MODERNIST STUDIES NO ATI I C O S A S 11TH ANNUAL CONFERENCE

LANGUAGES THE MODERNISM MONTRÉAL Q U É B E C OF 8N 5- O V . at the DELTA CENTRE-VILLE

, C A N A D A , 2 0 9 11

C MSA A Word from the Local Message from the Organizing Committee MSA President

warm bienvenue to Montréal and to the eleventh generous financial contributions of the Office of the Vice- or the last eleven years, the Modernist Studies Sadly, this year’s conference takes place amidst a annual Modernist Studies Association conference. President of Research and the Faculty of Arts and Science at Association has served as a lively site of shocked sense of mourning felt deeply by all those This year the conference offers 108 panels, 24 Concordia University. At McGill University, funds were exchange among those who study and teach involved with this event. On the fourth of September, Aseminars, 11 roundtables, 3 plenary talks, a book graciously provided by the Department of English, the Fthe diverse arts, literatures, and cultures of Andrew Miller, one of the local conference organizers, fair, a poetry reading, and other events gathered Graduate Program in English, the Department of Art History modernity. At its annual conferences and in the died suddenly of a heart attack. It was Andrew who under the conceptual aegis of the “Languages of Modernism.” and Communication Studies, the McGill Institute for Studies pages of Modernism/modernity, MSA has fomented new first proposed bringing the MSA to Montreal, and As these events suggest, the “languages” of modernism in Canada, the Dean of Arts Development Fund, Tri-Council approaches to the aesthetic revolution we call he worked tirelessly on everything from the program extend to German, Spanish, French, and English, but also to funding. An FQRSC team grant for a research group devoted modernism while simultaneously testing the limits of to the hotel contract. We feel his aching, impossible visual languages, vernaculars, the implications of to “La Poétique du roman moderne: Le roman selon les that term and thus expanding the boundaries of the absence and I hope you will take a moment to digitalization, the languages of class that govern middlebrow romanciers” supplied further funding. field itself. The program you hold in your hand for “The remember him amidst this event he helped make and highbrow culture, the hermetic and populist languages of Languages of Modernism” bristles with insight and possible. Raising these funds required the faith of individuals: deans, poetry, animal communication, and the syntax of surrealism, contention, creativity and innovation. It is one of the associate deans, chairs, directors, professors, coordinators, Thanks to the commitment of members like Andrew dada, vorticism, futurism, and other movements. The rich largest conferences MSA has yet organized and also and assistants. We wish to acknowledge, alphabetically, the and the other organizers, MSA continues to thrive. diversity of topics on the program attests to multiple ways in among the most selective – a testament to the ongoing interventions of Gérard Boismenu, Jason Camlot, Graham New conferences have already been scheduled which scholars construe the meaning of “modernism” in its vigor of the debates that have so occupied us over Carr, Nathalie Cooke, Isabelle Daunais, Kathleen Holden, Chris for Victoria (2010) and Buffalo (2011). As I hope you early, high, or late configurations. The three plenary talks the last decade. Manfredi, Antonia Maioni, Liane Moyes, Gwendolyn Owens, have seen, we have also recently launched a newly focus on the complications of language in translation and Ian Rae, Jonathan Sterne, and Paul Yachnin. On all matters of Organizing a conference like this requires a phenomenal designed website, initiated a membership drive, critical discourse. In her keynote address, Sherry Simon accounting, great and small, Sima Dantzigian gave invaluable amount of cooperative work, and I want to extend the created a Facebook page, and begun to devise ways examines the complexities that attend “traductologie” – the counsel. Members of the MSA board, especially Members of organization’s special thanks to those who have of using social media to improve the services we make theory of translation – as those complexities enter the poetry the MSA executive and program committees – Pamela committed so much of their time and energy to us. available to members. If you have ideas about where of Canadian modernist, A. M. Klein. Language politics compel Caughie, Sean Latham, Pericles Lewis, Victoria Rosner, and Rebecca Walkowitz, Pericles Lewis, and Victoria Rosner the organization might be headed or questions the imagination in Québec; no encounter between Rebecca Walkowitz – offered invaluable and timely advice. formed our Program Committee, working with local about where we are, I urge you to take a moment Anglophone and Francophone communities escapes the Even as he finished his dissertation, Matt Huculak generously organizers to assemble the 150 panels, seminars, and to talk with a board member here in Montreal. political awareness of language. Walter Benn Michaels speaks put together the website and answered a thousand queries roundtables that will take place over the next four days. to the racial politics of language in the writings of Welcome to MSA XI. about how to run a conference. As she has done at previous The hard work of organizing the event itself was controversial Québec polemicist Lionel Groulx, while Susan conferences, Dee Morris helped coordinate the book exhibit. generously undertaken by a dedicated team drawn from Stanford Friedman reflects on global languages and their Patrice Atwell designed the program and talked us through three different universities. Allan Hepburn, Miranda SEANLATHAM relevance to modernist studies. the multiple stages of creating an intelligible identity for the Hickman, and Omri Moses have juggled everything from MSA President The theme of this conference was suggested by our late conference. Three assistants contributed to every aspect of hotel contracts to catering menus. When you see these colleague at the Université de Montréal, Andrew John Miller. planning: Emily Essert, Rachel Kyne, and Justin Pfefferle. people, make sure to offer them your special thanks. I Andrew, with his characteristic energy and generosity, was We would have been lost without their day-to-day help with also want to thank Alta Anthony at Johns Hopkins instrumental in bringing the MSA conference to Montréal. the logistics of generating lists and answering email. The University Press and Karen Tiefenworth at Johns Hopkins He originated the theme of “The Languages of Modernism.” staff at the Hôtel Delta Centre-Ville have accommodated our University, the administrators who arranged for payments He undertook all negotiations with the hotel for rooms and many wishes; we thank Johnny Buteau, Nathalie Julien and and kept our books in order. conference facilities. He participated in the selection of Guylaine Richard for their tireless patience. seminars and panels for the conference, and he gave his We wish, lastly, to thank Sean Latham, president of the MSA time and insight to logistical complications with customary in 2008-09, for his thoughtfulness. As a previous organizer acumen and grace. On September 4, at the beginning of of the MSA in Tulsa, he had an intimate grasp of the many the Labour Day weekend, Andrew died suddenly. His death aspects of coordinating the conference. Even with his many has been as devastating as it was unexpected. We wish to commitments, Sean was always available to give steadying honour Andrew for helping to bring this conference to advice and encouragement. We are grateful for his fruition. He was an astute negotiator, a rigorous scholar, leadership and tact. and a deeply valued colleague. We extend our sincere condolences to Kate Orland Bere, his wife; his children, We hope that everyone derives as much enjoyment from the Madeleine and Spenser; his family and friends; and his many conference as we have from the process of planning it. colleagues and students at the Université de Montréal. We also wish to thank the Université de Montréal, Andrew’s ALLANHEPBURN, McGill University home institution, including support from the Dean of Arts MIRANDAHICKMAN, McGill University and the Département des études anglaises, as well as the OMRIMOSES, Concordia University

2 MSA 11 Conference Programme MSA 11 Conference Programme 3 Conference Overview Featured Speakers

6 THURSDAY, NOVEMBER 5 4:00-6:00 SESSIONA: Seminars 4:00-6:00; Panels 4:30-6:00 6:30-8:00 PLENARY: Sherry Simon SHERRYSIMON Concordia University 8:00-9:30 RECEPTION, Regence Foyer Plenary Address: 9 FRIDAY,NOVEMBER6 Sonnant though strange: A.M. Klein listening to Montreal 7:30-9:00 BREAKFAST, Regence Foyer Thursday, November 5 8:00-10:00 SESSIONB: Seminars 8:00-10:00; Panels 8:30-10:00 Regence ABC 6:30 PM 10:00-10:30 COFFEEBREAK, Regence Foyer 10:30-12:00 SESSIONC: Panels 10:30-12:00; Roundtables 10:30-12:00 12:00-1:30 LUNCH (on your own) and What Are You Reading? 1:30-3:00 SESSIOND: Panels 1:30-3:00; Roundtables 1:30-3:00 SUSANSTANFORDFRIEDMAN 3:00-3:30 COFFEEBREAK, Regence Foyer University of Wisconsin-Madison 3:30-5:00 SESSIONE: Panels 3:30-5:00; Roundtables 3:30-5:00 Plenary Address: 5:30-7:00 PLENARY: Susan Stanford Friedman Planetarity: Global Epistemologies in Modernist Studies 7:00-9:00 RECEPTION, Regence Foyer Friday, November 6 Regence ABC 19 SATURDAY, NOVEMBER 7 5:30 PM 7:30-9:00 BREAKFAST, Regence Foyer 8:00-10:00 SESSIONF: Seminars 8:00-10:00; Panels 8:30-10:00 10:00-10:30 COFFEEBREAK, Regence Foyer WALTERBENNMICHAELS SESSIONG 10:30-12:00 : Panels 10:30-12:00; Roundtables 10:30-12:00 University of Illinois, Chicago 12:00-1:30 BUSINESSLUNCH Modernist Studies Association Plenary Address: SESSIONH 1:30-3:00 : Panels 1:30-3:00; Roundtables 1:30-3:00 Culture, Class and Language: L'appel de la race 3:00-3:30 COFFEEBREAK, Regence Foyer Saturday, November 7 SESSIONI 3:30-5:00 : Panels 3:30-5:00; Roundtables 3:30-5:00 Regence ABC 5:30-7:00 PLENARY: Walter Benn Michaels 5:30 PM 7:00-9:00 RECEPTION, Regence Foyer 8:00-10:00 POETRYREADING, Terrasse

30 SUNDAY, NOVEMBER 8 7:30-9:00 BREAKFAST, Regence Foyer 8:00-10:00 SESSIONJ: Seminars 8:00-10:00; Panels 8:30-10:00 10:00-10:30 COFFEEBREAK, Regence Foyer 10:30-12:30 SESSIONK: Seminars 10:30-12:30; Panels 10:30-12:00; Roundtables 10:30-12:00

3 6 I N D E X 40 ADVERTISEMENTS 47 MSA11CREDITS 48 INMEMORIAM 49 FLOOR PLAN, DELTA CENTRE-VILLE

4 MSA 11 Conference Programme MSA 11 Conference Programme 5 THURSDAY, NOV. 5 3. TWENTIETH-CENTURY STUDIES: MODERNIST SESSION A: Panels 8. MODERNISM, DOMESTIC LABOUR, STUDIESWITHOUTMODERNISM ANDAFFECT Fifth Floor, Room 530 4:30–6:00 PM Verriere A SESSION A: Seminars LEADERS: Colin Gillis, Yale University, and Andrew ORGANIZER: Ann Mattis, Loyola University, Chicago Goldstone, Stanford University 5. MODERNISM’S LINGUISTIC TURNS CHAIR: Pamela Caughie, Loyola University, Chicago 4:00–6:00 PM Genevieve Abravanel, Franklin and Marshall College Regence A Ann Mattis, Loyola University, Chicago John Connor, University of Pennsylvania ORGANIZER: Ken Hirschkop, University of Waterloo “‘Vulgar Strangers in the Home’: Domestic Service and Charles Del Dotto, Duke University Kinship in Gertrude Stein’s ‘The Good Anna’ and Charlotte 1. WHAT THE ROAST BEEF SAID: OBJECT Elizabeth Dickens, University of Toronto CHAIR: Kevin Lamb, Columbia University Perkins Gilman’s What Diantha Did” LESSONSINMODERNISM Mike Frangos, University of California, Santa Barbara Ken Hirschkop, University of Waterloo Fifth Floor, Room 532 Kirsten MacLeod, University of Alberta Barbara Ryan, National University of Singapore “Magic and Ordinariness in Three Linguistic Turns (Saussure, Stephen Ross, University of Victoria “Framing Below-Stairs Literacy: Servant Readers Before LEADER: Gabrielle Moyer, Stanford University Wittgenstein, Ogden and Richards)” Randi Saloman, Cornell University the Armory Show” Elizabeth Anderson, University of Glasgow Sonam Singh, Cornell University Hilary Thompson, Bowdoin College Morag Shiach, Queen Mary University of London Claire Battershill, University of Toronto Leif Sorensen, Colorado State University “The Mark-Worlds of Modernism in Benjamin, Uexkull “‘Family Feeling’ and the Domestic Economy” Bill Brown, University of Chicago Melissa Sullivan, Rosemont College and Woolf” Stuart Burrows, Brown University Rachel Trousdale, Agnes Scott College Christos Hadjiyiannis, University of Edinburgh Alan Clinton, University of Miami Janine Utell, Widener University 9. BEYOND POSTSTRUCTURALISM: “T.E. Hulme’s Turn of Language” Hilary Edwards, Florida Atlantic University Fabio Vericat, Universidad Complutense de Madrid MODERNISMANDCONTEMPORARYTHEORY Rohanna Green, University of Toronto Angela Ward, Pennsylvania State University Verriere B Margaret Konkol, SUNY Buffalo Karin Westman, Kansas State University 6. COLD WAR POETICS ORGANIZER: Richard Begam, University of Wisconsin, Zena Meadowsong, Stanford University Regence B Madison Matthew Mutter, Yale University 4. PLANTATION MODERNISM ORGANIZER: Angus Cleghorn, Seneca College and Trent Tim Newcomb, University of Illinois, Urbana-Champaign CHAIR: Douglas Mao, Johns Hopkins University Fifth Floor, Room 528 University Shawna Ross, Pennsylvania State University Jean-Michel Rabaté, University of Pennsylvania Paul Saunders, Queen’s University LEADER: Mary Lou Emery, University of Iowa CHAIR: Gillian White, University of Michigan, Ann Arbor “Jacques Rancière, Modernism and the Politics Matt Strohack, Queen’s University Monica Ayuso Angus Cleghorn, Seneca College and Trent University of Aesthetics” Leigh Wilson, University of Westminster Rachel Baumgardner, Ball State University “Elizabeth Bishop’s Poetics of Nuclear Proliferation” Richard Begam, University of Wisconsin, Madison Linda Camarasana, SUNY College at Old Westbury Bethany Hicok, Westminster College “Badiou Saved From Drowning” 2. TEACHING THE MAGAZINES OF MODERNISM Amy Clukey, Florida Atlantic University “Surviving the Blast: The Nuclear Poetics of Robert Lowell Fifth Floor, Room 518 Huey Copeland, Northwestern University Nico Israel, Hunter College, CUNY and Sylvia Plath” Jonathan Deschere, Boston University “The Gag: Agamben’s Theatrical Gesture” LEADER: Robert Scholes, Brown University, and Mark Gaipa, Jennifer Gilchrist, Fordham University Charles Berger, Southern Illinois University Edwardsville Brown University Kerry Johnson, Merrimack College “’Glittering Neutrality’: James Merrill and Gay Cold 10. FALSE DOCUMENTATION: David Ben-Merre, Buffalo State College Joyce Kelley, Auburn University, Montgomery War Poetics” PHOTOGRAPHY,MODERNISM,ANDTHE Bradford Campbell, Cal Poly State University Paula Makris, Wheeling Jesuit University LANGUAGEOFREALITY W. Scott Cheney, Loyola University John Matthews, Boston University 7. CONFLICTS AND COLLECTIVES: THE LEGACY St. Laurent Suzanne Churchill, Davidson College Maria McGarrity, Long Island University OFCOLLABORATIVEPRACTICEINDIVERSE Jeffrey Drouin, CUNY Graduate Center Christina Oltmann, McGill University ORGANIZER,CHAIR,ANDRESPONDENT: Jason Potts, MODERNISMS Sarah Fedirka, Arizona State University Alexandra Peat, University of Toronto St. Francis Xavier University Regence C Lee Garver, Butler University Tracy Seeley, University of San Francisco Katie Arthur, Concordia University Barbara Green, University of Notre Dame ORGANIZER and CHAIR: Laura Doyle, University of “Translating Experience: Photography and the Thomas Haakenson, Minneapolis College of Art and Design Massachusetts, Amherst Autobiographical in Alison Bechdel’s Fun Home” Christina Hauck, Kansas State University Margo Natalie Crawford, Cornell University Celena Kusch, University of South Carolina Upstate Michael D’Arcy, St. Francis Xavier University “From Fire!! to Black Fire: The Harlem Renaissance and the Jeremy Larance, West Liberty University “J. M. Coetzee’s Slow Man and the Indifferent Image” Black Arts Movement” Catherine Paul, Clemson University Charles Palermo, College of William and Mary Patrick Redding, Yale University Priyamvada Gopal, Cambridge University “Let Us Now Praise Famous Men and James Agee’s “Terrains of Struggle: Collaboration and Dissent in the Modernism” Indian Progressive Writers and Theatre Movements” Joyce Tsai, Johns Hopkins University Regenia Gagnier, University of Exeter “Tracing Inauthenticity: On Tom McCarthy “Collective Mapping and Global Circulation” Mark Wollaeger, Vanderbilt University “Editing Global Modernism: The Task of the Collaborator”

