.. s

I ff greatest generation" did-as a to the management leveL" Indeed, serviceman in the U.s, Anny, Following serving as Editor-in-Chief of the Art I MEMBERS his first year of graduate work, Bulletin provided the fodder for an A W Ackerman was stationed in Italy.at the impromptu speech at CANs Annual end of World War II. While awaiting his Conference in 1958. transfer back to the United States, "During the 1958 Annual Confer­ Ackerman volunteered to serve on the ence in Washington, the keynote speaker Profile of Monuments and Fine Arts Commission. became ill, so I was chosen to substitute," His first assignment led to a commitment he noted. "I gave a talk based on the James s. to Renaissance architecture that would experience of editing the articles submit­ Ackerman later manifest in an article published in ted to the Bulletin, about my disaffection the Art Bulletin in 1948. Dealing with from the absence of a theoretical base in American Art History-about its naIve hat better testament to the positivist character, with the exceptions strength and validity of CAA of Meyer Shapiro and George Kubler, 'W than a member who has who were the major figures at the time," remained active his entire career? Such The talk was published in the Spring is the case with James S. Ackerman, 1958 issue of CANs other scholarly Arthur Kingsley Porter Professor of Fine journal, College Art Journal. Arts, emeritus, at Harvard University, Ackerman continued to grow in who joined CAA in 1945 and continues academe. In 1961, he became a Professor membership today. In fact, Ackerman of Fine Arts at Harvard University, will be honored as the featured scholar of where he was chairman of the depart­ CAA's first Distinguished Scholar's ment from 1963 to 1967 and 1982 through Session at the 89th Annual Conference in 1984. After retirement, students contin­ Chicago. ued to benefit from Ackerman's intellec­ Generously funded by the Samuel tual acumen as he worked as a visiting H. Kress Foundation, Ackerman's professor in various universities, session will focus liOn Old and New including Massachusetts Institute of Histories of Art." Scheduled for Thurs­ Technology, New York University, day, March 1, 2001, 2:30-5:00 P.M., the Columbia University, and the Graduate panel will be chaired by Joseph Connors. James S. Ackerman School of Design at Harvard. CAA It will include the following participants: recognized Ackerman's continued Caroline A. Jones, Patricia Emison, Ingrid heated theoretical discussions between dedication to the profession when he was Rowland, and Robert Nelson. liMy idea Italian architects and French experts on presented with CANs Distinguished is to speak about what has happened in the construction of the Cathedral of Teaching of Art History Award in 1991. the world of art history since my days as Milan, this article has been more cited Ackerman also has the distinction of a student," Ackerman said in a recent than any of his career. being the recipient of yet another interview with Rebecca Deo, CAA's Eight years later, Ackerman became prestigious CAA award, the Charles Director of Development, Marketing, and Editor-in-Chief (1956-60) of the Art Rufus Morey Book Award, which is Public Relations, "The panelists will Bulletin. He observed that the editorship presented for an especially distingUished f<111ow up with their views of the field," II came at a very opportune time in my book in the history of art. It was awarded J Long before Ackerman was known career, I was an Assistant Professor of to Ackerman in 1965 for his book, The dS a distinguished scholar, he began his Art History at the University of Architecture of Michelangelo. Ackerman California, Berkeley, and it elevated me academic career as so many of the CONTINUED ON PAGE 2 CAA's 50+ Members-Profiling emphasizing difference and diversity." able to do so) crack the encryption CONTENTS James S. Ackerman He also credits CAA with promoting scheme without being liable under the CONTINUED FROM PAGE 1 women in the academic art field. "Prior DMCA. Volume 26, Number 1 to World War II, the field was reluctant f During the last two years, however, January 2001 has an extensive publishing career in to give women their due, either in studirl virtually everyone participating in the CAA's 50+ Members-Profiling print/ film, and other media. He is the art or in the art historical realm," Copyright Office to Public: You Can't Circumvent Copyright Office proceeding-<>ther 1 James S. Ackerman author of Palladia, The Villa: Form and Ackerman commented. than major copyright owners-had Ideology of Country Houses, and most College Art Association is especially Encryption Technologies, Even for Fair Use argued for a much more expansive set of CAA Honors Fifty- Year recently, Distance Points, Origins, proud of members, such as James S. exemptions. Two of these would have 2 Members, CAA in the News Imitation and Conventions, a collection of Ackerman, who have contributed so been of direct help to CAA members his studies over the last decade that is much to the art world and to CAA. uppose you bought a high-priced to the Librarian of Congress, for his because they would have permitted 3 From the CAA Counsel due to be published by the MIT Press in set of digitally encrypted slides determination, whether certain users circumvention in aid of fair use and October 2001. In addition, Ackerman has Sand you could use them only by would be exempted from this prohibi­ would have allowed use of a work, or an Art Histon; Ph.D.s: CAA Endorsed directed the films Looking for Renaissance paying a fee each time you showed a tion. encrypted copy, once the user had paid 4 National Study Upcoming Rome and Palladia the Architect and His slide in the classroom. Or, you wanted This /I compromise" provides that for the work. Defying the views of the Influence in America. In the early 1990s, to examine a work that is available the prohibition against circumvention academic and library communities and 5 Follow-a-Fellow Ackerman was interviewed for an oral online for scholarly purposes, but your would not apply to "persons who are of the Department of Commerce, the history project documenting the work of access to the image was limited by users of a copyrighted work that is in a Copyright Office rejected proposals for particular class of works, if such persons Annual Conference Update art historians, produced by the Getty encryption? these broader exemptions on two 6 Foundation in collaboration with I In October 1998, Congress enacted are/ or are likely to be in the succeeding grounds: The DMCA requires the Building Blocks Workshop A University of California at Los Angeles. the Digital Millennium Copyright Act three-year period, adversely affected by determinations regarding exemptions to. Landmark Event, Field Report: "This is an exciting archive of art ("DMCA"), which would allow a virtue of such prohibition in their ability be made on the basis of a "particular 9 AAM's Guidelines on Exhibiting historians from the first half of the the News copyright owner to sue those who to make noninfringing uses of that class of works" and not on the basis of Borrowed Objects century-those who could be found in circumvented encryption controls. After particular class of works under this type of use, such as "fair use," and no 1990," Ackerman observed. Art Journal Noted a two-year study, last October the title," Responding to a congressional compelling factual showing had been 11 CAANews When asked about the various ways "In the prestigious magazine/ Art Copyright Office finally rejected various mandate to develop its recommenda­ made that users are or would likely to be that CAA has had an impact on the field, Journal, Daniel Mirer presented his proposals that would have exempted tions, the Copyright Office held two sets "adversely affected" by the Advocacy Update Ackerman responded, "The program­ Wishing Rooms, which he has realized ... from this law people who had legitimate of hearings, over five days/ and solicited anticircumvention prohibition. 14 ming of College Art meetings over the in the last two years." reasons for circumvention. the public's views, receiving nearly four hundred comments. Affiliated Society News last 20 years has given emphasis to -"Art World," La Vanguardia (Madrid, Academics, librarians, and users, as Fair Use Exemption Reiected 15 scholarly and studio approaches In determining the extent of any Spain), September 2000 well as CAA, opposed the CMCA Various groups, including the Associa­ exemptions from the general statutory ( during the course of its long legislative tion of American Universities, the Solo Exhibitions by Artist Members prohibition on circumvention, the 16 journey for at least two good reasons: National Association of State Universi­ Copyright Office was instructed by First, any circumvention under the ties and Land Grant Colleges, and the 18 People in the News DMCA would be illegal even if the use Congress to take at least the following CAAHonors American Council of Education, argued of the work itself would be a lawful fair factors into account: the availability for strongly that the Copyright Office Grants, Awards, & Honors use of copyrighted works, the availabil­ 19 use under the copyright law. Second, should exempt circumvention of access ity for use of works for nonprofit, Fifty-Year Members access controls will technologically lock controls applicable to a broad class of Conferences & Symposia archival, presentation, and educational 20 up works and force users to agree to "fair use works," including scientific and purposes/ the impact that prohibition on pay-per-use business models. social databases, textbooks, scholarly Resources & Opportunities James S. Ackerman 1945 Rosalie B. Green 1945 At a minimum CAA and its allies circumvention has on criticism,. com­ 22 journals, academic monographs and Rudolph Amheim 1948 Norman B. Gulamerian had hoped to convince Congress to ments, news reporting, teaching, 1949 treatises, law reports, and educational Classifieds, Miscellaneous, Phyllis Pray Bober 1941 scholarship or research, and the effect of Yvonne Hackenbroch 1946 adopt an exception to the general rule, audio/visual works, and that the 26 Institutional News, Correction, Dericksen M. Brinkerhoff 1947 John D. Hoag 1951 drcumvention on the market for or which would have allowed librarians, exemption could be limited to specific, Datebook Blanche R. Brown 1941 J. Richard Judson 1951 researchers, and other users to "circum­ value of copyrighted works. likely "fair users." The Copyright Office David R. Coffin 1947 Frank T. Kacmarcik 1951 vent" encryption technologies if their The Librarian of Congress, on the greeted this proposal unfavorably. It Christiane C. Collins 1948 J. Edward Kidder Jr. 1947 recommendation of the Copyright use of the copyrighted material pro­ erected a high standard of proof­ Dario A. Covi 1949 Phyllis Williams Lehmann 1945 tected by such technologies was a "fair Office, has now issued a final rule CAA News, is published six timfi"s per year by the stating the burden of proof in support of Charles D. Cuttler 1942 Mary Meixner 1947 essentially exempting just one relatively College Art Association, 275 7th Avenue, New use" under the copyright law. We were an exemption is with the proponents­ William S. Dale 1948 Howard S. Merritt 1944 small-but important-"class of works" York, NY 10001; www.collegeart.org. not able to persuade Congress to adopt that, it concluded/ advocates of this Sol Alfred Davidson 1949 Sadayoshi Omoto 1950 such a rule, however. from the prohibition on circumvention: Editor~in-Chief Susan Ball exemption had not met. (Indeed the Jane Dillenberger 1950 Ruth R. Philbrick 1947 works that are protected "by access Editor Rachel Ford standard was so difficult to meet that the Mary K. Donaldson 1951 Olga Raggio 1951 control mechanisms that fail to permit Associate Editor Christopher Howard Background Copyright Office rejected a proposed Esther G. Dotson 1947 Peter H. Selz 1948 access because of malfunction, damage In the DMCA, Congress II compromised" exemption to facilitate archiving and Material for inclusion should be sent via email to Francis H. Dow ley 1949 Craig H. Smyth 1940 or obsoleteness." In other words, if the among the various interest groups by preservation being urged by divisions of Christopher Howard at [email protected]. Marvin Eisenberg 1949 George B. Tatum 1943 decryption software used to get access to delaying-until October 2000-the the Library of Congress-<>f which the Photographs may be submitted to the above Lorenz Eitner 1947 Marianne L. Teuber 1944 your set of slides no longer works, or if address for consideration. They cannot be prohibition on users circumventing Copyright Office itself is a S. L. Faison]r. 1931 Mario Valente 1946 the digital image on the Web is pro­ returned. teclmologies that prevent access to a part-because these units had not Beatrice Farwell 1947 Hellmut Wohl 1951 tected by an out-of-date encryption work by ordering the Copyright Office expressly stated that they would have a Ilene H. Forsyth 1947 technology, you could (if you were ,to conduct, in the meantime, a "need" to circumvent access controls or rulemaking to make a recommendation technically sophisticated enough to be Printed on w:ycled paper © 2001 College Art Association

2 CAA NEWS JANUARY 2001 CAA NEWS JANUARY 2001 3 the workforce? Did women, men, and Latino, and Latin American Art His­ people of color follow different career tory" course I will offer next semester, it "Licensing Initiatives for Scholars and Teachers: The View from paths? How do men and women will be critical that students have the the Copyright Industry-Intellectual Property as Seen from the ART HISTORY balance career and family? What role Advantages opportunity to engage with contempo­ Perspective of Rights-Holders and Publishers" has a postdoctoral fellowship played in ~ rary issues raging in society at large and career advancement? Have art histori­ of the New among local communities in particular. This town meeting will be held on Saturday, March 3, at the CAA Annual Ph.D.S: ans from abroad who earned doctorates Engagement has been a fundamental Conference in two sessions. Presentations ,will take place 9:30 A.M.-noon and o tenet of Chicano art, as well as most in U.S. programs remained in this It's been almost a semester, and follow-up discussion will be MId 12:30-2:00 P.M. Participants will include activist cultural production of the past country and pursued careers here, or our two "followed fellows/' representatives from Questia Media, Inc., SASKIA Cultural Documentation, CAA ...J thirty years. Engagement will be one of have they returned to their home Rocio Aranda-Alvarado and Visual Artists and Galleries, Association (V AGA), the National Museum of the primary objectives of this class. countries? How do art historians assess Judith L. Huacuja-Pearson have American History, the Art Museum Image Consortium (AMICO), and the ...J Auspiciously, service learning and ENDORSED the value of their Ph.D. after a decade of made the transition from school Academic Image Cooperative (AIC). • community-based educational activities employment? to work. Fortunately, during the Using a time-frame of over ten o integrated with classroom instruction ride, there have been mentors NINCH (Natiomillnitiative for"aNetworked Cultural Heritage) Copyright Town are seriously supported at my new NATIONAL years ensures that most graduates have and predecessors who have Me~tings are open-to the public. A conference badge or'single-session ticket, I.L home institution. settled into more or less stable and ameliorated stresses and whIch may be purchased at the Chicago Hilton and Towers on the same day, will Service learning is a pedagogical permanent employment. The question­ permitted experimentation. There's no be required to enter the,9:30 A.M.-noon session. Refer to www.collegeart.org for STUDY model that combines academic learning naire will focus on the employment better time to navigate through an arts conference information. For information regarding the program, consult history of the art historians from degree institution than in those first months, with community-based service. In www.pipeline.com/.... rabaronicbhlCIM.htm.Forinformationan previous NINCH courses with a service-learning compo­ UPCOMING completion to the present, inquire about when amidst the chaos and drudgery Copyright Town Meetings, consult www.ninch.org. their job search process and factors that comes with new responsibilities, nent, a carefully prescribed learning agenda includes community service as important in their decision to accept excitement and mearung is uncovered. one of several required activities. My that they "are aware of circumstances ment and consequences of pay-per-use he University of California, their first and current position, ask for a -Ellen Staller, Manager of Fellowships and course agenda will include lectures, likely to require them" to circumvent!) models; and Berkeley, is conducting a national retrospective evaluation of their doctoral Placement required reading assignments, two "No evidence/' concluded the study, "Ph.D.s in Art History­ programs and the usefulness of the T research papers, midterm and final Copyright Office, had been presented • Tellingly, in enacting the DMCA, Over a Decade Later," to collect informa­ doctoral degree, and collect demo­ New Pedagogical exams, as well as involvement with a that specific works in the classes "have Congress had considered and rejected tion on the career paths of art historians graphic information on spouses and Practices in Academia local Latino migrant workers' organiza­ been or are likely to be inaccessible an approach that would have had the over a period of 10 to 15 years after children. In addition to the survey, a As a newly initiated, full-time, tenure­ tion. The models for student involve­ because educational institutions or Copyright Office consider the effect of degree completion. This study, which is number of in-depth interviews are being track professor who is just completing ment will follow two lines: One line of libraries have been prevented from the law on those who had" gained funded by the Getty Grant Foundation conducted to understand the context in N her first teaching load of three lecture­ research will team students with local circumventing them." Holding out lawful access to a work. With respect and is endorsed by CAA, seeks to ' which individuals make career deci­ based courses, I relish the closing artists to produce interviews and some promise for the fuhrre, however, it to this proposal, therefore, the Copy­ involve allSOO doctoral recipients in art ( sions. moments of this term. What recently publications on local Chicano activists' concluded that it would be "easy to right Office stated that Congress should, history who graduated in the academic The research team expects to was a "time-management struggle" with use of culture (murals, posters, and agree" that if encryption created if it is so inclined, craft an exemption. years 1986 to 1991 from an art history administer the survey during March and the unknown is now a "teaching graphics). The second will result in the "serious difficulties in making lawful program in the United States. Dr. Maresi April 2001 and report results in the fall portfolio fact." I've produced lecture development of a history of the agency uses of these works," then an exemption What's next? As of this writing, no Nerad, Director of Graduate Research, of 2002. Because a high response rate notes, writing rubrics, study skill and the communities involved with it. "would be justified." appeal of the Librarian's determination and Joseph Cerny, Vice Chancellor of yields more reliable results, the research mandates, active reading assignments, Students will publish a local cultural appears to be in the offing. Legislation Research, are directing the study. team asks all doctoral recipients of the midterm review sessions, and final journal that reports on the unique Non-Infringing Uses of Works to amend the DMCA in the next Distinguished experts from various academic years of 1986 to 1991 to exams to guide and enhance student aspects of the community involved. The on Lawfully Acquired Copies Congress seems likely, and the professions and fields in art history will respond by mail or email as soon as learning. I have lectured on the history project will contribute to the same An equally large and impressive group Librarian's determination may well serve on the advisory board including they receive the questionnaires. of contemporary art, discussed develop­ community organization by offering of commenters argued to the Copyright tmdergo serious scrutiny. Finally, the Jacquelynn Baas, former Director of the Survey participants will have the choice ing good study skills and strong writing lectures on regional artistic collabora­ Office that once a user lawfully acquired Register is requlred by the DMCA to Berkeley Art Museum and Pacific Film to complete the questionnaire either habits, reviewed student materials, and tions. a copy of a work-such as a CD-ROM conduct a similar rulemaking proceed­ Archive (1989-99), Susan Ball, Executive over the Web or on paper. Neither then lectured more. It seems to me that Critical reflection on academic with digital images-then he or she ing every two years. Looking ahead, Director, College Art Association; Darcy individuals nor doctoral institutions will most all of my efforts have been directed instruction and community activity is should be able to circumvent access any CAA members (or other users) who Grimaldo Grigsby, Assistant Professor, be identified in any results. Dr. Renate toward amassing those most precious crucial to learning. During the course, controls for noninfringing purposes; encounter encryption measmes that Art History, UC Berkeley; E. Bruce Sadrozinski, the project manager, will be lecture notes. Lacking in the classroom many of the students' readings will they included the Department of effectively impede their lawful uses of Robertson, Professor, History of Art & available in the registration area at the has been the allotment of ample examine the problem of maintaining Commerce, leading academics, the copyrighted works should keep the Architecture, UC Santa Barbara and Vice Annual Conference to give more discussion time for students to actively criticality while being engaged in Consortiums of College and University evidence for submission to the Copy­ President for the Annual Conference, information and schedule interviews. engage with the material at hand. advocacy resea~ch. It will be important Media Centers and the Association of right Office, if users hope to persuade it College Art Association; Susan Hunting­ Questions regarding this study may be I relish the chance to begin anew. to have students assess their engage­ American Universities. Despite this in two years that broader exemptions to ton, Graduate Dean, Ohio State Univer­ emailed to Dr. Renate Sadrozinski, With the first semester's courses coming ment with the community organization support, the Copyright Office rejected the DMCA's anticircumvention provi­ sity, Professor, Asian Art; John D' Arms, Graduate Division, Research Unit, 421 to a close, I am currently drawing up differently from other volunteer work the proposal for three reasons: sions are warranted. President of the American Coucil of Sproul Hall, University of California, plans for the semester ahead. One of the they may have performed in the past. -Jeffery P. Cunard, CAA Counsel Learned Societies; and Cristin Tierney, Berkeley, CA, 94720-5900; 510/643-5437; significant advantages of being a new Their experience will also be different Resident Faculty, Christie's Interna- fax: 510/642-6366; PhdArtH@ • No "class" of works was defined in the faculty member (although it has its from academic internships. Students tional, New York. uclink.Berkeley.edu. proposal; painful disadvantages, too) is the will gain new knowledge in the class­ The study seeks to answer such opportunity to experiment with room and apply that knowledge outside N questions as: What were the different • Commenters have not "made the case classroom learning strategies while of it, but also garner new instruction by career paths that Ph.D.s in art history that their "fears" regarding the develop- attempting to finesse one's teaching assessing the needs of the community. chose? What percentage actually entered philosophy. In the case of the "Chicano, The intent is for the modality of instruc-

