Baroque Chorus and Assembly of Stuttgart Bach Easter Oratorio Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Baroque Chorus and Assembly of Stuttgart Bach Easter Oratorio Mp3, Flac, Wma Baroque Chorus And Assembly Of Stuttgart Bach Easter Oratorio mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Bach Easter Oratorio Country: US Style: Baroque MP3 version RAR size: 1956 mb FLAC version RAR size: 1890 mb WMA version RAR size: 1647 mb Rating: 4.5 Votes: 287 Other Formats: AC3 DXD MP1 DTS XM AHX RA Tracklist A1 Sinfonia A2 Adagio For Oboe And Strings A3 Duet And Chorus (Tenor And Bass) A4 Recitative A5 Aria (Soprano) B1 Recitative B2 Aria (Tenor) B3 Recitative And Arioso B4 Aris (Alto) B5 Recitative B6 Chorus Credits Conductor – Marcel Couraud Related Music albums to Bach Easter Oratorio by Baroque Chorus And Assembly Of Stuttgart J.S. Bach / Te Kanawa, von Otter, Rolfe Johnson, Krause / Chicago Symphony Orchestra And Chorus, Sir Georg Solti - Bach: Matthäus-Passion (Arias And Choruses) Handel, Ama Deus Ensemble, Valentin Radu - Judas Maccabaeus Handel / Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Jerome Hines, The Philharmonia Chorus And Orchestra, Otto Klemperer - Messiah Johann Sebastian Bach, Gabrieli Consort & Players, Paul McCreesh - Magnificat / Easter Oratorio Handel, Hermann Scherchen Conducting The London Symphony Orchestra, London Philharmonic Choir - Messiah Wolfgang Gönnenwein, Stuttgart Madrigal Choir And Deutsche Bachsolisten - Bach Magnificat in D (Including Christmas Interpolations) Haydn - Judith Raskin, John McCollum, Chester Watson - Musica Æterna Orchestra And Chorus, Frederic Waldman - The Creation Johann Sebastian Bach, Helen Donath, Helen Gardow, Adalbert Kraus, Niklaus Tüller, Phillippe Huttenlocher, Gächinger Kantorei, Frankfurter Kantorei, Bach-Collegium, Stuttgart, Helmuth Rilling - Cantata No. 97 In Allen Meinen Taten / Cantata No. 192 Nun Da Beethoven, Vienna State Opera Orchestra, Hermann Scherchen - Christ On The Mount Of Olives Joh. Sebast. Bach - Das Kantatenwerk / Complete Cantatas / Les Cantates - BWV 12-16 - Folge / Volume 4.
Recommended publications
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • The Magic Flute
    WOLFGANG AMADEUS MOZART the magic flute conductor Libretto by Emanuel Schikaneder Harry Bicket Saturday, December 29, 2018 production 1:00–2:45 PM Julie Taymor set designer George Tsypin costume designer Julie Taymor lighting designer The abridged production of Donald Holder The Magic Flute was made possible by a puppet designers Julie Taymor gift from The Andrew W. Mellon Foundation Michael Curry and Bill Rollnick and Nancy Ellison Rollnick choreographer Mark Dendy The original production of Die Zauberflöte was made possible by a revival stage director David Kneuss gift from Mr. and Mrs. Henry R. Kravis english adaptation J. D. McClatchy Additional funding was received from John Van Meter, The Annenberg Foundation, Karen and Kevin Kennedy, Bill Rollnick and Nancy Ellison Rollnick, Mr. and Mrs. William R. general manager Miller, Agnes Varis and Karl Leichtman, and Peter Gelb Mr. and Mrs. Ezra K. Zilkha jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The Magic Flute is The 447th Metropolitan Opera performance of performed without intermission. WOLFGANG AMADEUS MOZART’S This performance is being broadcast the magic flute live over The Toll Brothers– Metropolitan Opera conductor International Radio Harry Bicket Network, sponsored by Toll Brothers, in order of vocal appearance America’s luxury ® tamino second spirit homebuilder , with Ben Bliss* Eliot Flowers generous long- first l ady third spirit term support from Gabriella Reyes** N. Casey Schopflocher the Annenberg Foundation and second l ady spe aker GRoW @ Annenberg, Emily D’Angelo** Alfred Walker* The Neubauer Family third l ady sar astro Foundation, the Maria Zifchak Morris Robinson* Vincent A.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • 17.2. Cylinders, Ed. Discs, Pathes. 7-26