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11. FRANKFURT SCHOOL AESTHETICS AND Plenary FRIDAY, NOV. 6 16. MODERNISM, SCIENCE, SCIENCE STUDIES MODERNPOETRYOFTHEAMERICAS Fifth Floor, Room 530 St. Charles 6:30–8:00 PM Breakfast LEADERS: Craig Gordon, University of Ottawa, and ORGANIZER: Robert Kaufman, University of California, 7:30–9:00 AM Anne Raine, University of Ottawa Berkeley Sam Alexander, Yale University Regence Foyer CHAIR: Charles Sumner, University of Southern David Alworth, University of Chicago Mississippi Stephanie Callan, University of Nevada, Reno Susan Carson, Queensland University of Technology Lisi Schoenbach, University of Tennessee, Knoxville Natalia Cecire, University of California, Berkeley “‘Room for the Living’: Aesthetics and Politics in Stein’s SESSION B: Seminars Gwyneth Cliver, University of Nebraska at Omaha The Geographical History of America” Sarah Copland, Ohio State University Justin Read, SUNY Buffalo 8:00–10:00 AM Annie Dwyer, University of Washington “The New Cannibals: Hilda Hilst and the Poetics of Brandon Fastman, University of California, Santa Barbara Barbarity in Brazil” Andrew Gaedtke, University of Pennsylvania 13. SHERRY SIMON 14. INDIGENOUS LANGUAGES Josh Gang, Rutgers University Robert Kaufman, University of California, Berkeley Regence ABC Fifth Floor, Room 528 Debra Journet, University of Louisville “Lyric’s Barbarism in the Americas: An Update” Claire Kervin, Boston University "Sonnant though strange": A.M. Klein listening LEADERS: Maria Tymozcko, University of Massachusetts, Justus Nieland, Michigan State University to Montreal Amherst, and Laura O’Connor, University of California, 12. MODERN ANIMALITIES: RESPONSES Daniel Wilson, Cornell University Irvine TOPOST-DARWINIANANIMALSINPOETRY, Sherry Simon is a professor in the French Department FILM,ANDARCHITECTURE at Concordia University. She was co-editor of the Heidi Arsenault, Cornell University 17. MODERN(IST) DANCE Les Courants Québec cultural review Spirale for ten years David Ayers, University of Kent Fifth Floor, Room 520 and directed the interdisciplinary PhD in Humanities Denell Downum, Bay State College ORGANIZER: Emily Essert, McGill University program at Concordia University from 1995 to 2000. Catherine Flynn, Stanford University LEADER: Catherine Gunther Kodat, Hamilton College CHAIR: Elisabeth Oliver, McGill University Among her publications are Fictions de l’identitaire au Laura Lomas, Rutgers University S. Elise Archias, California State University, Chico Québec (in collaboration, XYZ, 1989), Le Trafic des Kelly MacPhail, Université de Montréal Kirsten Strom, Grand Valley State University Michelle Clayton, University of California, Los Angeles langues (Boréal, 1994), Gender in Translation Barry McCrea, Yale University “Buñuel’s Beastiary” Susan Funkenstein, Carnegie Mellon University (Routledge, 1996), Culture in Transit (ed. S. Simon, Margery McCulloch, University of Glasgow Elizabeth Harmony Jankowski, Indiana University, David Ashford, University of Surrey Véhicule, 1996), Hybridité Culturelle (Editions Ile de la Daniel Morse, Temple University Bloomington “Gorillas in the House of Light: Lubetkin’s Zoos and Tortue, Montréal, 1999), and Translating Montréal: Bonnie Kime Scott, San Diego State University Carrie Preston, Boston University the Modernist Project” Episodes in the Life of a Divided City (McGill-Queen’s Edwige Tamalet Talbayev, Yale University Brian Reed, University of Washington University Press, 2006), which appeared in French Ben Tran, Vanderbilt University Emily Essert, McGill University translation in 2008 as Traverser Montréal: Une histoire “The Modernist Menagerie: Animals in the Poetry culturelle par la traduction. With Paul St. Pierre, she 18. DIGITAL MODERNISM of T.S. Eliot and Marianne Moore” 15. MODERNIST SINCERITY is co-editor of Changing the Terms: Translating in the Fifth Floor, Room 518 Fifth Floor, Room 532 Postcolonial Era (Ottawa University Press, 2000) LEADER: Jeffrey Schnapp, Stanford University and with Pierre Anctil and Norm Ravin, co-editor of LEADER: Lisa Fluet, Boston College New Readings of Yiddish Montreal – Traduire le Jonathan Bass, Rutgers University Elisabeth Bauman, University of Virginia Montréal Yiddish (University of Ottawa Press, 2007). Sarah Bay-Cheng, SUNY Buffalo Iain Bernhoft, Boston University She is a Killam Research Fellow and a member of Eric Bulson, Hobart and William Smith College Beth Blum, University of Pennsylvania the Royal Society of Canada. Mark Byron, University of Sydney Margaret Carkeet, Brandeis University Marian Eide, Texas A&M University Lois Cucullu, University of Minnesota James English, University of Pennsylvania Robert Engley, Boston University Katherine Fisher, University of Michigan, Ann Arbor Brandon Gordon, University of California, Irvine Kathleen Fitzpatrick, Pomona College Reception Jayne Hildebrand, Concordia University Thomas Keegan, University of Iowa Melanie Micir, University of Pennsylvania Jessica Pressman, Yale University 8:00–9:30 PM Wendy Moffat, Dickinson College Petra Schweitzer, Shenandoah University Taryn Okuma, Catholic University of America Regence Foyer Elizabeth Sheehan, University of Virginia Ella Ophir, University of Saskatchewan Rebecca Sheehan, Haverford College Siobhan Phillips, Harvard University Matthew Smith, Boston University Patricia Rae, Queen’s University John Whittier-Ferguson, University of Michigan, Ann Arbor Reena Sastri, Oxford University Matthew Wilkens, Rice University Michael Webster, Grand Valley State University

8 MSA 11 Conference Programme MSA 11 Conference Programme 9 FRI

19. MODERNIST ABSTRACTION 22. BEYOND ELIOT’S “ONE LANGUAGE”: 25. GOTHIC MODERNISM 28. WRITING ART: COLLABORATIONS Fifth Floor, Room 522 SCOTLAND’SLANGUAGESOFMODERNISM Verriere B ANDEXCHANGESAMONGVISUALARTISTS Regence C ANDWRITERS LEADER: Jeffrey Wallace, University of Glamorgan ORGANIZER: Sanford Schwartz, Pennsylvania State St. Charles ORGANIZER: Nancy Gish, University of Southern Maine University Andrzej Gasiorek, University of Birmingham ORGANIZER: Francisca Gonzàlez Arias, University of Brian Glavey, University of South Carolina CHAIR: Alan Riach, University of Glasgow CHAIR: David McWhirter, Texas A&M University Massachussets, Lowell Laura Heffernan, Tulane University Nancy Gish, University of Southern Maine Mark Morrisson, Pennsylvania State University Susannah Hollister, United States Military Academy, CHAIR: Daniel Aguirre Oteiza, Harvard University “The Scots Polyphony: Liz Lochhead and the Limits of “Ithell Colquhoun’s Esoteric Fiction: The Gothic and British West Point Translation” Surrealism” Nelida Nassar, Tufts University Jacob Hovind, Emory University “The Fusion of Symbolist Poetry and Other Arts: A Visual Justin Kishbaugh, Duquesne University Caroline McCracken-Flesher, University of Wyoming Alex Goody, Oxford Brookes University Dialogue of Concrete Poetry from Mallarmé to Apollinaire” Elizabeth Lyman, Harvard University “’The Voice of Scotland’: Hugh MacDiarmid and the Problem “Uncanny Women: Dolls, Robots, Hysterics, and Virgins” John Melillo, New York University of James Birdie’s Success” Alan Smith, Boston University Sanford Schwartz, Pennsylvania State University Gregory L. Miller, California State, Bakersfield “Velàzquez and Unamuno: A Sense of the Body” Fabio Vericat, Universidad Complutense de Madrid “‘To-night Golden Curls’: Urban Gothic and Hitchcock’s Bibiana Obler, George Washington University “Gained in Translation: Denationalizing English in James The Lodger (1926)” Francisca Gonzàlez Arias, University of Massachussets, Megan Quigley, Villanova University Kelman’s Translated Accounts” Lowell Emily Setina, Yale University “Rafael Alberti and León Ferrari: Revisiting the ‘Lost Johanna Skibsrud, Université de Montréal 26. MODERNIST CHILDREN Grove’: Poetry, Politics and the Pictorial” Joyce Tsai, Johns Hopkins University 23. MODERN SUBJECTIVITIES Cartier A Victoria Donald Wellman, Daniel Webster College ORGANIZER: Emily James, University of Washington “Expression and the ‘Transhistorical Baroque’ in Art ORGANIZER and CHAIR: Katharine Streip, Concordia CHAIR: Pericles Lewis, Yale University and Poetry “ SESSION B: Panels University Emily James, University of Washington Allen Hibbard, Middle Tennessee State University “Virginia Woolf and the Allure of the Child-Poet” 29. RETURN OF THE UNCANNY 8:30–10:00 AM “Fusing East and West: The Modernist Poetics of Adonis” St. Laurent Richard Kaye, Hunter College, CUNY Marianna Landa, University of Maryland “Virginia Woolf’s New Bestiary: Flush and the Limits ORGANIZER and CHAIR: Lawrence Switzky, Harvard “Literary Jokes, Mysticism and Desire: Cherubina de Gabriak 20. LANGUAGE IN THE LANDSCAPE of Modernist Representation” University and the Construction of Identity” Regence A Douglas Mao, Johns Hopkins University Martin Harries, New York University Arnim H.A. Seelig, McGill University ORGANIZER: Kelly Sultzbach, University of Oregon “Lamming, Large Questions, and the Place of the “Was Beckett Uncanny?” “’The Man Who Disappeared’: Fragmentation and Philosopher-Kid” CHAIR: Paul Peppis, University of Oregon Dehumanization in Kafka’s Amerika” Seo-Young Chu, Queens College “Detained in the Uncanny Valley: Modernist Stereotypes Jeffery McCarthy, Westminster College 27. MODERNISM AND THE LANGUAGES of the Yellow Peril” “Blood and Soil and 1928” 24. WEIMAR GERMANY THROUGH OF MODERN MEDIA 1 FOREIGNEYES John Bell, MIT Scott Knickerbocker, The College of Idaho Cartier B Verriere A “Playing with the Eternal Uncanny: Puppet Performance “Elizabeth Bishop and the Double Nature of Language” ORGANIZER: Jennifer Sorensen Emery-Peck, University and the Life of Lifeless Objects” ORGANIZER: Tobias Boes, University of Notre Dame Kelly Sultzbach, University of Oregon of Michigan, Ann Arbor “W.H. Auden’s Words in the Flesh of the World” CHAIR: Aneka C. Meier, East Stroudsburg University of CHAIR: Kevin Dettmar, Pomona College 30. RESCRIPTING GAY IDENTITY IN Pennsylvania CONTEMPORARYFRANCE 21. MIDDLEBROW MODERNISTS ON Jennifer Sorensen Emery-Peck, University of Michigan, Emily Evans, University of Illinois, Urbana-Champaign Les Courants YOUTHANDAGE Ann Arbor “Ambition and Disillusion: El Lissitzky in the Weimar Regence B “’Having Rattling Good Time’: The Modern Novel and ORGANIZER: Lawrence R. Schehr, University of Illinois Republic” the Language of Telegrams” ORGANIZER and CHAIR: Cynthia Port, Coastal Carolina CHAIR: Allan Hepburn, McGill University Nicola Hille, Universität Tübingen University Erich Nunn, Auburn University “Bauhaus and VChUTEMAS: Weimar Avantgarde through Denis M. Provencher, University of Maryland, “Race, Records, and American Literary Modernism” Marius Hentea, University of Warwick Russian Eyes” Baltimore County “Publishers and the Call of Youth” Joseph Elkanah Rosenberg, University of Toronto “Using the Camera’s Eye to (Never) Say I: Gay Subjectivity Francesco Peri, Independent Scholar “Elizabeth Bowen’s Junk Mail” and Sexual Desire in Ma vraie vie à Rouen (2002)” Melissa Schaub, University of North Carolina at Pembroke “Modern German Music in a European Context (1918–1925): “Ironic Young Men and Gentlemanly Young Women: The Curiosity, Discovery and Exchange in the Early Weimar Years” Florian Grandena, University of Ottawa Middlebrow Generation Gap” “Of Age and Gayness: Jacques Nolot’s Avant que j’oublie” Melissa Goldsmith, Ursinus College Lawrence R. Schehr, University of Illinois “’A Doddering Old Majority of Forty or Thereabouts’: Aging “Le Temps qui reste: Francois Ozon’s Gay Dark Victory” and Antagonism in Edith Wharton’s The Children (1928) and Jesse Fauset’s The Chinaberry Tree (1931)”

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31. MODERNIST POETRY AND THE RISE Marina Camboni, Università degli Studi 37. OBJECTS, MEMORIES, AND HISTORIES 40. SPEAKING OF SIMULTANEITY OFNETWORKCULTURES “Bryher, Amy Lowell, the Imagist Circle, and Anglo- Verriere B St. Charles Auditorium American Relationships” ORGANIZER: Charles M. Tung, Seattle University, and ORGANIZER: Shel Veenstra, Michigan State University ORGANIZER: Joshua Schuster, University of Western Ontario Celena E. Kusch, University of South Carolina Benjamin Widiss, Princeton University CHAIR: Stephen Kern, Ohio State University “’Not a Continent I Dreamed About’: Bryher’s Circle CHAIR: Benjamin Kahan, Louisiana State University CHAIR: Bibiana Obler, George Washington University Between the Wars” Shel Veenstra, Michigan State University Joshua Schuster, University of Western Ontario Joseph Jeon, University of San Diego “Modernist Simultaneity and the Missing Present Moment” “Gertrude Stein’s Queer Phenomenology” “Memory Fabrics: Dinh Q. Le and Do-ho Suh” 34. TRANSNATIONAL POPULAR MODERNISM Dennis Allen, West Virginia University Nathan Brown, University of California, Davis Regence C Omri Moses, Concordia University “Winnie the Pooh and Heisenberg Too: Simultaneity and “Objectism vs. Design Science” “Henry James’s Sense of the Past” the Language of Uncertainty” ORGANIZER: Leif Sorensen, Colorado State University Stephen Voyce, Ryerson University Charles M. Tung, Seattle University Judith Roof, Michigan State University CHAIR: Glenn Willmott, Queen’s University “Poetry and the Eternal Network” “Modernist Materiality and the Objects of History” “The Modernist Time Machine” Yumna Siddiqi, Middlebury College Benjamin Widiss, Princeton University “Sherlock Holmes, Popular Modernism, and the Global” “Flirting with Embodiment: Textual Metaphors and 41. BORDER CONDITIONS: POETRY AT THE Natasha Chang, Middlebury College Textual Presences” EDGEOFMODERNISTDISCOURSE Coffee Break “Black Love: Pulp Modernism in the Italian Fascist Period” St. Laurent 10:00–10:30 AM Leif Sorensen, Colorado State University 38. MARXISM AND MODERNISM ORGANIZER: Michael Heller, New York University “Reading Alien Bodies” Cartier A CHAIR: Oren Izenberg, University of Chicago ORGANIZER: Charles Sumner, University of Southern Norman Finkelstein, Xavier University 35. GENDERED MOBILITIES AND THE Mississippi “Oracular Modernism: The Contradictory Language of RE-FIGURINGOFURBANPUBLICSPACES CHAIR: Robert Kaufman, University of California, Berkeley Robert Duncan” SESSION C: Panels Victoria Charles Sumner, University of Southern Mississippi Michael Heller, New York University ORGANIZER: Sarah Brophy, McMaster University, and 10:30 AM–12:00 PM “Vorticism and Commodity Culture” “George Oppen’s Investigative Poetics and the End of Elizabeth Evans, Pennsylvania State University, Dubois Discourse” Joel Nickels, University of Miami CHAIR: Andrew Thacker, De Montfort University “Rising from Nowhere: Modernist Poetry and the Politics Henry Weinfield, University of Notre Dame 32. RETHINKING FUTURISM, 1909–2009 Elizabeth Evans, Pennsylvania State University-Dubois of Spontaneity” “’Ceding the Initiative to the Words Themselves’: Auditorium “Transporting Modernism: Vehicles of Public Transport Mallarmé, Lyric Poetry, and the Problem of Translation” Paul Stasi, SUNY Albany ORGANIZER and CHAIR: Catherine E. Paul, Clemson in Dorothy Richardson and Virginia Woolf” “The Dialectical Image of New Modernist Studies” University Sara Blair, University of Michigan, Ann Arbor 42. STAGING MODERN SEXUALITIES: Bill Freind, Rowan University “Spaces of Reflection: Women’s Photographic Modernism THEROLEOFMAGAZINES 39. MODERNIST LIES AND THE LYING “Marinetti and Madison Avenue” in the 1930s” Les Courants MODERNISTSWHOTELLTHEM Barbara Zaczek, Clemson University, and Catherine E. Paul, Sarah Brophy, McMaster University Cartier B ORGANIZER and CHAIR: Christopher Reed, Pennsylvania Clemson University “A Cosmopolitan Educator in the Post-War Era: The Tense State University ORGANIZER: Jessica Weare, Stanford University “Venezia passatista? Luigi de Guidici and a Broader Spaces of Beryl Gilroy’s Black Teacher” Rachel Schreiber, California College of the Arts Futurism” CHAIR: Sean Latham, University of Tulsa “Sex and the Single Woman in the Political Cartoons of Andrés Villar, University of Western Ontario 36. THE LANGUAGE OF FACE: SAYING NOTHING Jonathan Goldman, New York Institute of Technology the Masses” “The Futurist Impulse and the 1920s Latin American Verriere A “Modernist Bullshit” Amy Feinstein, Independent Scholar Avant-Garde” ORGANIZER: Janet Lyon, Pennsylvania State University Jessica Weare, Stanford University “‘Can a jew be wild’: Stein, Sexuality, and Poetry in “What I May or May Not Have Done in the War” Vanity Fair” CHAIR: Mark Wollaeger, Vanderbilt University 33. H.D., BRYHER, AND THEIR CIRCLE Samuel Cross, Yale University Susan Funkenstein, Carnegie Museum of Art Regence B Rochelle Rives, Borough of Manhattan Community College, “Malone Lies: Mendacity as a Generative Principle “Performing Modernism, Constructing Stars: Images of CUNY ORGANIZER: Celena E. Kusch, University of South Carolina of Beckett’s Form” Expressionist Dance in Weimar German Women’s “Modernist Prosopopoeia: Physiology and the Hermeneutics Magazines” CHAIR: Cyrena Pondrom, University of Wisconsin, Madison of Face” Tirza T. Latimer, California College of the Arts Madelyn Detloff, Miami University of Ohio Melissa Girard, University of Illinois, Urbana-Champaign “The Third Sex and the Seventh Art” “Kenwin as Queer Metic Refuge: Kinship Beyond Marriage “The Miss America of 1920” in H.D. and Bryher’s Circle” Janet Lyon, Pennsylvania State University “Blank and Pitiless”

