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The Development of Sacrosanctum Concilium Part 2 Or, How to Grok
The development of Sacrosanctum Concilium Part 2 - a presentation by Seán O’Seasnáin on becoming familiar with Vatican II and the Liturgy with a focus on Chapter 4 of What Happened at Vatican II by John W. O’Malley The Lines Are Drawn - The First Period (1962) or, How to grok Sacrosanctum Concilium (SC) while avoiding moonbats and wingnuts from the vantage point of a young Irish friar in formation at the time of Vatican II The four aggiornamento modernization principles identified by John W. O’Malley p140f 1) ressourcement 2) adaptation 3) episcopal collegiality and 4) active participation (Ch.4 of What Happened at Vatican II) are correctly described by O’Malley as fundamental and traditional principles. In a harsh and pedantic review of What Happened at Vatican II the late Richard John Neuhaus, on one hand gives O’Malley back-handed compliments for his balanced analysis, and in the next sentence rushes in to castigate him with misleading accusations of presenting the ‘discontinuity’ perspective of the council. Neuhaus writes dismissively: “What Happened at Vatican II is a 372-page brief for the party of novelty and discontinuity. Its author comes very close to saying explicitly what is frequently implied: that the innovationists practiced subterfuge, and they got away with it” [10]. I would have to credit Neuhaus with providing a reminder here of how appropriate the ‘moonbat’ and ‘wingnut’ designations are when it comes to critiques of Vatican II and the liturgy. He writes: “In the decades following the council, many liberals made no secret of their belief that aggiornamento was a mandate for radical change, even revolution. -
Pope John the Twenty-Third and Master John Hus of Bohemia
POPE JOHN THE TWENTY-THIRD AND MASTER JOHN HUS OF BOHEMIA POPE JOHN THE TWENTY-THIRD AND MASTER JOHN HUS OF BOHEMIA BY EUSTACE J. KITTS A. UTHOR OF 'IN THE DAYS OF THE COUNCILS' ILLUSTRATED LONDON CONSTABLE AND COMPANY LIMITED 10 ORANGE STREET LEICESTER SQUARE 1910 INTRODUCTION IN this book I have endeavoured to narrate the five years' history of three men and a movement; the men are Pope John the Twenty-third, John Hus, the patriot reformer of Bohemia, and Sigismund, King of the Romans; and the movement is the conciliar movement up to the middle of the year 1415. I have already, in my book entitled In the Days ef the Councils, given the history of Baldassare Cossa, who became Pope John the Twenty-third, up to the death of Pope Alexander the Fifth. Baldassare Cossa was in no sense a hero; there were indeed very few heroes in those days. One thing which makes history so much more interesting than fiction is that the characters have their human frailties as well as their human virtues. 'Il n'y a pas,' says M. Boissier, 'de gens parfaits que dans les romans.' Baldassare Cossa was simply a strong man placed in a position for which he had striven hut for which he was eminently unfit, struggling with adversity. It is in the struggle that the interest of his story lies. Up till the battle of Rocca Secca all went well with him; after that, Fate was consistentlv against him. He had the misfortune to have for an enemy one of the foremost literary men of his time; and literary men then said all that they knew was true, all that they thought was true, and much that they hoped was true. -
Liturgical Calendar 2007 for the Dioceses of the United States of America
