A Year Later, Poorman Sees Effects of Alcohol Changes
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Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Two Louies September 2003
OREGON MUSIC photo Chauncene Page 2 - TWO LOUIES, September 2003 TWO LOUIES, September 2003 - Page 3 photo David Ackerman Beauty Stab upstairs at Eli’s. The band lasted about a year but earned drummer Courtney Taylor a reputation as a rocker on the rise. “He always said he was going to the top,” says former Beauty Stab manager Tony DeMicoli. Taylor also worked the door at Tony’s club the Key Largo. “Courtney says the wide variety of acts at the Key had a big infl uence on his musical tastes”. This month Courtney and the Dandy Warhols set out to conquer the world with their new Capitol album “Welcome To The Monkey House” (See Jonny Hollywood page 8.) the music business. part of MusicFest NW, an expert from the AFM I wondered if any of these bands would like to (American Federation of Musicians) will be sitting regain the song rights that they signed away. At fi rst on a panel at the Roseland Grill. The panel discus- glance, there seems to be no legal way to achieve sion is titled “Sign on the Dotted Line”. The date this. Certainly, there could be a public outcry and is September 6, 2003, from 12-4 PM. As one of an attempt to shine some light on these predatory six panelists, there should be much insight offered promoters. Strangely, however, no one that entered regarding protection of your music. Secondly, I AFM ON KUFO this contest seems to be outraged. They should be. would like to invite all musicians interested in Dear Editor, The music business offers enough challenges with- improving their working environment to join me I was stunned upon learning the details of the “It’s Your Fault Band Search” contest, sponsored “I was stunned upon learning the details of the ‘It’s by Infi nity Broadcasting’s KUFO. -
Mark Summers Sunblock Sunburst Sundance
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red Total Hits : 1 Total Weeks : 11 indicates a Number 1, a line in blue indicate a Top 10 hit. SUNFREAKZ Belgian male producer (Tim Janssens) MARK SUMMERS 28 Jul 07 Counting Down The Days (Sunfreakz featuring Andrea Britton) 37 3 British male producer and record label executive. Formerly half of JT Playaz, he also had a hit a Souvlaki and recorded under numerous other pseudonyms Total Hits : 1 Total Weeks : 3 26 Jan 91 Summers Magic 27 6 SUNKIDS FEATURING CHANCE 15 Feb 97 Inferno (Souvlaki) 24 3 13 Nov 99 Rescue Me 50 2 08 Aug 98 My Time (Souvlaki) 63 1 Total Hits : 1 Total Weeks : 2 Total Hits : 3 Total Weeks : 10 SUNNY SUNBLOCK 30 Mar 74 Doctor's Orders 7 10 21 Jan 06 I'll Be Ready 4 11 Total Hits : 1 Total Weeks : 10 20 May 06 The First Time (Sunblock featuring Robin Beck) 9 9 28 Apr 07 Baby Baby (Sunblock featuring Sandy) 16 6 SUNSCREEM Total Hits : 3 Total Weeks : 26 29 Feb 92 Pressure 60 2 18 Jul 92 Love U More 23 6 SUNBURST See Matt Darey 17 Oct 92 Perfect Motion 18 5 09 Jan 93 Broken English 13 5 SUNDANCE 27 Mar 93 Pressure US 19 5 08 Nov 97 Sundance 33 2 A remake of "Pressure" 10 Jan 98 Welcome To The Future (Shimmon & Woolfson) 69 1 02 Sep 95 When 47 2 03 Oct 98 Sundance '98 37 2 18 Nov 95 Exodus 40 2 27 Feb 99 The Living Dream 56 1 20 Jan 96 White Skies 25 3 05 Feb 00 Won't Let This Feeling Go 40 2 23 Mar 96 Secrets 36 2 Total Hits : 5 Total Weeks : 8 06 Sep 97 Catch Me (I'm Falling) 55 1 20 Oct 01 Pleaase Save Me (Sunscreem -
TUNECODE WORK TITLE Value Range 289693DR
TUNECODE WORK_TITLE Value Range 289693DR It S Everyday Bro ££££ 329418BM Boys Are So Ugh ££££ 060461CU Sex On Fire ££££ 258202LN Liar Liar ££££ 2680048Z Willy Can You Hear Me? ££££ 128318GR The Way ££££ 217278AV Better When I'm Dancing ££££ 223575FM I Ll Show You ££££ 188659KN Do It Again ££££ 136476HS Courtesy Call ££££ 224684HN Purpose ££££ 017788KU Police Escape ££££ 065640KQ Android Porn (Si Begg Remix) ££££ 189362ET Nyanyanyanyanyanyanya! ££££ 191745LU Be Right There ££££ 236174HW All Night ££££ 271523CQ Harlem Spartans - (Blanco Zico Bis Tg Millian Mizormac) ££££ 237567AM Baby Ko Bass Pasand Hai ££££ 099044DP Friday ££££ 5416917H The Big Chop ££££ 263572FQ Nasty ££££ 065810AV Dispatches ££££ 258985BW Angels ££££ 031243LQ Cha-Cha Slide ££££ 