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SESSION C: Roundtable Michael Webster, Grand Valley State University Maren Linett, Purdue University Justin Sausman, Birkbeck College Jeffrey Weingarten, McGill University “’Misbegotten’ Language and Identity in Elizabeth Bowen’s “Ursula Brangwen’s Astral Double: The Occult Field 10:30 AM–12:00 PM Michael T. Williamson, Indiana University of Pennsylvania Eva Trout” Reading of D.H. Lawrence” Mary Wilson, Christopher Newport University Leigh Wilson, University of Westminster 45. MODERNISM LAB BOARD MEETING “The No-Place of Home: Undomestic Life in the Museum “Bringing Language Back to Life: Language Reform, 43. MODERNISM’S POLITICAL ECONOMIES Victoria of Nightwood” Literary Experiment, and Magic” Regence A ORGANIZER: Pericles Lewis, Yale University Erin Carlston, University of North Carolina, Chapel Hill ORGANIZERS: Christopher Bush, Northwestern University, “Linguistic Deafness: Homosexuality, Nationalism, 52. WHAT WORDS WILL MODERNISM OFFER and Eric Hayot, Pennsylvania State University and Syntax in Proust” US?OR,LANGUAGESANDSPEECHACTS MODERATOR: Rebecca Walkowitz, Rutgers University SESSION D: Panels OFGRIEFINMODERNISM St. Charles Nicholas Brown, University of Illinois, Chicago 49. PERIODICAL SUBJECTIVITIES Christopher Bush, Northwestern University 1:30–3:00 PM Auditorium ORGANIZER and CHAIR: Daniel Moore, Queen’s Lee Garver, Butler University University ORGANIZER: Patrick Collier, Ball State University Eric Hayot, Pennsylvania State University Benjamin Johnson, University of Central Missouri Walter Benn Michaels, University of Illinois, Chicago 46. THE LATER WITTGENSTEIN AND CHAIR: Ann Ardis, University of Delaware “Secular Theodicy in ‘Esthétique du Mal’: Death, TWENTIETH-CENTURYPOETICS Gerry Beegan, Rutgers University Pain, and Supreme Fictions” Regence A “The Pictorial Magazines of the 1890s and the Reader Erin Kay Penner, Cornell University ORGANIZER and CHAIR: Ralph M. Berry, Florida as Consuming Subject” Lunch Break (ONYOUROWN) “Resisting the Elegy in Faulkner and Woolf” State University Fiona Hackney, University College, Falmouth Kelly MacPhail, Université de Montréal 12:00–1:30 PM Yi-Ping Ong, Harvard University “Domestic Desires: Fantasies of Escape, Transformation, “‘Love’s Bitter Mystery’: Soothing the Beastly Dead “Poets and Philosophers of the Everyday: Stein and and Re-creation in Popular British Women’s Magazines in James Joyce’s Ulysses” Wittgenstein on Language, World, and Meaning” in the 1930s” 44. WHAT ARE YOU READING? SECTION I Walter Jost, University of Virginia Patrick Collier, Ball State University Room 518 53. THE DIFFICULTY OF HUMOR: STEVENS, “Demonstrating Rhetoric” “’Literary prestige is the eminence of nobodies’: Readers AUDEN,ASHBERY Ben Bakhtiarynia, Queen’s University and Writers in the Illustrated London News” Charles Altieri, University of California, Berkeley Victoria Mark Byron University of Sydney “Contextualizing the ‘Intricate Evasions of As’” Bradford Campbell, Cal Poly State University ORGANIZER: Rachel Trousdale, Agnes Scott College 50. LANGUAGE UNBOUND BY FILM: POETRY, Sarah Edwards, University of Strathclyde ARTPRACTICE,MEDIAHISTORY CHAIR: David Rosen, Trinity College William Hogan, Providence College 47. GENDER, MODERNISM, AND TURN-OF-THE- Cartier A Lili Hsieh, National Central University CENTURYTHEATRE Isaac Cates, University of Vermont Robert Jackson, University of Virginia Regence B ORGANIZER: Sarah Keller, Colby College “The Jovial Hullabaloo of Stevens’s Harmonium” Lisa Jaillant, University of British Columbia ORGANIZER: Stephanie Byttebier, Boston University CHAIR: TBA Karin Roffman, United States Military Academy, West Point Debra Journet, University of Louisville “John Ashbery’s ‘Untitled’” CHAIR: Alan Ackerman, University of Toronto Sarah Keller, Colby College WHATAREYOUREADING?SECTIONII “Poetic Citation and the Undoing of Film Narrative” Rachel Trousdale, Agnes Scott College Sos Eltis, Oxford University Room 532 “’Tell Me the Truth’: Humour and Humanism in Auden” “Our drama is sinking for want, not of an Augier, but of Christophe Wall-Romana, University of Minnesota Petra Dierkes-Thrun, Stanford University an Ibsen’: French Realism or Ibsenite Modernism?” “Kabballistics: Self-Animated Letters in Epstein, Isou, Andrew Karas, Yale University and Pomerand” 54. CIRCLING, SINGING, SCORING Stephanie Byttebier, Boston University Thomas Keegan, University of Iowa Les Courants “Melodramatic Artificiality and Modernist Dillusion: Jennifer Wild, University of Chicago Elizabeth Lyman, Harvard University Henry James’s Dramatic Experiment” “Marcel Broodthaers’ Memory is a Color Film: Cinema, ORGANIZER: Roger Gilbert, Cornell University Marit J. MacArthur, CSU Bakersfield Literature, and Art Historical Peripety” Brook Miller, University of Minnesota, Morris Katherine Biers, Columbia University CHAIR: Luke Carson, University of Victoria Daniel Morse, Temple University “Realism, Resistance, Hope: Radical Equality in Pre-WWI Robert Baker, University of Montana Justus Nieland, Michigan State University American Drama” 51. LANGUAGE, MODERNISM, AND THE OCCULT “Circling Repetition in the Meditative Poetries of Cartier B Oppen and Stevens” WHATAREYOUREADING?SECTIONIII 48. BEYOND EXILE: OUTSIDE PLACE AND ORGANIZER: Leigh Wilson, University of Westminster Room 530 Heather Cass White, University of Alabama LANGUAGEINMODERNISTLITERATURE CHAIR: Melba Cuddy-Keane, University of Toronto “Startling Strangers: Irruptions of Song Petra Schweitzer, Shenandoah University Regence C in Marianne Moore” Dustin Simpson, University of Chicago Tatania Kontou, University of Sussex ORGANIZER: Maren Linett, Purdue University Raji Singh Soni, Queen’s University “The ‘Palm Sunday Case’: Modernist Innovations in Early Roger Gilbert, Cornell University John Steen, Emory University CHAIR: Jessica Berman, University of Maryland, Twentieth-Century Automatic Writing” “Scrabble Poetics: A New Approach to Diction and Liisa Stephenson, McGill University Baltimore County Texture in Modernist Poetry”

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55. NATIONAL FORMS, TRANSNATIONAL SESSION E: Panels 62. THE COINCIDENCE OF MODERNISM: 65. THE MODERNISM OF MAGAZINES: SMART ENCOUNTERS:INTERNATIONALRELATIONS INDIAANDLITERARYTRANSCREATION SET,ESQUIRE,THEATREARTS,THELISTENER OPENFORUM 3:30–5:00 PM Cartier B Les Courants St. Laurent ORGANIZER: Judith Brown, Indiana University ORGANIZER: Karen Leick, Ohio State University, Lima ORGANIZER: Janice Ho, University of Colorado, Boulder 58. THE MODERNIST COCKTAIL CHAIR: Susan Stanford Friedman, University of Wisconsin, CHAIR: Suzanne Churchill, Davidson College Verriere B CHAIR: Stephanie Callan, University of Nevada, Reno Madison Grant Williams, University of Pittsburgh ORGANIZER: Colbey Emmerson Reid, York College Bridget Chalk, Manhattan College Judith Brown, Indiana University “Cultivating the Elite and the Popular: Turn-of-the- “The ‘Mania for Classification’ in Rhys’s Interwar Fiction” CHAIR: Marina MacKay, Washington University, St. Louis “Modernist Encounters: Mulk Raj Anand in Bloomsbury” Century Theatre Magazines” Nadine Attewell, McMaster University Colbey Emmerson Reid, York College Amardeep Singh, Lehigh University Gabrielle Dean, Johns Hopkins University “An Island Solution: Utopia, Empire, and the Routing “The Surrealist Cocktail: Dali’s Aphrodisiac Dinner Jacket” “Vignettes from a ‘Native Stranger’: Nirmal Verma’s Modernism” “Cover Story: The Smart Set’s Clever Packaging, 1908-1923” of National Identity” Christina Shusko, Syracuse University Jessica Berman, University of Maryland, Baltimore County Karen Leick, Ohio State University, Lima “(Un)Holy Spirits: The Religiosity of Prohibition Era Cocktails” Janice Ho, University of Colorado, Boulder “‘Pressing Up Against the Walls of the Zenana’: Modernism “Esquire Magazine: Modernism for Men” “English and ‘Negro’ Liberalisms in Conrad’s Nostromo“ Shannon McRae, SUNY Fredonia and Domestic Space in Late-Colonial Indian Women Writers” “Cocktail Tourism” Debra Rae Cohen, University of South Carolina “Intermediality and the Problem of The Listener” 59. EMPIRE’S LATE STYLE 63. MODERNIST SATELLITES: SITE- SPECIFICITYANDSPATIALTRANSLATION SESSION D: Roundtables Regence B 66. SOVEREIGNTY, SUBJECTIVITY, AND St. Charles ORGANIZER: Nathan K. Hensley, Duke University, and THESTATE:HUMANRIGHTSDISCOURSEAND 1:30–3:00 PM ORGANIZER Thomas S. Davis, Ohio State University : Jason Gladstone, Wake Forest University THEFICTIONOFGEORGEORWELL,MULK RAJANAND,ANDRAJARAO CHAIR CHAIR: Charles Altieri, University of California, Berkeley : Paul Saint-Amour, University of Pennsylvania Versailles 56. MAKING IT: NEW APPROACHES TO IRISH Nathan K. Hensley, Duke University Monika Gehlawat, University of Southern Mississippi ORGANIZER: Charlotte Nunes, University of Texas, Austin MODERNISM “Late Imperial Allegory; or, Jekyll and Hyde: Sovereign “By Invitation: Le Corbusier, Chandigarh and a Modernist Verriere A Power and Bare Life” Design for India” CHAIR: Robert Caserio, Pennsylvania State University ORGANIZER and MODERATOR: Gregory Castle, Arizona Thomas S. Davis, Ohio State University Jason Gladstone, Wake Forest University Mia Carter, University of Texas, Austin State University “History Without a Future: Virginia Woolf’s The Years” “Readymade in Mexico: Duchamp and the Maquiladora “Independence and Anti-Imperialism: Following Mulk System in Bolano’s 2666” Raj Anand” Patrick Bixby, Arizona State University Sarah L. Lincoln, University of Mississippi Gregory Castle, Arizona State University “Ben Okri’s Inflationary Modernism” Daniel Stout, University of St. Francis Xavier Tara Needham, SUNY Albany Rob Doggett, SUNY Geneseo “The Demographic View: From Surveillance to Survey, “’What is a Policeman before a Gandhi’s Man?’: Passive Sean Kennedy, St. Mary’s University 60. THE POLYPHONIC CITY or What Non-Governmentality Does to Site” Resistance, Subjectivity and Sovereignty in Raja Rao’s Joseph Lennon, Manhattan College Regence C Kanthapura” Margaret Mills Harper, Georgia State University ORGANIZER : Andrew Thacker, De Montfort University 64. MODERNISM’S HISPANISMS, Charlotte Nunes, University of Texas, Austin CHAIR: Ken Hirschkop, University of Waterloo HISPANOPHONEMODERNISMS: “Rhetoric and Rights in George Orwell’s Why I Write 57. FASHION’S VERNACULARS TRANSATLANTICPERIODICALCULTURES and Burmese Days” Verriere B David Peters Corbett, University of York “The Visual Language of the Modernist City” Victoria ORGANIZER: Lois Cucullu, University of Minnesota, ORGANIZER: Gayle Rogers, University of Pittsburgh 67. MAKING IT NEW IN MINORITY LANGUAGES: and Celia Marshik, SUNY Stony Brook Scott McCracken, Keele University SCOTTISHANDFLEMISHMODERNISMS “Paris-London: The Commune in Translation” CHAIR: Patricia Rae, Queen’s University MODERATOR: Celia Marshik, SUNY Stony Brook St. Laurent Andrew Thacker, De Montfort University Laura Lomas, Rutgers University Lois Cucullu, University of Minnesota “Phobic Cities” ORGANIZER: Margery Palmer McCulloch, University “Translation and Migration in the Emergence of Hispanic Caroline Evans, University of the Arts London of Glasgow Modernism: José Martí on Baudelaire, Flaubert and Rimbaud” Rhonda Garelick, University of Nebraska, Lincoln 61. THE EVERYDAY LANGUAGES OF MODERNISM CHAIR: Caroline McCracken-Flesher, University of Wyoming Faye Hammill, University of Strathclyde Auditorium Gabriele Hayden, Reed College Ilya Parkins, University of British Columbia, Okanagan “William Carlos Williams and the Spanish American Club: Margery Palmer McCulloch, University of Glasgow ORGANIZER: Connor Byrne, Dalhousie University Nick Salvato, Cornell University Hispanophone Periodical Culture and the Rise of “Foreignising English in Lewis Grassic Gibbon’s Modernist CHAIR: Leonard Diepeveen, Dalhousie University Latino Modernisms” Proletarian Fiction” Gail M. McDonald, University of Southhampton Gayle Rogers, University of Pittsburgh Sascha Bru, University of Ghent Coffee Break “Heimlich Maneuvers: Modernism at Home” “Modernism and Hispanism: The New Spain and the “Eutropia: Cultural and Literary Experimentation in Connor Byrne, Dalhousie University New Europe in Eliot’s Criterion” Flanders and Scotland” “Breakfast in Ulysses” 3:00–3:30 PM Alan Riach, University of Glasgow Lawrence Rainey, University of York “Hugh MacDiarmid, Vernacular Scots and “Office Affairs: Secretaries’ Routines” Modernist Poetry”

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68. MODERNIST LANG/AGES Plenary SATURDAY, NOV. 7 74. MUSICAL LANGUAGES AND Verriere A MUSICALCULTURES 5:30–7:00 PM Breakfast Fifth Floor, Room 522 ORGANIZER: Elizabeth Gregory, University of Houston LEADER: Edward Commentale, Indiana University CHAIR: Claudia Clausius, University of Western Ontario 7:30–9:00 AM Gregory Erickson, New York University Sally Connolly, University of Houston Regence Foyer Caroline Evans, University of the Arts London “‘I began with a swelled head and ended with swelled Kimberly Fairbrother Canton, University of Toronto feet’: Poems about Ezra Pound in Old Age” Barry Faulk, Florida State University Suzanne Raitt, College of William and Mary Anke Finger, University of Connecticut “May Sinclair’s Dark Night” SESSION F: Seminars Jonathan Goldman, New York Institute of Technology Scott Knickerbocker, The College of Idaho Elizabeth Gregory, University of Houston 8:00–10:00 AM Heather Love, University of Indiana, Bloomington “’Our Crowning Curio’: Age and Celebrity in Marianne Cristina Ruotolo, San Francisco State University Moore’s Late Work” Rebecca Troeger, Boston College 71. SUSAN STANFORD FRIEDMAN 72. ARTICULATING MID-CENTURY Michelle Witen, Oxford University Regence Ballroom MODERNISM Fifth Floor, Room 532 SESSION E: Roundtables “Planetarity: Global Epistemologies in Modernist 75. FEMINISM, MODERNISM, WOOLF Studies” LEADERS: Peter Kalliney, University of Kentucky, Fifth Floor, Room 530 3:30–5:00 PM and Marina MacKay, Washington University, St. Louis Susan Stanford Friedman is the Virginia Woolf Professor LEADERS: Rebecca Wisor, United States Military of English and Women’s Studies and the Director of the Nigel Alderman, Mt. Holyoke College Academy at West Point, and Jean Mills, John Jay Institute for Research in the Humanities at the Jefferey Blanchard, Drew University College of Criminal Justice CUNY 69. THEORY AND THE ARCHIVE University of Wisconsin-Madison. She has published Claire Bowen, Stanford University Cartier A Marlene Briggs, University of British Columbia widely on modernist writers and transnational Robert Caserio, Pennsylvania State University Rebecca Colesworthy, New York University ORGANIZERS: Stephen Ross, University of Victoria, approaches to modernism and modernity that Paula Derdiger, McGill University Renee Dickinson, Radford University and James Gifford, Fairleigh Dickinson University incorporate colonialism, postcolonialism, migration, Robin Feenstra, McGill University Lauren Elkin, CUNY Graduate Center and diaspora. Her books include Psyche Reborn: The Harris Feinsod, Stanford University MODERATOR: Stephen Ross, University of Victoria Maureen Gallagher, Duquesne University Emergence of H.D. (1981); Penelope’s Web: Gender, Jonathan Greenberg, Montclair University Suzette Ann Henke, University of Louisville Melba Cuddy-Keane, University of Toronto Modernity, H.D.’s Fiction (1990); and Mappings: Emily Hyde, Princeton University Erin Holliday-Karre, Loyola University, Chicago James Gifford, Fairleigh Dickinson University Feminism and the Cultural Geographies of Encounter Caroline Krzakowski, McGill University Mark Hussey, Pace University Michael LeMahieu, Clemson University (1998). Edited volumes include Signets – Reading H.D., Aaron Kunin, Pomona College Molly Hite, Cornell University Michael O’Driscoll, University of Alberta Joyce: The Return of the Repressed, and Analyzing Sarah Marzioli, Pennsylvania State University Jane Marcus, CUNY Graduate Center, City College Jean-Michel Rabaté, University of Pennsylvania Freud: Letters of H.D., Bryher, and Their Circle. She Mia McIver, University of California, Irvine of New York hosted the 2002 MSA conference in Madison, and she Spencer Morrison, University of Toronto Richard Trama, Richard Stockton College of New Jersey has been elected 2nd Vice President of MSA. Emily Robins Sharpe, Pennsylvania State University 70. THE FUTURE OF WOMEN’S LITERATURE Lisa Weihman, West Virginia University Jeffrey Weingarten, McGill University INMODERNISTSTUDIES Siân White, James Madison University Ian Whittington, McGill University Regence A ORGANIZERS: Lauren Rosenblum, SUNY Stony Brook Reception 73. MODERNIST LANGUAGE AND THE MODERATOR: Suzette Ann Henke, University of Louisville CLASSICALTRADITION 7:00–9:00 PM Fifth Floor, Room 520 Marianne DeKoven, Rutgers University Jane Garrity, University of Colorado, Boulder Regence Foyer LEADER: Meryl Altman, DePauw University Nancy Gish, University of Southern Maine Todd Craver, University of Toronto Barbara Green, University of Notre Dame Emily Essert, McGill University Clare Hanson, University of Southampton Marius Hentea, University of Warwick Sonita Sarker, Macalaster College Heather Lusty, University of Nevada, Las Vegas Bonnie Kime Scott, San Diego State University Meredith Martin, Princeton University Patrick Moran, Wake Forest University Agata Szczeszak-Brewer, Wabash College

