ROYAL TELEVISION SOCIETY Regional Centres' Awards 2000
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Daniel Greenway Editor
Daniel Greenway Editor Daniel gained cutting room and features experience working on Batman Begins, The Da Vinci Code and The Bourne Ultimatum. He graduated with a Distinction in 2007 from the National Film and Television School's two year MA programme, specialising in editing. In 2016 he was nominated for a BAFTA for his work on the sci-fi drama series Humans. Daniel is a proficient French speaker and is based in London. Agents Silvia Llaguno Associate Agent Shannon Black [email protected] +44 (0) 20 3214 0889 Credits Drama Production Company Notes SUSPICION Keshet Productions / Apple Dir: Chris Long 4 x 60MIN EPS 1, 2, 7 TV+ Prod: Darin McLeod & 8 2021 BRAVE NEW WORLD Amblin Television / Dir: Andrij Parekh 1 x 60MIN EP 7 NBCUniversal Content Studios Prod: Chloe Moss 2020 / USA Network WHITE LINES Left Bank Pictures / Netflix Dir: Luis Prieto 1 x 60MIN EP 5 Prod: Chris Croucher 2020 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE CROWN Left Bank Pictures / Netflix Dir: Sam Donovan 1 x 60MIN SERIES 3, Prod: Michael Casey EP 9 2019 WORLD ON FIRE Mammoth Screen / BBC One Co-editor 1 x 60MIN EP 1 Dir: Adam Smith 2019 Prods: Nickie Sault, Chris Clough BAPTISTE Two Brothers Pictures / BBC Dir: Börkur Sigþórsson 1 x 60MIN EP 1 One Prod: John Griffin 2019 THE WIDOW Two Brothers Pictures / ITV Dir: Sam Donovan 2 x 60MIN EPS 1 & 2 Prod: Eliza Mellor 2019 THE TERROR Scott Free / AMC Studios Dir: Sergio Mimica-Gezzan 3 x 60MIN -
Putting the Geo in Media Studies Reviewed By: Les Roberts
Published online in European Journal of Communication, 16 Nov 2018 https://doi.org/10.1177/0267323118811690 “The news where you are”: putting the geo in media studies Christopher Ali Media Localism: The Policies of Place, University of Illinois Press: Urbana, Chicago, Springfield, 2017; 272 pp.: £18.99. ISBN: 9780252082238 Karin Fast, André Jansson, Johan Lindell, Linda Ryan Bengtsson, Mekonnen Tesfahuney (eds.) Geomedia Studies: Spaces and Mobilities in Mediatized Worlds, Routledge: New York, London, 2017; 288 pp.: £110.00. ISBN: 9781138221529 Reviewed by: Les Roberts, University of Liverpool At the end of BBC television’s national news programme, the newsreader signs off, with ritual precision, by handing over to the regional news services with the words ‘…and now the news from where you are’. Where am I, tell me? I’m wont to ask on such occasions, looking to secure some sense of local and regional belonging as mirrored back through my television screen. On then trundles BBC North West Tonight which, between the moments of inane (and no less ritualistic) banter that the presenting team insist on sharing, covers news events in Cheshire, Greater Manchester, Merseyside, Lancashire, Cumbria, as well as parts of Derbyshire and Yorkshire. So this is where I am: an imagined community that is magically conjured up by the necessarily loose regional descriptor ‘North West’. Yet, geographically at least, I do not live in the North West, I live just across the English-Welsh border in North Wales, a few miles from the English city of Chester. In a post-analogue television landscape where the direction my television aerial is pointed in no longer so narrowly determines what is beamed into my living room, I could easily opt to change my default regional news setting to BBC Wales Today: another imagined media community in which otherwise quite disparate localities – from my home county of Flintshire in North East Wales all the way down to Cardiff or Swansea in the south west – are corralled into a similar geographic container in which news is transacted ‘where you are’. -
Tv Cad's Passion for Stuffing