250248GN Friend Zone ££££ 235513CW Money Longer ££££ 231933KN Gold Slugs ££££ 221237KT Feel Invincible ££££ 237537FQ Friends With Benefits (Fwb) ££££ 228372EW Election 2016 ££££ 177322AR Dancing In The Sky ££££ 006520KS I Wish I Knew How It Would Feel To Be Free ££££ 153086KV Centuries ££££ 241982EN I Love The 90s ££££ 187217FT Pony (Jump On It) ££££ 134531BS My Nigga ££££ 015785EM Regulate ££££ 186800KT Nasty Freestyle ££££ 251426BW M.I.L.F. $ ££££ 238296BU Blessings Pt. 1 ££££ 238847KQ Lovers Medley ££££ 003981ER Anthem ££££ 037965FQ She Hates Me ££££ 216680GW Without You ££££ 079929CR Let's Do It Again ££££ 052042GM Before He Cheats ££££ 132883KT Baraka Allahu Lakuma ££££ 231618AW Believe In Your Barber ££££ 261745CM Ooouuu ££££ 220830ET Funny ££££ 268463EQ 16 ££££ 043343KV Couldn't Be The Girl -
“Can I Get a Witness": Musicians Performing Politics in the U.S. Congress Published on Ethnomusicology Review (
“Can I Get a Witness": Musicians Performing Politics in the U.S. Congress Published on Ethnomusicology Review (https://ethnomusicologyreview.ucla.edu) “Can I Get a Witness": Musicians Performing Politics in the U.S. Congress By Alexandra Apolloni, Matthew D. Atkinson, and Darin DeWitt Abstract: In this paper, we use both interpretive methods from ethnomusicology, musicology and performance studies, and empirical methods from the social sciences, to examine the performative nature and political influence of testimonies by high-profile or celebrity musicians at hearings in the United States Congress. We argue that in testifying, musicians can both influence politics and engage in a very public performance of self, one that contributes to audience acceptance of the credibility and authenticity of their musical performances. The purported truthfulness of their testimony also raises ethical dimensions. We ask: if testifying entails giving voice to truth, whose truths do these testimonies give voice to, and whose do they silence? To explore this question, we first ask how musicians’ testimonies create meaning as performances of self that might shape how people hear music. Then, we ask how these performances both give voice and create silences—first, by considering how they position music vis-à-vis attitudes about the political process and U.S. exceptionalism; and second, by asking how musician testimonies relate to power dynamics within the U.S. popular music industry. We then offer a theoretical model that outlines the likely consequences of musician participation in the political process, and finally, we evaluate empirical implications of our model, which suggest that musician participation makes a measurable impact on public perception of a musician’s persona or star text. -
500 Drugstore Feat. Thom Yorke El President 499 Blink
500 DRUGSTORE FEAT. EL PRESIDENT THOM YORKE 499 BLINK 182 ADAMS SONG 498 SCREAMING TREES NEARLY LOST YOU 497 LEFTFIELD OPEN UP 496 SHIHAD BEAUTIFUL MACHINE 495 TEGAN AND SARAH WALKING WITH A GHOST 494 BOMB THE BASS BUG POWDER DUST 493 BAND OF HORSES IS THERE A GHOST 492 BLUR BEETLEBUM 491 DISPOSABLE HEROES TELEVISION THE DRUG OF THE OF... NATION 490 FOO FIGHTERS WALK 489 AIR SEXY BOY 488 IGGY POP CANDY 487 NINE INCH NAILS THE HAND THAT FEEDS 486 PEARL JAM NOT FOR YOU 485 RADIOHEAD EVERYTHING IN ITS RIGHT PLACE 484 RANCID TIME BOMB 483 RED HOT CHILI MY FRIENDS PEPPERS 482 SANTIGOLD LES ARTISTES 481 SMASHING PUMPKINS AVA ADORE 480 THE BIG PINK DOMINOS 479 THE STROKES REPTILIA 478 THE PIXIES VELOURIA 477 BON IVER SKINNY LOVE 476 ANIMAL COLLECTIVE MY GIRLS 475 FILTER HEY MAN NICE SHOT 474 BRAD 20TH CENTURY 473 INTERPOL SLOW HANDS 472 MAD SEASON SLIP AWAY 471 OASIS SOME MIGHT SAY 470 SLEIGH BELLS RILL RILL 469 THE AFGHAN WHIGS 66 468 THE FLAMING LIPS FIGHT TEST 467 ALICE IN CHAINS MAN IN THE BOX 466 FAITH NO MORE A SMALL VICTORY 465 THE THE DOGS OF LUST 464 ARCTIC MONKEYS R U MINE 463 BECK DEADWEIGHT 462 GARBAGE MILK 461 BEN FOLDS FIVE BRICK 460 NIRVANA PENNYROYAL TEA 459 SHIHAD YR HEAD IS A ROCK 458 SNEAKER PIMPS 6 UNDERGROUND 457 SOUNDGARDEN BURDEN IN MY HAND 456 EMINEM LOSE YOURSELF 455 SUPERGRASS RICHARD III 454 UNDERWORLD PUSH UPSTAIRS 453 ARCADE FIRE REBELLION (Lies) 452 RADIOHEAD BLACK STAR 451 BIG DATA DANGEROUS 450 BRAN VAN 3000 DRINKING IN LA 449 FIONA APPLE CRIMINAL 448 KINGS OF LEON USE SOMEBODY 447 PEARL JAM GETAWAY 446 BEASTIE -