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76. INFRASTRUCTURALISM: MODERNIZATION, SESSION F: Panels 81. TRANSNATIONAL PERIODICAL CULTURE 84. DANCE OF THE SENSES AMONG WORDS: MODERNISM,NARRATIVE ANDTHELANGUAGESOFMODERNITY MODERNISTPOETRY’SSENSUOUSWORDS Fifth Floor, Room 518 8:30–10:00 AM Verriere A Victoria LEADER: Michael Rubenstein, University of California, ORGANIZER and CHAIR: Adam McKible, John Jay College ORGANIZERS: Sarah Posman, Ghent University, and Berkeley Debora Van Durme, Ghent University 78. QUEERLY UNFIT: DARWIN, Dathalinn M. O’Dea, Boston College Sophia Beal, Brown University NONTRADITIONALSEXUALITIES/GENDER- “Modernist Nationalism in Dana: An Irish Magazine of CHAIR: Eric Haralson, SUNY Stony Brook Daniel Crossen, Rutgers University ROLES,ANDMODERNISM Independent Thought (1904)” Brad Bucknell, University of Alberta Nancy Cushing, Pennsylvania State University Regence A Birgit Van Puymbroeck, Ghent University “Music and Language’s Sensational Subversions in Edith Chinnie Ding, Harvard University ORGANIZER: Cassandra Laity, Drew University “English or French? The Politics of Language in Four Little Sitwell’s Façade” Mary Esteve, Concordia University Magazines/Petites Revues” Heather Fielding, Purdue University CHAIR: Wendy Moffat, Dickinson College Lisa Goldfarb, New York University Robert Jackson, University of Virginia Nadia Nurhussein, University of Massachusetts, Boston “The Sensuous Voicing of Stevens’s Late Poetry” Sam See, Yale University Robert Kirschen, University of Nevada, Las Vegas “Mythic Ethiopianism: Pauline Hopkins’ Of One Blood “Exfoliating Modernist Realism: Carpenter, Darwin, and Sarah Posman, Ghent University Greg Londe, Princeton University and the Colored American Magazine” Forster” Jessica Lucero, University of Nevada, Las Vegas “Gertrude Stein’s and Henri Bergson’s Intellectual Marit J. MacArthur, California State University, Bakersfield Cassandra Laity, Drew University Recreation” 82. DOCUMENTARY AND VISUAL POETICS IN Megan Minarich, Vanderbilt University “Darwin’s Geological ‘Sublime’ and Elizabeth Bishop’s THETHIRTIESANDBEYOND:SOCIALWITNESS Debora Van Durme, Ghent University Tara Needham, SUNY Albany Love Poetry” ANDANETHICSOFSEEING “Amy Lowell and the Language of Claude Debussy” Bruce Robbins, Columbia University Susan McCabe, University of Southern California Verriere B Nirvana Tanoukhi “’Survival of the ‘Queerly Unfit’: Darwin, Moore, and Bishop” Robert Volpicelli, Pennsylvania State University ORGANIZER: Linda A. Kinnahan, Duquesne University 85. AGAINST SURREALISM Patricia Yaeger, University of Michigan, Ann Arbor Les Courants CHAIR: Pearl James, University of Kentucky Nan Zhang, Johns Hopkins University 79. MID-CENTURY MODERNISM AND IRISH ORGANIZER and CHAIR: Bill Freind, Rowan University WRITERS Linda A. Kinnahan, Duquesne University Regence B “Photographic Witness in Mina Loy’s Late Poetry” Robin Blyn, University of West Florida 77. TRANSNATIONAL MODERNISMS AND “From ‘Revolutionary Desire’ to the ‘Desiring-Machine’: THELANGUAGESOFPSYCHOANALYSIS ORGANIZER: Paige Reynolds Suzanne Churchill, Davidson College Anti-Oedipus and the Return of the Avant-Garde” Fifth Floor, Room 528 “’Mouth looking directly at you’: Muriel Rukeyser and CHAIR: John Paul Riquelme, Boston University the Poetics of Self-Portraiture” Roger Rothman, Bucknell University LEADER: Walter Kalaidjian, Emory University Lisa Fluet, Boston College “The Clown in the Revolution: Dali against Breton” Adalaide Morris, University of Iowa Wyatt Bonikowski, Suffolk University “Careless Talk: Elizabeth Bowen and Conversational “Facing Pages: Image-Text Compilations and the John Westbrook, Bucknell University Nephie Christodoulides, University of Cyprus Modernism” Documentary Poem” “Burning through Breton and Bataille: Jules Monnerot’s Leslie Davison, UNC Chapel Hill Paige Reynolds, College of the Holy Cross Vesicant Sociology of the Sacred” Meghan Fox, SUNY Stony Brook “Floating Populations: Mary Manning and the Transatlantic” Alison Heney, SUNY Binghamton 83. READING THE MINDS OF MODERNISM: Lili Hsieh, National Central University Alex Davis, University College, Cork COMPULSIVEDISORDERS 86. HAUNTED BODIES/MATERIAL BODIES Raina Kostova, Jacksonville State University “Sheila Wingfield: ‘An aristocratic dabbler in poetry’?” St. Laurent St. Charles Holly Laird, University of Tulsa ORGANIZER: John D. McIntyre, University of Prince ORGANIZER: Elizabeth Outka, University of Richmond Brook Miller, University of Minnesota, Morris 80. BETWEEN MODERNISM AND THE LYRIC Edward Island Kyle Mox, Texas A&M University CHAIR: Debra Rae Cohen, University of South Carolina Regence C Michael O’Driscoll, University of Alberta CHAIR: Liisa Stephenson, McGill University Tammy Clewell, Kent State University Jessica Patrucco, University of Saskatchewan ORGANIZER: Reena Sastri, Oxford University Michael Arfken, University of Prince Edward Island “Woolf’s Jacob’s Room: The Great War, Female Grief, Aimee Pozorski, Central Connecticut University CHAIR: Lisi Schoenbach, University of Tennessee, Knoxville “Minding the Gap: Modernism, Bureaucracy, and and Feminist Grievance” Poulomi Saha, University of Pennsylvania Psychological Theory” John Steen, Emory University Gillian C. White, University of Michigan, Ann Arbor Claire Buck, Wheaton College “’To Speak of Woe’: Dramatic Ellipses in the American Bradley D. Clissold, Memorial University of Newfoundland “Bodies that Won’t Stay Buried: Mulk Raj Anand, Captain Confessional Lyric after Modernism” “Interpretation is a Survival Skill: An Embodied Guide Grimshaw, and the Indian Soldier in No Man’s Land” to Surviving Modernism” Reena Sastri, Oxford University Elizabeth Outka, University of Richmond “’As one expects of a lyric poet’: Louise Glück’s Estranged Jason P. Doiron, University of Prince Edward Island “Darkness Visible: Materialized Grief in Rebecca West Homecoming to Lyric” “Psychologies of Addiction in The Great Gatsby” and Oliver Lodge” Lynn Keller, University of Wisconsin, Madison John D. McIntyre, University of Prince Edward Island Juliana Spahr’s “Post-Language”/ Modernist Lyric “The Compulsion of Place: Longing for Home in Woolf’s Connections To the Lighthouse“

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87. GRAPHIC MODERNISMS 90. TRANS-TEMPORALITY 93. WHAT IS A POEM IS A LANGUAGE SESSION G: Roundtables Auditorium Regence C St. Laurent 10:30 AM–12:00 PM ORGANIZER and CHAIR: Ariela Freedman, Concordia ORGANIZER: Rita Felski, University of Virginia ORGANIZER: Jennifer Ashton, University of Illinois, Chicago University CHAIR: Sara Blair, University of Michigan, Ann Arbor CHAIR: John Hicks, Cornell University Jean-Christophe Cloutier, Columbia University 96. OBJECT LESSONS: WHAT DO WE DO Claire Colebrook, Pennsylvania State University Steve McCaffery, SUNY Buffalo “Comics and Ralph Ellison’s Mythic Modernism” WITHTHINGS “Value and Vortex” “Dada, Futurism, and the Limits of Poetic Language” Verriere A Alessio Lerro, Rutgers University Wai Chee Dimock, Yale University Oren Izenberg, University of Illinois, Chicago “Scratches of Modernity: Drawings, Typography, and ORGANIZER and MODERATOR: Gabrielle Dean, Johns “High to Low: Genres Across Time” “Jack Spicer’s Language” Mathematical Signs in Marinetti” Hopkins University Rita Felski, University of Virginia Jennifer Ashton, University of Illinois, Chicago Glenn Willmott, Queen’s University Ann Ardis, University of Delaware “Context Stinks!: Rethinking Temporality” “’Immediate Repeatings’: Tender Buttons and Every “Language, Comics, Economics: Winsor McCay and Isaac Gewirtz, Berg Collection, New York Public Library Way Oakly” Gertrude Stein” Jennifer Fleissner, Indiana University Michael Leja, University of Pennsylvania “Reading for the Symptom: Beyond Historicism” Brian M. Reed, University of Washington 94. TRANSLATION AND ENCOUNTER IN THE MODERNCULTURESOFTHEAMERICAN 97. LANGUAGES OF TRANSLATION 91. IN THE MIDST OF LIFE WE ARE IN DEBT: Coffee Break HEMISPHERE:PHOTOGRAPHY,POETRY,AND Verriere B INTERTEXTUALECONOMIES POPULARSCIENCE Auditorium ORGANIZER: Donald Wellman, Daniel Webster College 10:00–10:30 AM Victoria ORGANIZER: Ronan Crowley, SUNY Buffalo MODERATOR: Pierre Joris, SUNY Albany ORGANIZER: Maria del Pilar Blanco, University College, CHAIR: Robert Spoo, University of Tulsa London Daniel Aguirre-Oteiza, Harvard University Kaplan P. Harris, St. Bonaventure University Scarlett Baron, Oxford University CHAIR: Laura Lomas, Rutgers University Michael Kasper, Amherst College SESSION G: Panels “Cette phraise n’était pas de lui’: Gide, Joyce, and Maria del Pilar Blanco, University College, London Lucas Klein, Yale University Intertextuality” 10:30 AM–12:00 PM “Telepathy in Mexico’s Fin de Siècle: The Bodies of David W. Seaman, Georgia Southern University Ronan Crowley, University at Buffalo Pedro Castera” Emily Wittman, University of Alabama “The Wind that Shapes the ‘Cyclops’: Aeolian Debt” Alejandra Uslenghi, Northwestern University 88. THE MIDDLEBROW LEXICON Paul K. Saint-Amour, University of Pennsylvania “Phantasmagorias: A Modernista Encounter with Regence A “Modernism and Copyright: From Intertextual Debtorship Photography” Business Lunch to Biopolitics” ORGANIZER and CHAIR: Janet G. Casey, Skidmore College John Patrick Leary, New York University and Wayne State University 12:00–1:30 PM Genevieve Brassard, University of Portland 92. FORMS OF DESIRE/FORMS OF CONTROL: “Havana Reads the Harlem Renaissance: Mistranslation “When and How did ‘Popular’ Become ‘Toxic’? Trashing JOYCE,BECKETT,BALLARD and the Dialectics of Transnational American Literature” Anita Loos’s Best-Seller Gentlemen Prefer Blondes” St. Charles 98. MODERNIST STUDIES ASSOCIATION Erica Brown, Sheffield Hallam University BUSINESSLUNCH ORGANIZER: Christy L. Burns, College of William and Mary 95. MODERNISM AND THE FRENCH/ENGLISH “’Delightful’: The Case of Elizabeth von Arnim” SPONSOREDBYJOHNSHOPKINSUNIVERSITYPRESS INTERFACE CHAIR: Marguerite Murphy, Hobart and William Smith Cartier AB Faye Hammill, University of Strathclyde Les Courants College “A Much Abused Word: Sophistication and the Middlebrow” ORGANIZER: Lianne Moyes, Université de Montréal Christy L. Burns, College of William and Mary “Control and Dominance in Joyce: The Wars within CHAIR: Emily Essert, McGill University 89. CLUES AND PROOF Sexuality” CCA Exhibition Tour Regence B Marc Guastavino, Independent Scholar Jonathan Greenberg, Montclair State University “Stein and Picasso, Writing: Portraits” ORGANIZER: Phyllis Lassner, Northwestern University 1:00–3:00 PM “Beckett’s Authoritarian Personalities” Daniel Grenier, Université du Québec à Montréal CHAIR: Kristin Bluemel, Monmouth University Christopher Brue, Illinois State University “The Furtive Moment: Gertrude Stein and the Poetic Mode” Allan Hepburn, McGill University “The Late Modern Unconscious: The Uncanny Object World JEFFREYSCHNAPP,STANFORDUNIVERSITY Lianne Moyes, Université de Montréal “Proof and Surprise” of J.G. Ballard’s Crash” Curator-Led Tour of the Exhibition, “Speed Limits” “Writing and Talking: Stein’s Relation to French” Aaron Santesso, Georgia Institute of Technology, and Canadian Centre for Architecture David Rosen, Trinity College 1920 rue Baile, Montréal “Maugham and Auden: The Spy as Modernist” Phyllis Lassner, Northwestern University “Double Trouble: The Metamorphosis of Villainy”

22 MSA 11 Conference Programme MSA 11 Conference Programme 23 SPEED LIMITS Until 8 November 2009

Free admission for Modernist Studies conference participants

Exclusive guided tour of the exhibition for conference participants by curator Jeffrey T. Schnapp Saturday, 7 November from 1 to 3 pm

Speed Limits is co-organised by the Canadian Centre for Architecture, Montréal, and The Wolfsonian-Florida International Centre Canadien d’Architecture Canadian Centre for Architecture University, Miami Beach. c 1920, rue Baile, Montréal 514 939 7026 www.cca.qc.ca Photo : © CCA, Montréal.