CAA NEWS JANUARY 2001 4 CAA NEWS JANUARY 2001 5 tion to match the goals of much of the distinct advantages. Being left out of a Special Advocacy Session on the Visual Resources activist art under study. The major goal three-hour meeting on purchase orders, Annual of activist art has been to produce furniture, photocopiers, and fax Session to Deal NewAAM Association Session cultural citizens (see Latino Cultural machines is just one of them. When you with Controversial Museum Guidelines Added to Program Citizenship [1997] by William V. Flores get a new job, in contrast to your co­ Student Art The American Association of Museums The Visual Resources Association will and Rita Benmayor). Whereas "intern­ workers with a longer history of service, CAA's advocacy session, on Saturday, (AAM) will sponsor a special session host "Coming Out of Isolation: Building ships prepare students for professional Bridges and Networking within the you are infinitely less jaded. Each new Update March 3, 2:30-5:00 P.M., will focus on the titled "Museum Ethics-AAM's work," as Jeffrey Howard, Assistant day brings fresh events. various issues at play when student art Guidelines on Holocaust Era Objects Campus Community." Visual resources Director for Academic Service Learning Just the other day, for example, I and Exhibiting Borrowed Objects" curators work closely with faculty, staff, Notice is banned from school-sponsored shows. at the University of Michigan, writes, it received a catalogue essay from Our Daniel Grant, a career consultant to fine (please see related story on page nine). and students in the deparbnents and Tickets for two 2001 Annual Conference is "academic service-learning that editor. When I attempted to download artists and a former art critic for The panel will be co-chaired by communities they serve. Rich support Special Events are no longer available: prepares students for citizenship." the document, the computer informed and an author of six books, will AAM staff members Jason Halt Director and information resources, including River North Gallery Tour and Frank Newsday The course I will teach at the me that the file was infected with the discuss the methods by which art of Government and Public Affairs, and manifold opportunities for collabora­ University of Dayton will explore Melissa virus. Visions of complete and Lloyd Write by Bus. CAA regrets any Helen Wechsler, Director of Interna­ tion, exist outside of art and art history inconvenience. schools and university art departments Chicano, Latino, and Mexican American utter chaos haunted me. I thought handle controversial artwork created by tional Programs. This valuable and departments. As service initiatives, cultural production from historical, about the possible damage that could Kress Foundation their students and how some of those informative session will illuminate cataloguing and digitization projects, cultural, social, and political perspec­ result from such a virus infecting our to Sponsor Distinguished efforts themselves may limit artistic AAM's newly released guidelines, the and other areas for collaboration rise to tives. More broadly, the course also unprecedented levels of technical, computers. Thanks to the old but still Scholar's Session freedom. Vanalyne Green, Professor at museum community's response to examines the history of artistic activism (somewhat) trusty virus checker, such perceived ethical lapses in recent administrative, and financial complexi­ CAA proudly announces the first in a the School of the Art Institute of in the United States since the 1960s. pandemonium did not ensue. Still, we museum exhibitions and purchases. ties, new opportunities to work with series of sessions devoted to the work of Chicago, will look at some of the ways That history includes significant were left with an unusable essay and a This session will be held on Friday, like-minded professionals in the senior scholars in art history. This year's in which the American Left, perhaps contributions by African American and deadline that was just days away. No March 2, noon-1:30 P.M., in the Interna­ university library, multimedia center, Distinguished Scholar's Session is unbeknownst to itself, reproduces Native American, as well as Latino doubt, this would take some major tional Ballroom North. information sciences, instructional Chicano, and Puerto Rican artists. ' miracle to fix. funded through a generous grant from technology, and academic computing the Samuel H. Kress Foundation and Students will study art and artistic So I sat for a moment and fanta­ abound. As a result, dynamic new will be devoted to James S. Ackerman, CONFERENCE HIGHI..IGHT practices that have developed out of sized about the Museum Fairy God­ alliances and relationships are formed. who will open the session with a talk specific social contexts. Thus, we will mother. I envisioned her as a kindly Presenters will share successful interde­ titled "On Old and New Histories of "Meet the Candidates" Session at the examine art while considering ethnic older lady who understands the partmental activities and projects at Art" (see featured story on page one). identity, stereotypes, literature, and the importance of funding cutting-edge 2001 Annual Conference their institutions, enhanced by a spirited The session panel will include Joseph use of that art within marginalized conceptual art that addresses issues of and ideas-laden exchange of additional Connors, Columbia University, chair, communities. Many of the art practices race, class, sexuality, and gender as well CAA members will have the opportunity to meet and question the candidates cooperative enterprises from the and speakers Robert Nelson, University developed since the 1960s integrate as blockbusters on the usual suspects who are running for the Board of Directors on Friday, March 2, at the 2001 audience. of Chicago; Caroline A. Jones, Boston ( community dialogue and social change. (Picasso, Monet, etc.). Believe me, this Annual Conference. It will be held at the Chicago Hilton and Towers from 4:45 Chaired by Russ Clement, North­ University; Ingrid Rowland, American One result of these emerging art was not the first such fantasy I'd had. A P.M. to 5:45 P.M. We urge you to take this opportunity to introduce yourself, and western University, the session will take Academy in Rome and the Getty practices has been the active deploy­ month ago, battling against a grant speak informally with the candidates before casting your ballots. Bring the place noon-1:30 P.M., on Friday, March Research Institute; and Patricia Emison ment of cultural citizenship, whereby proposal deadline, I wished for just such ballot you will receive in the mail in January 2001 so you will have the 2. Program speakers will include Sandra University of New Hampshire. ' the power of culture to shape attitudes a woman. candidates' statements and bios handy. The ballot is due after the conference C. Walker, University of Tennessee; CAA wishes to express its gratitude and affect actions has been realized by Living on a graduate student's on March 19, 2001. Please plan to attend. Christina B. Updike, James Madison to the Kress Foundation for its generous activists, artists, and people living in budget for several years is excellent University; Katherine Cowan, Maryland support. Thanks are also due David H. disempowered communities. preparation for working in the nonprofit Historical Society Library; Julie I have been well supported in my world. The same impulse that made Friedman, Massachusetts Institute of aspects of American puritanism and Getty Research Marchenko and Russ Clement, North­ attempts to deploy service learning in you print on the reverse side of drafts of Technology, for his able assistance in fundamentalism, including their western University. the classroom. The university's active your dissertation chapters is highly helping to organize the Ackerman Institute Session histories of censorship. Svetlana faculty mentoring program has intro­ useful in the museum environment. session. The session will be held on The Getty Research Institute will Mintcheva, Arts Advocacy Project Session to Focus duced me to Professor of English and Never a week passes that some discus­ Thursday, March 1, 2:30-5:00 P.M., in the sponsor a session titled "Reproduction International Ballroom South. Coordinator for the National Coalition on CAA's Director of Women's Studies Betty sion of pecuniary woes is not heard in and Originals." Chaired by Thomas Against Censorship, will talk about the International Efforts Youngkin, who offers extensive practical our offices. But, like museum-folk the Crow of the Institute, the session will First Amendment and funding matters The International Task Force of CAA advice about this subject. Youngkin, world over, we have hope. Given our Session Schedule Errors include the following speakers and as they relate to the establishment of will be hosting a roundtable session the along with Professor Brain Conniff, current situation, I am often reminded The times of the following sessions, as topics: Malcolm Baker, "Technologies of guidelines for student shows. And Bill on Thursday, March 1, 12:30-2:00 P.M. initiated the Dayton Literacy Project, of words from a letter by the African printed in the Preliminary Program, are Reproduction and the Economy of the Paul, Professor at the University of The goal of the session is to gather which brought together undergradu­ American painter Aaron Douglas about incorrect. The session chaired by Aruna Eighteenth-century Portrait Bust"; Georgia, will address the influence of members' thoughts and ideas on how ates, graduates, and women working a group formed by his avant-garde D'Souza and Tom McDonough, "The Whitney Davis, "The Aesthetics of social, economic, and political pressures CAA should expand its international toward general education degrees. Next colleagues during the Harlem Renais­ Invisible 'Flaneuse'? Rethinking Indiscernibles, Again"; Maria Loh, on the interpretation of art and how efforts to meet its constituents' needs. month's article will report on campus­ sance: "We have no get-rich quick Women's Experience of Public Space in "New Dogs, Old Tricks: The Internal these pressures, which may be repres­ All members are invited and wide service-learning projects. complexes .. ./We are primarily and 19th-Century France," will be held on Logic of Artistic Production in Seicento sive, also establish the acceptable range encouraged to participate in these -Judith L. Huacuja-Pearson intensely devoted to art." Friday, March 2, 2:00-4:30 P.M., in the Venice"; and Partha Mitter, "Mechanical of method, form, content, and teaching discussions. Topics include: "Interna­ Well, maybe my fantasy about a International Ballroom South. The Reproduction and Popular Prints in practice in the classroom. tional Academic Standards" (discussion "We have no get-rich Museum Fairy Godmother is within the session "Curriculizing Contemporary Colonial India." The session will be For more information, please leader: John Kissick, Dean of the Faculty quick complexes ... " genre of the get-rich-quick scheme. Art," chaired by James Yood, will be held on Thursday, March 1, 12:30-2:00 contact Marta Teegen, Manager of P.M. at the Hilton. of Arts, Ontario College of Art and In spite of what many may think, being Have any other ideas? held on Friday, March 2, 9:00-11.30 A.M., Governance, Advocacy, & Special Design); liThe Role of International the low woman on the totem pole has its -Rocfo Aranda-Alvarado in Continental Room C. The correct schedule information will be printed in Projects at [email protected]. Membership in CAA" (discussion the Final Program. leaders: Brooke Anderson, Director and

6 CAA NEWS JANUARY 2001 CAA NEWS JANUARY 2001 7 Curator of the Contemporary Center at Student and Emerging I'm Going to the Conference, rhythms of the 12-piece band, need to do our work: to articulate by field university-based center, a number of the Museum of American Folk Art and Professionals Committee and I Want to Meet Funkadesi, while sampling an array of and across disciplines the most pressing scholarly societies, and selected consult­ Tom Reese, CAA Board member and Seeks Hosts in Chicago Other Students odd desserts. Please consult the Final needs in the humanities that networked ants). Beyond the "short-term" projects Director of the Roger Thayer Stone In response to students' needs and When I Get There! ( Program for directions to Gallery 2. computing can address; and (3) To chart with a duration of two to four years, Center at Tulane University); "The Role to outline workshop participants made first requests to make attendance of the The best way to cormect with other where we go from here: short-term, practical, collaborative iterations of statements outlining issues of the Artist in the Digital Networked Annual Conference more economically students is at the Student Member projects; and to outline areas for and problems for inclusion in longer Society" (discussion leader: Lily Diaz, feasible, the Student and Emerging Reception sponsored by the Student and inclusion on a longer-term research term research agendas. In both the short Researcher at the Media Lab of the Professionals Committee (SEPC) has Emerging Professionals Committee. The agenda to be developed with computer term and the long term, these projects University of Art and Design, Helsinki); decided to set up a network for student reception is scheduled for Friday, March "The Importance of Foreign Exchanges" scientists. will be characterized by the collabora­ hosts in the conference city to communi­ 2, noon-l:30 P.M. See the final program The format of the meeting incorpo­ tive activity of humanists and computer (discussion leaders: Caroline Boyle­ cate with those needing lodging. for location. Students from a variety of Turner, Director of the Pont-Aven BUILDING rated three panel presentations on scientists. The most likely forum for At this time, SEPC is looking for campuses will be there to talk infor- School of Art and part-time Professor at topical issues (Possibilities of Digital refining and implementing the longer students living in the Chicago area who mally and socialize, as well as to trade Media; New Models of Publication/ term research agenda will be a series of the Rhode Island School of Design, and can host a student from out of town for observations about our particular BLOCKS Cheryl Goldsleger, Associate Professor Dissemination; Interactivity & Visualiza­ three annual conferences on computer the conference from February 28 to programs. You can find out what other at Piedmont College); "CAA's Role at science and the humanities recently March 3, 2001. If you have a spare bed, a students are thinking about their fields, tion); cross-disciplinary discussions of the United Nations" (discussion leader: the implications of the presentations; couch, or even a floor space, and would careers, projects, and scholarship. Last WORKSHOP funded by the Carnegie Corporation to begin in the fall of 2001. James Rubin of SUNY Stony Brook and be willing to have a fellow artist or art year, some undergraduates got to hear and field-based working groups. A CAA's representative to the United keynote address by Janet Murray -Sally Promey, Professor of Art Histon; historian stay with you during the firsthand from students enrolled in A LANDMARK Nations). conference, please email Michele Greet, graduate programs in which they have (Georgia Institute of Technology) and ArchaeologtJ, UniversihJ of ManJland Members in all areas-studio, opened the sessions; Michael Lesk chair of the SEPC, at [email protected]. interest. This kind of dialogue is exactly museum, art history, arts administra­ (National Science Foundation) outlined Please specify what sort of accom­ what we want to promote. EVENT tion, and others, including students­ funding strategies and opportunities at modations you have, where you live, if You can also expect to meet many are strongly encouraged to participate in NSF; Mary Estelle Kennelly (Institute for you prefer a male or female, and of students at the Conference session Museum and Library Services) did the the International Task Force session so course your contact information. In entitled ''What Do We Mean Art, inety-five representatives of same for IMLS; and NINCH President that goals and objectives can be devel­ addition to provicling out-of-town History?" sponsored by the Student and oped that focus on the international learned societies and scholarly students with a place to stay during the Emerging Professionals Committee on Stanley Katz gave a capstone address, FIELD issues members feel are most important. and professional arenas within placing the workshop in the context of conference, this process seeks to Thursday, March 1, 5:30-7:00 P.M. Before N the humanities gathered in Washington, Please check the Final Program for the encourage new contacts and friendships the session starts, and after the session is NINCH's creation as a truly collabora­ REPORT: tive platform from which the cultural location of this important session. from other schools across the nation. over, you might consider striking up DC, September 20-24, 2000, for the community might develop strategies for conversations with some of the other ( Building Blocks Workshop, an impor­ tant event in the larger Builcling Blocks effectively networking cultural re­ AAM'S Session on Conference attendees. Student members . Extended Deadline project. The outcome of more than two sources. at Chicago colleges: let us know who Art History for Career years of extensive planning, the work­ For many, the core of the meeting you are, and maybe we can come hang GUIDELINES in the Museum Context Development Workshops shop marks a significant step in the was the set of intensive conversations in with you on your campuses! Also, be Chaired by Clare Kunny of the Art Artists, art historians, and museum ongoing "Computer Science & the discipline-based "field meetings," where sure to visit the online IIStudents' ON Institute of Chicago, this session professionals at all stages of their careers Humanities" initiative that has as its the state and needs of each field were Survival Guide to the 2001 Annual explores issues and encourages conver­ are encouraged to apply for a one-on­ objective to stake out the common discussed. Here the Visual and Media Conference." Check www.collegeart.org sation on the broad topic of art history one consultation with veterans in their ground where the interests and chal­ EXHIBITING for details. Studies Field Committee of seven within the museum. John Neff of the fields. Career Development Workshops lenges of humanists overlap with those expanded to become a larger working Terra Museum of American Art offer a unique opportunity to receive working in computer science and group of sixteen scholars, teachers, BORROWED addresses the many art histories; candid advice on how to conduct a School of the Art information technology. Convened by librarians, archivists, curators, educa­ Kimberly Rorschach of the David and thorough job search, present work, and Institute of Chicago Bash National Initiative for a Networked tional technologists, publishers, and Alfred Smart Museum of Art discusses prepare for interviews. Join the School of the Art Institute of Cultural Heritage (NINCH) Director others. Learned societies supporting OBJECTS how university museums work with art The workshops will take place on Chicago, alumni, and friends for "2001 David Green, the workshop was funded this field include, in addition to CAA, history departments and the impact this Thursday, March 1, and Friday, March Dessert Oddities: SAIC Reception and by the Rockefeller Foundation, the the Society for Architectural History, the has on training. Martha Tedeschi of the 2, at the Chicago Hilton and Towers. Dance Party," the closing reception and National Science Foundation, and the Society for Cinema Studies, and the ince its inception in 1906, the Art Institute of Chicago examines Workshops are by appointment only; all dance party for the exhibitions 2001 Gladys Krieble Delmas Foundation and Visual Resources Association. Sally American Association of scholarly contributions in museum participants must be members in good Spaced Oddities and Installations 2001. organized, through NINCH, by the Promey (Professor of Art History and S Museums (AAM) has provided publications; and Kymberly Pinder of standing for 2001. The party will be held on three floors of representatives of 26 scholarly and Archaeology, University of Maryland) the American museum community with the School of the Art Institute focuses on To apply, fill out the coupon on the SAIC's warehouse at 847 W. Jackson professional societies, including College and Catherine Hays (Coordinator, guidelines and standards of ethical the teaching of art history in a museum page 27, complete, and mail in the Blvd. in Chicago (West Loop Gallery Art Association. Digital Technology and Electronic practices as well as leadership in context. The panel will be held on Career Development Workshops District/Greektown) on Saturday, With the overall mandate of Media, College of Arts and Humanities, government and public affairs. With its Saturday, March 3, noon-l:30 P.M., in the coupon. Participants will be chosen by a March 3, 7-10 P.M. attending to "Intellectual Needs Shaping University of Maryland), represent CAA approval on July 13, 2000, of the Price Auditorium at the Art Institute of lottery of the applications received by The first floor features 2001 Spaced Technical Solutions," the workshop had on the Building Blocks Steering Com­ "Guidelines on Exhibiting Borrowed Chicago, just a short stroll from the the deadline, and all applicants will be Oddities, a display of found objects three objectives: (1) To clarify how we mittee and co-chair the project's Visual Objects/' the AAM endeavored to Conference site. This session is one of notified by mail. CAA will make every collected by students, faculty, staff, and work: to review current scholarly and and Media Studies Field Committee. continue this relationship with the four that will be held off-site at the Art effort to accommodate all applicants; alumni curated into weird and wonder­ pedagogical practice, with particular More than 15 project proposals, includ­ museum community, In response to Institute of Chicago. however, workshop participation is ful taxonomic environments. The third attention to the use of primary source ing two from Visual and Media Studies, concerns regarding ethical standards in limited. Send completed coupon to: floor is devoted to Installations 2001, a ,materials (as outlined in the 250 returns are now being developed from drafts developing institUtional policies for Career Development Workshops, CAA, juried exhibition of alumni work. In to a national questionnaire, "Working produced at the meeting. Each project exhibiting borrowed objects, the AAM 275 7th Ave., New York, NY 10001. between, dance to the multicultural with Materials"); (2) To specify what we has its own team (typically a set out to develop a set of guidelines Deadline: January 31,2001.