Press Release
For Immediate Release Contact: Jacci Woods (313) 237-6714 [email protected] For Immediate Release Contact: Matt Lee (248) 584-3715 [email protected] FOR IMMEDIATE RELEASE April 4, 2012 FIRST-EVER SUMMERLAND TOUR ANNOUNCED TODAY – EVERCLEAR, SUGAR RAY, GIN BLOSSOMS, LIT AND MARCY PLAYGROUND TO INAUGURATE ANNUAL SUMMER OUTING Summerland to Hit More Than 25 Cities Across the U.S. this Summer, Tickets Go On Sale Beginning March 30th!!! (LOS ANGELES, CA) As music fans across the country shake off the last vestiges of winter, what better way to usher in longer and brighter days than the first- ever Summerland tour which was announced today. Anchored by founding bands Everclear and Sugar Ray, joined by Gin Blossoms and featuring Lit and Marcy Playground, Summerland kicks off on June 28th in Saratoga, CA and will run well into August, hitting more than 25 markets across the country this summer. Tickets for many dates go on sale beginning Friday, March 30, 2012 and are available at www.summerlandtour.net. With tons of smash hit songs and millions and millions of albums sold between them, the five bands comprising this year’s Summerland are still a constant presence on the airwaves across the country and represent a true value for concert fans. “We’ve wanted to do a tour like this for a long time and we’re so excited to be hitting the road with our friends to bring you this huge summer party,” said Everclear front man Art Alexakis. Sugar Ray lead singer Mark McGrath added “Get out your flip flops and your shades because Summerland is going to be a blast.” Summerland VIP packages including great tickets, meet and greets, exclusive merchandise and more available at: http://vipnation.com. -
Recent Sexual Assault Raises Safety Issues by Melissa Nielsen CAMPUS EDITOR
Eastern Illinois University The Keep October 2002 10-25-2002 Daily Eastern News: October 25, 2002 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2002_oct Recommended Citation Eastern Illinois University, "Daily Eastern News: October 25, 2002" (2002). October. 17. http://thekeep.eiu.edu/den_2002_oct/17 This Article is brought to you for free and open access by the 2002 at The Keep. It has been accepted for inclusion in October by an authorized administrator of The Keep. For more information, please contact [email protected]. N “Tell the truth October 25, 2002 FRIDAY and don’t be afraid.” VOLUME 87, NUMBER 44 THEDAILYEASTERNNEWS.COM Panthers reborn Women’s soccer team turns around season, wins six of eight. Page 8 SECTION A Recent sexual assault raises safety issues By Melissa Nielsen CAMPUS EDITOR The recent sexual assault of woman on cam- pus has reiterated the need for police and cam- pus sexual assault services for the ongoing problem of rape. On Oct. 9, at about midnight, an unidentified woman said a man she knew sexually assaulted her in Thomas Hall, a police report said. Though the report was filed, no charges will be filed, said Adam Due, chief public safety officer. He said the woman wanted to make police aware of the situation, but did not want to take the case any further. Due said the victim knew the offender, did not seek medical attention and police were not aware of any alcohol use. Tom Edwards, president of the board for Sexual Assault Crisis and Information Center, said going to police is one option sexual assault victims have, but victims who feel they need help should call professional help lines in their area after an assault. -
Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles -
Jam of the Day
Jam of the Day There are many purposes to this activity. The first is to give you a chance to share and appreciate music and how its related to other genres you listen to and we study. The second is to gain some skills and practice toward interpreting and thinking more critically about the music we consume, how it affects us, and what it all means. On your jam day, you must bring the following items to class to successfully complete the assignment: Song on a phone CD, flash drive (i.e. mp3 data/music file), or iPod, etc. (make arrangements with me well ahead of time if you need help) A completed JOTD form saved to a disk or storage device, but preferably one that has been emailed to me ([email protected]) or shared via the Google Drive template that you’ve made a copy of and filled out. We use the SOAPS-tone strategy to analyze lyrics in class and encourage us to think more deeply about the music we listen to. In general, these are the things that we are looking look for: 1. Speaker 2. Occasion 3. Audience 4. Purpose 5. Subject 6. -tone As you look for the above things, try to answer the following questions: 1. Speaker: Who is the character in this song? This is a person who is ___? 