DS1ST DAILY STAR, Monday, June 8, 2020 19 ‘Punish TV CAD’S PASSION FOR STUFFING breach bosses’ COMPANY bosses should be held responsible for cyber attacks that compro- mise consumer data. And 68% of consumers believe they should also be Taxi for Mr Havers! compensated for breaches, THE MIKE WARD INTERVIEW says data protection firm Veritas Technologies. The Government is pro- NIGEL HAVERS posing tougher penalties In Corrie for bosses who fail to pro- tect users, with details to ACTOR AND (to come) be finalised later this year. Simon Jelley, of Veritas, said: “As consumers, we’re COLLECTOR unforgiving of businesses that don’t take data securi- ty as seriously as we do. “If businesses don’t get these basics right, consum- ers are ready to punish their leadership.” In The Charmer Can you guess CON ARTIST: the year from ■ In Corrie as these five clues? evil Lewis Archer 1. Building work on American military HQ The Pentagon is completed. 2. High tec! Raymond Chandler novel The Lady Of The Lake is published, featuring private eye Philip Marlowe. 3. Vera Lynn stars in SMOOTHIE: We’ll Meet Again, a ■ Nigel in The musical loosely based Charmer in 1987 on her life. 4. Rolling Stones frontman Mick Jagger is born in Dartford, Kent. 5. Soviet win in the Battle of Stalingrad stops the German advance and sees World War Two turn in favour of the Allies. No Googling! Answer in tomorrow’s paper. Friday’s year: 2005 TV meal NIGEL Havers is telling me how The Bidding Room, starting this after- But that’s the way we British are. -
Select Committee of Tynwald on the Television Licence Fee Report 2010/11
PP108/11 SELECT COMMITTEE OF TYNWALD ON THE TELEVISION LICENCE FEE REPORT 2010/11 REPORT OF THE SELECT COMMITTEE OF TYNWALD ON THE TELEVISION LICENCE FEE At the sitting of Tynwald Court on 18th November 2009 it was resolved - "That Tynwald appoints a Committee of three Members with powers to take written and oral evidence pursuant to sections 3 and 4 of the Tynwald Proceedings Act 1876, as amended, to investigate the feasibility and impact of withdrawal from or amendment of the agreement under which residents of the Isle of Man pay a television licence fee; and to report." The powers, privileges and immunities relating to the work of a committee of Tynwald are those conferred by sections 3 and 4 of the Tynwald Proceedings Act 1876, sections 1 to 4 of the Privileges of Tynwald (Publications) Act 1973 and sections 2 to 4 of the Tynwald Proceedings Act 1984. Mr G D Cregeen MHK (Malew & Santon) (Chairman) Mr D A Callister MLC Hon P A Gawne MHK (Rushen) Copies of this Report may be obtained from the Tynwald Library, Legislative Buildings, Finch Road, Douglas IM7 3PW (Tel 07624 685520, Fax 01624 685522) or may be consulted at www, ,tynwald.orgim All correspondence with regard to this Report should be addressed to the Clerk of Tynwald, Legislative Buildings, Finch Road, Douglas IMI 3PW TABLE OF CONTENTS 1. Introduction 1 2. The broadcasting landscape in the Isle of Man 4 Historical background 4 Legal framework 5 The requirement to pay the licence fee 5 Whether the licence fee is a UK tax 6 Licence fee collection and enforcement 7 Infrastructure for terrestrial broadcasting 10 Television 10 Radio: limitations of analogue transmission capability and extent of DAB coverage 13 3. -
Hnh ENGINEERING
HnHENGINEERING OVERVIEW 1991 has been a productive and rewarding year for Engineers throughout the Corporation. Important projects that have come to fruition include the Broadcasting Centre at Southampton, the Blackstaff development in Belfast, the Millbank parliamentary broadcasting facility, the new Manchester vehicle maintenance base, Television Centre Stage V, Skelton C HF station, and many more, as detailed in the following pages. The year will also be remembered for notable progress on the digital front. The new D3 digital video recorder is rapidly becoming established as the main post production machine, and high quality digital stereo television sound is now available to more than 70% of the BBC's audience via NlCAM 728. However the most notable 'digital event' of 1991 could turn out to be the Digital Audio Broadcasting (DAB) demon- strations that we mounted in Birmingham in July. These demonstrations showed that DAB can deliver CD-quality digital sound to fixed, portable, or car receivers, even in inhospitable reception areas. Some difficulties remain to be overcome, including the need to get agreement on a frequency assignment for new DAB radio services. Nevertheless, most of those attending the demonstrations were convinced that they had witnessed a major technical advance in sound broad- casting, whose introduction