LITURGICAL CALENDAR 2007 FOR THE DIOCESES OF THE UNITED STATES OF AMERICA Committee on the Liturgy United States Conference of Catholic Bishops 2 © 2006 United States Conference of Catholic Bishops 2 3 Introduction Each year the Secretariat for the Liturgy of the United States Conference of Catholic Bishops publishes the Liturgical Calendar for the Dioceses of the United States of America. This calendar is used by authors of ordines and other liturgical aids published to foster the celebration of the liturgy in our country. The calendar is based upon the General Roman Calendar, promulgated by Pope Paul VI on February 14, 1969, subsequently amended by Pope John Paul II, and the Particular Calendar for the Dioceses of the United States of America, approved by the National Conference of Catholic Bishops.1 The General Instruction of the Roman Missal, 2002, reminds us that in the cycles of readings and prayers proclaimed throughout the year in the sacred liturgy “the mysteries of redemption are recalled in the Mass in such a way that they are in some way made present.” Thus may each celebration of the Holy Eucharist which is served by this calendar be for the Church in all the dioceses of the United States of America “ the high point of the action by which God sanctifies the world in Christ and of the worship that the human race offers to the Father, adoring him through Christ, the Son of God, in the Holy Spirit.”2 Monsignor James P. Moroney Executive Director USCCB Secretariat for the Liturgy 1 For the significance of the several grades or kinds of celebrations, the norms of the Roman Calendar should be consulted (cf. -
Cathedral of Saint Joseph, Manchester, New Hampshire
Cathedral of Saint Joseph Manchester, New Hampshire Sacred and Liturgical Music Program 2019 – 2020 (Liturgical Year C – A) Most Reverend Peter A. Libasci, D.D. Tenth Bishop of Manchester Very Reverend Jason Y. Jalbert Cathedral Rector Vicar General Director of the Office for Worship Mr. Eric J. Bermani, DMin (Cand.) Diocesan & Cathedral Director of Music/Organist 2 Music at The Cathedral of Saint Joseph 2019-2020 Welcome to a new season of sacred music at The Cathedral of Saint Joseph. Music has always played an important role in the life of this Cathedral parish. Included in this booklet is a listing of music to be sung by assembly, cantors and the Cathedral Choir, highlighting each Sunday, feast or liturgical season. “Sing to the Lord a new song: sing to the Lord all the earth. Sing to the Lord, and bless his Name: proclaim the good news of his salvation from day to day.” Psalm 96:1-2 “When there is devotional music, God is always at hand with His gracious presence.” J.S. Bach “Music for the liturgy must be carefully chosen and prepared.” Sing to the Lord (Music in Divine Worship) Article 122 “The treasury of sacred music is to be preserved and fostered with great care. Choirs must be diligently developed, especially in cathedral churches.” Constitution of the Sacred Liturgy, Article 114 “Music is the means of recapturing the original joy and beauty of Paradise.” St. Hildegard von Bingen “All other things being equal, Gregorian chant holds pride of place because it is proper to the Roman Liturgy. -
Implementing Summorum Pontificum in the Diocese of Davenport
DIOCESE OF DAVENPORT Policies for Implementing Summorum Pontificum in the Diocese of Davenport These pages may be reproduced by parish and Diocesan staff for their use Policy promulgated at the Pastoral Center of the Diocese of Davenport–effective September 14, 2007 Feast of the Exaltation of the Holy Cross Revised November 27, 2011 Revised October 15, 2012 Most Reverend Martin Amos Bishop of Davenport TABLE OF CONTENTS §IV-249 POLICIES FOR IMPLEMENTING SUMMORUM PONTIFICUM IN THE DIOCESE OF DAVENPORT: INTRODUCTION 1 §IV-249.1 THE ROLE OF THE BISHOP 2 §IV-249.2 FACULTIES 3 §IV-249.3 REQUIREMENTS FOR THE CELEBRATION OF MASS 4 §IV-249.4 REQUIREMENTS FOR THE CELEBRATION OF THE OTHER SACRAMENTS AND RITES 6 §IV-249.5 REPORTING REQUIREMENTS 6 APPENDICES Appendix A: Documentation Form 7 Appendix B: Resources 8 0 §IV-249 Policies for Implementing Summorum Pontificum in the Diocese of Davenport §IV-249 POLICIES IMPLEMENTING SUMMORUM PONTIFICUM IN THE DIOCESE OF DAVENPORT Introduction In the 1980s, Pope John Paul II established a way to allow priests with special permission to celebrate Mass and the other sacraments using the rites that were in use before Vatican II (the 1962 Missal, also called the Missal of John XXIII or the Tridentine Mass). Effective September 14, 2007, Pope Benedict XVI loosened the restrictions on the use of the 1962 Missal, such that the special permission of the bishop is no longer required. This action was taken because, as universal shepherd, His Holiness has a heart for the unity of the Church, and sees the option of allowing a more generous use of the Mass of 1962 as a way to foster that unity and heal any breaches that may have occurred after Vatican II. -
