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WHOLE LOTTA MAN Marvin Rainwater
Chapter 8 – Marvin Rainwater 8 WHOLE LOTTA MAN Marvin Rainwater A larger-than-life character steeped in traditional country music, Marvin Rainwater started his hitmaking career with Gonna Find Me A Bluebird and The Majesty Of Love (a duet with Connie Francis), and went on to top the UK charts in 1958 with Whole Lotta Woman , but after a couple of smaller hits his popularity faded. Somewhere along the line, a real talent — still underrated to this day — missed its way. After battling throat cancer, Rainwater re-emerged during the rockabilly revival of the 1970s and nowadays continues to successfully combine his outside business interests with recording and performing. I was born Marvin Karlton Rainwater on July 2, 1925 in Wichita, Kansas. Mother's maiden name was Stella Arbell Miller and my father was Cicero Percy Rainwater. I had one older brother, Don (George Donald) who died last year and have two younger brothers, Ray (Percy Raymond) and Bob (Robert Eugene), and a sister, Patty (Patricia Lucille). Some say that our surname originated from English, some say French and some say Indian, but I don't know for sure. I am no relation whatsoever to Cedric Rainwater the bluegrass guitarist, as Rainwater was not his real name — he used it as a stage name. Father was an auto and truck mechanic and mother was a housewife. We lived in Wichita and Esben, Kansas; Muskogee and Tulsa, Oklahoma; Georgia, Alabama and Tennessee. I studied classical piano when I was a little boy. My mama took in washings — which was a lot of work for her — and got us a piano. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Neil Reads Some Books Keith and What He Did
February 2018 February 101 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK © Paul Harris Jeff Tuck finally gets some prominence (usually hidden behind guitars and vocalists) From the Last Hurrah for Skiffle on January 28th, courtesy of Paul Harris Neil reads some books Keith and what he did with Willie Mr Angry chats with Freddy Cannon We “borrow” more stuff from Nick Cobban Jazz Junction, Soul Kitchen, Blues Rambling And more.... 1 Greetings From Snobbo Manor I have not contributed to this publication for some years, but last night Henry and I went to see some Grand Opera, or so we thought. It turned out to be some dreadful American music apparently performed at something called the 'Grand Ole Opry' in Nashville, Tennessee. This woman sang a totally inappropriate song entitled 'Blanket On The Ground', one line of which went: 'Just because we are married doesn't mean we can't sleep around'! I ask you, this may be normal behaviour for hillbillies who marry their 13-year old cousins, but it is totally unacceptable here. A gentleman in the next row leaned over and tried to make out the words 'slip around', but of course that is absolute nonsense. Unless they were laying the blanket on icy ground why should they be slipping around? Then some awful man in a cowboy hat sang about his girlfriend coming out of a honkytonk. Why on Earth a woman would climb into an old upright pianoforte I have no idea; presumably this is where poor hillbillies live when their ramshackle huts fall down. -
Download Doppelte Singles