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SESSION H: Panels 102. CONTEMPORARY MODERNIST LEGACIES: 105. MODERNIST CINEMA: BODY, 108. NEW FORMS OF THE BOOK: TRANSCULTURALAFTERLIVESANDAESTHETIC MOVEMENT,IMAGE MODERNISTTEXTS,DIGITALEDITIONS, 1:30–3:00 PM TRANSPOSITIONS Les Courants VIRTUALLIBRARIES,BOOKSTORES Auditorium REALANDIMAGINED ORGANIZER: Scott W. Klein, Wake Forest University Regence C ORGANIZER: David James, University of Nottingham CHAIR: Laura Frost, The New School 99. ORDINARY LANGUAGE PHILOSOPHY ORGANIZERS and MODERATORS: Victor Luftig, CHAIR: Michael LeMahieu, Clemson University AND/ASMODERNISTPRACTICE Heather Fielding, Purdue University University of Virginia, and John Whittier-Ferguson, Regence A Andrzej Gasiorek “Dancing in Simultaneous Time: Embodied Narration University of Michigan, Ann Arbor “‘This is Tomorrow’: Postwar Austerity and the Pulsions in Early Cinema” ORGANIZER: Kevin Lamb, Columbia University Kathleen Fitzpatrick, Pomona College of Modernism” CHAIR: Douglas Mao, Johns Hopkins University Carrie J. Preston, Boston University Shana Kimball, University of Michigan Library Jesse Matz, Kenyon College “Training to be a Silent Film Star: Griffith and Jon Orwant, Google Book Search, Boston Kevin Lamb, Columbia University “Music of the Future: Peter Doig’s Perceptual Utopia” Kuleshov’s Delsartean Semiology of Gesture” Jennifer Wicke, University of Virginia “The Authority of Criticism: Autobiography and Mark Wollaeger, Vanderbilt University Impersonality in Cavell’s Modernism” David James Scott W. Klein, Wake Forest University “‘The Perfect State for a Novel’: Michael Ondaatje and “Negative Capabilities: Direction, Choreography, and Ralph M. Barry, Florida State University the Event of Cubism” the Usurpation of the Body in Maya Deren’s Ritual “Ordinary Language Philosophy and Modernist Aesthetics” in Transfigured Time” Coffee Break Robert Chodat, Boston University 103. “‘BUY FROM US. AND BUY FROM US’: “The Perfection of Middle-Sized Dry Goods: Cavell, SEDUCTIONANDREGULATIONINTHE 106. CARIBBEAN COSMOPOLITANISM 3:00–3:30 PM Science, and Modernism” LANGUAGEOFMODERNISTCOMMODITIES St. Charles ANDCOMMERCE Gary Hagberg, University of East Anglia ORGANIZER: Amy Clukey, Florida Atlantic University “The Thinker and the Draughtsman: Wittgenstein, St. Laurent CHAIR: Peter Kalliney, University of Kentucky Modernism, and ‘Working on Oneself’” ORGANIZER: Suzanne Hobson, Queen Mary, University of London Amy Clukey, Florida Atlantic University SESSION I: Panels “Claude McKay’s Transplantations” 100. MUSIC, LANGUAGE, AND POLITICS: CHAIR: Morag Shiach, Queen Mary, University of London 3:30–5:00 PM MODERNISMINANDOUTOFTUNE Julie-Françoise Kruidenier Tolliver, Hamilton College Suzanne Hobson, Queen Mary, University of London Verriere A “Literary Political Cosmopolitanism: Jacques Stephen “Other People Read: Goods’: Reading the Languages of Alexis’s Compère Général Soleil” ORGANIZER: Rob Wallace, University of Guelph Gods and Commerce in H.D. and Mina Loy” 109. MODERNISM AND TRUST Cedric Tolliver, Pennsylvania State University Regence A CHAIR: Michael Coyle, Colgate University Vike Martina Plock, Northumbria University “Cosmopolitanism Under Arrest: Reading James “‘I Just Took It Straight from Vogue’: Fashion and Femininity ORGANIZER: John Attridge, University of New Rob Wallace, University of Guelph Melville Reading” “Pound as a Sound” in Rosamond Lehmann’s Invitation to the Waltz” South Wales CHAIR Robert Bennett, Montana State University Céline Magot, Université de Toulouse II : Victoria Rosner, Columbia University “Not ‘like Cook’s’: Advertising Danger in Elizabeth Bowen’s “Red, Black, and Blue: The Languages of Marxism, Jazz, John Attridge, University of New South Wales To the North” and Democracy in Langston Hughes” SESSION H: Roundtables “Proust, Modernist Authorship, and Theories of Trust” Frederique Arroyas, University of Guelph Leonard Diepeveen, Dalhousie University 104. MODERNISM’S GLOBAL ECONOMY 1:30–3:00 PM “Interplay: Jean Cocteau’s Multimedia Aesthetics” “Modern Sincerity, Individuals, and Groups” Victoria Rod Rosenquist, Newbold College ORGANIZER: Sarah Wilson, University of Toronto 101. NOW SEE THIS! THE VISUAL LANGUAGE 107. THE OLD LEFT AND NEW MODERNISMS “Trusting Artists, Trusting Tales: Modernism, Memoir, OFMODERNISTAESTHETICS CHAIR: Andrew Hebard, Miami University INCANADA and Personality” Verriere B Regence B Brad Evans, Rutgers University Hannah Freed-Thall, University of California, Berkeley ORGANIZER: Christina Walter, University of Maryland “Modelling the Aesthetic Public Sphere” ORGANIZER and MODERATOR: Dean Irvine, “The Modernist Hoax: Proust and the Dalhousie University Lemoine Affair” CHAIR: Elizabeth Bergmann Loizeaux Sarah Wilson, University of Toronto Brett Boutwell, Louisiana State University “Jane Adams’s Servant Problem” Frank Davey, University of Western Ontario Jeff Derksen, Simon Fraser University “The Look of Sound: Modernist Musical Discourse and the Lisa Siraganian, Southern Methodist University Alan Filewood, University of Guelph Non-Pictorial Image” “Wallace Stevens’s Free Market Reconstructions” Jody Mason, Carleton University Greg Zinman, New York University Laura Senechal Carney, University of Toronto “Motion Paintings: Modern Cinema and the Artisanal Mode” Bart Vautour, Dalhousie University Christina Walter, University of Maryland “Pronouncing the Modernist Imagetext: Optics and the Discourse of Impersonality”

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110. WEIMAR GERMANY THROUGH 113. BERSANI’S MODERNISM 116. COMPARATISM AND THE GLOBAL SOUTH Plenary FOREIGNEYESII St. Laurent St. Charles Regence B 5:30–7:00 PM ORGANIZER: David McWhirter, Texas A&M University ORGANIZER: Mara de Gennaro, Bucknell University ORGANIZER: Randi Saloman, Cornell University CHAIR: Susan M. Griffin, University of Louisville CHAIR: Jed Esty, University of Pennsylvania CHAIR: Tobias Boes, University of Notre Dame David McWhirter, Texas A&M University Mara de Gennaro, Bucknell University Randi Saloman, Cornell University “Leo Bersani and the ‘Ethical-Erotic Project’ of Modernism” “Translation’s Limits: Reading Africa in Postcolonial “‘Clothes are Half the Battle’: Cosmopolitan Fashion at Fiction” Eric Savoy, Université de Montréal the Grand Hotel” “Queer James in 1976” Susan Z. Andrade, University of Pittsburgh Octavio R. Gonzalez, Rutgers University “Representing Slums Non-Magically: LaGuma and Abani” Mikko Tuhkanen, Texas A&M University “Christopher Isherwood’s Cosmopolitan Lens in Goodbye “Modernist Becomings: Bersani, Deleuze, Blanchot” Nicholas Brown, University of Illinois, Chicago to Berlin” “The Hermeneutics of Cultural Flow” Aneka C. Meier, East Stroudsburg University of Pennsylvania 114. MODERNIST CODES “From Weimar to Hitler: The Portrayal of Germany in Victoria 117. PERIODICAL DIALECTS: THE LANGUAGES 119. WALTER BENN MICHAELS Thomas Wolfe’s You Can’t Go Home Again” OFMODERNISTPRINTPRODUCTION Regence ABC ORGANIZER: Barry Ahearn, Tulane University Verriere A "Culture, Class and Language: L'appel de la race." 111. HEARING (IN) MODERNITY CHAIR: Ella Ophir, University of Saskatchewan ORGANIZER: David M. Earle, University of West Florida Regence C Walter Benn Michaels is Professor of English at UIC. Miranda Hickman, McGill University CHAIR: Robert Scholes, Brown University His most recent books are The Shape of the Signifier ORGANIZER and CHAIR: Jason Camlot, Concordia “Code Switching” (Princeton, 2004) and The Trouble with Diversity University Matt Huculak, University of Tulsa Barry Ahearn, Tulane University (Metropolitan 2006). He is currently at work on two “The Doom of Youth: The Periodical Press and the Jonathan Sterne, McGill University “‘Something’ Decoded” projects: “The Death of a Beautiful Woman” (on Language of Conservatism” “Bell Labs’ Industrial Imperatives and the Meaning of form and intention in recent American aesthetics) Vincent Sherry, Washington University, St. Louis Hearing in the Twentieth Century” Adam McKible, John Jay College of Criminal Justice and "The Beauty of a Social Problem" (on American “The Codes of Decadence” “When Washington was in Vogue, The Messenger, and literature from the mid-1930s through the mid Jennifer Esmail, Rutgers University the Language of Race” 1950s). "Culture, Class and Language" is part of “‘Finding the Shapes of Sounds’: The Sound-Writing Legacy 115. ECONOMIC CRISES AND MODERNIST PROSE the second project. of Bell’s Telephone for Deaf People” David M. Earle, University of West Florida Les Courants “‘Elocution Exercises’: Gatsby, Pulp Magazines, and Alessandro Porco, SUNY Buffalo ORGANIZER: David Huntsperger, Lawrence Technological the Language of Class “‘Who Speaks Through You?’: DJ Spooky’s Mannered Modernity” University Reception CHAIR: Eric Hayot, Pennsylvania State University 112. LANGUAGES OF LOSS: ELEGY, FORM, COMMUNITY Alissa Karl, SUNY College at Brockport SESSION I: Roundtable 7:00–8:30 PM Auditorium “Finance, Fakery and the Nation: Evelyn Waugh, SPONSOREDBYJOHNSHOPKINSUNIVERSITYPRESS Fictionalization, and Late Imperial Economics” ORGANIZERS: Meredith Martin, Princeton University, 3:30–5:00 PM Regence Foyer and Eve Sorum, University of Massachusetts, Boston Ryan Burt, University of Washington “Representing New Deal Nationalism(s): American Indian CHAIR: Madelyn Detloff, Miami University of Ohio Autobiography and the Federal Writers Project” 118. TEACHING FORUM: TEACHING AS Eve Sorum, University of Massachusetts, Boston ASECONDLANGUAGE David Huntsperger, Lawrence Technological University Poetry Reading “Beyond the Pathetic Fallacy: Empathy, Audience, and Verriere A “Populist Crane” Modernist Elegy” ORGANIZER and CHAIR: Suzanne Churchill, 8:00–10:00 PM Meredith Martin, Princeton University Davidson College “Combative Accents: Education, Elegy, Englishness” Pamela L. Caughie, Loyola University, Chicago 120. POETRY READING Patricia Rae, Queen’s University Lena M. Hill, University of Iowa Terrasse, Delta Centre-Ville “‘Todos los hombres de la tierra’: International Community Ed Madden, University of South Carolina in the Elegies of the Spanish Civil War” Adalaide Morris, University of Iowa CHAIR: Omri Moses Emily Setina, Yale University Erín Moure Amardeep Singh, Lehigh University Thomas Heise Sina Queyras Sue Elsmlie Jason Camlot Gail Scott

28 MSA 11 Conference Programme MSA 11 Conference Programme 29 SUNDAY, NOV. 8 123. VERNACULAR MODERNISMS/MODERNIST SESSION J: Panels 129. SPEAKING OF NEW YORK: VERNACULARS NAVIGATINGTHEMODERNISTCITY Breakfast Fifth Floor, Room 528 8:30–10:00 AM Verriere B 7:30–9:00 AM LEADER: Morag Shiach, Queen Mary, University of London ORGANIZER: Sunny Stalter, Auburn University Kristin Bluemel, Monmouth University 126. MODERNIST THINGS CHAIR: Erin Holliday-Karre, Loyola University, Chicago Regence Foyer Madelyn Detloff, Miami University of Ohio Cartier A Sunny Stalter, Auburn University Dotty Dye, Arizona State University ORGANIZER: Jane Garrity, University of Colorado “The Apartment in American Expressionist Drama” Rachel Galvin, Princeton University Nancy Gish, University of Southern Maine CHAIR: Elizabeth Outka, University of Richmond Catherine Keyser, University of South Carolina SESSION J: Seminars Ken Hirschkop, University of Waterloo “‘New York is My Instrument’: The New York Satires Celia Marshik, SUNY Stony Brook Maria Kager, Rutgers University of Mary McCarthy and Dawn Powell” “Marketing the Mac” 8:00–10:00 AM Jane Malcolm, McGill University Doris Bremm, Grinnell College Kathy Mezei, Simon Fraser University Melissa Bradshaw, DePaul University “Redefining the Urban Pastoral: Frank O’Hara and James Miller, Hampshire College “Licking Modernism” Alfred Leslie’s Ride around Manhattan” 121. MIDDLEBROW/MODERNIST Evan Rhodes, University of Virginia Jane Garrity, University of Colorado Fifth Floor, Room 532 Victoria Rosner, Columbia University “Disinterested Shopping: Consecrated Objects of Jini Kim Watson, New York University 130. MODERNISM AND MARXISM LEADERS: Debra Rae Cohen, University of South Carolina, Modernist Desire” Amy Woodbury, Tufts University St. Charles and Faye Hammill, University of Strathclyde ORGANIZER: David Ayers, University of Kent Eurie Dahn, College of Saint Rose 124. MULTILINGUAL MODERNISMS 127. SURREALISM AT MIDCENTURY Robert D. Day, Johns Hopkins University Fifth Floor, Room 522 Cartier B CHAIR: Scott W. Klein, Wake Forest University Stella Deen, SUNY New Paltz LEADER: Joshua Miller, University of Michigan, Ann Arbor ORGANIZER and CHAIR: Jonathan P. Eburne, David Ayers, University of Kent Laura Frost, The New School Pennsylvania State University “British Visitors to Lenin’s Moscow” Brenda Helt, Metropolitan State University Patrick Scott Belk, University of Tulsa Alexander Hollenberg, University of Toronto Elizabeth Brogden, Johns Hopkins University Michael Taylor, Philadelphia Museum of Art Katerina Clark, Yale University Phyllis Lassner, Northwestern University Angela Flury, DePauw University “Queering the Field: Marcel Duchamp and Surrealism “Tretiakov’s Visit to Berlin in 1930-31” Ana Mitric, University of Richmond Gabriele Hayden, Reed College in Exile, 1942–1946” Tyrus Miller, University of California, Santa Cruz Vike Martina Plock, Northumbria University Belinda Kong, Bowdoin College Katherine Conley, Dartmouth College “‘Of Cultural Revolution’: Modernism, Marxism, and Cynthia Port, Coastal Carolina University Michael Malouf, George Mason University “Surrealism at Midcentury: Dorothy Tanning’s Tactile Turn” the Acceleration of Historical Time” Ann Rea, University of Pittsburgh, Johnstown Paul Peppis, University of Oregon Jill Richards, University of California, Berkeley Jesse Schotter, Yale University Gavin Parkinson, Courtauld Institute of Art Lauren Rosenblum, SUNY Stony Brook Ania Spyra, Butler University “Alain Robbe-Grillet Between Surrealism and Pop Art” 131. WOOLF, STEIN, AND THE LANGUAGES Alexander Ruch, Duke University David Sume, Université de Montréal OFTHE(NON)HUMANOTHER:DOGS, Carey Snyder, Ohio University Michael Williamson, Indiana University of Pennsylvania NEIGHBOURS,SERVANTS 128. MODERNISM IN THE MAGAZINES: David Wright, Douglas College St. Laurent CODEANDSTRATEGY 125. MODERNIST EPHEMERA Verriere A ORGANIZER: Marianne DeKoven, Rutgers University Fifth Floor, Room 518 122. MODERNISM’S ANARCHISMS ORGANIZER and CHAIR: Mark S. Morrisson, Pennsylvania CHAIR: Suzanne Raitt, College of William and Mary Fifth Floor, Room 530 LEADERS: Leah Culligan Flack, Northwestern University, State University and Sarah Keller, Colby College Pamela L. Caughie, Loyola University, Chicago LEADERS: Allan Antliff, University of Victoria, and Robert Scholes, Brown University “Woolf’s Dogs and Servants” James Gifford, Fairleigh Dickinson University Alice Béja, Université Paris 3 “Advertising and the Bibliographic Code of Poetry” Julia Bloch, University of Pennsylvania Marianne DeKoven, Rutgers University Adam Barrows, Carleton University Scott Branson, Emory University Emily Hage, St. Joseph’s University “Flush and Basket: Woolf and Stein Writing as Dogs” Steph Brown, University of Virginia Alice Chuang, Vanderbilt University “The Magazine as Strategy: Dada and Modernism(s)” Stephen Collis, Simon Fraser University Barbara Will, Dartmouth College Jonah Corne, University of Manitoba Christos Hadjiyannis, University of Edinburgh Amanda Sigler, University of Virginia “Stein, The Neighbour, and the Human/Non-Human Sarah Davison, University of Nottingham Keith Johnson, Augusta State University “Kipling Illustrated: Mapping Kim’s Identity through Divide” Stephen Fredman, University of Notre Dame John Leblanc, University of Texas at Tyler Modern Magazines” Cecily Garber, University of Illinois, Urbana-Champaign Laurie J. Monahan, University of California, Santa Barbara Andrew Karas, Yale University Caroline McCracken-Flesher, University of Wyoming Kurt Koenigsberger, Case Western Reserve University John McGuigan, University of Wisconsin, Whitewater Elisabeth Oliver, McGill University Anne McKnight, University of Southern California Patrick Query, United States Military Academy Karen Stock, Winthrop University Holly Schaaf, Boston University Katharine Streip, Concordia University Lorraine Sim, University of Ballarat Tara Thompson, University of Victoria Jeffrey Solomon, St. Olaf College Brian Valentyn, Duke University