    CYLINDERS 2M WA = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. Repro B/T = Excellent reproduction Edison orange box and printed top. All others in clean, used boxes. Any mold on wax cylinders is always described. All cylinders not described as in OB (original box with generic top) or OBT (original box and original top) are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual and refers to the cylinders rather than the boxes. Any major box problems are noted. CARLO ALBANI [t] 1039. Edison BA 28116. LA GIOCONDA: Cielo e mar (Ponchielli). Repro B/T. Just about 1-2. $30.00. MARIO ANCONA [b] 1001. Edison 2M Wax B-41. LES HUGUENOTS: Nobil dama (Meyerbeer). Announced by Ancona. OBT. Just about 1-2. $75.00. BLANCHE ARRAL [s] 1007. Edison Wax 4-M Amberol 35005. LE COEUR ET LA MAIN: Boléro (Lecocq). This and the following two cylinders are particularly spirited performances. OBT. Slight box wear. Just about 1-2. $50.00. 1014. Edison Wax 4-M Amberol 35006. LA VÉRITABLE MANOLA [Boléro Espagnole] (Bourgeois). OBT. Just about 1-2. $50.00. 1009. Edison Wax 4-M Amberol 35019. GIROLFÉ-GIROFLA: Brindisi (Lecocq). OBT. Just about 1-2. $50.00. PAUL AUMONIER [bs] 1013. Pathé Wax 2-M 1111. LES SAPINS (Dupont). OB. 2. $20.00. MARIA AVEZZA [s]. See FRANCESCO DADDI [t] ALESSANDRO BONCI [t] 1037. Edison BA 29004. LUCIA: Fra poco a me ricovero (Donizetti).
    [Show full text]
  • Cantants, Intèrprets, Directors... Títol: Birgit Nilsson I Bayreut
    WAGNERIANA CATALANA Nº 24 ANY 2006 TEMA 6: CANTANTS, INTÈRPRETS, DIRECTORS... TÍTOL: BIRGIT NILSSON I BAYREUT. MEMÒRIES DE BIRGIT NILSSON. Segona part AUTOR: Birgit Nilsson La primera part d’aquest capítol “Med ett ord, Bayreuth!” (En un sol mot, Bayreuth) del llibre “La Nilsson” de Birgit Nilsson (ISBN9170548765) editat en suec per Fischer & Co Estocolm, 1995 va ésser publicat en el número anterior, el mes de Novembre de 2005. Birgit Nilsson encara vivia. Ens va deixar el desembre de l’any passat. Serveixi aquesta traducció, extreta del text alemany editat per Krüger amb el títol “Mein Leben für die Oper”. com a petit homenatge a la memòria de la gran soprano que va interpretar tant bé les heroïnes wagnerianes. El setembre de 1956 em trobava a Buenos Aires, cantant la Mariscala del “Cavaller de la Rosa” de Strauss i la Donna Anna del “Don Giovanni” de Mozart. El primer dia de la Primavera argentina, el 21 de setembre, vaig rebre un telegrama de Wolfgang Wagner preguntant-me si l’any següent, 1957, voldria cantar la Isolda. I tant que ho volia!. Isolda a Bayreuth!. Quina felicitat! Immediatament, però, vaig recordar que encara em calia mostrar-me ofesa; així doncs vaig telegrafiar dient que no hi estava interessada. Va seguir un altre telegrama, molt afalagador, amb informació referent a directors i cantants Vaig començar a dubtar de la meva decisió. Vaig consultar en Bertil com creia ell que em calia comportar-me. Ell opinà que no havia d’oblidar que en aquell moment (els més famosos teatres d’Òpera internacionals m’havien començat a fer l’aleta amb temptadors contractes) Bayreuth estava més interessat a guanyar-me com Isolda, que jo a retornar a Bayreuth.