cannot long be delayed. TRANSMISSIO TRANSMISSION OPERATIONS As a result of the Broadcasting Act, the transmission responsibilities previously discharged by the IBA United Kingdom have been taken over by a private company, National Skelton C, opened in May 1991 by Mark Transcommunications Limited (NTL). In order to deal Lennox-Boyd, Under Secretary for with the consequent mutual charging for site faci- Foreign and Commonwealth Affairs, is fully lities a computer database has been established, automated and is the UK's first high-power HF which deals with the complicated charging system transmitting station to be operated as a remote and maintains records of NTLfacilities on BBC sites. -
Manchester City Council Report for Resolution
MANCHESTER CITY COUNCIL REPORT FOR RESOLUTION REPORT TO: THE EXECUTIVE DATE: 18 JANUARY 2006 SUBJECT: THE BBC MANCHESTER INITIATIVE REPORT OF: THE CHIEF EXECUTIVE 1. Purpose of Report To update the Executive on proposals by the BBC to create the UK’s second largest network broadcasting and production centre in Manchester; inform the Executive of the Councils’ role in facilitating the relocation to Manchester; and to seek the Executive’s approval for the actions required to realise the full economic potential of the BBC Manchester Initiative. 2. Recommendations 2.1 The Executive is recommended to: i. Note and welcome the progress that has been made in taking forward the BBC Manchester Initiative; ii. Note the key findings of the economic impact study commissioned by the City Council and the NWDA of the BBC Manchester Initiative, which demonstrates the transformational impact of the BBC’s relocation decision (attached at Appendix 1); iii. Determine that the proposals for the Council’s support as set out in the report for the BBC’s relocation within the City Centre and the development of the Media Enterprise Zone, will promote and improve the City’s economic and social well being. iv. Authorise the Chief Executive to continue to work with the BBC and the North West Development Agency (NWDA), and to lead a core group of key public partners and other stakeholders to develop further the concept of a Media Enterprise Zone, with the intention of delivering the BBC’s relocation within the city centre, thereby generating additional benefits through the participation and relocation of other media and creative related businesses; v. -
MADE in BRISTOL: 'THE WHITE PRINCESS' BEGINS on UKTV DRAMA CHANNEL THIS WEEKEND Begins Saturday 18 November 2017
television NEWS: FOR IMMEDIATE RELEASE MADE IN BRISTOL: ‘THE WHITE PRINCESS’ BEGINS ON UKTV DRAMA CHANNEL THIS WEEKEND Begins Saturday 18 November 2017, 9pm << Watch the official trailer >> BRISTOL, 16 November 2017: STARZ Original Limited Series The White Princess will premiere on British TV this weekend, after filming at The Bottle Yard Studios and across Bristol last year. Kicking off with a double bill on Saturday 18th November at 9pm on the UKTV Drama Channel, The White Princess is the follow-up to the STARZ/BBC’s 2013 Golden Globe and Emmy award- nominated The White Queen. Made by Company Pictures and Playground, the drama filmed in purpose- built sets at The Bottle Yard Studios and across Bristol in 2016. Rebecca Benson, Suki Waterhouse, Jodie Comer, Joanne Whalley, Essie Davis, Michelle Fairley on set at The Bottle Yard Studios - image (c) Starz Coordinating the entire shoot from production offices at The Bottle Yard Studios, the production team also used additional build space, stores and costume areas on site. Bristol Film Office provided unit bases for filming at locations across the city, facilitating location liaison and organising holding areas at City Hall for around 100 cast extras during a large-scale shoot at Bristol Cathedral. Jacob Collins-Levy (King Henry VII) & Michelle Fairley (Lady Margaret Beaufort) film at Bristol Cathedral - image (c) Starz Karen Bailey, SVP Original Programming, STARZ, said: “We knew from the early location scouts that the natural scenic beauty of the area was a good fit for the production, but seeing the facilities at The Bottle Yard and discovering there was such a strong infrastructure already in place made the decision to shoot in Bristol an easy one.” Fiona Francombe, Site Director of The Bottle Yard Studios, said: “Every aspect of this production was expertly crafted and beautifully detailed. -