Roman Catholic Liturgical Renewal Forty-Five Years After Sacrosanctum Concilium: an Assessment KEITH F
Roman Catholic Liturgical Renewal Forty-Five Years after Sacrosanctum Concilium: An Assessment KEITH F. PECKLERS, S.J. Next December 4 will mark the forty-fifth anniversary of the promulgation of the Second Vatican Council’s Constitution on the Liturgy, Sacrosanctum Concilium, which the Council bishops approved with an astounding majority: 2,147 in favor and 4 opposed. The Constitution was solemnly approved by Pope Paul VI—the first decree to be promulgated by the Ecumenical Council. Vatican II was well aware of change in the world—probably more so than any of the twenty ecumenical councils that preceded it.1 It had emerged within the complex social context of the Cuban missile crisis, a rise in Communism, and military dictatorships in various corners of the globe. President John F. Kennedy had been assassinated only twelve days prior to the promulgation of Sacrosanctum Concilium.2 Despite those global crises, however, the Council generally viewed the world positively, and with a certain degree of optimism. The credibility of the Church’s message would necessarily depend on its capacity to reach far beyond the confines of the Catholic ghetto into the marketplace, into non-Christian and, indeed, non-religious spheres.3 It is important that the liturgical reforms be examined within such a framework. The extraordinary unanimity in the final vote on the Constitution on the Liturgy was the fruit of the fifty-year liturgical movement that had preceded the Council. The movement was successful because it did not grow in isolation but rather in tandem with church renewal promoted by the biblical, patristic, and ecumenical movements in that same historical period. -
Ad Orientem” at St
Liturgical Catechesis on “Ad Orientem” at St. John the Beloved “In Testimonium” Parish Bulletin Articles from October 2015 to May 2016 CITATIONS OF LITURGICAL DOCUMENTS IN ST. JOHN THE BELOVED PARISH BULLETIN Cardinal Sarah Speech at Sacra Liturgia USA 2015 (2015-10-18) SC 2.4 (2015-10-27) SC 7.8 (2015-11-01) SC 9 (2015-11-08) SC 11.12 (2015-11-15) Ecclesia de Eucharistia (2015-11-29) Ecclesia de Eucharistia (2015-12-06) Ecclesia de Eucharistia (2015-12-13) Sacramentum Caritatis, 20 (2016-01-31) Sacramentum Caritatis, 21 (2016-02-07) Sacramentum Caritatis, 55 (2016-02-14) Sacramentum Caritatis, 52 & 53a (2016-02-21) Sacramentum Caritatis, 53b & 38 (2016-02-28) “Silenziosa azione del cuore”, Cardinal Sarah, (2016-03-06) “Silenziosa azione del cuore”, Cardinal Sarah, (2016-03-13) “Silenziosa azione del cuore”, Cardinal Sarah, (2016-03-20) Spirit of the Liturgy, Cardinal Ratzinger, (2016-04-10) Roman Missal (2016-04-17) IN TESTIMONIUM… 18 OCTOBER 2015 Among my more memorable experiences of the visit of the Holy Father to the United States were the rehearsals for the Mass of Canonization. At the beginning of the second rehearsal I attended one of the Assistant Papal Masters of Ceremony, Monsignor John Cihak, addressed all the servers and other volunteers. He is a priest of the Archdiocese of Portland in Oregon and also a seminary classmate of mine. Monsignor reminded all present that the primary protagonist in the Sacred Liturgy is the Holy Trinity. From that he expounded on the nature of reverence, both as a matter of interior activity and exterior stillness. -
Sacrosanctum Concilium's Influence on an Eastern Catholic Worship