    [Show full text]
  • A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina
    University of South Carolina Scholar Commons Theses and Dissertations 2015 A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Amos, D. C.(2015). A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3642 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A SURVEY OF THE CAREER OF BARITONE, JOSEF METTERNICH: ARTIST AND TEACHER by Diana Carol Amos Bachelor of Music Oberlin Conservatory of Music, 1982 Master of Music University of South Carolina, 2011 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Performance School of Music University of South Carolina 2015 Accepted by: Walter Cuttino, Major Professor Donald Gray, Committee Member Sarah Williams, Committee Member Janet E. Hopkins, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies ©Copyright by Diana Carol Amos, 2015 All Rights Reserved. ii ACKNOWLEDGEMENTS I gratefully acknowledge the help of my professor, Walter Cuttino, for his direction and encouragement throughout this project. His support has been tremendous. My sincere gratitude goes to my entire committee, Professor Walter Cuttino, Dr. Donald Gray, Professor Janet E. Hopkins, and Dr. Sarah Williams for their perseverance and dedication in assisting me.
    [Show full text]
  • 2019 EVITA Lloyd Webber & Rice the Marriage of Figaro Mozart the Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein
    seagle music colony 2019 EVITA Lloyd Webber & Rice The Marriage of Figaro Mozart The Manchurian Candidate Puts & Campbell Oklahoma! Rodgers & Hammerstein Vespers Monkey & Francine Concerts in the City of Tigers * seaglecolony.org Bringing Music to the Adirondacks Since 1915 The Beechwood Group of Wells Fargo Advisors is proud to support The Seagle Music Colony Joseph Steiniger Senior Vice President - Investment Officer CERTIFIED FINANCIAL PLANNER™ [email protected] Mary E. McDonald First Vice President - Investments [email protected] The Beechwood Group 845-483-7943 www.thebeechwoodgroup.com Investment and Insurance Products: NOT FDIC Insured NO Bank Guarantee MAY Lose Value Wells Fargo Advisors, LLC, Member SIPC, is a registered broker-dealer and a separate non-bank affiliate of Wells Fargo & Company. ©2013 Wells Fargo Advisors, LLC. All rights reserved. 1113-02329 [74127-v4] Table of Contents General Information About Seagle Music Colony Restrooms are located in the Shames Rehearsal Notes from the Directors 3 Studio. Handicapped accessible restroom Seagle Music Colony Board of Directors 4 is at the rear of the theatre lobby. Seagle Music Colony Guild 4 History of Seagle Music Colony 7 Refreshments are provided in the theatre lobby 2018-2019 Seagle Music Colony Donors 8 by the Seagle Music Colony Guild. Donor Opportunities 12 2018-19 Alumni Updates 35 So that all our patrons may enjoy the performance, please turn all cell phones and pagers The Seagle Music Colony Gala 17 to the silent or off positions. The Productions Thank you for attending today’s performance. Evita 14 Monkey & Francine in the City of Tigers 16 The Marriage of Figaro 18 The Manchurian Candidate 22 Seagle Music Colony Oklahoma! 24 999 Charley Hill Road 2019 Fall Season 26 PO Box 366 Schroon Lake, NY 12870 2019 Faculty/Staff & Emerging Artists (518) 532-7875 Faculty & Staff 27 Emerging Artists 33 seaglecolony.org [email protected] Our Mission To identify, train and develop gifted singers and to present quality opera and musical theatre performances to the public.
    [Show full text]
  • Developing the Young Dramatic Soprano Voice Ages 15-22 Is Approved in Partial Fulfillment of the Requirements for the Degree Of
    DEVELOPING THE YOUNG DRAMATIC SOPRANO VOICE AGES 15-22 By Monica Ariane Williams Bachelor of Arts – Vocal Arts University of Southern California 1993 Master of Music – Vocal Arts University of Southern California 1995 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Musical Arts School of Music College of Fine Arts The Graduate College University of Nevada, Las Vegas December 2020 Copyright 2021 Monica Ariane Williams All Rights Reserved Dissertation Approval The Graduate College The University of Nevada, Las Vegas November 30, 2020 This dissertation prepared by Monica Ariane Williams entitled Developing the Young Dramatic Soprano Voice Ages 15-22 is approved in partial fulfillment of the requirements for the degree of Doctor of Musical Arts School of Music Alfonse Anderson, DMA. Kathryn Hausbeck Korgan, Ph.D. Examination Committee Chair Graduate College Dean Linda Lister, DMA. Examination Committee Member David Weiller, MM. Examination Committee Member Dean Gronemeier, DMA, JD. Examination Committee Member Joe Bynum, MFA. Graduate College Faculty Representative ii ABSTRACT This doctoral dissertation provides information on how to develop the young dramatic soprano, specifically through more concentrated focus on the breath. Proper breathing is considered the single most important skill a singer will learn, but its methodology continues to mystify multitudes of singers and voice teachers. Voice professionals often write treatises with a chapter or two devoted to breathing, whose explanations are extremely varied, complex or vague. Young dramatic sopranos, whose voices are unwieldy and take longer to develop are at a particular disadvantage for absorbing a solid vocal technique. First, a description, classification and brief history of the young dramatic soprano is discussed along with a retracing of breath methodologies relevant to the young dramatic soprano’s development.