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132. TOP/BOTTOM MODERNISMS 135. TRANSMISSIONS AND TRANSLATIONS SESSION K: Seminars 139. MODERNISM AND THE POLITICS Les Courants OFSTYLEBETWEENENGLISHANDFRENCH OFNEWFORMALISM Regence B 10:30 AM–12:30 PM Fifth Floor, Room 518 ORGANIZER: John Muse, Yale University ORGANIZER: Luke Carson, University of Victoria LEADERS: Jim Hansen, University of Illinois, Urbana- CHAIR: Megan Quigley, Villanova University Champaign, and Erich Hertz, Siena College CHAIR: Heather Cass White, University of Alabama 137. MODERNISM AND THE NEW Andrew Goldstone, Stanford University COSMOPOLITANISM Michael Becker, University of Rhode Island “Françoise on Top, Marcel on Bottom: Monsieur Proust Emily Wittman, University of Alabama Fifth Floor, Room 532 Elyse Blankley, California State University, Long Beach and the Servants” “Orphans and Widows: Jean Rhys, Translator” Emily Cersonsky, Columbia University LEADER: Nels Pearson, Fairfield University Nick Salvato, Cornell University Luke Carson, University of Victoria Laurel Harris, CUNY Graduate Center “Bottoming Zukofsky, Topping Stein” “Marianne Moore, Henry Levin, and La Fontaine” Ben Bakhtiarynia, Queen’s University John Hicks, Cornell University Jennifer Barker, East Tennessee State University Robert Higney, Johns Hopkins University John Muse, Yale University Charles Cooney, University of Chicago Tobias Boes, University of Notre Dame Christopher Holmes, Brown University “Fail Better: How (Not) To Do What Beckett Says” “Marguerite Yourcenar, Negro Spirituals, and Ideology” Matthew Eatough, Vanderbilt University Ruth Jennison, University of Massachusetts, Amherst Ariela Freedman, Concordia University Stephen Kern, Ohio State University 133. GERMAN LITERARY MODERNISM IN 136. MODERNISM, PLACE, AND PERIOD: Octavio R. Gonzalez, Rutgers University Meghan Lau, Rutgers University ITSCULTURALCONTEXT VIENNACIRCLE,“MANHATTAN”PROJECT, Teresa Heffernan, St. Mary’s University Scott McCracken, Keele University Victoria NEWYORKSCHOOL William Hogan, Providence College John McIntyre, University of Prince Edward Island Regence C Kristen Meylor, University of Iowa Alastair Morrison, Columbia University ORGANIZERS: Gwyneth E. Cliver, University of Nebraska, Gayle Rogers, University of Pittsburgh Sarah Osment Omaha, and Sarah McGaughey, Dickinson College ORGANIZER: Michael LeMahieu, Clemson University Sonita Sarker, Macalester College Yee Hang Tam, Georgetown University CHAIR: Gwyneth E. Cliver, University of Nebraska, Omaha CHAIR: Monika Gehlawat, University of Southern Mississippi Dustin Simpson, University of Chicago Raji Singh Soni, Queen’s University Todd Craver, University of Toronto Michael LeMahieu, Clemson University Michelle Toumayants, Pennsylvania State University “The Negative Church of Modernity: Siegfried Kracauer “The Postwar Reception of Logical Positivism and the Glenn Willmott, Queen’s University SESSION K: Panels and the Detective Novel” Evasions of Postmodernism” Ming Xie, University of Toronto Christian Rogowski, Amherst College Dan Grausam, Washington University, St. Louis 10:30 AM–12:00 PM “Encounters with Helpless Characters: Authoring the Self “The Meaning of the Porkpie Hat: The Manhattan Project 138. MODERNISM AND NOSTALGIA in Siegfried Kracauer’s Novels” Then and Now” Fifth Floor, Room 530 140. LANGUAGE LESSONS AND Thomas O. Haakenson, Minneapolis College of Art and Stephen Paul Miller, St. John’s University LEADER: Tammy Clewell, Kent State University CULTURALPOLITICS Design “Post-Enlightenment Limit and Dissemination: Turing, Cartier A “Sexuality ad oculosI: Magnus Hirschfield, Til Brugman, FDR, Stevens, and New York School Poetry” Michaela Bronstein, Yale University and ‘The Department Store of Love’” Llana Carroll, University of Pittsburgh ORGANIZER: Alan Ackerman, University of Toronto Sarah Edwards, University of Strathclyde CHAIR: Parimal Patil, Harvard University Julie Goodspeed-Chadwick, Indiana University and 134. MODERNISM AND POSTCOLONIALISM Coffee Break Purdue University at Columbus Alan Ackerman, University of Toronto Regence A Sarah Hart, Texas A&M University “Latin Lessons and Liberal Education in Lillian Hellman’s ORGANIZER: Alice Brittan, Dalhousie University 10:00–10:30 AM Daniel Moore, Queen’s University The Children’s Hour” Erin Penner, Cornell University CHAIR: Richard Begam, University of Wisconsin, Madison Joshua Fogel, York University Ryan Rashotte “The Decline of Literary Chinese in Meiji Japan” Rita Barnard, University of Pennsylvania Helena Riberio, CUNY Graduate Center “Gordimer’s Modernism” Austin Riede, University of Illinois, Urbana-Champaign Lawrence Rosenwald, Wellesley College Ellen Scheible, Stonehill College “Language Lessons and American Yiddish Literature: Nicholas Allen, National University of Ireland, Galway Joanna Scutts, Columbia University Glossaries, Etymologies, Improvisations” “Heaney’s Risks” Mia Spiro, York University Alice Brittan, Dalhousie University Heidi Stoffer, Kent State University “What is the Analogy for Death?: David Malouf and Kelley Wagers, Pennsylvania State University, the Postcolonial” Worthington Scranton

32 MSA 11 Conference Programme MSA 11 Conference Programme 33 SUN

141. MUSICAL MODERNISM(S): IRONY, 144. INTERDISCIPLINARY TEACHING OF 147. H.D.’S NOVELS OF THE 1940S SESSION K: Roundtable FREEDOM,ANDTHEQUESTIONOFFORM MODERNISM(S) Victoria Cartier B St. Charles 10:30 AM–12:00 PM ORGANIZERS: Lara Vetter, University of North Carolina, ORGANIZER: Bruce Barnhart, Wake Forest University ORGANIZER and CHAIR: Petra Dierkes-Thrun, Stanford Charlotte, and Demetres P. Tryphonopoulos, University University of New Brunswick CHAIR: David Ayers, University of Kent 150. MODERNISM AND THE DIGITAL Beth Wightman, California State University CHAIR: Miranda Hickman, McGill University HUMANTIES Herman Rapaport, Wake Forest University “Teaching Space: Geography in the Modernist Classroom” Verriere A “Long Gone: Albert Ayler and the Aesthetics of Freedom” Demetres P. Tryphonopoulos, University of New Brunswick Robert L. Zamsky, New College of Florida “‘Delphi and the shrine of Helios (Hellas, Helen)’: H.D.’s ORGANIZER: Pericles Lewis, Yale University Kurt Ozment, Bilkent University “Acoustic Machines: Modern Poetry and Music” Majic Ring as Soteriological Quest” “Morton Feldman’s Stuttering Ironies” MODERATOR: Rebecca L. Walkowitz, Rutgers University Christopher Reed, Pennsylvania State University Lara Vetter, University of North Carolina, Charlotte Bruce Barnhart, Wake Forest University Lisa Gitelman, Catholic University “Crossing Over: Art Historians in Language Departments” “‘[B]ackward to go forward’: Narrative in H.D.’s The Sword “Jungle Creatures and Jungle Music: Duke Ellington Sean Latham, University of Tulsa and Nella Larsen’s Performative Irony” Alison Halsall, York University Pericles Lewis, Yale University 145. MODERNISM’S THEATRICAL BODIES “‘Pre-raphaelitish slush’: H.D. and the Pre-Raphaelites Jessica Pressman, Yale University St. Laurent in White Rose and the Red” Jeffrey Schnapp, Stanford University 142. THIRTIES MODERNISM: ACROSS SPACES, BETWEENFORMS ORGANIZER: Matthew Wilson Smith, Boston University Regence C 148. BILINGUAL MODERNISM AND THE CHAIR: Martin Harries, New York University PROBLEMOFMEANING ORGANIZER: Liz Kuhn, Pennsylvania State University Board Meeting Matthew Wilson Smith, Boston University Regence A CHAIR: Shawna Ross, Pennsylvania State University “Woyzeck, the Nervous System, and the Modernist Stage” ORGANIZER: Madhumita Lahiri, Duke University 12:00–1:00 PM Liz Kuhn, Pennsylvania State University Elin Diamond, Rutgers University CHAIR: Robin Feenstra, McGill University “The Anti-Humanism of Henry Green and Christopher “Gesture and Austin’s Behabitive in the 1930s” Isherwood: Experimental Realism in the Thirties” Katherine Baxter, University of Hong Kong 151. MODERNIST STUDIES ASSOCIATION R. Darren Gobert, York University “Hearing Voices: Aurality and Bilingualism in Conrad’s EXECUTIVEBOARDMEETING Michael Cotsell, University of Delaware “What Precedes the Subject: Genet’s Le Balcon on Fiction” Presidential Suite “Sidney Kingsley and the Fate of American Modernist Page and Stage” Drama in the Thirties and After” Madhumita Lahiri, Duke University “Bilingualism and Mistranslation: Goras, Song Offerings, Sarah Wells, University of Iowa 146. QUEER EVENTS and Rabindranath Tagore” “The Anti-Manifesto: Periodization, Rupture, and the Les Courants Post-Avant Garde in 1930s Argentina and Brazil” Ricky Varghese, University of Toronto ORGANIZER: Benjamin Kahan, Louisiana State University “Celan’s Melancholy: Reflections on Language, Lauren Elkin, CUNY Graduate Center CHAIR: Andrew Gaedtke, University of Pennsylvania Translation, and the Poet” “Modernity, Sensation, Vision: Elizabeth Bowen’s Late Modernism” Wendy Graham, Vassar College “Critics, Coteries, and Pre-Raphaelite Celebrity” 149. TRANSFORMATIVE LANGUAGE: MODERNISTTHEORYANDPRACTICE 143. USES OF NONSENSE Eric Haralson, SUNY Stony Brook Regence B Verriere B “‘Oh hell, let’s be friends’: The Late Romance of Gertrude and America” ORGANIZER: Sarah Davison, University of Nottingham ORGANIZER: Kathryn Holland, Oxford University Benjamin Kahan, Louisiana State University CHAIR: Vike Martina Plock, University of Northumbria CHAIR: Kathy Mezei, Simon Fraser University “‘Andy Warhol is a V’: Celibacy, Queerness, and Sarah Davison, University of Nottingham Kathryn Holland, Oxford University Cockblocking in My Hustler” “Aping God: Wyndham Lewis and the Language of Parody” “Skewering Nonsense: Huxley’s Point Counter Point and Waugh’s Decline and Fall” John Morgenstern, University of Oxford “‘That was deliberate on my part, and innovation if Rebecca Cameron, DePaul University you like’: T.S. Eliot and Translation” “Playing with Semantics: Nonsensical Language Games in Shaw, Coward, and Pinter” Michelle Witen, Oxford University “Musicalized Language in Finnegans Wake” Tram Nguyen, University of Alberta “Matter and Nonsense”

34 MSA 11 Conference Programme MSA 11 Conference Programme 35 A Blum, Beth, 15 Cleghorn, Angus, 6 E Gasiorek, Andrzej, 19, 102 Hertz, Erich, 139 Abravanel, Genevieve, 3 Blyn, Robin, 85 Clewell, Tammy, 86, 138 Earle, David M., 117 Gehlawat, Monika, 63, 136 Hibbard, Allen, 23 Ackerman, Alan, 47, 140 Boes, Tobias, 24, 110, 137 Clinton, Alan, 1 Eatough, Matthew, 137 Gerwitz, Isaac, 96 Hickman, Miranda, 114, 147 Aguirre-Oteiza, Daniel, 28, 97 Bonikowski, Wyatt, 77 Clissold, Bradley D., 83 Eburne, Jonathan P., 127 Gifford, James, 69, 122 Hicks, John, 93, 139 Ahearn, Barry, 114 Boutwell, Brett, 101 Cliver, Gwyneth, 16, 133 Edwards, Hilary, 1 Gilbert, Roger, 54 Hicok, Bethany, 6 Alderman, Nigel, 72 Bowen, Claire, 72 Cloutier, Jean-Christophe, 87 Edwards, Sarah, 44, 138 Gilchrist, Jennifer, 4 Higney, Robert, 139 Alexander, Sam, 16 Bradshaw, Melissa, 126 Clukey, Amy, 4, 106 Eide, Marion, 18 Gillis, Colin, 3 Hildebrand, Jayne, 15 Allen, Dennis, 40 Branson, Scott, 125 Cohen, Debra Rae, 65, 86, 121 Elkanah Rosenberg, Joseph, 27 Girard, Melissa, 36 Hill, Lena M., 118 Allen, Nicholas, 134 Brassard, Genevieve, 88 Colebrook, Claire, 90 Elkin, Lauren, 75, 142 Gish, Nancy, 22, 70, 123 Hille, Nicola, 24 Altieri, Charles, 46, 63 Bremm, Doris, 129 Colesworthy, Rebecca, 75 Elsmlie, Sue, 120 Gitelman, Lisa, 150 Hirschkop, Ken, 5, 60, 123 Altman, Meryl, 72, 73 Briggs, Marlene, 75 Collier, Patrick, 49 Eltis, Sos, 47 Gladstone, Jason, 63 Ho, Janice, 55 Alworth, David, 16 Brittan, Alice, 134 Collis, Stephen, 122 Emery, Mary Lou, 4 Glavey, Brian, 19 Hobson, Suzanne, 103 Anderson, Elizabeth, 1 Brogden, Elizabeth, 124 Commentale, Edward, 74 Emmerson Reid, Colbey, 58 Gobert, R. Darren, 146 Hogan, William, 44 Andrade, Susan Z., 116 Bronstein, Michaela, 138 Conley, Katherine, 127 Engley, Robert, 15 Goldfarb, Lisa, 84 Holland, Kathryn , 143 Antliff, Alan, 122 Brophy, Sarah, 35 Connolly, Sally, 68 English, James, 18 Goldman, Jonathan, 39, 74 Hollenberg, Alexander, 121 Archias, S. Elise, 17 Brown, Bill, 1 Connor, John, 3 Erickson, Gregory, 74 Goldsmith, Melissa, 21 Holliday-Karre, Erin, 75, 129 Ardis, Ann, 49, 96 Brown, Erica, 88 Cooney, Charles, 135 Esmail, Jennifer, 111 Goldstone, Andrew, 3, 132 Hollister, Susannah, 19 Arfken, Michael, 83 Brown, Judith, 62 Copeland, Huey, 4 Essert, Emily, 12, 73 Gonzalez Arias, Francisca, 28 Holmes, Christopher, 139 Arroyas, Frederique, 100 Brown, Nathan, 31 Copland, Sarah, 16 Esteve, Mary, 76 Gonzalez, Octavio R., 110, 137 Hovind, Jacob, 19 Arsenault, Heidi, 14 Brown, Nicholas, 43, 116 Corne, Jonah, 125 Esty, Jed, 116 Goodspeed-Chadwick, Julie, 138 Hsieh, Lili, 44, 77 Arthur, Katie, 10 Brown, Steph, 122 Cotsell, Michael, 142 Evans, Brad, 104 Goody, Alex, 25 Huculak, Matt, 117 Ashford, David, 12 Bru, Sascha, 67, 84 Craver, Todd, 73, 133 Evans, Caroline, 57, 74 Gopal, Priyamvada, 7 Huntsperger, David, 115 Ashton, Jennifer, 93 Brue, Christopher, 92 Crawford, Margo Natalie, 7 Evans, Elizabeth, 35 Gordon, Brandon, 15 Hussey, Mark, 75 Attewell, Nadine, 55 Buck, Claire, 86 Cross, Samuel, 39 Evans, Emily, 24 Gordon, Craig, 16 Hyde, Emily, 72 Attridge, John, 109 Bucknell, Brad, 84 Crossen, Daniel, 76 Graham, Wendy, 146 Ayers, David, 14, 130, 141 Bulson, Eric, 18 Crowley, Ronan, 91 F Grandena, Florian, 30 I Ayuso, Monica, 4 Burns, Christy L., 92 Cucullu, Lois, 15, 57 Fairbrother Canton, Kimberly, 74 Grausam, Dan, 136 Irvine, Dean, 107 Burrows, Stuart, 1 Cuddy-Keane, Melba, 51, 69 Fastman, Brandon, 16 Green, Barbara, 2, 70 Israel, Nico, 9 B Bush, Christopher, 43 Culligan Flack, Leah , 125 Faulk, Barry, 74 Green, Rohanna, 1 Izenberg, Izen, 41, 93 Baker, Robert, 54 Byrne, Connor, 61 Cushing, Nancy, 76 Fedirka, Sarah, 2 Greenberg, Jonathan, 72, 92 Bakhtiarynia, Ben, 44 Byron, Mark, 18, 44 Feenstra, Robin, 72, 148 Gregory, Elizabeth, 68 J Barker, Jennifer, 137 Byttebier, Stephanie, 47 D Feinsod, Harris, 72 Grenier, Daniel, 95 Jackson, Robert, 44, 76 Barnard, Rita, 134 D’Arcy, Michael, 10 Feinstein, Amy, 42 Griffin, Susan M., 113 Jaillant, Lisa, 44 Barnhart, Bruce, 141 C Dahn, Eurie, 121 Felski, Rita, 90 Guastavino, Marc, 95 James, David, 102 Baron, Scarlett, 91 Callan, Stephanie, 16, 55 Davey, Frank, 107 Fielding, Heather, 76, 105 Gunther Kodat, Catherine, 17 James, Emily, 26 Barrows, Adam, 122 Camarasana, Linda, 4 Davis, Alex, 79 Filewood, Alan, 107 James, Pearl, 82 Barry, Ralph M., 99 Camboni, Marina, 33 Davis, Thomas S., 59 Finger, Anke, 74 H Jankowski, Elizabeth Harmony, 17 Bass, Jonathan, 18 Cameron, Rebecca, 143 Davison, Leslie, 77 Finkelstein, Norman, 41 Haakenson, Thomas, 2, 133 Jennison, Ruth, 139 Battershill, Claire , 1 Camlot, Jason, 111, 120 Davison, Sarah, 125, 149 Fisher, Katherine, 18 Hackney, Fiona, 49 Jeon, Joseph, 37 Bauman, Elisabeth, 15 Campbell, Bradford, 2, 44 Day, Robert D., 121 Fitzpatrick, Kathleen, 18, 108 Hadjiyiannis, Christos, 5, 122 Johnson, Benjamin, 52 Baumgardner, Rachel , 4 Carkeet, Margaret, 15 de Gennaro, Mara, 116 Fleissner, Jennifer, 90 Hagberg, Gary, 99 Johnson, Keith, 122 Baxter, Katherine, 148 Carlston, Erin, 48 Dean, Gabrielle, 65, 96 Fluet, Lisa, 15, 79 Hage, Emily, 128 Johnson, Kerry, 4 Bay-Cheng, Sarah, 18 Carroll, Llana, 138 Deen, Stella, 121 Flury, Angela, 124 Halsall, Alison, 147 Joris, Pierre, 97 Beal, Sophia, 76 Carson, Luke, 54, 135 DeKoven, Marianne, 70 Flynn, Catherine, 14 Hammill, Faye, 57, 88, 121 Jost, Walter, 46 Becker, Michael, 139 Carson, Susan, 16 Del Dotto, Charles, 3 Fogel, Joshua, 140 Hansen, Jim , 139 Journet, Debra, 16, 44 Beegan, Gerry, 49 Carter, Mia, 66 del Pilar Blanco, Maria, 94 Fox, Meghan, 77 Hanson, Clare, 70 Begam, Richard, 9, 134 Caserio, Robert, 66, 72 Derdiger, Paula, 72 Frangos, Mike, 3 Haralson, Eric, 146 K Beja, Alice, 125 Casey, Janet G., 88 Derksen, Jeff, 107 Fredman, Stephen, 125 Harries, Martin, 29, 145 Kager, Maria, 123 Belk, Patrick Scott, 124 Castle, Gregory, 56 Deschere, Jonathan, 4 Freed-Thall, Hannah, 109 Harris, Kaplan P., 97 Kahan, Benjamin, 31, 146 Bell, John, 29 Cates, Isaac, 53 Detloff, Madelyn, 33, 112, 123 Freedman, Ariela, 87, 137 Harris, Laurel, 139 Kalaidjian, Walter, 77 Ben-Merre, David, 2 Caughie, Pamela, 8, 118, 131 Dettmar, Kevin, 27 Freind, Bill, 32, 85 Hart, Sarah, 138 Kalliney, Peter, 72, 106 Benn Michaels, Walter, 43, 119 Cecire, Natalia, 16 Diamond, Elin, 146 Frost, Laura, 105, 121 Hauck, Christina, 2 Karas, Andrew, 44 Bennett, Robert, 100 Cersonsky, Emily, 139 Dickens, Elizabeth, 3 Funkenstein, Susan, 17 Hayden, Gabriele, 64, 124 Karl, Alissa, 115 Berger, Charles, 6 Chalk, Bridget, 55 Dickinson, Renee, 75 Hayot, Eric, 43 Kasper, Michael, 14 Bergmann Loizeax, Elizabeth, 101 Chang, Natasha, 34 Diepeveen, Leonard, 61, 109 G Hebard, Andrew, 104 Kaufman, Robert, 11, 38 Berman, Jessica, 48, 62 Chapman, Mary, 75 Dierkes-Thrun, Petra, 44, 144 Gaedtke, Andrew, 16, 146 Heffernan, Laura, 19 Kaye, Richard, 26 Bernhoft, Iain, 15 Cheney, W. Scott, 2 Dimock, Wai Chee, 90 Gagnier, Regenia, 7 Heffernan, Teresa, 137 Keegan, Thomas, 18 Berry, Ralph M., 46 Chodat, Robert, 99 Ding, Chinnie, 76 Gaipa, Mark, 2 Heise, Thomas, 120 Keller, Lynn, 80 Biers, Katherine, 47 Christodoulides, Nephie, 77 Doggett, Rob, 56 Gallagher, Maureen, 75 Heller, Michael, 41 Keller, Sarah, 50, 125 Bixby, Patrick, 56 Chu, Seo-Young, 29 Doiron, Jason P., 83 Galvin, Rachel , 123 Helt, Brenda, 121 Kelley, Joyce, 4 Blair, Sara, 35, 90 Chuang, Alice, 125 Downum, Denell, 14 Gang, Josh, 16 Heney, Alison, 77 Kennedy, Sean, 56 Blanchard, Jefferey, 72 Churchill, Suzanne, 2, 65, 82, 118 Doyle, Laura, 7 Garber, Cecily, 125 Henke, Suzette Ann, 70, 75 Kern, Stephen, 40, 139 Blankley, Elyse, 139 Clark, Katerina, 130 Drouin, Jeffrey, 2 Garelick, Rhonda, 57 Hensley, Nathan K., 59 Kervin, Claire, 16 Bloch, Julia, 125 Clausius, Claudia, 68 Dwyer, Annie, 16 Garrity, Jane, 70, 126 Hentea, Marius, 21 Keyser, Catherine, 2, 129 Bluemel, Kristin, 89, 123 Clayton, Michelle, 17 Dye, Dotty, 123 Garver, Lee, 2, 43 Hepburn, Allan, 30, 89 Kimball, Shana, 108