8 CAA NEWS JANUARY 2001 CAA NEWS JANUARY 2001 9 that were consistent not only with the as well as the intellectual integrity of its exception that excludes exhibited objects exchange works of art in order to section of CAA's website is an indis­ the Conference and campus visits, and AAM Code of Ethics, but one that took exhibition, must coincide with the that are to be sold. This statement is strengthen their collections and the pensable resource for graduate students common courtesies. Linda Hults, of the into consideration the public's confi­ exhibition of borrowed objects. In rather unclear regarding its application , consultation of outside experts (both in all visual arts diSciplines. It is also a College of Wooster and member of dence in the museum community. addition, a museum should examine its to specific circumstances in which ( Ii scholars and artists) on the advisability useful resource for administrators and CAA's Board of Directors, was instru­ Specifically, the AAM's new relationship with the lender for potential objects can be sold. In order to clarify of sales/exchanges. The AAM's faculty who are involved with searches mental in shaping this document. guidelines address the ethical practices (or appearance of) conflicts of interest !his particular guideline, the AAM has guidelines, in conjunction with the CAA and includes a link to all other CAA involved when a museum borrows and and have a written policy in place that offered several suggestions to museums. resolution, provide sensible standards Professional Ethics and Guidelines. "Curriculum Vitae for displays objects from other museums would address such possible conflicts. They recommend that such"for sale" for the museum community and the Three new documents have been added Museum Professionals" and from private individuals and Furthermore, a museum should not shows occur only as exceptional! to the website during the last few public served by these institutions. For several years, the Career Develop­ organizations. The AAM suggests that accept any commission or fee from the secondary practices. When selling months as a result of the work of the The proposed efficacy of the AAM's ment site has provided c.v. conventions before exhibiting borrowed objects, a sale of borrowed objects (except when borrowed objects, a museum should Professional Practices Committee. They newly adopted "Guidelines on Exhibit­ for artists and art historians, but not for museum should create a written policy the objects for exhibition have been explicitly state that the objects are for include: ing Borrowed Objects" will be assessed those seeking positions with museums that addresses all of the issues outlined specifically organized for the sale of sale and that this selling of borrowed as the museum community absorbs and university galleries. The new by the "Guidelines on Exhibiting those objects, such as craft shows). The objects is an exceptional practice for the .' these guidelines into their institutional "Works in New Media: conventions were drafted with the Borrowed Objects," which are governed second section of the guidelines, museum. In addition, the AAM practices. Only with time will we better Recommendations for the assistance of Marilyn Kushner of the by principles that encourage a museum "Lender Involvement," states that recommends that a museum provide an understand the impact of these policies Brooklyn Museum of Art and chair of to: (1) Adhere to an ethical standard that although a museum may consult the explanation to the public of why it is Formatting, Handling, and on the institutions involved. The AAM CANs Museum Committee. This exceeds legal minimums (with the lender on issues concerning the borrow­ making this exception. will be presenting a session at the Screening of Works" document is especially useful for those purpose of encouraging the confidence ing and display of an object, it should Although these suggestions are CAA's Annual Conference in February If you have followed Careers listings for who need to see the distinctions of the public in the museum and its maintain complete decision making helpful in clarifying this particuiar on the "Guidelines on Exhibiting new media artists over the last few between the c.v. conventions of a mission); (2) Act in a way that is authority over the content and presenta­ guideline, further issues regarding the Borrowed Objects" (see page seven). years, you probably have noticed how museum professional and an art consistent with its formally stated tion of the exhibition. Additionally, this sale of works of art could be addressed For a copy of these guidelines and problematic those list;ngs have been. historian. It also serves as a useful guide mission; (3 ) Document all activities section suggests that a museum should within the guidelines themselves. The updated 'information regarding these There have been no consistent guide­ for the kinds of activities one needs to related to the borrowing and exhibiting notify the public of the exhibition's CAA's Resolution Concerning the Sale policies, visit the AAM's website at lines for schools regarding requests for consider when shaping a curatorial or of borrowed objects; (4) Make its actions source of funding in cases where the and Exchange of Works of Art by www.aam-us.org. documentation of work, and artists have administrative career. visible and understandable to the lender of objects also funds the exhibi­ Museums elucidates more clearly many -Natasha Poor, City University o/New often assumed that all institutions are -Michael Aurbach, Vice President for public; (5) Maintain institutional control, tion. of the possible issues involved when York Graduate Center technologically eqUipped to review their Committees as well as the intellectual integrity, of its Although most of these guidelines selling and/or exchanging works of art. work. The "Works in New Media" activities. are reasonably straightforward, the Located under the Governance section document is an attempt to get all parties Call For Participation: The "Guidelines on Exhibiting AAM has received questions regarding on the CAA website, this resolution was on the same page. Among the topics Borrowed Objects" are divided into two the section in "Borrowing Objects" that adopted in 1973 and reaffirmed in 1991 covered are labeling procedures, M.F.A. Survey sections: "Borrowing Objects" and addresses the museum's acceptance of by the CAA Board of Directors. These recommendations to institutions Considerable interest has recently been "Lender Involvement." "Borrowing commissions/fees upon the sale of guidelines address areas such as the requesting documentation, methods of generated in beginning a national Objects" states that a museum's mission, borrowed objects-specifically, the occasional need of museums to sale/ mailing / shipping the documentation, debate on the efficacy of the M.F.A. as a and recommendations to search terminal degree for fine artists in committees about the viewing of such Amer_ican higher education. In an effort The Art Libraries Society of North America work. Vanalyne Green of the School of to initiate such a debate, CAA's Profes­ sional Practices Committee will conduct in association with the Art Institute and Vice President of External Affairs at CAA, played a major a survey of artists working at universi­ ARLISISOUTHERN CALIFORNIA CHAPTER role in crafting this document. ties, colleges, and two-year institutions Presents across the country. The survey will assess how the M.F.A. degree has ARLIS/NA's 29th Annual Conference, Los Angeles "Etiquette for influenced the status of fine artists with Thursday, March 29 - Wednesday, April 4, 2001 CAA Interviewers" regard to salary, rank, tenure, promo­ The Wilshire Grand Hotel This document is a must-read for tion to administrative levels, and the anyone who will be involved with the receipt of grants. job interview process. It serves as a The survey will be conducted in the News wonderful reminder of the need for registration area at the Annual Confer­ professionalism on the part of depart­ ence in Chicago and will also be ments when interviewing candidates at available on CAA's website in early the CAA conference, on campus, or on February for individuals to fill out. CAA's Board Approves New the phone. For those going through their Volunteers are needed for one- or two­ Professional Guidelines first job search as artists, art historians, hour sessions to help administer the If you haven't visited the Career or museum professionals, it will be survey at the conference. If you are Development section of CAA's website extremely useful. In many ways willing to serve, please contact Bruce (www.collegeart.org), now is the time. candidates and institutions actually Bobick, [email protected] or The Board of Directors has approved shape our profession through the Dorothy Joiner, [email protected] of several new guidelines that will provide interview process. The document the Professional Practices Committee. considerable help to individuals and highlights various aspects of that highiy Deadline to apply: February 2, 2001. institutions conducting searches for charged moment when parties meet. It Click on our FABULOUS conference website at http://arlis200J .ucsd.edu to find: • Conference artists, art historians, and museum also covers communications between professionals. The Career Development Contact List· Wilshire Grand Hotel Information' Program Information' and so much more! candidates and departments, dining at

10 CAA NEWS JANUARY 2001 CAA NEWS JANUARY 2001 11 Mentor Online National Gallery of Art, Washington, historian, art critic, art educator, curator, Notice of the 89th Annual Pilot Project Launched DC; Metropolitan Museum of Art, New or other art professional. Institutional Members' Business Meeting affiliation is not required. Art Journal's CAA's Student and Emerging Profes­ a high school outreach program York); julian Chapuis, Tilman sponsored by Riemenschneider: Master Sculptor of the mission is to promote informed discus­ sionals Committee announces the ( (i The 89th Annual Members' Business p: 212.966.0300 NEW., Late Middle Ages (National Gallery of sion about issues across disciplines in initiation of a one-year pilot project to A Meeting will take place on March 3, 20th- and 21st-century art nationally and offer a Mentor Online service. The f: 212.966.3217 YOR~ L'",-----,--'-2icJ Art, Washington, DC, and Metropolitan internationally. Board members are 2001 at 7:30 A.M. in Continental Career Development Workshops at the e: [email protected] Museum of Art, New York); Lawrence expected to attend three meetings a year Room A at the Chicago Hilton & Annual Conference have been a great www.nyaa.eduifART Berman and Kenneth J. Bohac, Cata­ (two in New York and one at CANs Towers, 720 S. Michigan Ave., success; nevertheless, people also need 111 Franklin Street, New York, NY 10013 0 logue of Egyptian Art (Cleveland Annual Conference). Cost of transporta­ Chicago, IL 60605. Official notice of advice at times other than the week of for further information, Museum of Art). tion and lodgings for the two meetings the Annual Business Meeting and the Annual Conference. The comritittee ParticifJating-:S"::c"'h"'o"'o"'ls"':_____ c_o_n_ta;-ct_N;-o-=nC~Y_L_cin_cd-be"'rg'-a;-t-:-N_cyA-A-:----- in New York are covered by the CAA, proxies were sent on December 1, has therefore established a list of visual New York Botanical Garden Louis Brandeis High School Art Journal Co-sponsors but Board members pay their own way 2000, to the membership. arts professionals (art historians, visual Children's Museum of the East End (Long Island) Jacqueline Kennedy Onassis High School Panel on Conceptual Art to the Annual Conference. Please send artists, curators, museum professionals, East Harlem School Martin Luther King, Jr. High School On November 8, 2000, a panel discus­ letters of interest, c.v., and contact gallery directors, etc.) to respond Washington Irving High School United Nations International School sion entitled "Contemporary Returns to High School for Fashion Industries Environmental Sciences Secondary School information to David Joselit, Chair, CAA Staff Changes throughout the year via email to queries Conceptual Art: Renee Green, Silvia Talent Unlimited High School Thurgood Marshall Academy Editorial Board, Art Journal, CAA, 275 Christopher Howard is CAA's new dealing with conducting job searches, Kolbowski, and Stephen Prina" was The Museum School High School for Environmental Studies 7th Ave., New York, NY 10001. Deadline: Associate Editor in the publications presenting work, and other professional presented at New York University, John Dewey High School Abraham Herschl Yeshiva February 10, 2001. department. He will collaborate with concerns. For more information on Baruch High School Landmark High School Organized by the artist Simon Leung, a Rachel Ford, Manager of Electronic CAA's Mentor Online Project, please member of the Art Journal Editorial paid advertisement Publications, on the production and visit this URL: www.collegeart.orglcaal Board, the event was co-sponsored by CAA.Reviews Update design of CAA News, CAA.Reviews, and aboutcaa/committees/pips/studentl Nomads and Residents, the Department CAA.Reviews has recently named from the press. Grants of up to $1,000 CAA Award Finalists the CAA website, Christopher comes mentor.hhnl. of Art and Art Professions, New York Babatunde LawaI, Professor of Art will be awarded to the author, in CAA is pleased to announce the finalists from the membership department at the University, and Art Journal. It is the first History, Virginia Commonwealth addition to the award made to the press. for the Charles Rufus Morey Book Solomon R. Guggenheim Museum in of what we hope will be an ongoing University, Richmond, Virginia, to be its New Millard Meiss The committee meets to consider Award and the Alfred H.Barr, jr., New York and has previously worked at series of public events on contemporary Field Editor of African art. Lawai Publication Grants awards twice annually: in the spring Award. Both awards will be presented the New York Philharmonic and the art and culture to be co-sponsored by received a B.A. (Fine Arts) from the Opportunity and in the fall. To be considered at the at CAA's Annual Conference in Febru­ Orlando Museum of Art in Florida. He CAA. University of Nigeria, Nsukka, and an The Millard Meiss Publication Fund spring meeting, completed applications ary 2001. is also a freelance writer whose work Over two hundred audience M.A. and Ph.D. from Indiana Univer­ Committee is pleased to announce a must be received by CAA no later than The Charles Rufus Morey Book has appeared in Orlando Weekly, JAZZIZ, members attended the event, which sity, Bloomington, specializing in new funding opportunity for authors. March 1, 2001. Award honors an especially distin­ and over the Internet. In 1997, he consisted of presentations by and a African art. He has taught at Virginia Following are the revised guidelines: guished book in the history of art, ( received his B.A. in Film Studies from discussion with Green, Kolbowski, and Commonwealth University since 1992, published in any language in the the University of Florida, Gainesville. Meiss Publication Grants are for the Millard Meiss Award Prina. These three internationally prior to which he was a faculty member purpose of subsidizing book-length penultimate calendar year. The Alfred Winners Announced respected artists have made Conceptual of the University of !fe, He-!fe, Nigeria scholarly manuscripts in the history of H. Barr, Jr., Award for museum scholar­ Susan Sacramone recently joined CAA CAA is pleased to announce three recent art of the 1960s and 1970s both a subject (now Obaferni Awolowo University), art that have been accepted by a ship is presented to the author(s) of an as the new Development and External Millard Meiss publication subsidies: and a point of departure of their current where he was Chair of the Fine Arts publisher on their merit but cannot be especially distinguished catalogue in the Affairs Associate. Susan comes to CAA jeffrey Hamburger, St. John the Divine: work. While acknowledging aesthetic, Department and Dean of the Faculty of published in the most desirable form history of art, published during the from the Heckscher Museum of Art, The Deified Evangelist in Medieval Art discursive, and political debts to Arts. He has also served as Visiting without a subsidy. The committee is penultimate year under the auspices of a Huntington, Long Island, where she (University of California Press); Sarah historical Conceptual art, they have Professor at other institutions in Africa, particularly sympathetic to applications museum, library, or collection. worked for three years in the Develop­ McPhee, Bernini and the Bell Towers: reworked the Conceptual art canon to United States, and Brazil. He has that propose enhancing the visual Finalists for CAA Charles Rufus ment Department, most recently as Architecture and Politics at the Vatican extend debates about its meaning for published extensively on different component of the study through the Morey Award: Carmen C. Bambach, Coordinator of Annual Giving. Susan (Yale University Press); and Margaret contemporary art production. An edited aspects of African and African Diaspora inclusion of color plates or an expanded Drawing and Painting in the Italian holds a B.A. in Art History from Queens Werth, The Jay afLife: The Idyllic in French version of the artists' presentations and art. His most recent book is The Gelede component of black-and-white illustra­ Renaissance Workshop: Theon) and College, where she is currently pursuing Art circa 1900 (University of California their lively discussion with the audience Spectacle: Art, Gender, and Social Harmony tions that would, without subsidy, not Practice, 1300-1600 (Cambridge Univer­ an M.A. in Art History. In this new Press). will be published in the Spring 2001 in an African Culture. He is currently be possible. The publishers' expenses sity Press); Mitchell B. Merback, The position, Susan will be working closely Millard Meiss grants are awarded issue of Art Journal. completing another book, tentatively generated by exceptional design Thief, the Crass, and the Wheel: Pain and with Rebecca Deo, Director of Develop­ twice annually for scholarly manu­ titled Sango: Art, Spirit Mediumship, and requirements (maps, line drawings, the Spectacle of Punishment in Medieval ment, Marketing, and Public Relations, scripts that have been accepted by Thunder Power among the Yoruba. charts, and tables) are also suitable for and Renaissance Europe (University of Call for Nominations providing administrative and project publishers but cannot be published in Prospective reviewers may contact consideration. Permission and rental Chicago Press); Leonard Barkan, and Self-Nominations support. She will be responsible for the most desirable form without a Babatunde Lawai directly at fees/reproduction rights, especially in Unearthing the Past: Archaeology and The Art Journal Editorial Board wel­ support and enhancement of the subsidy. Authors must be CAA mem­ [email protected]. ,cases where they are burdensome for Aesthetics in the Making of Renaissance comes nominations and self-nomina­ Development, Marketing, and Public bers. For information: Editor's Statement: "CAA.Reviews the press, are also appropriate for a Culture (Yale University Press); Patricia tions for an individual to serve for a Relations Department to increase www.collegeart.orglcaalresources/ offers an ideal forum for timely, incisive Meiss subsidy. Mathews, Passionate Discontent: Creativ­ three-year term, renewable once, funding for, visibility of, and member­ meiss/index.html; or the Publications and constructive critique of new Beginning in spring 2001, the ity, Gender, and French Symbolist Art beginning in April 2001. The candidate ship in College Art Association. Coordinator, [email protected]. publications in the field of African art. committee welcomes an additional (University of Chicago Press). should be an individual with knowledge Deadlines: October 1, 2001 and March 1, The ultimate objective is to promote Finalists for the Alfred H. Barr, jr., application from the author to cover the 2001. of 20th- and 21st-century art who is innovative scholarship and a better and Michelle-Lee White joins CAA as authors' own expenses for illustrative Award: Yve-Alain Bois, Matisse and interested in helping formulate articles, deeper understanding of the forms, Editor in the publications deparhnent. materials (permissions, graphics, Picasso (Kimbell Art Museum, Fort conversations, and reviews for the contexts, meanings and dynamics of art She will be an integral part of the indexing, nontraditional media like film Worth); Gary Tinterow and Phillip quarterly publication, as well as in in Africa." collaborative team that produces the Art stills, CD-ROMs, etc.).Thisshould be Conisbee, Portraits by Ingres: Image of an strategizing for long-term fundraising Bulletin and Art Journal. Michelle is an submitted, along with the· application Epoch (National Gallery, London; needs. He or she may be an artist, art art historian and curator of contempo-