    [Show full text]
  • 111053-54 Bk Bhmissa
    111337-38 bk Cornelius EU 13/7/08 22:48 Page 12 Fatime must go to Zobeide, the Caliph’s wife, to ask for his wife’s funeral. Fatime explains to him what has for funeral money for her dead husband. She bids her happened, while out aloud they pretend to quarrel over dead husband farewell and sets off for the palace. the locked cupboard. They continue, with Abu Hassan 7 Abu Hassan sings of what he would do with money, playing the jealous husband, while Omar, in the CORNELIUS: The Barber of Baghdad entertaining, enjoying himself and lavishing money cupboard, is fearful of discovery. Fatime sees a palace too on his wife. servant approaching, and Abu Hassan tells her to lie 8 The door opens, and there stands Omar, the down, feet towards Mecca, allowing the messenger to WEBER: Abu Hassan Caliph’s money-lender, followed by other creditors, return to the palace with news of Fatime’s death, thus seeking money from Abu Hassan, whose debts have letting the Caliph win his bet with Zobeide. fallen due. Omar is unwilling to wait any longer, but # Rôles are reversed with the approach of a second Abu Hassan begs him to be patient, telling him that messenger, Zobeide’s servant and the narrator in the SCHW Fatime has gone to take money from Zobeide and whole piece, who finds Fatime mourning her husband; TH AR explaining how she admires Omar’s generosity and she shows the woman her husband’s body and is BE Z A K goodness. Omar is ready to help Fatime and deal with comforted to be told that she is young and pretty and S O Abu Hassan’s creditors, who leave with him.
    [Show full text]
  • Boris Godunov
    Modest Mussorgsky Boris Godunov CONDUCTOR Opera in a prologue and four acts Valery Gergiev Libretto by the composer, based on the play by PRODUCTION Alexander Pushkin (1875 version, with additions Stephen Wadsworth from the 1869 version) SET DESIGNER Ferdinand Wögerbauer Saturday, October 23, 2010, 12:00–4:15 pm COSTUME DESIGNER Moidele Bickel New Production LIGHTING DESIGNER Duane Schuler CHOREOGRAPHER Apostolia Tsolaki This production of Boris Godunov was made possible by generous gifts from Karen and Kevin Kennedy, Mr. and Mrs. Howard Solomon, and Mr. and Mrs. Wilmer J. Thomas, Jr. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 268th Metropolitan Opera performance of Modest Mussorgsky’s Boris Godunov Conductor Valery Gergiev in o r d e r o f v o c a l a p p e a r a n c e Nikitich, a police officer Xenia, daughter of Boris Valerian Ruminski Jennifer Zetlan Mitiukha, a peasant Feodor, son of Boris Mikhail Svetlov Jonathan A. Makepeace Shchelkalov, a boyar Nurse, nanny to Boris’s Alexey Markov children Larisa Shevchenko Prince Shuisky, a boyar Oleg Balashov Boyar in Attendance Brian Frutiger Boris Godunov René Pape Marina Ekaterina Semenchuk Pimen, a monk Mikhail Petrenko Rangoni, a Jesuit priest Evgeny Nikitin Grigory, a monk, later pretender to the Russian throne Holy Fool Aleksandrs Antonenko Andrey Popov Hostess of the Inn Chernikovsky, a Jesuit Olga Savova Mark Schowalter Missail Lavitsky, a Jesuit Nikolai Gassiev Andrew Oakden Varlaam Khrushchov, a boyar Vladimir Ognovenko Dennis Petersen Police Officer Gennady Bezzubenkov Saturday, October 23, 2010, 12:00–4:15 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide.