36 MSA 11 Conference Programme MSA 11 Conference Programme 37 Kinnahan, Linda A., 82 Mattis, Ann, 8 O Riquelme, John Paul, 79 Singh, Sonam, 3 Vetter, Lara, 147 Kirschen, Robert, 76 Matz, Jesse, 102 O’Connor, Laura, 14 Rives, Rochelle, 36 Siraganian, Lisa, 104 Villar, Andres, 32 Kishbaugh, Justin, 19 McCabe, Susan, 78 O’Dea, Dathalinn M., 81 Robbins, Bruce, 76 Skibsrud, Johanna, 19 Volpicelli, Robert, 76 Klein, Lucas, 97 McCaffery, Steve, 93 O’Driscoll, Michael, 69, 77 Robins Sharpe, Emily, 72 Smith, Alan, 28 Voyce, Stephen, 31 Klein, Scott W., 105, 130 McCarthy, Jeffery, 20 Obler, Bibiana, 19, 37 Roffman, Karin, 53 Smith, Matthew, 18 Knickerbocker, Scott, 20, 74 McCracken-Flesher, Caroline, 22, 67, 122 Okuma, Taryn, 15 Rogers, Gayle, 64, 137 Snyder, Carey, 121 W Koenigsberger, Kurt, 125 McCracken, Scott, 60, 139 Oliver, Elisabeth, 12, 125 Rogowski, Christian, 133 Solomon, Jeffrey, 125 Wagers, Kelley, 138 Kong, Belinda, 124 McCrea, Barry, 14 Oltmann, Christina, 4 Roof, Judith, 40 Sorensen Emery-Peck, Jennifer, 27 Walkowitz, Rebecca, 43, 150 Konkol, Margaret, 1 McCulloch, Margery Palmer, 14, 67 Ong, Yi-Ping, 46 Rosen, David, 53 Sorensen, Leif, 3, 34 Wall-Romana, Christophe, 50 Kontou, Tatania, 51 McDonald, Gail M., 61 Ophir, Ella, 15, 114 Rosenblum, Lauren, 70. 121 Sorum, Eve, 112 Wallace, Jeffrey, 19 Kostova, Raina, 77 McGarrity, Maria, 4 Orwant, Jon, 108 Rosenquist, Rod, 109 Spiro, Mia, 138 Wallace, Rob, 100 Kruidenier Tolliver, Julie-Francoise, 106 McGuigan, John, 122 Osment, Sarah, 139 Rosenwald, Lawrence, 140 Spoo, Robert, 91 Walter, Christina, 101 Krzakowski, Caroline, 72 McIntyre, John D., 83 Outka, Elizabeth, 86, 126 Rosner, Victoria, 109, 123 Spyra, Ania, 124 Ward, Angela, 3 Kuhn, Liz, 142 McIver, Mia, 72 Ozment, Kurt, 141 Ross, Shawna, 1, 142 Stalter, Sunny, 129 Watson, Jini Kim, 123 Kunin, Aaron, 72 McKible, Adam, 81, 117 Ross, Stephen, 3, 69 Stanford Friedman, Susan, 62, 71 Weare, Jessica, 39 Kusch, Celena, 2, 33 McKnight, Anne, 122 P Rothman, Roger, 85 Stasi, Paul, 38 Webster, Michael, 15, 44 McRae, Shannon, 58 Palermo, Charles, 10 Rubenstein, Michael, 76 Steen, John, 44, 77 Weihman, Lisa, 75 L McWhirter, David, 25, 113 Parkins, Ilya, 57 Ruch, Alexander, 121 Stephenson, Liisa, 44, 83 Weinfield, Henry, 41 Lahiri, Madhumita, 148 Meadowsong, Zena, 1 Parkinson, Galvin, 127 Ruotolo, Cristina, 74 Sterne, Jonathan, 111 Weingarten, Jeffrey, 44, 72 Laird, Holly, 77 Meier, Aneka C., 24, 110 Patil, Parimal, 140 Ryan, Barbara, 8 Stock, Karen, 122 Wellman, Donald, 28, 97 Laity, Cassandra, 78 Melillo, John, 19 Patrucco, Jessica, 77 Stoffer, Heidi, 138 Wells, Sarah, 142 Lamb, Kevin, 5, 99 Meylor, Kristen, 137 Paul, Catherine E., 2, 32 S Stout, Daniel, 63 Westbrook, John, 85 Landa, Marianna, 23 Mezei, Kathy, 123 Pearson, Nels, 137 Saha, Poulomi, 77 Streip, Katharine, 23, 122 White, Gillian C., 6 Larance, Jeremy, 2 Michaels, W. B., 119 Peat, Alexandra, 4 Saint-Amour, Paul K., 59, 91 Strohack, Matt, 1 White, Heather Cass, 54, 135 Lassner, Phyllis, 89, 121 Micir, Melanie, 15 Penner, Erin Kay, 52, 138 Saloman, Randi , 110 Strom, Kirsten, 12 White, Sian, 75 Latham, Sean, 39, 150 Miller, Brook, 44, 77 Peppis, Paul, 20, 124 Salvato, Nick, 57, 132 Sullivan, Melissa, 3 Whittier-Ferguson, John, 18, 108 Latimer, Tirza T., 42, 75 Miller, Gregory L., 19 Peri, Frencesco, 24 Santesso, Aaron, 89 Sultzbach, Kelly, 20 Whittington, Ian, 72 Lau, Meghan, 139 Miller, James, 123 Peters Corbett, David, 60 Sarker, Sonita, 70, 137 Sume, David, 124 Wicke, Jennifer, 108 Leary, John Patrick, 94 Miller, Joshua, 124 Phillips, Siobhan, 15 Sastri, Reena, 15, 80 Sumner, Charles, 11, 38 Widiss, Benjamin, 37 Leblanc, John, 122 Miller, Stephen Paul, 136 Plock, Vike Martina, 103, 121, 149 Saunders, Paul, 1 Switzky, Lawrence, 29 Wightman, Beth, 144 Leick, Karen, 65 Miller, Tyrus, 130 Pondrom, Cyrena, 33 Sausman, Justin, 51 Szczeszak-Brewer, Agata, 73 Wild, Jennifer, 50 Leja, Michael, 96 Mills Harper, Margaret, 56 Porco, Alessandro, 111 Savoy, Eric, 113 Wilkens, Matthew, 18 LeMahieu, Michael, 69, 102 Mills, Jean, 75 Port, Cynthia, 21, 121 Schaaf, Holly, 125 T Will, Barbara, 131 Lennon, Joseph, 56 Minarich, Megan, 76 Posman, Sarah, 84 Schaub, Melissa, 21 Talbayev, Edwige Tamalet, 14 Williams, Grant, 65 Lerro, Alessio, 87 Mitric, Ana, 121 Potter, Rachel , 69 Schehr, Lawrence R., 30 Tam, Yee Hang, 139 Williamson, Michael T., 44, 124 Levin, Jennifer, 1 Moffat, Wendy, 15, 78 Potts, Jason, 10 Scheible, Ellen, 138 Tanoukhi, Nirvana, 76 Willmott, Glenn, 34, 87, 137 Lewis, Pericles, 26, 45, 150 Monahan, Laurie J., 122 Pozorski, Aimee, 77 Schnapp, Jeffrey, 18, 50, 150 Taylor, Michael, 127 Wilson Smith, Matthew, 145 Lincoln, Sarah L., 59 Moore, Daniel, 52, 138 Pressman, Jessica, 18, 150 Schoenbach, Lisi, 11, 80 Thacker, Andrew, 35, 60 Wilson, Daniel, 16 Linett, Maren, 48 Moran, Patrick, 73 Preston, Carrie, 17, 105 Scholes, Robert, 2, 117, 128 Thompson, Hilary, 5 Wilson, Leigh, 1, 51 Lomas, Laura, 14, 64, 94 Morgenstern, John, 149 Provencher, Denis M., 30 Schotter, Jesse, 124 Thompson, Tara, 122 Wilson, Mary, 48 Londe, Greg, 76 Morris, Adalaide, 82, 118 Schreiber, Rachel, 42 Tolliver, Cedric, 106 Wilson, Sarah, 104 Love, Heather, 74 Morrison, Alastair, 139 Q Schuster, Joshua, 31 Toumayants, Michelle, 137 Wisor, Rebecca, 75 Lucero, Jessica, 76 Morrison, Spencer, 72 Query, Patrick, 125 Schwartz, Sanford, 25 Trama, Richard, 75 Witen, Michelle, 74, 149 Luftig, Victor, 108 Morrisson, Mark S., 25, 128 Queyras, Sina, 120 Schweitzer, Petra, 18, 44 Tran, Ben, 14 Wittman, Emily, 97, 135 Lusty, Heather, 73 Morse, Daniel, 14, 44 Quigley, Megan, 19, 132 Scott, Bonnie Kime, 14, 70 Troeger, Rebecca, 74 Wollaeger, Mark, 7, 36, 108 Lyman, Elizabeth, 19, 44, 122 Moses, Omri, 37, 120 Scott, Gail, 120 Trousdale, Rachel, 3, 53 Woodbury, Amy, 123 Lyon, Janet, 36 Moure, Erin, 120 R Scutts, Joanna, 138 Tryphonopoulos, Demetres P., 147 Wright, David, 121 Mox, Kyle, 77 Rabate, Jean-Michel, 9, 69 Seaman, David W., 97 Tsai, Joyce, 10, 19 M Moyer, Gabrielle, 1 Rae, Patricia, 15, 64, 112 See, Sam, 78 Tuhkanen, Mikko, 113 X MacArthur, Marit J., 44, 76 Moyes, Lianne, 95 Raine, Anne, 16 Seeley, Tracy, 4 Tung, Charles M., 37 Xie, Ming, 137 MacKay, Marina, 58, 72 Murphy, Marguerite, 92 Rainey, Lawrence, 61 Seelig, Arnim H. A., 23 Tymozcko, Maria, 14 Muse, John, 132 MacLeod, Kirsten, 3 Raitt, Suzanne, 68, 131 Senechal Carney, Laura, 107 Y MacPhail, Kelly, 14 Mutter, Matthew, 1 Rapaport, Herman, 141 Setina, Emily, 19, 118 U Yaeger, Patricia, 76 Madden, Ed, 118 Rashotte, Ryan, 138 Sheehan, Elizabeth, 18 Ultsch, Sharon, 75 N Magot, Celine, 103 Rea, Ann, 121 Sheehan, Rebecca, 18 Uslenghi, Alejandra, 94 Z Makris, Paula, 4 Nassar, Nelida, 28 Read, Justin, 11 Sherry, Vincent, 114 Utell, Janine, 3 Zaczek, Barbara, 32 Malcolm, Jane, 123 Needham, Tara, 66, 76 Redding, Patrick, 2 Shiach, Morag, 8, 103, 123 Zamsky, Robert L., 144 Malouf, Michael, 124 Newcomb, Tim, 1 Reed, Brian M., 17, 96 Shusko, Christina, 58 V Zhang, Nan, 76 Mao, Douglas, 9, 26, 99 Nguyen, Tram, 143 Reed, Christopher, 42, 144 Siddiqi, Yumna, 34 Valentyn, Brian, 125 Zinman, Greg, 101 Marshik, Celia, 57, 126 Nickels, Joel, 38 Reynolds, Paige, 79 Sigler, Amanda, 128 Van Durme, Debora, 84 Martin, Corinne, 75 Nieland, Justus, 16, 44 Rhodes, Evan, 123 Sim, Lorraine, 125 Van Puymbroeck, Birgit, 81 Martin, Meredith, 73, 112 Nunes, Charlotte, 66 Riach, Alan, 22, 67 Simon, Sherry, 13 Varghese, Ricky, 148 Marzioli, Sarah, 72 Nunn, Erich, 27 Riberio, Helena, 138 Simpson, Dustin, 44, 137 Vautour, Bart, 107 Mason, Jody, 107 Nurhussein, Nadia, 81 Richards, Jill, 121 Singh Soni, Raji, 44, 137 Veenstra, Shel, 40 Matthews, John, 4 Riede, Austin, 138 Singh, Amardeep, 62, 118 Vericat, Fabio, 3, 22