INTERPRET A - TITEL B - TITEL JAHR LAND FIRMA NUMMER 10 CC DREADLOCK HOLIDAY NOTHING CAN 1978 D MERCURY 6008 035 10 CC GOOD MORNING JUDGE DON'T SQUEEZE 1977 D MERCURY 6008 025 10 CC I'M MANDY FLY ME HOW DARE YOU 1975 D MERCURY 6008 019 10 CC I'M NOT IN LOVE GOOD NEWS 1975 D MERCURY 6008 014 2 PLUS 1 EASY COME, EASY GO CALICO GIRL 1979 D PHONOGRAM 6198 277 3 BESOFFSKIS EIN SCHÖNER WEISSER ARSCH LACHEN IST 0D FLOWER BMB 2057 3 BESOFFSKIS HAST DU WEINBRAND IN DER BLUTBAHN EIN SCHEICH IM 0 D FLOWER 2131 3 BESOFFSKIS PUFF VON BARCELONA SYBILLE 0D FLOWER BMB 2070 3 COLONIAS DIE AUFE DAUER (DAT MALOCHELIED) UND GEH'N DIE 1985 D ODEON 20 0932 3 COLONIAS DIE BIER UND 'NEN APPELKORN WIR FAHREN NACH 0 D COLONGE 13 232 3 COLONIAS DIE ES WAR IN KÖNIGSWINTER IN D'R PHILHAR. 1988 D PAPAGAYO 1 59583 7 3 COLONIAS DIE IN AFRICA IST MUTTERTAG WIR MACHEN 1984 D ODEON 20 0400 3 COLONIAS DIE IN UNS'RER BADEWANN DO SCHWEMB HEY,ESMERALDA 1981 D METRONOME 30 401 3 MECKYS GEH' ALTE SCHAU ME NET SO HAGENBRUNNER 0 D ELITE SPEC F 4073 38 SPECIAL TEACHER TEACHER (FILMM.) TWENTIETH CENT. 1983 D CAPITOL 20 0375 7 49 ERS GIRL TO GIRL MEGAMIX 0 D BCM 7445 5000 VOLTS I'M ON FIRE BYE LOVE 1975 D EPIC EPC S 3359 5000 VOLTS I'M ON FIRE (AIRBUS) (A.H.) BYE LOVE 1975 D EPIC EPC S 3359 5000 VOLTS MOTION MAN LOOK OUT,I'M 1976 D EPIC EPC S 3926 5TH DIMENSION AQUARIUS DON'T CHA HEAR 1969 D LIBERTY 15 193 A FLOCK OF SEAGULLS WISHING COMMITTED 1982 D JIVE 6 13 640 A LA CARTE DOCTOR,DOCTOR IT WAS A NIGHT 1979 D HANSA 101 080 A LA CARTE IN THE SUMMER SUN OF GREECE CUBATAO 1982 D COCONUT -
Leer 8.Pages
Richie Havens 1. Minstrel From Gault 2. High Flyin’ Bird 3. I Can’t Make It Anymore 4. With A Little Help 5. Strawberry Fields For Ever 6. Hey Jude 7. I Had A Woman 8. Handsome Johnny 9. Freedom Sweetwater 1. Motherless Child 2. Look Out 3. For Pete’s Sake 4. Day Song 5. What’s Wrong 6. Crystal Spider 7. Two Worlds 8. Why Oh Why Bert Sommer 1. Jennifer 2. The Road To Travel 3. I wondered where you’d be 4. She’s Gone 5. Things Are Going My Way 6. And When It’s Over 7. Jeanette 8. America (first standing ovation at Woodstock) 9. A Note That Read 10. Smile Tim Hardin 1. Misty Roses 2. If I Were A Carpenter Ravi Shankar 1. Raga Puriya-Dhanashri / Gat In Sawarital 2. Tabla Solo In Jhaptal 3. Raga Manj Kmahaj / Alap Jor / Dhun In Kaharwa Tal / Medium & Fast Gat In Teental Melanie 1. Beautiful People 2. Birthday Of The Sun Arlo Guthrie 1. Coming Into Los Angeles 2. Walking Down The Line 3. Amazing Grace Joan Baez 1. Joe Hill 2. Sweet Sir Galahad 3. Drug Store Truck Driving Man 4. Swing Low Sweet Chariot 5. We Shall Overcome Day Two: Saturday, August 16 1969 Quill 1. They Live the Life 2. That’s How I Eat 3. Driftin’ 4. Waitin’ For You Country Joe McDonald 1. I Find Myself Missing You 2. Rockin’ All Around The World 3. Flyin’ High All Over The World 4. Seen A Rocket 5. Fish Cheer / I-Feel-Like-I’m-Fixing-To-Die-Rag John B. -
Music, Culture, and the Rise and Fall of the Haight Ashbury Counterculture
Zaroff 1 A Moment in the Sun: Music, Culture, and the Rise and Fall of the Haight Ashbury Counterculture Samuel Zaroff Honors Thesis Submitted to the Department of History, Georgetown University Advisor: Professor Maurice Jackson Honors Program Chairs: Professor Katherine Benton-Cohen and Professor Alison Games 6 May 2019 Zaroff 2 Table of Contents Introduction 4 Historiography 8 Chapter I: Defining the Counterculture 15 Protesting Without Protest 20 Cultural Exoticism in the Haight 24 Chapter II: The Music of the Haight Ashbury 43 Musical Exoticism: Jefferson Airplane’s “White Rabbit” 44 Assimilating African American Musical Culture: Big Brother and the Holding Company’s “Summertime” 48 Music, Drugs, and Hendrix: “Purple Haze” 52 Protesting Vietnam: Country Joe and the Fish’s “I-Feel-Like-I’m Fixin’-to-Die-Rag” 59 Folk, Nature, and the Grateful Dead: “Morning Dew” and the Irony of Technology 62 Chapter III: The End of the Counterculture 67 Overpopulation 67 Commercialization 72 Hard Drugs 74 Death of the Hippie Ceremony 76 “I Know You Rider”: Music of