    [Show full text]
  • Download Jerome Hines: Great Singers on Great Singing Free Ebook
    JEROME HINES: GREAT SINGERS ON GREAT SINGING DOWNLOAD FREE BOOK Jerome Hines | 150 pages | 01 Jul 2004 | Hal Leonard Corporation | 9780879100254 | English | New York, United States Limelight Ser.: Great Singers on Great Singing by Jerome Hines (2004, Trade Paperback) To see what your friends thought of this book, please sign up. As Opera News reported inhe was collaborating with Henry Pollack, formerly of Bell Labson "a new look at the philosophy of mathematics". Jerome Hines: Great Singers on Great Singing loved Shirley Verrett's "chocolate" and "apple" exercises! He also wrote an opera and was known for his scholarship. From Lillian Gish in Way Down Jerome Hines: Great Singers on Great Singing to Renee Zellweger in Nurse BettyDiLeo takes movie fans on an unpredictable ride through 80 years of film history, showcasing a variety of genres and performing styles, and providing Lorraine rated it it was amazing Aug 03, Hines was an exquisite basso that traveled the world and sang in the best opera houses. Jan 13, Anne rated it really liked it. And that is with the fact that I am kind of reading 9 books now at one go. It doesn't get bogged down in anatomy and technical language. I loved Shirley Verrett's "chocolate" and "apple" exercises! Edonahue rated it really liked it Feb 15, Two thumbs up! Jerome Hines is certainly the greatest American operatic basso, living or dead. Download as PDF Printable version. Sadly, I was not mentioned in this book. I have referred to it many times in my career, and always recommend it to students.
    [Show full text]
  • Magazin KLASSIK No
    magazin KLASSIK No. 8/Frühling € 5,50 2018 Franz Welser - Möst Das Prometheus Projekt S. 2 Wer war Hans Swarowsky? S. 14 Birgit Nilsson S. 21 Ein Jahrhundert für das Theater S. 22 Kreuzweg – Der Mensch und seine Schuhe S. 30 fb communications Bei uns sind Private Banking Kunden herzlich willkommen. PRIVATBANK SEIT 1832 Unser Private Banking Team freut sich auf ein Gespräch mit Ihnen. Vereinbaren Sie Ihren persönlichen Termin unter 01/534 34 - 4000 oder [email protected] Gefühle einschalten auf 107,3 EDITORIAL Für diese Ausgabe von magazin KLASSIK haben wir Dirigenten in den Mittelpunkt gerückt. Im Rampenlicht stehen ein aktuelles Beethoven- Projekt, die Wiederauflage eines berühmten Buches, die größte Tonträger-Edition der Ge- schichte und eine Fotografin. Franz Welser-Möst wird im Mai mit seinem Cleveland Orchestra die Beethoven-Symphonien in Wien dirigieren. Seine Auseinandersetzung mit Beethoven und diesem Projekt nennt er „Prometheus“ – in einem exklusiven Podcast auf radio klassik Stephansdom können sich seine Fans schon vorab informieren. 1 Einer der einflussreichsten Dirigier-Lehrer war Hans Swarowsky. Aus Anlass der Wiederauflage seines Buches „Wahrung der Gestalt“ räumt sein Schüler, (Dirigent) Manfred Huss, mit so manchem Vorurteil auf. Des Weiteren darf ich Sie auf Interviews mit Fotografin Nancy Horowitz, Dirigent (sic!) Johannes Cover: Kutrowatz und Karl Habsburg aufmerksam machen. Gestaltung — studio VIE In dieser Ausgabe lesen Sie noch Beiträge über Claude Debussy, Birgit Nilsson und Carl Andreas Goepfert sowie eine Vorschau auf die „Lange Nacht der Kirchen“. Wir stellen auch unsere erfolgreiche Sendereihe Takt.Gefühl vor und geben einen Ausblick auf eine neue Serie mit Hans Peter Kammerer zum Thema „Lied“.
    [Show full text]