12 CAA NEWS JANUARY 2001 CAA NEWS JANUARY 2001 13 Ballroom. This session is open to it to enter or pick up messages. rary American and African Diasporic Art, Culture, and expand cultural and educational interviewers and candidates and is Ii Review the Conference Supplement Art. She is a Ph.D. candidate in the exchange programs between the United and the geared towards first-time users of of paying attention to the Department of the History of Art at the States and countries around the world. Careers, National Agenda Placement Services. instructions in each ad. If the hiring University of Michigan, Ann Arbor. In The bill has been referred to the Com­ The Center for Arts and Culture in • Plan to stay at one of the CAA institution has indicated that it is 1998-99, she was a Helena Rubinstein mittee on Foreign Relations for further Washington, DC, is near completion of a conference hotels. For hotel information, interviewing at the 2001 conference, Curatorial Fellow in the Whitney review. cultural policy document to present to consult your also cross-reference this list with the Inter­ Independent Study Program. In 1995, Preliminary Program; the incoming administration. The viewer Listings. she received her M.A. in Art History This brochure is designed to inform online at www. collegeart.org. Staying at Please note: Interviewer document, titled Creative Transition, will World War II a conference hotel will allow you to from Howard University in Washing­ interviewers and candidates about Listings give information about registered focus on the following policy areas: Memorial Update return to your room and to collect interviewers only. the hiring institution ton, DC. She has worked for the Studio CAA's Placement Services at the 2001 If creativity and the law; globalization; A groundbreaking ceremony sponsored messages more easily. has not yet checked-in, information may Museum in Harlem (New York), the Annual Conference taking place at the access and equity, preservation; by the American Battle and Monuments • Update your curriculum vitae (c.v.). appear in a later release of Interviewer Phillips Collection (Washington, DC), Chicago Hilton and Towers. Examine community life; federal funding; Commission (ABMC) took place on this brochure carefully so that you It is very important that your c.v. be up­ Listings. the Archives of American Art, education; and support for creative November 11, 2000, in Washington, DC. know what to expect from conference to-date, clear, and neat. • While reading new listings, refer to Smithsonian Institution, and the workers. Recommendations for the new Also in November, the Commission of interviewing and how best to prepare • Prepare a standard application AAUP's list of censured administrations National Endowment for the Arts administration include establishing a Fine Arts (CFA) unanimously approved for a successful and relatively stress­ packet. A prefab envelope or folder (see CAA's "Standards for Professional (Washington, DC). She is originally Cultural Advisor to the President, the ancillary features of the plan (roads, free experience. Questions about packet is inexpensive, fast, and easy to Placement" contained in this document). from Montreal, Canada. establishing a joint Congressional parking, a ranger station, a comfort Placement Services should be directed deliver and shows you to be an orga­ Owing to the high volume of positions Committee on Culture, and appointing station, and a contemplative zone to the to: Lehadima Land, Placement Coordi­ nized and prepared candidate. Art listed during the conference, CAA will an Undersecretary of Culture to the north of the Rainbow Pool). In Decem­ nator; 212/691-1051, ext. 217; historians may consider including an not be able to follow its usual practice of State Department. ber, the National Capital Planning [email protected]. unofficial transcript and/ or photocopies placing an asterisk next to ads by AAUP­ This initial nonpartisan document Commission (NCPC) approved the of recent scholarship. Artists should censured administrations. If the institu­ will be followed by a series of more in­ ancillary items in vote of 7 to 4. Now ii!iI Bring this handbook with you to the carry an easy-to-view, select portfolio of tion is on the censured list, ask the depth issue briefs that explore the effect that these items have been approved by conference as an ongoing reference. recent work that clearly represents their interviewer how this affects his/her individual national policies have on the NCPC, the ABMC will ask Secretary medium. Be sure your c.v. or cover letter department practices. You may also get creativity in the United States. Creative of the Interior, Bruce Babbitt, to sign includes a local phone number or other details about the censure from AA UP. Transition and all subsequent issue briefs construction permits so that work can Eligibility means for interviewers to contact you • Follow the instructions in the will be available to the public by begin immediately on the MemoriaL Conference registration is not required during the conference. Note to artists: position advertisement or interviewer contacting the Center for Art and for those participating in conference Make several copies of all slides you listing to apply for a specific position. Be Culture (www.culturalpolicy.org). Protection for Placement Services. However, candi­ wish to present to interviewers and sure your local contact information is Update dates must be individllal2001 CAA always retain the originals. clearly noted on your application Nonprofit Postal Rates members in good standing with valid WhiteHouse In October, President Clinton signed ( materials. You may be asked to leave 2001 member ID cards. ii!iINever give away originals of your materials at a CAA Interview Table, Election 2000 Conference on legislation (S. 2686) that sets the postal slides! While it is still too soon to say for sure rate for nonprofit mailers at 40 percent Southeast Exhibit Hall or at one of the Culture and Diplomacy local hotels. Do not leave applications what a Bush presidency will mean for of the commercial rate. If legislation ii!iIlnterviewers need not be CAA • If you have a prearranged inter­ On Tuesday, November 28, President outside of hotel rooms or taped to doors, the arts and hmnanities, it should be had not passed, nonprofit postal rates members, but MUST check-in with view, research the school and depart­ Bill Clinton, Hillary Clinton, and unless specifically requested-hotels noted that state funding for the arts would have faced possible increases of CAA staff at the Interviewers' Center. ment beforehand so that you are able to Secretary of State Madeleine Albright may discard material cluttering hall­ increased in Texas under Governor as much as 48.6 percent for 2001. At a By doing so, the interviewing institu­ ask specific and informed questions. convened the first White House Confer­ ways. Bush, which means increased federal time when funding for the arts is tion confirms its presence and makes ence on Culture and Diplomacy. • Candidates should enclose a self­ funding for the cultural agencies is not Discussions at the conference centered already low, assisting nonprofit organi­ its whereabouts known to the candi­ At the Conference: addressed, stamped envelope (S.A.5.E.) entirely out of the question. Moreover, zations, and especially nonprofit arts dates. on ways to better integrate cultural • Arrive early, relax, get organized. with adequate postage for the return of during the campaign, Bush indicated concerns into U.S. foreign policy and to organizations, with preferred postal Familiarize yourself with the Chicago that he believes that states should have a rates will be essential in many cases to application materials. Interviewers are strengthen cultural exchange programs. Hilton and Towers, find telephones, to return materials to candidates greater say in how federal funds for the their very survivaL required The State Department will be issuing a Advice for Candidates business center, restrooms, etc. Obtain provided they are accompanied by an arts and humanities are spent. Bush has (25~)-come report on the conference. Before the Conference: change for pay phones S.A.S.E. (Despite this, some do not. Check also indicated support for charitable Earlier this fall, Senator Joseph ADVOCACY ALERT: • Renew, rejoin, or join for CAA prepared with a roll of quarters. Find out giving tax incentives, which could be of interviewer tables on the final day.) CAA Biden (D-DE) introduced a bill (S. 3251) Fair Market Value membership. A valid 2001 individual if you can access your hotel voicemail cannot be responsible for the return of benefit to museums, colleges and that would authorize the Secretary of CAA membership card will be required remotely. universities, as well as non-profit arts Tax Deduction for Artists materials. Note: Candidates are advised State to provide for the establishment of CAA asks you to contact your to use Placement Services. • Attend the Placement Orientation not to submit original pieces of artwork organizations. private, nonprofit entities to assist in • Read Careers and apply for posi- on Tuesday evening, February 27, 6:30- The election in the Senate was a elected officials and urge them to or publications, but rather good quality carrying out the State Department's support pending legislation that will tions for which you are qualified. While 7:30 P.M., Grand Ballroom. plus for the federal cultural agencies as copies. international educational, cultural, and allow artists to take the fair market many new positions will be distributed • Go to the Candidates' /Message o Stop by the Candidates' /Message three vocal arts opponents were arts programs by making any funds at the conference, the majority of Center, Mobley Room, lower level, on defeated. They include Spencer value tax deduction for donations of Center frequently to pick up the latest available to the Department available to their work to museums, libraries, or conference interviews are prearranged Wednesday, February 28, at 9:00 A.M. listings. The Interviewer Listings and the Abraham (R-MI), who was defeated by nonprofit entities to cover administra­ based on responses to the October, There is no need to arrive any earlier­ Debbie Stabenow; John Ashcroft (R­ archives (HR 3249/S 2781). Conference Supplement are constantly tive and other costs for their establish­ Currently, an artist, writer, or December, and February job listings in standing in line for hours will not get updated. Page numbers of each update MO), who was defeated by Jean ment. Such nonprofit entities would Careers. you information faster than those who Carnahan; and Rod Grams (R-MN), composer can only deduct the cost of will be posted as they become available. also be responsible for encouraging the materials to create the work, which is • Plan to arrive early to familiarize arrive at 9:00 A.M. Pick up the Inter­ defeated by Mark Dayton. Other new • Check for messages in the Candi­ participation and financial support of not a large incentive to donate, particu­ yourself with conference facilities. We viewer Listings and the Conference dates' /Message Center and your hotel Senators likely to be favorable to the arts multinational companies and other also strongly recommend that you attend Supplement of Careers, and check the and humanities include Maria Cantwell larly since the majority of artists, voicemali frequently. The Candidates' / private sector contributors to deepen writers, and composers in this country the Placement Orientation, Tuesday, Message Center for messages. Remem­ (D-WA), Hillary Clinton (D-NY), and Message Center is provided for inter­ earn very little. Many national and February 27, 6:30-7:30 P.M., Grand ber to bring your valid 2001 individual viewers to leave messages for candidates Ben Nelson (D-NE). CAA member ID card you must present

14 CAA NEWS JANUARY 2001 information has been requested and disapproval of this violation of the spirit All ads submitted before February 23 ONLY. Candidates may not leave At the Conference~ who believes that this has had a of the law. will receive an email confirmation. messages. Messages are posted in • Attend the Placement Orientation, prejudicial effect upon his or her G. Screenings and Notification. • Position listings will be accepted by alphabetical order by last name. When Tuesday, February 27, 6:30-7:30 P.M., employment prospects be advised to Screenings should be conducted as email throughout the conference for you find a card with your name on it, Grand Ballroom. This session is open to report such situations to CAA, which expeditiously as possible. It is the inclusion in Conference Supplements. present it to CAA staff with your 2001 interviewers and candidates and is will communicate to the institutions the obligation of all hiring institutions to recommended for first-time users of information that such a complaint has inform all applicants promptly and CAA Membership Card to pick up your iiliIlnterviewers will have free access to Conference Placement Services. been received and that the alleged courteously as soon as they have been message. 120 email stations directly across the Adopted unanimously by CAA Board of • Check in with CAA staff in the practice is contrary to the policy of eliminated from serious consideration. street from the Chicago Hilion and Directors, October 22,1977; amended Grand Ballroom, on Tuesday, February CAA. Those being seriously considered should Advice for Interviewers Towers at Columbia College. December 12, 1992. 27,6:00-7:00 P.M., and at the Interview­ be notified as soon as possible after the Before the Conference: ers' Center, Conference Room 4C, 4TH D. Accuracy of Listings. In recent years, application deadline"of the status of • Advertise any open positions in In order to protect the interests both of Floor, on Wednesday and Thursday, CAA will also accept ads on zip institutions that have listed positions their candidacy and of the expected Careers. This ensures maximum expo­ applicants and of hiring institutions and February 28 and March 1, 8:30 A.M.-5:30 disk, in PC format. When submitting with CAA have reported a median of schedule of deparbnental action. sure to potential candidates. List the to allow both to know their separate P.M., and Friday, March 2, 8:30 A.M.­ ads on disk, please create your docu­ 150 applicants for each studio position specific requirements for the position as responsibilities during the placement noon, even if you have prearranged ments in Microsoft Word. and 35 for each art history position. In H. Return of Materials. Candidates are well as support materials (c.v., slides, process, the following standards for your conference interviews. • The Candidates' /Message Center many instances, applicants did not have reminded that aresponse to a Positions articles, etc.) candidates will need to will distribute approximately 7 Confer­ professional placement have been the qualifications required by the Listing is the initial step in the selection Formulated. apply. iiliIlnterviewers MUST provide informa­ ence Supplements, Wednesday-Friday. institutions. In part, this problem results processandareurgednottosendslides, • Schedule conference interviews in tion about their interviewing schedule Position listings submitted by the end of 1. CAA Positions Listings from failure on the part of the candi­ offprints, or other materials of value unless advance. Interviews scheduled by prior as well as leave specific instructions each day will be included in the dates to read thoroughly the printed job A. Listing of ALL Positions. Careers is a specificallyrequestedintheannotmcement appointment are better planned and less for candidates on where to go for, or morning supplement of the following descriptions. It also results from listing central, national, and effective means of of the opening. In all cases where such stressful for both interviewers and how to arrange interviews during the day. Ads submitted by email or disk positions without specifying precisely announcing job openmgs to the profes­ materialshavebeenrequestedbythehiring candidates. You may also want to allow will be listed in the next Conference the required qualifications. conference. sion. The vast majority of positions institution-whether initially or in later time for additional interviews with Supplement following submission. Hard Whileinstitutionshavealegitimate listed with the CAA are at the Instruc­ stages of selection, a S.A.S.E. should be candidates identified at the conference. copy submissions of position listings interestinretainingtheiroptions, they At your request, we will keep your tor / Assistant Professor level; the usual requestedandmaterialsshouldbe If you have indicated that you will be will appear in the second Conference helpneitherthemselvesnorthecandidates hotel room number or other information means for identifying candidates for promptly returned as soon as an applicant interviewing at the conference and Supplement following submission. whentheylistas"open" entry-level confidentiaL positions at higher ranks is by personal iseliminatedfromconsideration. subsequently find you are unable to do Careers does not accept email positions, fail to indicate preferred areas of • Use the Candidates' /Message inquiry to individuals or institutions so, please inform CAA as soon as Center, Mobley Room, lower level, to attachments; please cut and paste specializationwheresucl1preferencesdo known to those responsible for the II. Interviewing possible. reach candidates directly. Upon check-in information into the body of the email. exist, orexaggerate their expectations search. In order to ensure maximum Whether conducted at the Aruma} • Determine where you will conduct with CAA staff, interviewers will be Faxed ads are not accepted. (" five-years teaching experience," "Ph.D. communication, this procedure should Conference or elsewhere, interviews interviews. You may choose to inter­ given an ID card that will allow them to required/' etc.), where neither the salary be properly supplemented by listing should proceed in such a manner as to view at a CAA Interview Table or Advertising Rates for the Supplement: beingofferednorthepresentpracticesof leave messages for candidates at the senior positions as well with CAA. Clear respect the professional and personal offsite. For interviews at your hotel, a Institutional Members: the institution warrant such requirements. Candidates' /Message Center (not valid specification of the qualifications and integrity of the candidates. Interviews suite with a table and chairs is recom­ for admission to conference sessions). $125 for the first 100 words Hiringinstitutionsare urged to make requirements of the position should should take place promptly as sched­ mended. A small room with no surfaces $1.25 for each additional word their listings as accurate and specific as Contact candidates who have prear­ eliminate the feared "flood" of appli­ uled; applicants should be allowed for paper work or chairs for you and the possible and to state clearly the nature of ranged appointments, as well as new cants and might well turn up a superior sufficient time to develop their candi­ candidate may cause either party to feel applicants, by completing message cards Non-Institutional Members: the credentials required. Further, while candidate. dacy in some depth; interviewers should uncomfortable. and posting them at the Candidates' / $150 for the first 100 words tentative listings are encouraged in orderto be prepared to respond to legitimate • Reserve an Interview Table. A Message Center. $1.50 for each additional word B. Nondiscriminatory Listings. CAA maximizepublicity,institutionsare questions about the institution, its limited number of tables are available to will not accept position listings that required to state that such positions are nature, program, location, etc. (A simple those who need a location to conduct NEW INFORMATION I!!! Supplement Distribution Schedule: include qualifications held to be discrimina­ subject to budgetary or other contingen­ printed brochure supplying this interviews or collect materials (tables • Advertise new employment listings Wed-Thu: 9A.M., noon, 4P.M. tory under applicable law. cies. information can save valuable time and will be located in the Southeast Exhibit in the Conference Supplement of Fri: 9A.M. ONLY energy.) Hall). Table rentals are not required, but C. Right to Privacy. CAA holds that E. Application Deadlines. Hiring Careers. Supplemental position listings institutions are reminded ofboth the legal Respect for the integrity of the many interviewers find tables to be a • Identify additional candidates hiring should be based on professional will be distributed Wednesday through andmoralimperativesofkeepingpositions interviewingprocessinvolvesareciprocal convenience. Tables may be reserved in qualifications only andreaffirms the Friday and will not be available before during the conference. Instruct candi­ open tmtil the stated deadline has passed, obligation on the part of candidates to advance for a fee, and, pending avail­ dates to leave application materials for followingresolution: or after the conference. N.2k.;. after the no matter how many applications are come to interviews prepared with all ability, rented onsite for a higher fee. For "Resolution Concerning Private deadline for the February 2001 issue of you at a reserved eAA table or at your received.Deadlinesmustallowreasonable necessary supporting materials and to information: Lehadima Land, 212/691- Information in Interviewing" (adopted Careers (Friday, December 29) CAA will hoteL Note: Be sure to make arrange­ II timeforannotmcementtoreachapplicants follow established proceduresandsched­ 1051, ext. 217; [email protected]. ments for drop-offs at your hotel with by the Board of Directors, November I, continue to accept ads electronically in and forthem toprepare and submit their ulesinassertingorpursuingtheirclaims the concierge; asking candidates to slide 1975). Beitresolved that, Tabl~ Rental Fees (prepayment the same format as their regular Careers )\ applications. upon the time and attention of the reqUIred): listingS, for inclusion