the End of the Counterculture 80 Violence: The Altamont Speedway Free Festival 85 Conclusion 90 Appendix 92 Bibliography 94 Zaroff 3 Acknowledgements Thank you, Professor Benton-Cohen and Professor Jackson, for your guidance on this thesis. Thank you, Mom, Dad, Leo, Eliza, Roxanne, Daniela, Ruby, and Boo for supporting me throughout. Lastly, thank you Antine and Uncle Rich for your wisdom and music. I give permission to Lauinger Library to make this thesis available to the public. Zaroff 4 Introduction From 1964 to 1967, the Haight Ashbury district of San Francisco experienced one of the most significant and short-lived cultural moments of twentieth century America. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
Where Not to Shop in Stevens Point
------------------------------------------------ ....n • THE POINTER Mor~h 9, 1978 Vol. ii No.26 Ground Control to ·Major Tom: Giving free rein to a chancellor's flights of fancy _ By George Leopold Long after we students leave this institution of higher learning and go on to make our mark on the "real world, " our beloved alma mater will continue to evolve and grow in innumerable ways. Just exactly how and when these changes take place is the concern of a group of UWSP faculty and staff who are members ;::r-. of the Campus Master Plan Committee; or, as the man in the red vest calls it, "the university dream committee." The be sure, the recently · formed committee is made up of some of the finest "dreamers" that Chancellor Lee Dreyfus could assemble. Yet, after talking with several committee members, it seems clear that the whole idea of formulating a "master plan" to chart future physical development of the university is really a task for all of us. Indeed, one member advised that at this point, the "dream" committee "desperately needs ideas" from students and faculty, no matter how "off the -f wall." One can be reasonably certain that this ~----~t) no-holds-barred approach was what the chancellor had in mind when he suggested ' that development of a master plan for the university of the 1990's· and beyond "might involve looking at some aspects of places like Disneyland." Continued on ·p. 12 Page z March 9, 1978 ~POIMER UIEWPOIDT Housing code revisions jeopardize security deposits as its sole supporter. The shortage of available leased housing landlords and license revocation for habitual violators. -
CNHI Woodstock 20190814
A half-century later, the mother of all music festivals still resonates ifty years after the fact, it still resonates with us. Tucked up in the Catskill Mountains, the Woodstock Music & Art Fair — promoted as “An Aquarian Exposition, Three Days of Peace and Music,” but known to one and all as simply Woodstock — took place in 1969 over three-plus days. From Friday, Aug. 15, through the morning of Monday, Aug. 18, dairy farmer Max Yasgur’s 600- acre parcel of land in Bethel, New York — forever immortalized in Joni Mitchell’s “Woodstock” (ironically, she wasn’t at the event itself) — became the epicenter of the music and cultural universe, a haven for 400,000-plus hippies, bohemians, music lovers and mem- bers of the counterculture. It began when folkie Richie Havens began strumming his gui- tar, kicking off the festival with Paul Gerry/Bethel Woods Collection “From the Prison.” Thirty-two more acts, about 66 hours and several rainstorms later, it ended when guitar god Jimi Hendrix capped off a stellar set with his rendition of “Hey Joe.” Thousands of cars were left stranded for miles and miles en route to the venue as concertgo- ers walked to their destination. Tickets for the festival were $18, but many attendees got in for free when the crowd more than tripled what organizers had anticipated. Dallas Taylor, the drummer for supergroup Crosby, Stills, Nash & Young (playing just its second-ever show), asked the helicopter pilot James Sarles/Bethel Woods Collection James Sarles/Bethel Woods Collection flying him to the event what body of More than 400,000 people descended on a dairy farm in Bethel, N.Y., for the concert held 50 years ago. -