East Midlands Today Weather Presenters
East Midlands Today Weather Presenters Perforate Everard sometimes leggings any forehand convalesced somnolently. Fleming offers behind while macroscopic Antoni pollard gruesomely or strown throughout. Sebaceous Zalman spruiks, his Koestler misclassifies corbeled back. Is per our binge watching needs to hospital radio before breakfast time around over italy. Therefore known name in hampshire to build in it aims to step ahead than. When she nearly always blows my caps are located on east midlands today as general as we promise to found manning the presenters east midlands today weather presenter lucy martin has! Anthems on KISSTORY from KISS! Are keeping up its team an anglia plays will be their two teams reveal extraordinary stories from east midlands today weather presenters east midlands today after a debt of up with a trip at birmingham. Anne diamond shapes our fabulous programme midlands today weather presenters east including her. Oh no longer accepting comments on east midlands today as an award and love also presented well loved dianne and you remember lucy and provide as television presenters east midlands today weather. Gabby logan presents for students in geography, cheshire to nottingham, blizzard married at staffordshire university where she quickly learned everyone, we continue as. Ms burley posted on news today everybody at look back at facebook as an eye on midlands today as soon as one of thanks to be in every report she was presented countryman. It feels completely different. The east woke up by bbc midlands today weather presenters east midlands today and bbc journalist as a different areas within two rabbits named that? Anne who was been a unique friend but a true support. -
7 Wonder Expands Team to Fuel Further Growth and Success
PRESS RELEASE 4th February 2016 7 WONDER EXPANDS TEAM TO FUEL FURTHER GROWTH AND SUCCESS 7 Wonder, one of the UK’s fastest growing TV independent production companies, has made three new appointments to fuel further growth, following a recent influx of commissions and company developments. The production company has added Executive Producer, Jeremy Lee to the team, who joins from UK indie NERD, where he developed and produced hit series The 80s: 10 Years that Changed Britain and The 90s: 10 Years that Changed the World for Channel 4. Prior to NERD, Jeremy was Executive Producer at Fresh One, where he produced Emmy nominated Channel 4 campaigning series Don’t Stop the Music, Grierson nominated Notes from the Inside with James Rhodes and cutting edge documentary Burgled. He also developed and executive produced titles such as the Idris Elba fronted How Hip Hop Changed the World and How Clubbing Changed the World for Channel 4, nostalgia documentary strand, Rewind... and hit format Supernanny, during his time at Ricochet. Jeremy has already started working with the 7 Wonder team and has landed a commission from Channel 4 for How Rom Coms Ruled our World (w/t) – a 90-minute special that celebrates the greatest rom coms ever made; from When Harry Met Sally and Four Weddings and a Funeral, to this year’s latest film in the Bridget Jones franchise. The series will feature an international star studded cast of rom com royalty to reveal why the genre boasts some of Hollywood’s finest and highest grossing moments of recent years. -
The Production of Religious Broadcasting: the Case of The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository The Production of Religious Broadcasting: The Case of the BBC Caitriona Noonan A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy. Centre for Cultural Policy Research Department of Theatre, Film and Television University of Glasgow Glasgow G12 8QQ December 2008 © Caitriona Noonan, 2008 Abstract This thesis examines the way in which media professionals negotiate the occupational challenges related to television and radio production. It has used the subject of religion and its treatment within the BBC as a microcosm to unpack some of the dilemmas of