in the first applications under your door or to leave 1. Applicantsforpositions be advised interviewers. Advanced Reservation Conference Supplement. Position them in a box outside may lead to loss- of not to include personal information such as F. Charade Listings. Affirmative Action Institutions conducting interviews not $145 for institutional members listings sent to [email protected] valuable materials. Contact candidates marital or parental status on curricula vitae proceduresrequirethatall positions be at the Annual Conference should make $170 for non-institutional members before February 27th at 7:00P.M.will be by phone or through the Candidates' / or applicationforms. given wide publicity through channels efforts to arrange an interview site and included in the first Conference Supple­ Message Center; or, post a sign-up sheet 2. Potential employers and their designed toreach the broadest spectrum of time convenient to both parties and Onsite Reservation (pending ment, distributed Wednesday, February at a reserved table with a schedule of representatives be advised not to potential candidates. Insomeinstances, should be aware that the expenses availability): 28, 9:00 A.M. from the Candidates' / available time slots for interviews. request such information either verbally listings are published where the successful involved for candidates to get to an $170 for intstitutional members Message Center. or in writing. candidate isknowninadvance, simply to interview can be quite high. Candidates Return all materials to candidates in $195 for non-institutional members 3. Any candidate from whom such conform with Affirmative Action who would have to travel a long iiliI For customer satisfaction, we S.A.S.E. provided! regulations. CAA firmly states its strongly encourage interviewers to email their position listings before they leave for the conference. investigationorproceduresinplacefor Wingate College (NC), May 1979, 251-56, 1979 distance should be given an honest regional artists, writers, and composers Visual Resources evaluation of their chances for the holding hearings and therefore cannot Olivet College (MI), April 1980, 140-50, 1980 sell their original works to private Association to position so that they can decide if the make factual determinations with Nichols. College (MA), May 1980, 207-12, 1980 collectors or abroad, which effectively expense involved is justified. respect to the merits of a particular Yeshiva University (NY), Augustl981, 186-95, 1982 keeps them from ever being seen by the Host Conference Interviews conducted at the annual complaint or accusation. American International College (MA), May-June U.S. public. A fair market value tax The Visual Resources Association (VRA) meeting entail the following specific For more information, contact: 1983,42-46,1983 deduction for artists, writers, and will hold its 19th Annual Conference obligations: A. Interviewers who have American Association of University Metropolitan Community Colleges (MO), March­ composers will help stem the losses to in Chicago, February 27-March 3, 2001. announced in a prior Positions Listing Professors (AAUP), 101214thSt., N.w" Apri11984, 23a-32a, 1984 U.s. museums and libraries of many The conference site will be the historic that they will be present at the annual Ste. #EIJO, Washington, DC 20005; 800/424- Westminster College o£ Salt Lake City (UT), great works that have been sold to Congress Hotel, just three blocks from November-December 1984, 1a-IOa, 1985- meeting are required to report to the 2973. private collections or competing CAA Annual Conference venue and CAA Interviewers' Center so that their Southwestern Adventist College (TX), January­ within easy walking distance of such Februaty 1985, la-9a, 1985 museums overseas. room numbers may be registered. It is AAUP Censured Administrations For more information on contacting Michigan A venue attractions as the Art highly recommended that all interview­ Investigations by the AAUP of the Talladega College (AL), May-J~e 1986, 6a-14a, Affiliated Institute of Chicago. 1986 your elected officials, please consult the ers register with CAA Placement administrations of the institutions listed This year's schedule boasts an Southern Nazarene University (OK), November­ advocacy page of CAA's website at Services at the Interviewers' Center. belowshowthat,asevidencedby a past December 1986, 7a-lla,1981 www.collegeart.org. exciting slate of programming and violation, they arenotobservingthe events. Conference progr'amming will B. Only interviewers who are registered Pontifical catholic University M Puerto Rico; -Marta Teegen, Manager of Governance, with the Interviewers' Center may leave generallyrecogrnzed principlesofacademic May-June 1987,3:J-38, 1987 Advocacy, and Special Projects News include discussion of Chicago area messages for candidates at the Message freedom and tenure endorsed bythis Husson College (ME), May-June 1987, 45-50,1987 digitization projects, including the Art association,theAssodationofAmerican Institute's Cleopatra multimedia Center. Hillsdale College (Ml), MaY7"June 1988, 29-33, 1988 CollegesandUniversities,andmorethan Call for Participation Four New Affiliates program, as well as discussions grap­ Maryland Institute College of Art (MD), May­ III. Enforcement 1500therprofessionalandeducational June 1988, 49-54, 1988 at the United Nations Join CAA pling with the impact, both positive and CAA will monitor those violations that organiZations. The 1940Statementof Southeastern Baptist Theological Seminary (NO, The United Nations is launching the eAA welcomes four organizations that negative, of the electronic age on image can be clearly ascertained through its Principles on Academic Freedom and May":"June 1989,'35-45, 1989 Decade of the Culture of Peace and have joined as Affiliated Societies. These management, from both philosophical own administrative processes, namely: TenuremaybefoundintheMay-June The Catholic University o£ America, September­ Nonviolence for the Children of the groups reflect the diversity of interests and pragmatic viewpoints. 1990issueof Academe. Namesareplaced October 1989, 27-4.0, 1990 World (2001-10). A Committee of Art and disciplines within the visual arts Workshops on all aspects of image A. Failure to adhere to application on orremoved from this Censure listby Dean'College. (MA), May~June 1991,27-32,l99~ and Culture has been formed under the that is emblematic of CAA's identity. management will also be offered. As deadlines. voteoftheAAUP'sAnnuaIMeeting.. Baltimore City Community COllege (MD), May­ Peace Caucus of Nongovernmental The American Print Alliance always, the annual roster of social B. Failure by interviewers to honortheir Placingthenameofaninstitutiononthis June 1992, 37-41, 1992 Organizations at the United Nations. (AP A) is a membership organization events will allow the membership to commitment to be present at the annual listdoesnotmeanthatcensureisvisited Lorna Linda University (CA), May-June 1992.- 42- This corrunittee would like to receive and consortium of nonprofit network, share experiences, and meetingortonotifyCAAiftheirplans either upon thewhole of the institution or 49, i992 proposals for artistic imagery that printmakers' councils in the United welcome new colleagues to the profes­ change. uponthefaculty,butspedficallyuponits Qarkson College (NE), May-June 19931 4&-53, 1993 expresses the values of peace and States and Canada dedicated to educat­ sion. C. Failureto retumapplicationmaterials presentaclministration. Theterm"adminis­ North Greenville College (SO,. May-June 1993, nonviolence. They hope to share these ing the public about prints and related The VRA is the only international when a S.A.S.E. was provided by the tration"indudestheadministrativeofficers 54-64, 1993 ideas and projects with the peace contemporary arts. The APA publishes organization specifically for image applicant. and the governing board ofthe institution. Savannah College o£ Art and. Design (GA), May­ education campaign launched under Contemporanj Impressions, a journal of media management professionals. With Willful violations may be reported to SincecircumstancesdifferwideIyfrom June 1993, 65-70, 1993 UNESCO and the Hague Appeal for critical literature about contemporary an active publication roster, listserv, theprofessioninCAA News and communi­ case to case, theAAUPdoes not assertthat Universio/ of Brid~,port (en. November-­ Peace in the Netherlands in 1999. This is printmaking, papermaking, and book webpage, regional chapters, and the December 1993, 37-45, 1994 cated by letter to the chief administrative candidatesrefrainfromacceptingappoint­ an international effort aimed at over­ arts. Annual Conference, the VRA provides Benedict College (SO, May-June 1994, 37-46, 1994 officer of the offending institution. Other ment to an institution that is on the coming the Culture of Violence by The American Society for Eigh­ critical information, opportunity for alleged serious violations will be referred censurelist;itdoes urge that, before Nyack College (NY), September-October 1994, 73- supporting creative people in media to teenth-Century Studies encourages professional growth, and support for 79,1995 forinvestigationandsuchactionasdeemed acceptingappointments,theyseek promote peace and social justice. study and research in the history of today's visual resources curator. For information on present conditions of Bennington College (VT), Mari:h-Aprill995, 91- Contact the caucus through the more information about the VRA, appropriateinaccordancewithestablished 103,1995 eighteenth-century culture in its grievance procedure. academic freedom and tenurefromthe UNESCO website: www.unesco.org broadest sense. Its quarterly journat membership, and the Chicago Alaska Pacific University (AK), May-June 1995, Amendment, December 12, 1992: association's Washington office and 32-39,1995 (look for the UNESCO Culture of Peace Eighteenth-Centun; Studies, reflects its Conference, please see the Association The CAA Board of Directors on recom­ prospectivedepartmentalcoUeagues. Community College of Baltimore CountY-Essex logo at the bottom of the webpage, or interdisciplinary nature. webpage: www.oberlin.edul-artlvral mendationoftheCornrnitteeonProfes­ (MD), May-June 1995, 40-50, 1995 www.unesco.orglcpp. A nonprofit corporation originally vra.html. Grove City College (PAl, March 1963, 15-24, 1963 sional Practices has amended the St. Bonaventure ,university (NYl, July:--August formed by North American art muse­ Amarillo College (nO, September 1967,292-302, 1995,65-73, 1996 Standards for Professional Placement as 1968 ums, the Art Museum Image Consor­ Garland County Conununity College (AR), May­ Art Libraries Society to follows: Frank Phillips College (TX), December 1968,433- tium provides access to and delivery of June 1996, 41-46, 1996 Careers will henceforth denote by 38,1969 cultural heritage information through Host L.A. Conference Saint Meinrad School of Theology UN}, July­ an asterisk any job listing submitted by Virginia Community College System (VA), April the AMICO Library, a collective digital The Art Libraries Society of North August 1996, 51-60, 199'7 an institution that has been censured or 1975, 30-381' 1975 . library of images and documentation of America will hold its 29th Annual MinneapoUs College of Art and Design tMN), is under investigation for censure by the Concordia Seminary (MO), April 1975, 49-59, 1975 works in member collections. Conference at the Wilshire Grand Hotel May-June 1991, ,53-58,,1997 AAUP. Careers will also denote by a Houston Baptist University (DO, Apri11975, 60-64; The Japan Art History Forum in Los Angeles, March 29--ApriI4, 2001. Brigham Young University (uT), Sept.-Oct 1997, diamond any position listing submitted 1975 facilitates the exchange of ideas and The ARLIS/NA conference will be 52-71,1998 by an institution that has had its Murray State University (KY), December 1975, information in the history of Japanese offering a wide variety of tours, work­ University o£ the District of Columbia,. May-June 322-28, 1976 accreditation removed, denied,. or is 1998,46--55,1998 art and visual and material culture shops, and programs, many of which Blinn College (TX), Apri11976, 78-82,1976 based on research, teaching, and being investigated for such action by the Lawrence Technological University (MI), May­ will feature the city of Los Angeles itself NASAD. University of Osteopathic Medicine and Health June 1998, 56-62,1998 Find it at ... curatorial activities. in keeping with the theme of "2001: An Sciences (lA), April 1977, 82-87, 1977 ItshouldbeemphasizedthatCAA's Johnson,& Wales University (Rt) l\of,ay..june 1999, Expect to find full listings for these L.A. Odyssey." For additional informa­ purpose in this identification is solely to State University of New York (NYl, August 1977, 41j..50,1999 wwW.coll e ear t. 0 r organizations on our website. Visit tion about the conference visit the 237-60,1978 g g inform its membership of the existence of Mount Marty College (SD) May-June 1999,. 51-59, www.collegeart.organd click on website at http://arlis2001.ucsd.edul potentialproblems.CAAhasnomeansof Phillips Community College ot the University of 1999 Governance for the Affiliated Society index.html. Arkansas (AR), May 1978, 93-98, 1978 University of Central At1.cansas Mm:n-Aprl12000, Directory. -101-114 Albertu& Magnus College (cr) Jan-Feb 2000,54-63, 2000 CAA NEWS JANUARY 2001 15 Robert Bunkin. Art Lab Gallery, Snug Harbor Julie Shelton Smith. Newport Art Museum, Ray Burggraf. The Art Gallery, Broward SOLO Cultural Center, Staten Island, NY, December 2, Newport, RI, January 27-AprilS, 2001. Community College South Campus, Pembroke 200D-January 14, 2001. Acrylic and buon fresco Rebuilding the Body. Pines, FL, November 2-December 15, 2000. Color EXHIBITIONS () paintings. Sensations. Paintings. BY Diana Soorikian. Viridian Artists Inc., New Harriet Feigenbaum. Neuberger Museum of York, October 17~November 4, 2000. Putti. Bailey Doogan. Rowe Arts Main Gallery, Art; Purchase College, Purchase,NY, November Paintings. University of North Carolina, Charlotte, NC, ARTIST 12, 2000-January 14, 2001. Women of Stonc. September 20-0ctober 20, 2000. Positions. Paintings and drawings. MEMBERS Maria Spector. Queens Theatre in the Park, Colleen Kiely. Rose Art Museum, Brandeis Flushing, NY, November 11, 200D-January 2, University, Waltham, MA, November 9- 2001. Faces. Site-spedfic installation. Dawn Hunter. Kentuck Museum, Northport, Only artists who are CAA members are included December 17, 2000. AL, March l-April2S,2001. Playing with Morals. ill this listing. Group shows are not listed. When Mixed media. submitting in/ormation, include name, membership Anne Tail. Wheeler Gallery, Providence, RI, number, venue, city, dales of exhibition, and medium Penny Kronengold. Richard Stockton College October 27-November 16, 2000. Tondl. (or website address of online exhibits). Omission of Art Gallery, Pomona, NJ, November 1-2S, 2000. Clarence Morgan. David Lusk Gallery, Baroque Fantasies. Paintings, works on paper, and Memphis, October 3-2S, 2000. Squaring Off: New membership number on submission will prevent your Mary Putman, Calling Them In, acryllic, 50 x 88" listingjrom being published. Photographs are sculptures. Jenny Tango. Wagner College Gallery, Staten Work. Island, NY, November 8, 200D-January 13, 2001. welcome but will be used only if space allows. Mary Tobias Putman. Gross McCleaf Gallery, Art Gallery, Grand Marais, MN, October 20- Photographs cannot be returned. Please be advised Philadelphia, November B-December 4, 2000. December 3,2000. We Make the Road By Walking. Ellen K. Levy. New Britain Museum of Tanja Softie. The Marsh Gallery, University of that listings and images may be reproduced on the Hunters and Gatherers. CAA website. Submit to: Solo Member Exhibitions, Prints and artist's books. American Art, New Britain, CT, January 7- Riclunond Museums, Richmond, VA, October CAA News, 275 7th Ave., New York, NY, 10001; February 18, 2001. Shared Premises: Complexity 21-December 17, 2000. Recent Works 011 Paper. [email protected]. Loret Gnivecki Steinberg. Kauffman Gallery, and Evolution. Paintings and digital works John V. Orlh. Frank Stone Gallery, Minneapolis, Huber Art Center, Shippensburg University, involving artificial life programs. November 1D-12,2000. Cast metal sculptures, Nicole Woodford. Grambling State University Shippensburg, PA, November 1-21,2000. " .. these wood patterns, and paintings. Gallery, Grambling, LA, October 19-November are not Ozzie and Harriet's children." ABROAD Samella Lewis. UFA Gallery, New York, 4, 2000. Between the World and Me. Lynda Frese. Palazzo Faroese, Ortona, Italy, September ~ctober 14, 2000. Oneness in Time. Deborah Rockman. The Kendall Gallery, June-July 2000. Immagini Pagane (Pagan Imaging), Judy Taylor. List Gallery, Lang Performing Arts Works on canvas and paper. Kendall College of Art and Design, Grand WEST Mixed media. Center, Swarthmore College, Swarthmore, PA, Rapids, MI, February 9-March 23, 2001. November B-December IS, 2000. histories. Thomas Barrow. Richard Levy Gallery, Drawings and collages. Giuseppe Luciani. Rudolph Projects, New York, Albuquerque, NM, October 3-November 4, Photographs and photograms. MID-ATLANTIC October 19~November 11, 2000. New Work. 2000. blue skies. Patricia Villalobos Eccheverria. Regina Gouger Heidi Schwegler. Lyonswier Packer Gallery, Miller Gallery, Purnell Center for the Arts, Chicago, February 9-March 3, 2001. The ) Suzanne McClelland. Paul Kasmin Gallery, Carnegie Mellon UniverSity, Pittsburgh, October Enrique Chagoya. Track 16 Gallery, Santa MIDWEST Pathological Record. Photography and sculptures. New York, October 12-November 11, 2000. Out Monica, CA, November 18, 200D-January 20, 10-29, 20DO. Cortocircuita-Short Circuit. Mixed­ Jeff Carter. MacLennan Gallery, St. Louis of Character. media installation. 2001. utopiancannibal.org. University, Busch Memorial Center, St. Louis, MO, November 10-December 23, 2000. things Ed Smith. Union Gallery, Kansas State University, Manhattan, KS, March 26--April13, Creighton Michael. Neuberger Museum of Art, Claudia Chap line. Bank of America, Concourse Joe Lewis. Sharadin Art Gallery, Kutztown move. 2001. A Grand Battle, Songs of Heroism. Sculp­ Purchase College, Purchase, NY, January 28- Gallery, San Francisco, December 7, 2000- University, Kutztown,PA, October 19- tures. May 27, 2001. Haiku/Innuendo. Paintings. February 6, 2001. Recovered Treasures. November 19, 2000. PhotoAlchemy. Sonya Y. S. Clark. The Gallery of Design, University of Wisconsin-Madison, October 29- Bailey Ooogan, Spell V, Titman, charcoal! December la, 2000. Beaded Blessings. NORTHEAST Jill Moser. Kate Ganz USA Ltd., November 14- Lynda Frese. Mark Woolley Gallery, Portland, gessoed paper, 84 x 62" Beth BaHis. Synagogue for the Arts Gallery December 14, 2000. Works on paper. OR,October 3-2S, 2000. Immagini Pagane (Pagan Space, Civic Center Synagogue, New York, Imaging). Mixed media. Reinventing Venus, a collaborative project with Blane De St. Croix. Laumeier Sculpture Park, st. January 25-March lS,2001. Fusion Paintings and Jayne Pagnucco. The University of the Arts, Sol Susan Grabel. Mixed media. Louis, February 18-March 18, 2001. Special Drawings. Mixed media. Projects. Mednick Gallery, New York, February 16--March John Halaka. Founders Gallery, Department of 23,2001. spin. Photography, sculpture, and Fine Arts, University of San Diego, CA, T.E. Taylor. Gallery Thirteen, Danbury, CT, Conrad Bakker. Art in General, New York, digital media installation. November 9-December 15, 2000. Whispers & August 4-August 26, 2000. Rosemarie Fiore. Bodybuilder & Sportsman November S, 2000-January 6,2001. Culdesac. Echoes. Paintings. Gallery, Chicago, October 7-November 18, 2000. Window installation. Whack. Paintings and video. David Schulz. National Gallery of Brooklyn, Joann Thornton. George Billis Gallery, New New York, December 9, 200D-January 7, 2001. Jan Wurm. Linn-Benton Council for the Arts, York, December 5, 200D-January 6,200l. Diane Barcelo. The Norwich Arts Council Travelogue, Part One. Mixed media. Corvallis Art Center, Corvallis, OR, January 4- Photographs. Tobi Kahn. Wilson Gallery, Edwin A. Ulrich Gallery, Norwich, CT, January 2-29, 200l. 25,2001. Romantic Notions. Paintings. San Museum of Art, Wichita State University, KS, Tongues. Mixed-media sculptures and drawings. Francisco Art Conunission Art in City Hall Susan Schwalb. M. Y. Art Prospects, New York, November 17, 2000-January 7, 2001. Hierophony: Program, San Francisco City Hall, January 1D­ January 11-February 10,2001. Palimpsest: Recent SOUTH Tobi Kahn and the Manifestation of the Sacred. March II, 2001. Drawings. Michael Aurbach. Association for Visual Artists, Paintings. Prilla Smith Brackett. Housatonic Museum, Metaipoint Paintings and Drawings. Bridgeport, CT, November 9,200D-January IS, Chattanooga, TN, January 19-February 10, 2001. 2001. Remnants: Ancient Forests & City Trees. Sculptures. Sharon Louden. Urban Institute for Contempo­ Ed Smith. Marist College Art Gallery, rary Arts, Grand Rapids, MI, December IS, Poughkeepsie, NY, November 9-December 15, Prilla Smith Brackett. Cress Gallery, University 2000-January 26, 2001. Winkers. Sculptures. Randy Brozen. Compton Goethals Gallery, The 2000, and Choate/Rosemary Hall, Paul Mellon' City University of New York/CUNY, New York, Arts Center, Wallington, CT, January 18- of Tennessee at Chattanooga, February 12- Heidi Schwegler, from The Pathological November 27-December 1, 2000. Threshold. February 25, 2001. A Grand Battle, Songs of March 29, 2001. Remnants: Ancient Forests & City Record Judy Stone Nunneley, Johnson Heritage Post Heroism. Sculptures. Trees.