2. Occasion: What event or thing caused the stuff in the song to happen? 3. Audience: Who is this song aimed at? One person, a group, maybe the speaker him/herself, all of the above? 4. -
February 27, 1998 Eastern Illinois University
Eastern Illinois University The Keep February 1998 2-27-1998 Daily Eastern News: February 27, 1998 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_1998_feb Recommended Citation Eastern Illinois University, "Daily Eastern News: February 27, 1998" (1998). February. 8. http://thekeep.eiu.edu/den_1998_feb/8 This is brought to you for free and open access by the 1998 at The Keep. It has been accepted for inclusion in February by an authorized administrator of The Keep. For more information, please contact [email protected]. RAIN Two in a high of 53º The INSIDE a row Daily Men’s track Eastern team looks to repeat as FRIDAY Eastern Illinois University OVC indoor Charleston, Ill. 61920 February 27, 1998 champions Vol. 83, No. 109 Four contestants to compete in 2 sections, 16 pages the 22nd annual Miss Black PAGE EIU pageant News 8A SECTION B “Tell the truth and don’t be afraid” Police fail to cite underage victim By JILL JEDLOWSKI Assoc. news editor One of five Eastern students who were Charleston police attacked Friday morning after leaving Mother’s Bar said he is not of legal drinking age and had to conduct photo been drinking, yet Charleston police officers did not issue him a citation for any underage drinking violations or false identification. lineup of suspects Jason Christeson, a freshman physical education major and Panther wrestler in the By JILL JEDLOWSKI 177-190 weight class, said Tuesday he was one Assoc. news editor of the last two students to leave the bar before he and four other students were attacked. -
Art Alexakis – Vocals, Guitar
Art Alexakis – Vocals, Guitar Davey French – Guitar, Vocals Freddy Herrera – Bass, Vocals Jake Margolis – Drums It’s been 20 years since Everclear released their 1997 multiplatinum smash So Much For The Afterglow, yet the album remains a beloved fan favorite, and continues to inspire new generations of musicians & fans today. Bolstered by the record’s enduring popularity, Everclear are about to embark on a highly anticipated tour celebrating its milestone anniversary, with plans to perform the album front to back, including some tracks the band has never played live. As the band’s third full-length, So Much ForThe Afterglow built upon the momentum of 1995’s Sparkle And Fade, with a slew of unforgettable songs that permeated MTV and alternative rock radio. The album—which remains Everclear’s best-selling release to date— quickly won over listeners with its trademark combination of melody, rhythmic energy, evocative lyrics and thundering guitar crunch. “It makes me feel really good when I read a lot of what people still think about the album, and how many bands have been influenced by it—how much impact it had on them—and I think about how much impact it had on me, in a different way of course,” says singer- guitarist Art Alexakis. “It’s still a thing; it’s still relevant and real 20 years later.” Formed by Alexakis in 1991 in Portland, Oregon, Everclear has enjoyed a lengthy career spanning 10 studio releases, numerous videos, thousands of shows and accolades that include a 1998 Grammy nomination for Best Rock Instrumental, for the Afterglow track “El Distorto de Melodica.” Like a true survivor, Alexakis has soldiered on through multiple lineup changes over the years: During the Afterglow era, the band also included Craig Montoya on bass and Greg Eklund on drums; the forthcoming anniversary tour features current Everclear members Davey French (guitar), Freddy Herrera (bass) and drummer Jake Margolis.