38 MSA 11 Conference Programme MSA 11 Conference Programme 39 Essential Modernist Studies titles from Ashgate...

Browse our latest offerings and purchase display copies at a discount jml:jml:JJournalournal ooff MModernodern LLiteratureiterraature Film HistHistory:tory:ory:y: A Ann IInternationalnternational JJournalournal EDITEDDITED BBYY PAULAAULA MARANTZARANTZ COHENOHEN,R, RACHELACHEL BLAUAU EDIITEDTED BYBY RICHARDICHARD KOSZARSKIOSZARSKI American Prints from Giacometti: Critical Essays DUPLESSISLESSIS,JEANEAN-MICHELICHEL RABATÉABAATTÉ,ELLENLLEN CRONANRONAN ROSEOSE, Film HistoryHisttoryoryy focusesfocuses on thethe historical historical Hopper to Pollock Edited by Peter Read and Julia Kelly SUBJECT/OBJECT:NEW STUDIES IN SCULPTURE Re-Covering Modernism ROBERTOBERT CASERIOASERIO, ANDAND DANIELANIEL TT.. O’HO’HARAARA developmentdevelopment ofof thethe motionmotion picturepicture in its social,socicial, Stephen Coppel with the assistance Includes 72 b&w illustrations of Jerzy Kierkuc-Bielinski Hardback 256 pages 2009 978-0-7546-5446-9 Pulps, Paperbacks, MoreMore than three three decadesdecades after its founding,foundingg, jml technological,technologicalcal,, and and economic economic contexts. contexts. ItsIts “…this is a superb, beautifully illustrated and the Prejudice of Form overview. Highly recommended for all art David M. Earle remainsremains the the most most importantimportant scholarly scholaarly serial serial in areasareas of of interest intereest rangerange from from the the technical technical collections.” —Library Journal Improper Modernism Includes 35 b&w illustrations Hardback 254 pages 2009 978-0-7546-6154-2 thethe field and and is widelywidely recognizedrecognized as such.such. 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Ballard’s Limehouse Nights and the Queer eISSNeISSNSN 1529-1464 | pIpISSNSSN 0022-281X281X non-commercialnon-commerciial mmotionotion pictures. pictures. Spell of Chinatown and the Icon Painting Tradition Surrealist Imagination Andrew Spira Anne Veronica Witchard eISSNeISSN 1553-39053905 | pIpISSNSSN 0892-2160 Includes 19 b&w illustrations “…elegantly written…this important book Spectacular Authorship Jeannette Baxter Hardback 302 pages 2009 978-0-7546-5864-1 Journalurnal forf or Early Modern CulturCulturalurralal Studies breaks new ground.” —The Art Newspaper Includes 38 b&w illustrations Includes 90 color and 40 b&w illustrations Hardback 256 pages 2009 978-0-7546-6267-9 Hardback 224 pages 2008 978-0-85331-975-7 EDITEDDITED BBYY THOMASHOMAS DIPIEROIERO,D, DEVONEYEVONEY LOOSEROOSER,ELIZABETHLIZABETH Transition:TTrrransition:ansition: AAnn InternationalInternational RRevieweview A Lund Humphries Book Virginia Woolf’s SPILLERPILLER A ANDND DANIELANIEL VITKUSITKUS EDITEDDITED BYBY FF.. ABIOLABIOLA IRELERELE ANDAND TOMMIEOMMIE SHELBYHELBY Joseph Conrad Common Reader Katerina Koutsantoni The Journal forfor Early Modern CulturalCulturturralal TransitionTTrrransitionansition is an internationalinternational reviewreview ofof Between Baudelaire and the Performing Arts Hardback 228 pages 2009 978-0-7546-6264-8 and Mallarmé Edited by Katherine Isobel Baxter Studiesdies, thethe official official publicationpublication of of the the politics,politics, culture, culturre, and and ethnicity. ethnicity. While otherother Voice, Conversation and Music and Richard J. Hand Visions of the Industrial GroupGrouup for for Early ModernModern CulturalCultural Studies, Stuudies, is magazinesmagazines routinelyrouutinely sendsend journalists journalists aroundaround Helen Abbott “…this well-edited collection is required “…Abbott’s close readings of Baudelaire reading for anyone with an interest not only Age, 1830–1914 an interdisciplinaryinnterdisciplinary fforumorum forfor the the study sstudy ooff thethe world, world, TransitionTTrrransitionaansition invites ththee world to and Mallarmé are exemplary, and her book in Conrad but also in the literary achievements Modernity and the Anxiety and trends of the late-Victorian and Modernist thethe periodperiod from from the the late fifteenthfifteenth to thethe late write back. ThreeThrhree timestimes a year, year, its writers filll is as important for the distinctions and of Representation in Europe periods.” —J.H. Stape, St. Mary’s University dissociations it makes between the two Edited by Minsoo Kang nineteenthnineeteenth cencenturies.turies. The The journal journal publishespublishes thethe magazine’s magazine’s’s pagespag es with unusualunusual dispatches,dispatchees, College, London, and author of The Several as for the connections it pursues.” and Amy Woodson-Boulton articlesarticcles andand solicits solicits book rreviewseviews that reflectr eflect unforgettableunforgettable memoirs,memoirs, unorthodox unorthodox polemics, polemicss, —Patrick McGuinness, St. Anne’s College, Lives of Joseph Conrad Includes 60 b&w illustrations Hardback 174 pages 2009 978-0-7546-6490-1 University of Oxford, UK Hardback 394 pages 2008 978-0-7546-6488-8 variousvarious approaches approaches to cultureculture and and speak to a unlikelyunlikely conversaticonversations,ersations, and and unsurpassed unsurpassed Hardback 250 pages 2009 978-0-7546-6745-2 broadbroaad rangerange of of issues, issues, including including questions quuestions of of originaloriginal fictifiction.onn. TransitionTTrrransitionansition tells complicatedcomplicatedd Louis H. Sullivan and a Women’s Contributions to gendergender andand identity, identity, cross-cultural cross-culturall conn connections,ections, storiesstories with eleganteleganlegant prose prose and and beautiful Dances with Darwin, 19th-Century Poetics of Visual Culture, 1918–1939 investigationsinvestiestigations of of race race and and ethnicity, ethnicitty, anandd images.images. 1875–1910 Naturalized Architecture Edited by Karen E. Brown Includes 18 b&w illustrations studiesstuddies that connectconnect cultureculture to socialsocicial class. class. Vernacular Modernity in France Lauren S. Weingarden Hardback 200 pages 2008 978-0-7546-6400-0 eISSNeISSN 1527-80428042 | pIpISSNSSN 0041-1191 Rae Beth Gordon “Lauren Weingarden has crafted a masterful e-ISSNe-ISSSN 1553-3786 | pISSNpISSN 1531-0485485 “…Gordon makes a forceful case for and illuminating study of Louis Sullivan’s the audacious claim that the ‘vernacular architecture, ornament and writings…” Yeats and Joyce IndianaIndiana UUniversityniverrssittyy PPress/Journalsresss///JJournals iiss modernism’ of nineteenth-century music hall —Richard Etlin, University of Maryland Cyclical History performance directly influenced the ‘high’ Include 16 color and 153 b&w illustrations recognizedrecognized iinternationallynternationalllyy aass a lleadingeading Hardback 456 pages 2009 978-0-7546-6308-9 and the Reprobate Tradition TextualTTeeextualxxtual Cultures:Culturres:es: TText,Teeext,xt, Contexts,Conteextsxttss,, modernism of twentieth-century avant-garde Alistair Cormack InterprInterpretationerprretettationation publisherpublisher ooff aacademiccademic jjournals,ournals, ppublishingublishing movements such as Dada and Surrealism. Hardback 228 pages 2008 978-0-7546-6028-6 Her book’s likely impact cannot be overstated.” The Modernist Legacy: DITEDDITED BBYY AYNEAAYYNE TOREYTOREY ANDAND DWARDDWARD BURNSBURNS moremore tthanhan 8800 iissuesssues a yyearear oonn a bbroadroad rrangeange —Elizabeth Ezra, University of Stirling, UK E W S E Includes 45 b&w illustrations Essays on New Music Little Magazines TextualTTeeextualxtualtual CulturesCulturreses focusesfocuses on issues s ofo f textual textual ofof ssubjects.ubbjjects. AAss aann aacademic,cademicc,, nnot-for-profitot--fffoor-proofffiit Hardback 330 pages 2009 978-0-7546-5243-4 Edited by Björn Heile publisher,publisherr,, wwee sserveerve tthehe wworldorld ooff sscholarshipcholarrsship Includes 13 figures, 11 tables and 26 music examples & Modernism editing,editinditting, redefinitions reddefinitifi itions of of textuality, ttextut alitylityy,, ththee historyhi t Hardback 276 pages 2009 978-0-7546-6260-0 New Approaches and culture.culture. Detective Fiction Edited by Suzanne W. Churchill ofof the the book, material material culture,culture, and and thethe fusion fusion in a Postcolonial and Adam McKible ofof codicology ccodicology with literaryliterary andand musicological muusicological Performing the Everyday in “…offers a much-needed, high-quality and Transnational World Henry James’s Late Novels collection of articles on an emerging iconography.iconnography. AvailableAvailable iinn eelectronic,lectronic, ccombinedombined Edited by Nels Pearson and Marc Singer Maya Higashi Wakana approach to modernist studies. Exploring Hardback 220 pages 2009 978-0-7546-6848-0 eISSNeISSNSN 1933-7418 | pIpISSNSSN 1559-29362936 electronicelectronic & prinprint,t, anandd prinprintt fformats.ormats. Hardback 220 pages 2009 978-0-7546-6744-5 periodicals as well-known as Poetry or The Dial, along with lesser-known magazines… Food and Femininity it will attract readers across a wide spectrum Persephone Rises, 1860–1927 and should be in every research library…” in Twentieth-Century Mythography, Gender, and the Creation —George Bornstein, University of Michigan of a New Spirituality Includes 19 b&w illustrations British Women’s Fiction Hardback 292 pages 2007 978-0-7546-6014-9 Andrea Adolph Margot K. Louis Hardback 240 pages 2009 978-0-7546-6734-6 Hardback 188 pages 2009 978-0-7546-6455-0 The Little Magazine Others and the Renovation of Modern American Poetry Suzanne W. Churchill “…Churchill's research is exhaustive…[she] has given us a series of ‘other’ theoretical IU PressPress Online—yourOnline—yyour connectionconnection toto global globall scholarship.sch olarship. Stop by the Ashgate booth to speak with perspectives which amply illustrate the literary and cultural value of one of the most ViewView our newnew collection colleection ofof electronic electronic IU PressPreess booksbooks and and jjournalsournals at t PO Box 2225 Commissioning Editor, Ann Donahue, and browse important little mags…” —SHARP News Williston, VT 05495-2225 Includes 15 b&w illustrations Toll-free: 1-800-535-9544 our display titles for conference discounts. Hardback 304 pages 2006 978-0-7546-5332-5 http://iupressonline.iupress.orghttp://iupressonlline.iupress.org [email protected] www.ashgate.com/MSA2009

40 MSA 11 Conference Programme MSA 11 Conference Programme 41 Johns Hopkins James JoyceQuarterly Volume 46 NEW Harm’s Way FORTHCOMING Fall 2008 through Summer 2009 Tragic Responsibility Virginia Woolf and the Novel Form Introduction An MFS Reader Sandra Macpherson to Cognitive Included in the issues of Volume 46 are “‘Our Day at Triv and Quad’: $55.00 hardcover edited by Maren Linett Cultural Studies John Ruskin and the Liberal Arts in Finnegans Wake, II.2” by Chris Modern Fiction Studies Eagle, “Finnegans Wake for Beginners,” by Sebastian D. G. Knowles, A Book edited by Lisa Zunshine $35.00 paperback The Technology “Sweets of Sin Source Sold in Photo Bits,” by Jennifer Burns Levin,

of the Novel “James Joyce’s ‘Grace’ and the Image of ‘the Jew’ in Ireland,” by Why Do We Care Writing and Narrative The Fiction of Claudia Rosenhan, and a special issue entitled “Joyce and Bioethics,” about Literary in British Fiction Narrative guest-edited by Vike Plock. Characters? Tony E. Jackson Essays on History, Literature, ------$55.00 hardcover and eory, 1957–2007 Blakey Vermeule sJames Joyce QuarterlysThe University of Tulsas Hayden White $60.00 hardcover s00 S. #OLLEGE !VENUEs4ULSA /+  s Film Adaptation edited, with an introduction, by s3UBSCRIBE ONLINE WWWUTULSAEDUJJQs Cinematic and Its Discontents Robert Doran Illuminations From Gone with the Wind Please enter ____ renew ____ my subscription to the JJQ: to e Middle Ages on Film e Passion of the Christ Possible Worlds of Laurie A. Finke and omas Leitch Fiction and History United States 1 year 2 years 3 years $30.00 paperback )NDIVIDUALS ???? ???? ???? Martin B. Shichtman e Postmodern Stage $30.00 paperback Lubomír Doležel )NSTITUTIONS ???? ???? ???? Elsewhere )NDIVIDUALS ???? ???? ???? )NSTITUTIONS ???? ???? ????

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44 MSA 11 Conference Programme MSA 11 Conference Programme 45 New from Stanford University Press MSA11 Contextual Practice Bohemia in America, 1858–1920 Multidirectional Memory Assemblage and the Erotic in JOANNA LEVIN Remembering the Holocaust in Postwar Poetry and Art the Age of Decolonization “The research contained in American MSAEXECUTIVECOMMITTEE STEPHEN FREDMAN Bohemias is impeccable, MICHAEL ROTHBERG PRESIDENT: Sean Latham indeed, extraordinary. It “Stephen Fredman’s Contextual Practice “This is the first book to take up the FIRSTVICEPRESIDENT: Pamela Caughie provides an in-depth will make an important transnational and cross- SECONDVICEPRESIDENT exploration of cultural and contribution to late disciplinary politics of : Mark Morrisson aesthetic contexts shared nineteenth and early memory in ways ade- PASTPRESIDENT: Melba Cuddy-Keane by poets Robert Duncan, twentieth-century US lit- quate to the difficulties CHAIR,INTERDISCIPLINARYAPPROACHES: David Chinitz (2006-2009) Robert Creeley and Denise erary studies. The argu- and pitfalls of the topic. Leverotov, filmmaker ments the book offers In its readings of theo- CHAIR,INTERNATIONALRELATIONS: Sonita Sarker (2006-2009) are smart, and make us Harry Smith, philosopher retical and literary texts CHAIR,NOMINATIONS&ELECTIONS: Debra Rae Cohen (2008-2011) Norman O. Brown, and look at familiar questions—the relation primarily from the artist Wallace Berman and between bohemian and bourgeois, the 1950s and 1960s, it CHAIR,MEMBERSHIPDEVELOPMENTANDCOMMUNICATIONS: Adalaide Morris (2007-2010) consolidation and reticulation of middle- the circle around his seminal Semina confronts the Holocaust with decoloniza- CHAIR,PROGRAM: Rebecca Walkowitz (2008-2011) magazine. Fredman has written a brilliant class culture, and many more—in a new tion, successfully questioning the ‘color CO-EDITOROF treatise on the poetics of collage in the and more complex light.” line’ separating these two discourses Modernism/modernity: Cassandra Laity (2006-2010) New American poetry. And he puts his —Jonathan Freedman, today. Deft in argument and subtle in its WEBEDITOR: Matt Huculak (2008-2011) theories into practice with his exemplary University of Michigan analyses, Rothberg’s book provides an use of contingent juxtapositions of a pre- $65.00 cloth exciting new direction for memory studies cisely ordered constellation of examples.” in the humanities and in social thought. A MSAPROGRAMCOMMITTEE —Charles Bernstein, The Affective Life of Law compelling read!” Rebecca Walkowitz, Chair University of Pennsylvania Legal Modernism and the —Andreas Huyssen, Pamela Caughie Literary Imagination $55.00 cloth Columbia University Allan Hepburn RAVIT REICHMAN Cultural Memory in the Present Miranda Hickman $24.95 paper $70.00 cloth The Impertinent Self “We abide within a legal culture; the A Heroic History of Modernity Sean Latham scene of our existence is Race and the Avant-Garde Pericles Lewis JOSEF FRÜCHTL Translated by formed by law. Yet much Experimental and Asian Andrew John Miller in our experience seems SARAH L. KIRKBY American Poetry Since 1965 Omri Moses to elude accounting by “Much negative (and sometimes positive) Victoria Rosner MODERNIST STUDIES law’s processes and lan- TIMOTHY YU NO ATI I C O S A excitement was triggered 11TH ANNUAL CONFERENCE by a pseudo-philosophical guages. With passion and “With Race and the Avant-Garde, phrase about ‘the Death of erudition, in readings as Timothy Yu goes an LOCALORGANIZINGCOMMITTEE the Subject’ during the agile as they are original, extraordinarily long way Allan Hepburn final decades of the 20th Ravit Reichman reveals toward overcoming the Miranda Hickman century. Today, we tend to how a sense of this incongruity has itself historical divorce between Andrew John Miller shaped modern letters, modern law, and see similar transformations the ‘aesthetic’ and the Omri Moses modern life.” in the ways that humans ‘ethnic’. Treating the rise LANGUAGES —Douglas Mao, think and speak about of Asian American Johns Hopkins University CONFERENCEGRADUATE THE MODERNISM themselves, in more sober—and some- poetry and Language MONTRÉAL The Cultural Lives of Law STUDENTASSISTANTS Q U É B E C OF times even more sarcastic—terms. If poetry in light of each 8N 5- OV . $50.00 cloth Emily Essert at the DELTA CENTRE-VILLE Gianni Vattimo’s ‘weak Subject’ func- other, Yu illustrates the indelible presence Rachel Kyne tioned for a long time as a modest alter- The Skin of the System of race in experimental writing and the native to a discourse of self-reflexive neg- On Germany’s Socialist constitutive role of form in ethnic Justin Pfefferle , C A N A D A ativity, Josef Früchtl’s Impertinent Self Modernity writing.” , now offers a both realistic and entertain- 2 09 —Colleen Lye, BOOKEXHIBITORS ing option of Nietzschean flavor. His BENJAMIN ROBINSON Author of Ashgate Press combination of profound scholarship and “Robinson’s book is one of the most America’s Asia: Racial Form intellectual provocation will certainly Broadview Press interesting and provoca- and American Literature, 11 appeal to the American reader.” tive reconsiderations of Columbia University Press 1893-1945 The James Joyce Quarterly —Hans Ulrich Gumbrecht, Socialism and socialist Asian America Stanford University culture to date. Its $45.00 cloth Johns Hopkins University Press Cultural Memory in the Present achievement lies primari- Oxford University Press $24.95 paper $70.00 cloth ly in using the historical The Scholar’s Choice distance to think of University of Florida Press socialist culture not as a C MSA failed experiment, but as Stanford PROGRAMDESIGNER a case study about the fundamental prob- University Press lem of social change.” Patrice Atwell, Atwell Design —Eva Geulen, 800.621.2736 University of Bonn www.sup.org $65.00 cloth

46 MSA 11 Conference Programme MSA 11 Conference Programme 47 IN MEMORIAM ANDREW JOHN MILLER (1959-2009)

MSA 11 CO-ORGANIZER

Andrew John Miller, a professor of English in the Départment d’études anglaises at the Université de Montréal, died suddenly on September 4, 2009. Dr. Miller (MA, Queen’s University; PhD, Duke University) was the author of Modernism and the Crisis of Sovereignty (Routledge, 2008). The Modernist Studies Association extends its deepest condolences to Andrew’s family, friends, colleagues, and students. Andrew was a major force behind bringing the MSA to Montréal this year. We remember and honour his generosity, intellectual rigor, energy, and graciousness.

Dawn points, and another day Prepares for heat and silence. Out at sea the dawn wind Wrinkles and slides. I am here Or there, or elsewhere. In my beginning. —T.S.ELIOT,“EASTCOKER”

48 MSA 11 Conference Programme