CAA NEWS JANUARY 2001 16 eAA NEWS JANUARY2001 17 U.szl6 Beke has been appointed Director of the Joseph Gregory has been promoted to Director Sheboygan, WI, during the summer of 2000. Institute for Art History of the Hungarian of the Design Arts Gallery of Drexel UniverSity, Academy of Sciences. Previously, Beke served as Philadelphia. Harmony Hammond, Professor of Art at the General Director of the Budapest Mu'csamok/ University of Arizona, Tucson, received two Kunsthalle. Paul E. Harris, Business Director of the Amon visual arts grants-one grant from the Andrea Carter Museum, Fort Worth, TX, has announced Frank Foundation and one grant from the Matthew Biro has been promoted to ASSOciate his departure from the museum. GRANTS, Arizona Commission on the Arts. Professor of Modern and Contemporary Art at the University of Michigan, with tenure. Daniel T. Keegan has been appOinted Executive AWARDS, Jonathan Katz has been awarded a one~year PEOPLE Director of the San Jose Museum of Art. postdoctoral fellowship by the Sexuality Dario Gamboni has been named Professor of & HONORS Research Fellowship Program, which is IN Art History at the University of Amsterdam, the Judy Metro has been named Editor-in-Chief at sponsored by the Ford Foundation and Netherlands. the National Gallery of Art, Washington, DC. managed by the Social Science Research Council. Only grants, awards, or honors received by indiv­ Katz's project is entitled "The Art of the Closet: THE Joan Hall has been named the first Kenneth R Cynthia Mills was selected for the position of idua I members are listed Submit name, membership Queer Artists and Queer Critics in Cold War Hudson Professor of Alt at Washington Executive Editor of American Art, the journal of number, institutional affiliation, and title of the America." NEWS University School of Art, St. Louis, MiSSouri. the Smithsonian American Art Museum in grant, award, or honor, and use or purpose ofgrant Gordon W. Gilkey Washington, DC. to: C. Howard, [email protected]. Lynda J. Lambed, of Geneva College, Beaver Hilary Jay has been appointed Director of the Falls, PA, has been selected for the" Art In Memoriam Sidney R. Yates, a congressman from Chicago Paley Design Center at Philadelphia University. Sharon Vatsky was appointed Senior Education Matthew Biro, Associate Professor of Modern Embassies Program" by the United States Department of State. Lambert's woodcut prints Marian B. Davis, Professor Emeritus at the for nearly half a century who supported the Manager at the Solomon R. Guggenheim and Contemporary Art at the University of Virginia Maksymowicz has been named will be on loan to the U.S. embassy in Papua University of Texas, Austin, died on Odober 26, development of the cultural resources the Museum. Michigan, has received an Ailsa Mellon Bruce Assistant Professor of Art at Franklin and at age 89. Davis received an M.A. from United States, died on October 4,2000, at age 91. Senior Fellowship for 2000-2001 from the Center New Guinea for display in the ambassadorial Marshall College, Lancaster, P A. She will be residence in Port Moresby for 3 years. Washington University, St. Louis, in 1935. At As chairman of the Interior Appropriations Audrey Weil has been elected by the Board of for Advanced Studies in the Visual Arts at the teaching a variety of courses including Radcliffe College, she was an Alice Longfellow Subcommittee, he was a fonnidable advocate for Trustees of the Hirshhom Museum and National Gallery of Art, Washington, DC. sculpture, drawing, and curatorial practices. Lisa Lewenz's film, Fellow from 1940 to 1941, and received her govemment support of the arts and humanities. Sculpture Garden, Smithsonian Institution, Meine Judische Grossmutter: (A Ph.D. in 1948. Davis worked at the Worcester Bill Ferris, Chairman of the Nation Endowment Washington, DC. Sarah Bowen has been awarded a grant from Die Wiederentdeckten Filme der Ella Lewenz Judith Rodenbeck has been appointed Assistant premiered on German Art Museum from 1940 to 1944, and was later for the Hrunanities, noted that "his congres­ the Vermont Arts Endowment Fund to support Letter Without Words), Professor of Modern and Contemporary Art in appointed Assistant Professor of Art at the sional hearings resembled seminars as he spoke The National Gallery of Art, Washington, DC, the creation and prodUction of a new series of television on December 5, 2000. The film also the Division of Visual Culture at Sarah took the First Place Rias 2000 Award. Visit http:! University of Texas. She achieved full professor­ of the humanities and arts with an eloquence trustees has recently elected Robert F. Erburu as paintings. Bowen's recent work takes inspira­ Lawrence College, Bronxville, NY. !thinksmall.orgfaletterwithoutwordsl for more ship in 1960 and became Professor Emeritus in and knowledge that all respected. America has Chairman and appointed Victoria P. Sant as a tion from nature, natural processes, and ecology. 1978. She was a member of Open Forum, a lost a distinguished statesman and a true friend new trustee to replace Alexander M. Laughlin, information. The School of Art and Art History, University of contributor to the Austin Travis County of the arts and humanities." In 1993, Yates was Chairman, who is retiring as Trustee Emeritus. Patricia Fortini Brown, Professor of Art and Iowa, Iowa City, has made the following Collection, and Austin History Center, as well as awarded a Presidential Citizens Medal for his Archaeology and Deparbnent Chair at Thomas Martin, Associate Professor of Art appointments: Susan Chrysler, Assistant a 50-year member of CAA (Board of Directors, efforts on behalf of the arts and humanities. He The Whitney Musewn of American Art has Princeton University, has been named Slade History at the University of Tulsa, was 1 of 3 Professor of Painting; Richard De Puma, 1951-54), and the SOciety of Architectural is survived by a son, Stephen, who is a Cook announced the appointments of Debra Singer as Professor of Fine Arts at the University of winners of the Outstanding Teacher Award for F. Wendell Miller Distinguished Professor of Art ( ) Historians. Davis is survived by her niece, County circuit judge in Chicago, and three Associate Curator of Contemporary Art and Cambridge for 2000-2001. She will deliver the 2000 at the university. History; Ab Gratama, Professor of Graphic Karen Laughlin, and 2 nephews, Todd and Rees grandchildren. Shamim Momin as Branch Curator. annual Slade lectures during the winter term. Davis. Design; William Mentor, Assistant Professor of Painting; Margaret Stratton, Professor of Sally M. Promey, Professor of American Art at The artist Chen Zhen died in Paris on December Blane De St. Croix, ASSistant Professor at Photography; and Kee-Ho Yeun, Associate Organizations the University of Maryland, received this year's Gordon W. Gilkey clied on October 28, 2000, at 13,2000, at age 45. Although he worked in a Florida Atlantic UniverSity, Boca Raton, was the Professor of Metalsrnithing and Jewelry. Lori Starr has been named Vice President, Award for Excellence in the Historical Studies the age of 88. Gilkey Was known for his variety of mediums, he is best remembered for recipient of the 2000-2001 Sculpture Fellowship External Affairs, for the Skirball Cultural Center, Category from the American Academy of contributions to the visual arts in Oregon, from his ambitious installations, in which he Award by the Florida State Arts Council. De St. The University of Maryland Baltimore County Los Angeles. Religion for her recent book, Painting Religion in his teaching position at Oregon State University poetically employed both his study of traditional Croix also received John Michael Kohler Arts/ (UMBC) has made the following appointments: Public: John Singer Sargent's "Triumph of Religion" to his role as Curator of Prints and Drawings at Chinese culture and his knowledge of Western Industry ReSidency, which took place in Lynn Cazabon, Assistant Professor of Photogra­ {Princeton, 1999). the Portland Art Museum. avant-garde art to engage with contemporary social issues. He developed many of these works phy; Arnie Siegel, Assistant Professor of Film; Gilkey's career began after he received an Susan Rankaitis, Fletcher Jones Professor of Art in dialogue with the geographical, social, James Smalls, Associate Professor of Art M.F.A. in printmaking from the UniverSity of at Scripps College, Claremont, CA, has received cultural, and historical characteristics of the sites History and Theory; and John Sturgeon, Oregon and accepted a teaching post at a Durfee Foundation grant to travel to China to in which the works were installed. Born in Professor of Art and Chair of the Visual Arts Stephens College, in Missouri. In 1942 he joined view the winter landscapes of the Song Dynasty Shanghai, China, in 1955, Chen came of age Deparbnent. the United States Army Air Corps, and in 1946 painters. Rankaitis was also awarded a 2001 was appointed Chief, of the War Department's during the tumultous years of the Cultural The Department of Art History and Archaeology City of Los Angeles Cultural Affairs grant to Special Staff Art Projects in Europe. In this Revolution. In 1986, he immigrated to PUlis. He at Washington State University, St. Louis, produce a new series of artwork on the brain. position, he helped locate and repatriate later invented the term transexperience to describe the experience of living between announces the following appointments; Paul artworks confiscated by the Nazis. In 1947, Scott Sikkema, Manager of School and Teacher cultures and used this perspective as the basis Crenshaw, Assistant Professor in Northern 16th Gilkey started his 30-year academic career at Programs at Terra Museum of American Art, for the creation of his art. Chen's work was and 17th Century Art, and Rebecca DeRoo, Oregon State UniverSity, begiruUng as Professor was recently awarded the Illinois Art Education included in numerous exhibitions around the Assistant Professor in Modern/Contemporary of Art and concluding as Dean of the College of Association Museum Art Educator of the Year world. One of his last projects, Beyond the Art. Liberal Arts. He also served as Professor and Award. Printmaker-in-Residence at the Pacific Vulnerability, was produced for The Quiet in the Land: Everyday Life, Contemporary Art, and Projeto Northwest College of Art. Museum Patricia Tavenner's works were shown at the Axe, which has been featured in Art Joumnl. In 1993, Gilkey and his late wife, ViVian, Kate Bonansinga was named Director of Art Museum Fridericianum, Kassel, Gennany, in an Chen is survived by his wife Xu Min and his son opened the Vivian and Gordon Gilkey Center Galleries at the University of Texas at El Paso. exhibition of artists' magazines. Her artist book, for Graphic Arts at the Portland Art Museum. Chen Bo. Messages of condolence may be sent to Fei Dawei, [email protected]. The Birdhouse Stories, is one of three books to The center is dedicated to the study, exhibition, Susan Behrends Frank has been named become part of the permanent collection on collection, preservation, and creation of works Assistant Curator at The Phillips Collection, display at the King'Stephen Museum in of art on paper. Through the Gilkey's determi­ Academe Washington, DC. Budapest, Hungary. nation, the collection has grown to more than Bruce J. Altshuler has been named Director of 17,000 objects, including nearly 8,000 works New York University's Museum Studies Susan Grace Galassi has been appointed to the \" ..' ' William E. Wallace, Professor and Chair of the from their private collection. position of Curator for The Frick Collection, NY. Program. He has also been appointed Adjunct From left to Samuel Sachs II, Director, and Susan Grace ...., •• ' .. , Department of Art History and Archaeology at Professor of Fine Arts. Frick Collection, NY, with Elizabeth Sachs Washington University, St. Louis, has been PHOTO: NINA ROBERTS

18 CAA NEWS JANUARY 2001 CAANEWS JANUARY 2001 19 named the Barbara M. Bryant Distinguished The Tenth Annual Symposium on the of power within cities, against cities, between articles that examine the theme of visual art as a British scholars. For a schedule of the day's York's doctoral art history program. It will be held at the CUNY Graduate Center on March 31, Chair in Art History. Decorative Arts: Renaissance Through cities, and by cities over their hinterland (or therapeutic andlor healing tool. Articles may lectures, call 773/834-1778. Modem, sponsored by the Masters Program in wider environment). Submit a l-page abstract to include exhibition and book reviews, event 2001. Speakers: Patricia Mainardi, Gerald The Getty Grant Program has announced its the History of Decorative Arts, offered by Willem Klooster, University of Southern Maine, - reports, profiles of individuals and organiza­ Belief Made Visible: Artistry & The Religious Ackerman, William Gerdts, Phillip Dennis Cate, Elizabeth Anne McCauley, Angela Daile Vacche. 200D-2001 Postdoctoral Fellows in the History of Cooper-Hewitt, National Design Museum, Dept. of History, College of Arts and Sciences, ( tions, personal essays, and scholarly, research­ Imagination is the 2001 Undergraduate Art Art and the Humanities which include the Smithsonian Institution; the Smithsonian College Ave., Gorham, ME; 207/780-5323; fax: based feature articles. Please send (unpublished) History Colloquium to be held at the Henry Art Admission is free, but reservations are required. For more information, 212/759-0606, ext. 28; following CAA members: Diane Dillon, Associates; and Parsons School of Design, will 207/780-5571; [email protected]. articles, abstracts, outlines, or proposals with Gallery, University of Washington, Seattle, W A, Francesca Fiorani, Andrea Gradela Giunta, be held on March 10, 2001, at the Smithsonian Deadline: February 15, 2001. cover letter and clips to Karen vanMeenen, on February 15, 2001. This year's keynote www.daheshmuseum.org; Maria Elizabeth Gough, Pamela Margot Lee, Associates, Washington, DC. Papers are sought Editor, Afterimage, 31 Prince St., Rochester, NY speaker is John Pemberton ill, Crosby Professor [email protected]. Steven David Nelson, Maria del Rosario from graduate students, either masters or Revolution and Changing Identities in France, 14607. Deadline: March 12, 2001. of Religion, Professor Emeritus at Amherst Pradel, Noa Steimatsky, Woodman Lyon doctoral candidates, on all aspects of European 1787-1799, a 5-week seminar organized by the College. Six undergraduate presenters from Social Reception of Baroque Gardens, a Taylor, and Achim Timmermann. and American decorative arts, Send I 2-page Newberry Library Center for Renaissance The State of Feminism in Visual Culture is the across the nation will round out the day's event. sympOSium organized by Dumbarton Oaks The following CAA members have abstract for a 20-minute presentation, I-page Studies, will focus on identity transformation theme of the 9th Front Range Art Symposium, Contact [email protected];http:// Studies in Landscape Architecture, will be held received Curatorial Research Fellowships: bibliography, and c.v. to Dr. Maria Ann Conelli, and the revolutionary process. Issues to be sponsored by the Denver Art Museum's College www.students.washington.eduluahc/. May 11-12, 2001. The symposium will focus on Cornelia Hepburn Butler, Julien David Chair, Masters Program in the History of addressed include processes of collective Advisory Committee, the University of the uses and social reception of gardens which Chapuis, Mary MacNaughton, Sandra S. Decorative Arts, Cooper-Hewitt, National identity transformation~ the development of Colorado at Colorado Springs, and the Colorado Medieval Art in the Modern Age: The have been created in order to inspire social Phillips, William H. Robinson, and Joaneath Design Museum, Smithsonian Institution, 2 East revolutionary and counter-revolutionary Springs Fine Arts Center, to be held at the American Experience, presented by the Mary deference: How did audiences respond to Ann Spicer. Additionally, Evelyn Welch and 91st St., New York, NY 10128-9990; 212/849- identities, changes in gender roles and religious Colorado Springs Fine Arts Center, September and Leigh Block Museum of Art and the Dept. of gardens intended to express their subordination Corine Schleif have both received Collaborative 8344; fax: 212/849-8347; [email protected]. identification in revolutionary contexts, and the 28-29,2001. The College Advisory Committee Art History, Northwestern University, will be and to further subjugate them? Which aspects of Research Grants. Deadline: Januanj 26, 2001. tensions caused by conflicting identities. The invites proposals from art historians, artists, and held February 28, 2001. The symposium garden design--either in the choice of forms, seminar is open to faculty in diSciplines such as performative studies scholars for 20-minute accompanies the exhibition, Manuscript movement, order, contrast compOSition, or in The Getty Research Institute armounces several The Biennial Dissertation Colloquium, history, literature, philosophy, political thought, papers/presentations that address the current Illumination in the Modem Age: Recovery and common or ritual usage-contributed to these award recipients: The 2000-2001 Getty Scholars organized by the Temple Hoyne Buell Center for and art history, as well as to librarians with and future state of feminism in visual culture. Reconstruction. Panel discussions will focus on political strategies? The symposium will also induding the following CAA members: Study of American Architecture, will take place instructional responsibilities at undergraduate We want proposals that look critically at topics such as the ethics of medievalism in the investigate critical responses to Baroque gardens Malcolm Baker, Mario Carpo, Whitney Davis, on May 12, 2001, at Columbia University, 8-10 teaching institutions, qualified independent feminist visual culture, whether through new world, the effect of modernism on or in the design of gardens that would obliquely Ingrid D. Rowland, Pamela H. Smith, and students from universities worldwide will be scholars, and scholars employed at museums, analyzing existing practices or proposing new medievalism, and the appropriation of the deny the subjugating strategies embodied in Anne M. Wagner. Its September 200D-June 2002 selected to present a 20-ininute paper based on libraries, and historical societies. For further directions. Send a one-page abstract and short medieval through collecting. For more Baroque designs. Discussions will be draVfI\ on Predoctoral and Postdoctoral Fellows also their dissertation research in areas related to the infonnation and application materials, contact t.v. to Joanna Roche, Program Chair, Ninth information, contact Nina Rowe at n-rowe@ examples from China, Italy, France, England, the include the following CAA members: Michael history, theory, and criticism of American the Newberry Library Center for Renaissance Front Range Symposium, Dept. of Visual and northwestern.edu. Netherlands, Germany, Sweden, Saxony, and Lobel. Maria Hsiuya Loh, Lisa Pon, and architecture, urbanism, and landscape. Studies, 60 West Walton St., Chicago, IL 60610- Performing Arts, University of Colorado at Poland. Registration infonnation will be Alastair Wright. Applicants must be enrolled in an accredited 3380; 312/255-3514; [email protected]. Colorado Springs, 1420 Austin Bluffs Pkwy., Material Considerations, a conference available in March 2001 and may be obtained doctoral program and have completed course Deadline: March 1, 2001. Colorado Springs, CO 80933; sponsored by the Society of North American from Studies in Landscape Architecture, The National Women's Caucus for Art will work and at least I year of dissertation research. [email protected]. Deadline: May 1, 2001. Goldsmiths, will take place in Richmond, V A Dtunbarton Oaks, 1703 32nd St., NW, Washing~ honor seven artists, scholars, and arts profes­ Please submit a complete draft of proposed The Portland Art Museum Undergraduate February 28-March 3, 2001. Presentations ton, DC 20007, or at http://www.doaks.org! sionals at their conference in February 2001, paper, including photocopies of illustrations; a Student Symposium will be held on April 21, Melbourne Art Journal (MAJ) is published by include "100 Years of Collecting-20th Century LandscapeArchitecture.html. including the following CAA members: Dorothy cover sheet noting name, institutional affiliation, 2001. The presentations will be 20 minutes in the Membership of the Ian Potter Museum of Jewelery at the Victoria & Albert Museum," Gillespie, Thalia Gouma-Peterson, and Ellen mailing address, phone number, and email length and may cover any area of art history. ) Art, University of Melbourne. MAJ is a refereed "Contemporary Approaches to Enameling:' and Lanyon. address; a ISO-word abstract indicating the Applicants will be notified by March 15 by email art history journal, indexed by BHA, that "The Order of Ornament./I For more informa­ The Glass Art Society's 31st Annual Confer­ paper's relationship to the applicant's disserta­ of the schedule and speakers will then turn in publishes the Sir Joseph Burke Lecture and tion, contact one of the conference co-chairs, C. ence will take place at the Crossroads of Art, tion topic; and a statement from the student's the text of their paper by April 6. All under- Margaret Manion Lecture, as well as articles in James Meyer, [email protected];or History, and Technology, Corning, NY, June 13- principal advisor certifying that the applicant graduates are invited to submit a 1-2 page wide range of areas of art history, induding Annie Publow, [email protected];804/828- 17,2001. Events include presentations and panel has advanced to the required stage of study. abstract with cover letter giving contact museology. Contributions are accepted from any 1477. discussions, demonstrations in glassblowing, Send submissions to Joan Ockman, Director, information (email, phone, address) to: source. It is published annually (issue 4 will be casting, and flameworking, an auction, Temple Hoyne Buell Center for the Study of Prof. McClananl PAM Symposium Committee, exhibitions, and tours of the Sullivan Park published shortly). Contact David Marshall, SHINE-Refledions on 20th-Century American Architecture, 400 Avery Hall, Art Dept., Portland