Logos: A Journal of Eastern Christian Studies Vol. 57 (2016) Nos. 1–4, pp. 251–262 “Full, Conscious and Active Participation”: Sacrosanctum Concilium’s Influence on an Eastern Catholic Worship Aid Peter Galadza July 2013 saw the third printing of The Divine Liturgy: An Anthology for Worship.1 First issued in 2004, the predomi- nantly English-language “pew book” now has a combined print-run of almost 10,000 copies. This does not include the vast number of pirated photocopies of (sometimes large) sec- tions of the book, nor the digital pages (legally) displayed on several websites. The eve of the tenth anniversary of the Anthology’s first printing and the fiftieth anniversary of Sacrosanctum Conci- lium’s promulgation seems an appropriate time to reflect on a pivotal decree’s significant influence on this worship aid.2 Sooner or later, as editor-in-chief of the Anthology, I was bound to reflect in print on this influence, but I thank the orga- nizers of this Symposium for compelling me to do so now. 1 Peter Galadza, Joseph Roll, J. Michael Thompson, eds., The Divine Litur- gy: An Anthology for Worship (Ottawa: Metropolitan Andrey Sheptytsky Institute of Eastern Christian Studies, 2004). 2 An earlier version of this lecture was delivered in 2013 at the Catholic Uni- versity of America in Washington during a symposium, “Tradition and Prog- ress,” honoring the fiftieth anniversary of the promulgation of the Second Vatican Council’s Constitution on the Sacred Liturgy, Sacrosanctum Conci- lium. A modified version was then delivered the following year at the Uni- versity of St. -
Liturgical Press Style Guide
STYLE GUIDE LITURGICAL PRESS Collegeville, Minnesota www.litpress.org STYLE GUIDE Seventh Edition Prepared by the Editorial and Production Staff of Liturgical Press LITURGICAL PRESS Collegeville, Minnesota www.litpress.org Scripture texts in this work are taken from the New Revised Standard Version Bible: Catholic Edition © 1989, 1993, Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved. Cover design by Ann Blattner © 1980, 1983, 1990, 1997, 2001, 2004, 2008 by Order of Saint Benedict, Collegeville, Minnesota. Printed in the United States of America. Contents Introduction 5 To the Author 5 Statement of Aims 5 1. Submitting a Manuscript 7 2. Formatting an Accepted Manuscript 8 3. Style 9 Quotations 10 Bibliography and Notes 11 Capitalization 14 Pronouns 22 Titles in English 22 Foreign-language Titles 22 Titles of Persons 24 Titles of Places and Structures 24 Citing Scripture References 25 Citing the Rule of Benedict 26 Citing Vatican Documents 27 Using Catechetical Material 27 Citing Papal, Curial, Conciliar, and Episcopal Documents 27 Citing the Summa Theologiae 28 Numbers 28 Plurals and Possessives 28 Bias-free Language 28 4. Process of Publication 30 Copyediting and Designing 30 Typesetting and Proofreading 30 Marketing and Advertising 33 3 5. Parts of the Work: Author Responsibilities 33 Front Matter 33 In the Text 35 Back Matter 36 Summary of Author Responsibilities 36 6. Notes for Translators 37 Additions to the Text 37 Rearrangement of the Text 37 Restoring Bibliographical References 37 Sample Permission Letter 38 Sample Release Form 39 4 Introduction To the Author Thank you for choosing Liturgical Press as the possible publisher of your manuscript. -
Oratio-Sample.Pdf
REVISED SECOND EDITION RHYTHMS OF PRAYER FROM THE HEART OF THE CHURCH DILLON E. BARKER JIMMY MITCHELL EDITORS ORATIO (REVISED SECOND EDITION) © 2017 Dillon E. Barker & Jimmy Mitchell. First edition © 2011. Second edition © 2014. All rights reserved. ISBN 978-0-692-89224-4 Published by Mysterium LLC Nashville, Tennessee, U.S.A. LoveGoodCulture.com NIHIL OBSTAT: Rev. Jayd D. Neely Censor Librorum IMPRIMATUR: Most Rev. David R. Choby Bishop of Nashville May 9, 2017 For bulk orders or group rates, email [email protected]. Special thanks to Jacob Green and David Lee for their contributions to this edition. Excerpts taken from Handbook of Prayers (6th American edition) Edited by the Rev. James Socias © 2007, the Rev. James Socias Psalms reprinted from The Psalms: A New Translation © 1963, The Grail, England, GIA Publications, Inc., exclusive North American agent, www.giamusic.com. All rights reserved. Excerpts from the Revised