. The Rise and Fall of the Hanseatic League.............................................................5 2. The Thirty Years’ War............................................................................................11 3. Prussia en route to becoming a Great Power........................................................15 4. After the Napoleonic Wars.....................................................................................18 5. The German Empire..............................................................................................23 6. The Interwar Period...............................................................................................29 7. The Aftermath of War............................................................................................33 First version 12/2006 2 A History of German – Scandinavian Relations This essay contemplates the history of German-Scandinavian relations from the Hanseatic period through to the present day, focussing upon the Berlin- Brandenburg region and the northeastern part of Germany that lies to the south of the Baltic Sea. A geographic area whose topography has been shaped by the great Scandinavian glacier of the Vistula ice age from 20000 BC to 13 000 BC will thus be reflected upon. According to the linguistic usage of the term