State University, POB 751, Research Center, Fall Brook Manufacturing Editor, Melbourne Art Journal. School of Fine Sculpture will be held on March 10, 2001, at the Columbia University, New York, NY 10027; Portland, OR 97207. Deadline: Milrch 1, 2001. Plant, Steuben Factory, the Corning Museum of Arts, Classical Studies and Archaeology, Seminar Room of the Henry Moore Institute. htlp:llwww.arch.columbia.edulBuell.Deadline: Glass, and the Corning Incorporated Headquar­ University of Melbourne, Parkville, Victoria, The question of "shine" and polish in sculpture February 9, 2001. The International Society for Phenomenology, 3010, Australia; [email protected]; ters. A resource center will also offer profes­ CONFERENCES will be addressed through a series of case sional practice seminars, critiques, school Aesthetics, and the Fine Arts invites papers for http://www.sfca.unimelb.edu.aulmaj. studies that focus both on individual sculptors, Merit, Opulence, and the Buddhist Network of . its annual interdisciplinary conference, April 19- presentations, and panel discussions. To register such as Brancusi and Judd, and on a number of & SYMPOSIA WeaIth,.a conference sponsored by the Art 20,2001. Papers should focus on the theme of between January IS and May IS, 2001, visit Selected Readings, a running bibliography of theoretical issues. Organized by Dr Jon Wood History Department, Northwestern University, Metamorphosis. The topic is not limited to http://www.glassart.org.Studentscholarships recent essays and books about the long 18th (Henry Moore Institute). and the Research Center for Early Chinese occidental art, but includes the arts of all the century (1669-1830). welcomes new contribu­ are available for full-time students. Applications Calls for Papers ICONOCLASM~Contested Objects and History, Beijing University, will address the world. (The ISPAFA is a component of the are due March IS, 2001. For application Public Art, Philadelphia, and the Meaning of tions. The publication can be found at http:// Contested Terms will be held July 13-14, 2001, circulation of objects in the Chinese Buddhist World Phenomenology Institute, which has www.personal.psu.edulspeciaIlC18/sr/sr80.htm. information, contact the Glass Art Society at Place: The Frank R. Veale Symposium on at the Henry Moore Institute. This cross­ temple during the 7th-13th centuries. Contribu­ instituted a new series on Islamic philosophy 1305 4th Ave., Ste. 711, Seattle, WA 98101-2401; Visual Studies, scheduled to take place on disciplinary conference will examine infringe­ tions on any topic consistent with the general and occidental dialogue, so papers related to 206/382-1305; fro" 206/382-2630; March 31, 2001, is co-sponsonid by the To Attend ments of the physical integrity of representa~ theme of the conference are welcome. Please Islamic art are especially welcomed. The World [email protected]. Pennsylvania Academy of the Fine Arts, Temple Natural Histories: Landscape and Antiquity in tional objects in different historical periods and send a short abstract to Prof. Sarah E. Fraser, Phenomenology Institute will publish selected University, the University of Pennsylvania, and Britain,1770-1850, will be held January 27, 2001, in different cultures, and how terminology Department of Art History, Northwestern papers and so reserves the right of first refusal. the Fainnount Park Art Association, in at the Franke Institute for the Humanities, shapes the field of study and interpretations of Dunhuang Art and Society, a seminar UniverSity, 244 Kresge Hall, Evanston, IL 60208- Please send 2 copies of I-page abstracts, along conjunction with the special exhibition of University of Chicago. In conjunction with the it. Organized by Dr. Richard Clay (University sponsored by the Dunhuang Research Academy, 2208; 847/467-3953; fax: 847/467-1035; with a copy of your current c.v., induding email New*Land*Marks, which features 16 Smart Museum's exhibition Landscapes of College, London) and Dr. Stacy Boldrick (Henry the Silkroad Foundation, and the Center for [email protected]. Deadline: February 15, 2001. address and phone number to Prof. MarHes multimedia proposals for permanent public Retrospection, this symposium will prompt us to Moore Institute). For further information on Chinese Studies at the University of Michigan, Kronegger, !SP AFA President,1324 Chartwell works of art by contemporary artists collaborat­ reflect on the interweaving of two narratives~ both conferences ,contact Liz Aston, Henry will provide an opportunity for scholars and Power and the City in the Netherlandic World, Carriage North Stonelake, East Lansing MI ing with the Philadelphia Academy of the Fine the notion of natural landscapes and of ruins~ Moore Institute, 74 The Headrow, Leeds, LSI; students to research and study Dunhuang caves 1000-2000, a conference sponsored by Columbia 48823. Deadline for abstracts: January 15, 2001. Arts. Papers should address public art, its in the textual and pictorial production of images 01/13/246-7467; fa" 01/13/246-1481; 3AHI on-site. The seminar will take place July 13-14, University, will assemble an international group Deadline for accepted papers: Milrch 1, 2001. history, and its place within contemporary of British landscape in the 18th and 19th [email protected]/. 2001, at the Mogao Caves, Dunhuang, China. of scholars to examine the historical relation urban communities. Papers may be sent to Veale ~enturies. Co-sponsored by the University of For more information, contact the Silkroad between cities and power in the Netherlands Using the Media Arts as a Therapeutic Tool, a Symposium, PAFA Museum Education Chicago's Department of English Language and Art & Enterprise in Late 19th-Century France, is Foundation, P.O. Box 2275, Saratoga, CA 95070. and Belgium, as well as overseas Netherlandic special issue of Afterimage, seeks critical, Department, 118 North Broad St., Philadelphia, Literature and Department of Art History, the an all-day symposium, co-sponsored by Dahesh settlements. Papers should address the wielding journalistic, historical, and interdisciplinary PA 19102. Deadline: January 16,2001. symposium will feature leading American and Museum of Art and the City University of New

20 CAA NEWS JANUARY 2001 CAA NEWS JANUARY 2001 21 be considered. Students are not eligible to apply. 14722; http://www.mainalley.comlccval Central Pennsylvania Festival of the Arts, P.O. For prospectus, contact Beth Sellars, Seattle Arts NationaCExhibitionlnationaCexhibition.html. Box 1023, State College, PA 16804; 814/237-3682; Intercultural MA in Art History in london Commission Office, 3121st Ave., North, Seattle, Deadline: March 1, 2001. [email protected]; httpdl WA 98109-4501; 206/684-7312; www.arts.festival.com. Deadline: March 9, 2001. ( [email protected] Deadline: January Creative Arts Workshop, New Haven, invites The Richmond MA is unique in its intercultural orientation. The MA recognizes and embraces new 26,2001. entries for Narration: Emblems and Sequence in ATC Space, Around The Coyote's gaBery, is thought and new research methodologies in the field. The program comprises two semesters of study plus a Contemporary Arts, an exhibition to be held May seeking submissions from emerging artists for Loyola University, Chicago, seeks proposals for 10-June 30, 2001. Works in all media will be future exhibitions. The gallery is also available summer session within one calendar year. Students spend the first semester in London examining appropriate a commissioned outdoor public sculpture on its considered. For prospectus, send S.A.S.E. to for rent to curators, artists, and performers. methods for study of both Western and non-Western art. An innovative 6-credit course provides students Lake Shore campus at the Cudahy Library. Gallery Committee, Creative Arts Workshop, 80 Please contact Olga Stefan for details at 773/342- Themes and motifs to consider are renewal, Audubon St., New Haven, CT 06510; 203/562- 6777; http://www.aroundthecoyote.org. with an opportunity for a sustained contextural and theoretical consideration of the interrelationships wisdom, learning, the tree of life, and water. 4927. Deadline: March 9, 2001. between visual culture and the historical movements of colonialism, orientalism and primitivism. Loyola University, Chicago, is a Catholic, Jesuit Call for Manuscript University, committed to excellence and The 2001 Soho Photo National Photography The Society for Photographic Education seeks In the second semester there is an option to study Modernism in London or to spend the semester at dedicated to knowledge in the service of Competition seeks entries from any U.S. manuscripts for its journal, Exposure. Submis­ humanity. The sculpture may be figural or the University's study center in Florence focusing on art and cultural interaction during the Renaissance. photographer 18 years or older and to all photo­ sions may be scholarly treabnents from any abstract, and may also include a fountain or based images. There is no limitation as to subject methodological point of view of any aspect of waterfall. The sculpture should reflect the Assessment in based on coursework plus a short thesis. matter; however, submitted work should show history, theory, criticism, or pedagogy of religious foundation of the university and be stylistic and thematic unity. Maximum photography and related media. They may also Graduate Admissions Office, appropriate to an intellectual environment. For dimension of any piece (including frame) 48". be experimental discussions of the making of further information call Sally Metzler, Director, Richmond, The American International University in London Freestanding work not allowed. Only one entry images through photography or related media. D' Arcy Museum of Art, Loyola University 16 Young Street London W8 5EH per person. The first-place winner will receive a Manuscripts should be between 3,000 and 7,000 Chicago at 773/508-2679; [email protected] cash award and a one-person show at Soho words in length and may be sent to Joel Eisinger, Tel: +44 (0)20 7368 8475 Fax: +44 (0)20 736 0863 E-mail [email protected] prospectus. Deadline: Febrnary 1, 2001. Photo during the 2001-2 season. All work will Editor, 4505 Oakland Ave. 5., Minneapolis, MN www.richmond.ac.uklmaarthis be judged from 35mm slides. A fee of $25 covers 55407; 320/589-6096; [email protected]. 14th Annual McNeese National Works on six slides. Send entry to 2001 National Competi­ Paper seeks work in any medium on paper tion, Soho Photo Gallery, 15 White St., New induding photography (work should not exceed Call for PartiCipants York, NY 10013. Deadline: March 21, 2001. 42" in any dimension with frame). The Laura Larson is seeking participants to let her exhibition runs from March 29 to April 26 and is photograph their messy hotel rooms at the 2001 ND Florida State University Museum of Fine Arts held by McNeese State University's Dept. of CAA Annual Conference as part of a project that announces a call for entries for the 16th Annual Visual Arts. All artists living in the United will document hotel rooms as transient domestic Combined Talents: The Florida National States are eligible. Submit 35mm slides in spaces. For more information, contact Larson at Competition. The competition is open to all cardboard or plastic mounts. No glass mounts. [email protected]. artists over 18 years of age. For details, contact paid advertisement Entry fee: $15 for 2 slides. For entry form, write FSU Museum of Fine Arts, 250 F AB, Tallahassee, 14th National Works on Paper 2001, Dept. of Shep Book Award, which is given annually to The New Image Gallery invites entries for the FL 32306~1140; [email protected] Call for Proposals ) Visual Arts, P.O. Box 92295, McNeese State the publication judged to be the best book of the 11 th annual New Images Exhibition, a juried www.fsu.edul-svadlFSUMuseuml University, Lake Charles, LA 70609-2295; The Clara N. Eagle Art Gallery, Murray State year in the field of ethnic textile studies. The competition for the Mid-Atlantic states. The combinedtalents.htm. [email protected];httpdl University, seeks proposals for future exhibi­ purpose of the award is to encourage the study primary medium must be photography, Deadline: February 14, 2001. www.mcneeseartonline.org. Deadline: Februan; tions. All media will be considered. 270/762~ and understanding of ethnic textile traditions by including xerography, digital imaging, 2,2001. 6734; fax: 270/762-3920; albert.sperath@ recognizing and rewarding exceptional alternative processes, photo-based prinbnaking, Dension University Art Gallery invites murraystate.e4ui hUpdlwww.mursuky.edul scholarship in the field and, simultaneously, to and mixed media. The work must have been submissions for its 2001-2 exhibition schedule. RESOURCES & The Panhandler, a literary journal based out of qacdlcfadartJgaJ1ery.htm. Deadline: January 15, promote the work of the Textile Society of completed within the past 2 years, and may not Artists in all media are encouraged to apply. the University of West Florida, seeks mixed- and 2001. America. Only those books published in 2000 exceed 40" in any direction. The maximum Artist's packets should include 10 labeled slides cross~media work that explores the textuality of OPPORTUNITIES will be considered. Nomination letters should number of entries is 3 slides. There is a $6.00 fee of recent work, slide list, resume, artist's the photographs and that attempts to translate Grants & Fellowships For the most up-to~date and expanded list of include the title of the book, year of publication, per slide. For prospectus, send S.A.S.E. to statement, and S.A.S.E. Please address all the photograph into a verbal register for its next Worcester College, Oxford, invites applications resources and opportunities, consult name and address of the author (or for Corinne Diop, New Image Gallery, School of Art correspondence to Denison University Art issue, Photo(fexf. For more information, contact for the Scott Opler Fellowship in Architectural www.collegeart.org. anthologies, the principal author or editor), and and Art History, MSC 7101, James Madison Gallery, Attn: Merijn van der Heijden, Burke Robin Blyn, University of West Florida; History for 2001-3 period. Applicants must be in name and address of publisher. Nominations University, Harrisonburg, VA 22807; 540/568- Hall, Granville, OH 43023; 740/587-6255; [email protected]. Deadline: Februan; 15, 2001. the final year of their dissertation or within the Awards may be sent to Roy W. Hamilton, R. L. Shep 6485; fax: 540/568~6598; [email protected]. [email protected]. Deadline: February first 3 years after the completion of their Ph.D., Book Award Committee, Fowler Museum of Deadline: Januan; 19, 2001. 14,2001. Seth Peterson Cottage Conservancy, Wisconsin The Pastel Society of the West Coast requests D. Phil., or comparable degree. Topics may Cultural History, University of California, Los Dells, WI, announces the 3rd annual student entries for its 15th Annual International Open include any area or aspect of European Angeles, CA 90095-1549; fax: 310/206-7007; The Target Gallery at the Torpedo Factory Art Central Pennsylvania Festival of the Arts award of the Kristin Vissir Memorial Scholar­ Exhibition, Pastels USA 2001. Soft pastel entries architectural history during the Renaissance or [email protected]. Deadline: March 1, 2001. Center requests entries for Japonisme: Asian requests submissions for Crafts National 35, ship Program, which will be given to a student only accepted. For prospectus, send S.A.S.E. to Baroque era, including urbanism, landscape and Inspirations. The exhibition is open to all artists National Fine Craft Exhibition, which will take in architecture, art, art history, or historical PSWC "Pastels USA," c/o Kathryn Higley, 828 garden history, drawing and design method, in all media. For prospectus, send S.A.S.E. to place June 5-July 20, 2001. Works in the preservation, for the purpose of visiting and Calls for Entries Mikkelsen Dr., Auburn, CA 95603. Deadline: theory and publication, architectural representa­ Target Gallery, 105 North Union St., Alexandria, following media will be considered: ceramic, studying the works of Frank lloyd Wright in The Palm Springs Desert Museum Artists February 16, 2001. tion, and studies of architecture and related VA 22314; ph/fax: 703/549-6877, ext. 4; fiber, glass, metal, paper, wood, and other. For Wisconsin and northern illinois. The winning Council invite entries for its 32nd Annual disciplines. For more information, contact the [email protected]. Deadline: January 19, prospectus, send S.A.S.E. to Crafts National, c/o applicant may visit any time between May 1, National Juried Exhibition. The exhibition is The Greater Columbus Arts Council seeks Provist's Secretary, Worcester College, Oxford 2001. Central Pennsylvania Festival of the Arts, P.O. 2001 and April 30, 2002. Applicants are urged to open to residents of the U.S. and entries must be entries for the 40th Annual Columbus Arts OXI 2HB, UK; 440/186-527-8362; fID" 44(0)186- Box 1023, State College, PA 16804; 814/237-3682; send a current c. v. along with a short letter original and completed within the last 3 years. Festival to be held June 7-10, 2001. For 579-3106; [email protected]. Seattle Collects 2001, an art purchase program [email protected];httpdl explaining their particular interest in this area of Submissions of oil, watercolor, acrylic, prospectus, contact the Columbus Arts Festival Deadline: January 15, 2001. sponsored by the Seattle Arts Commission, www.arls.festival.com. Deadline: Milrch 9, 2001. study. Letters of recommendation are welcome. drawings, mixed-media, graphics, photography, at 616/224~2606; http://www.gcac.org. Deadline: annually purchases artworks for the Seattle City Application materials may be sent to Audrey and sculpture are welcome. Each artist may Febrnary 28, 2001. The Newberry Library invites applications for Light Portable Works Collection. The program is Central Pennsylvania Festival of the Arts Laatsch, Seth Peterson Cottage Conservancy, submit 1 or 2 works represented on 35mm its 2001-2 Fellowships in the Humanities. Long~ open to all generative artists who reside or have invites submissions for Images 2001, the 13th S1994 Pickerel Slough Rd., Wisconsin Dells, WI slides. Submit 1 or 2 slide entries, $30 (for The Chautauqua Center for the Visual Arts term residential fellowships are available to an established history of exhibitions within annual exhibition of fine arts open to artists 53965. Deadline: March 1, 2001. nonmembers) or $20 (for members) entry fee. invites entries for the 44th Annual Chautauqua postdoctoral scholars (and Ph.D. candidates for Seattle. Nonresident artists who maintain a living in the mid-atlantic region and Ohio, Entry and notification forms, and S.AS.E. to National Exhibition of American Art. The call is the Spencer Fellowship) for periods of 6 to 11 visible presence in Seattle through relevant which will take place June 19-July 19, 2001, University of California, Los Angeles, Artists Council Exhibition, Palm Springs Desert open to all U.s. artists working in all media. For months. Applicants for postdoctoral awards gallery representation are also eligible. Artworks Robeson Gallery, Petm State University. For annpunces a call for nominations for the R. L. Museum, p.o. Box 2310, Palm Springs, CA prospectus, send #10 S.A.S.E. to 44th Juried must hold the Ph.D. at the time of application. larger than 4' high x 4' wide v 12" deep will not prospectus, please send S.A.S.E. to Images, c/o 92263-2310. Deadline: January 10, 2001. Exhibition, CCVA, Box 999, Chautauqua, NY