Standard Version Bible, Second Catholic Edition © 2000 & 2006 by the Division of Christian Education of the National Council of Churches of Christ in the United States of America. Excerpts from the English translation of The Roman Missal © 2010, USCCB & ICEL; excerpts from the Rites of the Catholic Church © 1990, USCCB & ICEL; excerpts from the Book of Blessings © 1988, 1990, USCCB & ICEL. All rights reserved. All ritual texts of the Catholic Church not already mentioned are © USCCB & ICEL. Cover art & design by Adam Lindenau adapted from “The Angelus” by Jean-François Millet, 1857 The Tradition of the Church proposes to the faithful certain rhythms of praying intended to nourish continual prayer. Some are daily, such as morning and evening prayer, grace before and after meals, the Liturgy of the Hours. -
Saints and Angels (Tuesday)
LITANY & DEVOTIONS to Angels & Saints Tuesday 1pm Devotion Angels and Saints The celebrant leads the two opening prayers to Angels, one of the two versions of the Litany of Saints and choses one or more of the other prayers and then gives a blessing. Celebrant (to camera) We call upon our heavenly Father and Jesus His divine Son to send the Holy Spirit of healing upon our world at this time of pandemic. We ask the Angels to watch over, guard and protect us, especially, all our doctors, nurses, health-care workers and caregivers; may they be safe as our frontline against this pestilence, and may the angels strengthen and guide all essential and other emergency services We call upon the holy Saints in heaven, our elder and brothers and sisters, who have gone before us marked with the sign of faith, to intercede for us, for mercy, hope and healing, for those who are suffering from Covid 19 and to welcome in to the halls of heaven those who have died. Opening Prayers (2) face altar standing 1 To our Guardian Angel Angel of God, my guardian dear, to whom God's love commits me here, ever this day be at my side, to light and guard, to rule and guide. Amen. 2 Prayer for the Archangels to protect us from Covid19 Heavenly Father, you have given us archangels to accompany us on our pilgrimage on earth. Hear and answer our prayers and pour upon us your grace and compassion. Send Saints Michael, Gabriel, and Raphael, to be with us today as we confront this terrible coronavirus. -
The Tradition of the Red Mass Was Begun by Pope Innocent IV in 1243
Mass with Bishop Timothy L. Doherty followed by a dinner for legal professionals and a presentation by Notre Dame Law Professor Richard W. Garnett The tradition of the Red Mass was begun by Pope Innocent IV in 1243 for the Ecclesial Judical Court asking the invocation of the Holy Spirit as a source of wisdom, understanding, counsel, fortitude and strength for the coming term of the court. The color red signifies the Holy Spirit and martyrdom. St. Thomas More is the patron saint of lawyers. The Diocese of Lafayette-in-Indiana will celebrate the fifth annual Red Mass on Monday, October 5, 2020, at the Cathedral of St. Mary of the Immaculate Conception in Lafayette at 5:30 pm. All government officials (federal, state, local levels, executive, legislative, judicial branches), attorneys, paralegals, law students and their spouses are cordially invited to attend. One does not have to be Catholic to join us in prayer and fellowship for the legal community. The Red Mass is a tradition in the Catholic Church which dates back to the 13th century. The first Red Mass is believed to have been celebrated in the Cathedral of Paris in 1245, and thereafter the tradition spread throughout Europe. A Red Mass was initially celebrated to mark the beginning of the annual term of the courts but can be held at other times. The word “red” was originally used to describe the Mass in 1310, because the justices of the English Supreme Court wore scarlet robes. Over time the “Red” Mass came to have a deeper theological meaning, with red symbolizing the “tongues of fire” that descended upon the Apostles at Pentecost bestowing the gifts of the Spirit.