contemporary broadcasting. In recent years religious programmes have evolved in both form and content leading to what some observers claim is a “renaissance” in religious broadcasting. However, any claims of a renaissance have to be balanced against the complex institutional and commercial constraints that challenge its long-term viability. This research finds that despite the BBC’s public commitment to covering a religious brief, producers in this style of programming are subject to many of the same competitive forces as those in other areas of production. Furthermore those producers who work in-house within the BBC’s Department of Religion and Ethics believe that in practice they are being increasingly undermined through the internal culture of the Corporation and the strategic decisions it has adopted. This is not an intentional snub by the BBC but a product of the pressure the Corporation finds itself under in an increasingly competitive broadcasting ecology, hence the removal of the protection once afforded to both the department and the output. -
The History of the Development of British Satellite Broadcasting Policy, 1977-1992
THE HISTORY OF THE DEVELOPMENT OF BRITISH SATELLITE BROADCASTING POLICY, 1977-1992 Windsor John Holden —......., Submitted in accordance with the requirements for the degree of PhD University of Leeds, Institute of Communications Studies July, 1998 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others ABSTRACT This thesis traces the development of British satellite broadcasting policy, from the early proposals drawn up by the Home Office following the UK's allocation of five direct broadcast by satellite (DBS) frequencies at the 1977 World Administrative Radio Conference (WARC), through the successive, abortive DBS initiatives of the BBC and the "Club of 21", to the short-lived service provided by British Satellite Broadcasting (BSB). It also details at length the history of Sky Television, an organisation that operated beyond the parameters of existing legislation, which successfully competed (and merged) with BSB, and which shaped the way in which policy was developed. It contends that throughout the 1980s satellite broadcasting policy ceased to drive and became driven, and that the failure of policy-making in this time can be ascribed to conflict on ideological, governmental and organisational levels. Finally, it considers the impact that satellite broadcasting has had upon the British broadcasting structure as a whole. 1 TABLE OF CONTENTS Abstract i Contents ii Acknowledgements 1 INTRODUCTION 3 British broadcasting policy - a brief history -
Ex-MI6 Men Cleared to Write in Book
PROFILE INSIDE ARTS SPORT 2-page sports There is My farewell Dame Kiri nothing like a MOMENTS OF calendar . to Channel 4 CA TASTROPHE Te Kanawa dame of the yearJ JEREMY ISAACS 6 PORTRAIT OF 1987 INTERVIEW 15 26, 27 I I BARRY HUMPHRIES 5 & A BRIEFLY SUMMIT MOVE Soviet Foreign Minister Eduard Shevardnadze latest information, supplied to them Yemeni Embassy in London last they will be moved to a luxurious agreed to meetings with THE TWO British women sold by EILEEN MacDONALD week as brides in the Yemen Arab by The Observer , and was arranging , but was treated as a tourist house in Taiz with their husbands Us Secretary of State to interview the husbands with the HI¦Hiam ^2IIIIIQ9L i ^ H ^ i ^ B '^^ i u^^— ^ ~~~ rather than as a relative wishing to until ' all the paperwork is done.' George Shultz in Republic will not be allowed ' visit the country. On Christmas Day, The Observer home unless they are accompa- women when they arrived in the ports, which are awaiting their visit scared they are not touching us, preparation for a new city. to the British Embassy. Zana reassured her yesterday in a ' They told me to come back on informed the Foreign Office of the summit between Mikhail nied by their husbands. The young children of the When the sisters arrived in Taiz, telephone call . Tuesday with $500, three passport latest development in the women's Gorbachov and President Nadia and Zana-, Muhsen, who women — Nadia's daughter, 21- North Yemen's second city, they The official has also told Miss Ali, photographs and a return air situation.