22 CAA NEWS JANUARY 2001 CAA NEWS JANUARY 2001 23 For more information, write to Committee on details, contact Dr. Barbara Wolanin, Curator, books, and websites covering a plethora of 18th­ Italian Renaissance. Go to http:// Program in Painting, Sculpture, and Mixed St., Provincetown, MA 02657. Deadline: Februanj Awards, 60 West Walton St., Chicago, IL 60610- Architect of the Capitol, Washington, DC 20515; century studies, including history, historiogra­ www.metacollege.comlMetaCollegell1intranets/ Media for the 2001-2 academic year. The 1,2001. 3380; 312/255-3666; [email protected]. 202/228-1222. Deadline: March 15, 2001. phy, intellectual history, literahtre, bibliogra­ Community/porlaChome.as. Click on "Art Deparbnent of Fine Arts has made substantial Deadline: January 20,2001. phy, book history, the history of art, medicine, History Visual Resources" under "Example changes recently, including the appoinbnent of Soaring Gardens Artists' Retreat is accepting The National Gallery of Art Center for science, economics, philosophy, and political (l Communities." The digital images are organized Terry Adkins, Associate Professor-irrlhe applications for the period May-September 2002 National McKnight Artist Fellowship for Advanced Study in the Visual Arts announces a thought. Selected Readings comprises works into galleries in the community Media Center. graduate sculpture program, Joshua Mosely, 2001. While the Trust will consider applications Interdisciplinary Artists seeks professional program for the Samuel H. Kress/J. Paul Getty contributed on a voluntary basis, and is always All are welcome to join the community and who will leads a graduate seminar in digital from all artists who believe that they can benefit artists from across the United States to apply for Trust Paired Research Fellowship in Conserva­ looking for new volunteers. Contact the editor contribute to the collection. imaging, and Jackie Tileston, whose responSibili­ from a residency at Soaring Gardens, we this intensive opportunity, intended to benefit tion and History of Art and Archaeology. for more information at [email protected]. http:// ties include a seminar in contemporary issues in particularly encourage applications from the recipient and the artistic and other Applicants are invited from teams consisting of 2 www.personal.psu.edulspeciaUC18/srlsr811 Questia is an online subscription-based research drawing at the graduate level. The school is emerging women artists. Residencies are communities of Minnesota through a four-week scholars: 1 in the field of art history, archaeology, htm. service that provides undergraduate college relocating its undergraduate program which available from three to twelve weeks for up to residency at the Intennedia Arts in Minneapolis. or another related discipline in the humanities or students unlimited access to the full text of will result in greatly enhanced appoinbnents in three artists. Residents may be visual artists, This fellowship seeks to support outstanding social sciences, and 1 in the field of conservation Jeff Davis's work can be viewed on his online thousands of scholarly liberal arts books and photography, film, video, and digital imaging writers, or composers. You are encouraged to work by interdisciplinary artists who exhibit a or materials science. Applications will be catalogue. The website includes nearly all of his journal articles. Scheduled to be debut in early for graduate students. For more infonnation, apply as a group. Travel stipends are available. sustained commibnent to exploring changed considered for study in the history and artwork completed over the past 7 years, with 2001, Questia will have 50,000 volumes digitized contact Graduate School of Fine Arts, Dept. of Residents purchase their own food, prepare their relationships between artistic disciplines, conservation of the visual arts of any geographi­ more than 100 images available for viewing. and expects to have over 250,000 within 3 years. Fine Arts, 100 Morgan Building, 205 S. 34th St., own meals, and provide their own transporta­ diverse cultural forms, and/or transitional cal area and of any period. For more information http://www.amug.orgl-jkdavis. hUp:llwww.questia.com. Philadelphia, PA 19104-6312; 215/898-8374; tion. Please submit a proposal including what modes of expression. Applicants must and application fonns, contact the Center for [email protected];http:// project(s) you intend to undertake, how long demonstrate a body of accomplished interdisci­ Advanced Study in the Visual Arts, National The Encyclopedia of Sculpture invites articles "Regional Dynamics of the Black and Caspian www.upenn.edulgsfa. you would like:to stay, names, and telephone plinary work, have teaching or mentoring Gallery of Art, Washington, DC 20565; 202/842- by those with an interest or expertise in Sea Basins" is a paper that provides a summary numbers of two references (one professional and experience, and commit to residency in 6482; http://www.nga.gov/resources/casva.htm. sculpture. Remaining unassigned entries can be of a conference funded by the United States Humanities 110 in Greece and Italy and one personal), and c.v.(s) for all potential Minneapolis for four weeks, either consecutive Deadline: March 21, 2001. viewed at hUp:llwww.fitzroydearborn.coml Department of State's Bureau of Educational and Drawing and Writing in Salzburg, Austria are 2 residents. Mail proposals to The Lerman Trust or divided within the fellOWShip period chicago/sculpture. Please submit the Contribu­ Cultural Affairs (ECA) under the Freedom study abroad programs offered by Geneva c/o Trudy Gerlach; RD2 Box 228; Laceyville, PA (November 2001-December 2002). Application The Research Fellowships Program of the tor Infonnation and Essay Request form, also Support Act and by The Starr Foundation, and College, Beaver Falls, PA. Humanities 110 in 18623; www.Lermantrust.org. Deadline: March 1, to the fellowship program is a two-part process: National Gallery of Canada encourages and located on the website. All contributors will hosted by IREX on September 2-3, 2000. The Greece and Italy will take place in late spring 2001. an initial statement of interest and, by invitation supports advanced research. All fellowships receive a byline and modest honorarium for conference was held in Odesa, Ukraine, and 2001, and Drawing and Writing in Salzburg, only, submission of a full application. Appli­ emphasize the use and investigation of the their work. For more information, contact involved scholars and professionals from Austria, will take place July 4-27, 2001. For more The Archie Bray Foundation Resident Program cants will be notified by February 16, 200l. collections and resources of the National Gallery Christy Prahl, Commissioning Editor, Fitzroy Armenia, Azerbaijan, Georgia, Kazakhstan, information, contact Prof. Lynda Lambert at is accepting applications from ceramic artists for Submit letter of interest (no more than 2 pages) of Canada, including those of the Library and Dearborn Publishers, 919 Michigan Ave., Ste. Moldova, Romania, Russia, Turkey, Ukraine, [email protected]. 2001. The program provides full-time residen­ without work samples to 2002 National Archives. Juries will consider proposals in the 760, Chicago, IL 60611; 312/587-0131, ext. 242; and the United States who discussed a range of cies for one year, as well as short-term McKnight Artist FellOWShip, Intermedia Arts, fields of Pre-1970 Canadian Art, Post-1970 [email protected]. Deadline: January political, economic, historical, and environmen­ Residencies residencies, usually in the summer months. 2822 Lyndale Ave. South, Minneapolis, MN Canadian Art, European Art, Modern Art, 15,2001. Scholarships are available. For an application tal issues surrounding the region. The confer­ The Montana Artists Refuge, an arnst-run 55408. Deadline: JanuanJ 26, 2001, History of Photography (The Lisette Model! ence summary can be found at: http:// residency program located in Basin, MT, is and more infonnation, see the Bray website at Joseph G. Blum Fellowship), and Art and Science Eyebeam Atelier, a nonprofit art organization www.irex.orglprograms/conferences/odesal accepting applications from artists of all www.archiebray.org, or send S.A.S.E. to Josh The Florentine State Archive welcomes (The Claudia De Hueck Fellowship). For details, established to provide access, education, DeWeese, Resident Director, Archie Bray odesa_conference_paper.pdf. For the hbnl disciplines. Residencies are 3 months to 1 year in consult the National Gallery of Canada website: research and development, and support in the applications for 3-year fellowships working with version, please go to: http://www.irex.orgl length. Facilities include 2 spaces with 20'x 30' Foundation, 2915 Country Club Ave., Helena, "The Medici Archive Project" in Florence. The http://nationa1.gallery.ca or contact Murray field of art and technology, announces its new programs/conferences/odesalproceedings.htm. MT 59602; 406/443-3502; 'j studios, 1 sound-proofed space for writers/ fellowships will involve document assessment Waddington, Chief, Library, Archives, website. The site includes the latest information musicians/composers, and 1 apartment for [email protected]. Deadline: March 1, and description for the "Documentary Sources" Fellowships Program, National Gallery of of all of Eyebeam Atelier's activities. The design Sabbaticalhomes.com is dedicated to helping 2001. writers or others who require minimal space. database and 10 months of independent research Canada, 380 Sussex Dr., P.O. Box 427, Station A, objective of the website is to provide a academic communities around the world find or For more information, send S.A.S.E. to Montana on a topic related to the Medici Granducal Ottawa, Ontario, KIN 9N4; 613/990-0586, fax: transparent area for artists to produce artworks, Wadastick Artist & Scholar Residency list houses or aparbnents for rent, exchange, or Artists Refuge, Box 8, Basin, MT 59631; ph/fax: Archive. Applicants must hold a Ph.D. or 613/990-6190, [email protected]. Dendline: students to research, scholars to engage in house-sit when on sabbatical leave, research trip, Programs are 2-16 week residencies for 406/225-3500; mtrefuge@earthlinknet;http:// eqUivalent in a humanities field relevant to April 30, 2001. discourse, and the general public to experience emerging and advanced visual artists, writers, exchange program, relocation, or vacations. www.montanaartistsrefuge.org. Deadline: 16th-18th century European history and culture; all 3 areas. htlp:llwww.eyebeam.org. http://www.sabbaticalhomes.com. historians, musicians, and scholars. For more JanuanJ 15, 2001. fluency in English and Italian; substantial Internship details contact Wadastick Artist and Scholar research experience with original documentary The Getty Standards Program has mounted a Summer Museum Studies Interns. The U-Turn E-zine announces its new project, The Sheldon Memorial Art Gallery and Residency Programs, 22160 Polar Bridge Rd., material; the ability to master database revised version of "Categories for the DeSCrip­ Laurel Hill, NC 28351; 910/462-3610; Philadelphia Museum of Art offers a volunteer "Pointing to Prisoners," which investigates the Sculpture Garden, in coliaboration with the programs and work in a computer environment. tion of Works of Art," a metadata standard for [email protected]. 9-week Museum Studies Internship Program for representation of prisoners. The project is an Henry Luce Foundation invites applications for For more information, contact Edward art objects and their visual surrogates, extension of James R. Hugunin's shtdy of the graduate and undergraduate students, June 11- its Visiting Scholar Program. The program Goldberg, Project Director, Via Scialoia 18,50136 developed by a task force sponsored by the August 10, 2001. Interns are placed in Adminis­ photographic representation of prisoners, A provides opportunities for scholars of American College Art Association and the Getty Trust. Schools & Workshops Firenze, Italy; http://www.medici.orglpositions. trative, Curatorial, or Education Departments. Survt!lj of the Representation of Prisoners in the art to promote further understanding and Deadline: January 31,2001. The new version includes a fully revised text, The Abruzzi Mountain Art Workshop is Contact 215/684-7925; http:// United States: Discipline and Photographs, The conduct original research on American art and new sections covering artist, subject, and other located in the medieval village of Anversa degli www.philamuseum.orglopportunities/ Prison Experience. U-Turn still welcomes late artists. Visiting Scholars have access to the The Harry Ransom Humanities Research "authorities," an entity relationship diagram, Abruzz~ 2 hours east of Rome. Workshops on intemship/shbnl. Deadline: FebruanJ 23,2001. submissions for this project. Contact James Sheldon's permanent collection, library, and Center invites applications for 1- and 2- to 4- and 32 cataloguing examples of different types Hugunin at [email protected]. drawing, painting, and sculpture are designed archival materials for projects. Submit a I-page month fellowships as well as travel stipends. To of works of art and material culture, accompa­ for the beginner as well as the more experienced project proposal or outline regarding your learn more about fellowships being offered and Online nied by images. hUp:llwww.getty.edulgril Visual AIDS Web Gallery features the work of artist. Working in the studio and at locations of anticipated area of research to Beth Burke, for application information, contact Harry "Art Under Covers," is a monthly column standardlcdwa. historic interest and beauty, participants will artists living with HIV / AIDS. Every month, Sheldon Memorial Art Gallery and Sculpture Ransom Humanities Research Center, attn: written by Suzaan Boettger on Artnet.com. experiment with several mediums, induding Visual AIDS invites guest curators to select lO­ Garden, University of Nebraska-Lincoln, 12th & Research Fellowships, The University of Texas at htlp:/Iwww.arlnet.comlMagazine/indexJ The Joan Mitchell Foundation M.F.A. Awards IS works from the Visual AIDS Archive Project. charcoal, watercolor, gouache, acrylic, oil, R Streets, Lincoln, NE 68588-0300; 402/472-2461; Austin, P.O. Box 7219, Austin, TX 78713-7219; boettger/boettger9-26-00.asp. in the Visual Arts presents a Web exhibition of encaustic, wood, and clay. Also induded in the The current online exhibition can be seen at http://sheldon.un1.edui. Deadline: January 30, 512/471-8944; fax: 512/471-9646; hUp:/! its winners for 2000. http://www.vcu.edul program are Arts Renewal Workshops for http://www.thebody.comlvis uala idsl 2001. www.lib.utexas.edulhrd. Deadline: February 1, Arts Editor, a monthly magazine designed to artweb/. web_gallery/index.hbnI. educators and professional artists. For more 2001. engage a diverse art world, with a primary focus information, please contact Patricia Antonucci at on Boston, will report on and review the visual, MetaCollege.com offers free access to a Women Artists in Canada announces its newly Fine Arts Work Center, Provincetown, MA, 2031227-9386; [email protected]; [email protected];http:// The United States Capitol Historical Society is literary, and musical arts. 1hrough reporting, collection of over 1500 high quality digital designed website: http://collections.ic.gc.ca/ offers 7-month winter residencies for visual www.artworkshopitaly.com. offering a fellowship which is designed to reviews, and relevant discourse, the magazine images of architecture, architectural sculphtre, waid. artists in the early stages of their careers. support research and publication on the history offers a unique means of accessing the arts. http:/ and archaeological sites, including Egyptian, Fellowships run from October I-May 1. For a of the art and architecture of the United States Iwww.ArisEditor.com. Islamic, Hindu and Buddhist India, Hittite, Near ( brochure and application, send S.A.S.E. and #10 Capitol and related bUildings. Graduate C18-L's Selected Readings (Number 81), is an Eastern, Minoan, Greek, Roman, Byzantine, Programs envelope stating whether you are a visual artist students and scholars may apply for periods interdisciplinary bibliography of recent essays, Early Christian, Romanesque, Gothic, and The Graduate School of Fine Arts, University or a writer to Fine Arts Work Center, 24 Pearl ranging from 1 month to 1 year. For further of Pennsylvania announces its Master's Degree

24 CAA NEWS JANUARY 2001 CAA NEWS JANUARY 2001 25 Separate trip to Venice Biennale. 2,3,4,5, and 6 Classifieds week sessions. The longer you stay, the more Institutional News Do you want to guarantee that your event or listing economical the price. Hotel, two meals, studio The Art Museum at Florida International will be published by CAA News? We accept classified space, critiques, lectures. 2 weeks: $2,870. Calli . University has received a General Operating ads of a professional or semiprofessional nature. write for our brochure. 463 West St., #1028H, Support Grant from the federal Institute of $1.50/word for members ($15 minimum); $2.S0/word New York, NY 10014; 800/835-7454; fax: 646/ Museum and Library Services (IMLS). The grant for nonmembers ($25 minimum). Classified ads 486-4701; email: [email protected]. website: will enable the museum to continue with its must be paid in advance of publication. CAA www.artworkshopintl.com. plans for the new Frost Art Museum, as well as News also accepts boxed display advertising. Contact to initiate program planning for a Latin Christopher Howard, Associate Editor, at American Gallery. [email protected] 2121691-1051, ext. 220, for details. The Museum Loan Network announces its grantees for January and June 2000, including FOR RENT Miscellaneous the following CAA institutional members: France: Magical painting or journal making The Aljira Center for Contemporary Art Indianapolis Museum of Art, Memphis Brooks vacations, all levels. Reinvent yourself, announces its change of address to 100 Museum of Art, and the Museum of Fine Arts, sunflowers, private home in medieval country Washington St., Newark, NT 07102. The center Museum of New Mexico. village. 707/823-9663 for brochure. will be located at the new address until it moves to the heart of Newark's downtown cultural The Walters Art'Gallery announces that it will Historic Florence: Prestigious furnished small district. 973/643-6877; fax: 643-3594; now be called the Walters Art Museum. The penthouse, panoramic terrace, sleeps two---plus [email protected]. change of name supports the museum's goal of hi-weekly/monthly rentals. 508/877-2139. attracting new visitors and donors. Accompany­ The Association of Art Historians (AAH) offers ing the new name will be the unveiling of a new Paris: Historic 2 room apartment, TIe Saint­ assistance to university students in financing logo for the museum. Louis. $1,800 US per month. Available January work placements in museums, galleries, heritage 5---March 15; possibly last 3 weeks April. Free sites, and other visual arts environments. The December 2001 onward. Email: AAH Voluntary Work-Placement Scheme is [email protected]. designed to foster connections between individual students and arts organizations and Correction Rent: Rome apartment, near American promote good volunteer practices. For more In the September issue of CAA News, the date of Academy, 2 bedrooms, study, living-dining information, contact the AAH, 70 Crosscrow St., birth of George Segal was incorrectly listed as room, bath, fully equipped eat-in kitchen, dish London EC1M 6EJ United Kingdom; 020/ November 26,1925. The month and day are and laundry washers, 2 balconies, central 74903211; fax: 020/74903277; correct however, he was bam in 1924. heating, all linens, towns and blankets. $1500 per [email protected]. month (includes condo fees and central heating) plus utilities. Available January IS-May 15, Charles Codman (1800-1840) paintings, 2001. Prof. Jack Wassennan; email: drawings, prints, papers, diaries, and ornamen­ f [email protected];215/625-3902. tal arts are sought by the Portland Museum of Datebook March 1, 2001 Art for a 2002-3 exhibition. Please send relevant Deadline to apply for Millard Meiss Publications January 26,2001 Grants OPPORTUNITIES information including title, date, medium, size, Thursday, March 1-Friday, March 2, 2001 price (if applicable) and photograph to Charles Deadline for advance registration for 2001 Exhibition Opportunity: Lake View Cemetery, Cadman Search, Portland Museum of Art, 7 Annual Conference in Chicago March 19, 2001 Cleveland, OH, is seeking up to 40 artists for an Congress Sq., Portland, ME 04101; 207/775-6148, Deadline to vote for new Board members. Check one of the following boxes, indicating your area of specialization. If outdoor exhibition scheduled to open July 2001. ext. 232; [email protected]; January 31,2001 choosing more than one specialty, please indicate the order of your preference: Existing artworks and site-specific proposals April 2, 2001 www.portlandmuseum.org. Deadline for application to the Professional relating to the theme, "Celebration of the Spirit," Development Fellowship Program Deadline for the May issue of CAA News Art History Studio Art 0 Curatorial are invited. Works will be sited throughout 285- Kristen Frederickson announces the move of o Ancient-Medieval o Painting acre historic setting, rich with art and architec­ February 20-24, 2002 her srodio to 16 Jay St., 2nd Fl., New York, NY January 31, 2001 o Renai<;sance, Baroque, 18th c. Sculpture/Ceramics/Metal/Jewelry ture. Jury selection/honorarium provided/ o 10013;212/941-1982. Deadline to apply for the Career Development 90th Arumal Conference in Philadelphia o 19th c.-Modem o Drawing/Printmaking/Works on Paper catalog. 20 percent commission on sold works. Workshops o Contemporary Photography/Film/Video Project details available at o The Marie Walsh Sharpe Art Foundation has o Africa, Asia, Oceania, Americas Computer Graphics/Illustration/ www.lakeviewcemetery.com or call o offered free srodio spaces to artists in New York February I, 2001 Graphic Design Heather Price, 216/421-2665 or email Careers Addendum in the past. Unfortunately, the lease on the Deadline for the March issue of CAA News o Architectural History Installation/Performance [email protected]. o current studio space is not being renewed. The Although we try our best for perfection, Deadline fo submit: February 16, 2001. foundation is in the process of locating new February 2, 2001 we regret that occasional errors occur in narne ______space and has temporarily put the Studio Space Deadline to volunteer to assist with the Careers due to a high vohune of submis­ Community Pride Mural at teen health center. Program on hold. Notice will be given once the adminstration of the M.F.A. survey at the 2001 sions. We will now provide an ongoing Call for experienced muralist, available in address ______space has been acquired and the program is back Annual Conference Addendum to Careers on our website. Summer 2001. Artists will be selected through a in operation. Missed ads and corrections will be listed jury process and provided a $25,000 budget. For February 10, 2001 at www.collegeart.org/caafpublications/ city/state/zip ______prospectus, send S.A.S.E. to The Comer Health Deadline for nominations and self-nominations careers/index.htmL You can also visit Center Mural Project, 47 North Huron Street, The National Trust for Historic Preservation to the Art Journal Editorial Board www.collegeart.org. dick on the subject email ______Ypsilanti, MI 48197. Deadline for entries Mnrch 1, has selected 20 sites to participate in the new 2001. Historic Artists' Homes and Studios Program, heading, "Career Development" and find February 27, 2001 a link to all Careers information. We hope an 18-month initiative funded by a grant from Deadline for receipt of job listings for the first phone ______member ID# ______this will ensure that all position listings Art Workshop International In Assisi, Italy, the Henry Luce Foundation. The program is edition of the Careers Conference Supplement, intended for publication are still made June 13-July 24, 2001. Let your creativity soar! focused on identifying and helping selected listings will be received up until 7 P.M. E.S.T. Complete and return to Career DeVelopment Workshops, CAA, 275 7th Ave., New York, NY 10001. Live/work in a 12th-century hilltown in Umbria. American art-related historic sites to preserve, available and accessible to you. We Deadline: Jantlart} 31, 2001. Instructional courses, painting, drawing, art­ document, and interpret their collections and February 28-March 3, 2001 apologize for any inconvenience. Please making, artist's books, all levels. Art history, buildings. For more information, including 89th Annual Conference in Chicago make sure to check this site frequently for creative writing, all diSciplines. Independent which sites were selected, visit additional job opportunities. program for professional painters/writers. www.nationallrust.org.

CAA NEWS JANUARY 2001 26 CAA NEWS JANUARY 2001 27