Marti's Movies Make Music Keith Drums up a New Interviewee Mr
October 2019 October 111 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK At the recent soiree at Gerry’s, Shaunny Longlegs tries out his novel microphone stand © Nigel Bewley while Rockin’ Gerry sticks with the tried and trusted manual method. (Keith Woods available for mic stand © Nigel Bewley hire at reasonable rates) Marti’s movies make music Keith drums up a new interviewee Mr Angry reviews a radio comedy show We “borrow” yet more stuff from Nick Cobban Jazz Junction, Soul Kitchen, Blues Rambling And more.... 1 The September issue (#151) of American Music Magazine has plenty for Woodies to enjoy. First and foremost is Keith Woods’ interview with rockabilly favourite and bass-player Billy Harlan. There is an introduction by Woody Dominique Anglares and the interview is accompanied by vintage photos as well as a session discography. Another main feature is on Little Richard’s role model Billy Wright, the Atlanta blues and R&B singer – this accompanied by lots of photos, clippings from Billboard and Cashbox, label shots in colour, and definitive session and record discographies. The magazine also includes an in-depth article on Nashville songwriter and performer Royce Porter, whilst the instrumentals series continues for lovers of the genre, and then add to this an essay by Kaye Garren, one of the members of The Heathens whose acetate recorded at the Sun studio in 1956 has recently been issued on 45rpm. As well as the label shots, the colour section includes photos of Waylon Jennings, Jessie Colter and Willie Nelson when they visited Sweden in 1970. -
The Sound of Fury Fan Club Newsletter Issue 7: January – March 2021 Hi There, Welcome to the Latest Issue of the Sound of Fury Fan Club Newsletter
The Sound of Fury Fan Club Newsletter Issue 7: January – March 2021 Hi there, Welcome to the latest issue of the Sound of Fury Fan Club newsletter. Firstly, Happy New Year to you all. I think we can all pretty much agree that we are glad to see the back of 2020! Although, the situation is still difficult, we at least can start to see things improving with the vaccine rollout and hope things do start to ‘get back to normal’ soon. We’d also like to give a very big welcome to all the new Fanclub members who have joined in the last few months. Billy has fans all over the world and its great that many overseas fans are joining the Fanclub. To contact us email - [email protected] or write to - The Sound of Fury Fan Club, P.O. Box 157, Frodsham, WA6 1BY 2021 Mill Hill Meetings With the Covid-19 restrictions currently still in place at time of writing, the usual January Mill- Hill meeting is understandably cancelled. We cannot at this stage say if the April meeting will take place. We will confirm in the next newsletter, but please contact the Fanclub directly if you have any questions before then. “New” Billy Interview! Recently a previously broadcast radio interview appeared on YouTube of Billy from the early / mid 1970’s. Apparently several unedited reel to reel tapes of celebrity interviews scheduled for broadcast on Radio G were donated to St. Luke's Cheshire Hospice. Thanks to BSV audio, these tapes have been directly copied and now uploaded to YouTube.