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Scholarship Boys and Children's Books
Scholarship Boys and Children’s Books: Working-Class Writing for Children in Britain in the 1960s and 1970s Haru Takiuchi Thesis submitted towards the degree of Doctor of Philosophy in the School of English Literature, Language and Linguistics, Newcastle University, March 2015 ii ABSTRACT This thesis explores how, during the 1960s and 1970s in Britain, writers from the working-class helped significantly reshape British children’s literature through their representations of working-class life and culture. The three writers at the centre of this study – Aidan Chambers, Alan Garner and Robert Westall – were all examples of what Richard Hoggart, in The Uses of Literacy (1957), termed ‘scholarship boys’. By this, Hoggart meant individuals from the working-class who were educated out of their class through grammar school education. The thesis shows that their position as scholarship boys both fed their writing and enabled them to work radically and effectively within the British publishing system as it then existed. Although these writers have attracted considerable critical attention, their novels have rarely been analysed in terms of class, despite the fact that class is often central to their plots and concerns. This thesis, therefore, provides new readings of four novels featuring scholarship boys: Aidan Chambers’ Breaktime and Dance on My Grave, Robert Westall’s Fathom Five, and Alan Garner’s Red Shift. The thesis is split into two parts, and these readings make up Part 1. Part 2 focuses on scholarship boy writers’ activities in changing publishing and reviewing practices associated with the British children’s literature industry. In doing so, it shows how these scholarship boy writers successfully supported a movement to resist the cultural mechanisms which suppressed working-class culture in British children’s literature. -
Steam Engine Time 7
Steam Engine Time Everything you wanted to know about SHORT STORIES ALAN GARNER HOWARD WALDROP BOOK AWARDS HARRY POTTER Matthew Davis Ditmar (Dick Jenssen) Bruce Gillespie David J. Lake Robert Mapson Gillian Polack David L. Russell Ray Wood and many others Issue 7 October 2007 Steam Engine Time 7 If human thought is a growth, like all other growths, its logic is without foundation of its own, and is only the adjusting constructiveness of all other growing things. A tree cannot find out, as it were, how to blossom, until comes blossom-time. A social growth cannot find out the use of steam engines, until comes steam-engine time. — Charles Fort, Lo!, quoted in Westfahl, Science Fiction Quotations, Yale UP, 2005, p. 286 STEAM ENGINE TIME No. 7, October 2007 is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough VIC 3088, Australia ([email protected]) and Janine Stinson, PO Box 248, Eastlake, MI 49626-0248, USA ([email protected]). Members fwa. First edition is in .PDF file format from http://efanzines.com, or enquire from either of our email addresses. In future, the print edition will only be available by negotiation with the editors (see pp. 6–8). All other readers should (a) tell the editors that they wish to become Downloaders, i.e. be notified by email when each issue appears; and (b) download each issue in .PDF format from efanzines.com. Printed by Copy Place, Basement, 415 Bourke Street, Melbourne VIC 3000. Illustrations Ditmar (Dick Jenssen) (front cover); David Russell (p. 3). Photographs Covers of various books and magazines discussed in this issue; plus photos by Cath Ortlieb (p. -
Open Research Online Oro.Open.Ac.Uk
Open Research Online The Open University’s repository of research publications and other research outputs Imagining Albion: Fantasy, Enchantment and Belonging in Contemporary British Paganism Thesis How to cite: Purcell, Helen Maria (2015). Imagining Albion: Fantasy, Enchantment and Belonging in Contemporary British Paganism. PhD thesis The Open University. For guidance on citations see FAQs. c 2015 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000efad Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Imagining Albion: Fantasy, Enchantment and Belonging in Contemporary British Paganism Helen Purcell BA (hons) MA A thesis submitted for the degree of Doctor of Philosophy in the Faculty of Religious Studies at The Open University / 30 March 2015 ProQuest Number: 13834821 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13834821 Published by ProQuest LLC(2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. -
Alternatives to Harry Potter1
ALTERNATIVES TO HARRY POTTER1 If you like the Harry Potter books, you may well enjoy these titles as well. And if you dislike Harry, you might think that many of these books are much, MUCH better! BOOKS THAT CREATE AN ALTERNATIVE UNIVERSE J. R. R. Tolkien The Hobbit (1937)* The Lord of the Rings Trilogy The Fellowship of the Ring (1954) The Two Towers (1954) The Return of the King (1955) C. S. Lewis The Chronicles of Narnia The Lion, the Witch, and the Wardrobe (1950)* Prince Caspian (1951) The Voyage of the Dawn Treader (1952) The Silver Chair (1953) The Horse and His Boy (1954) The Magician’s Nephew (1955) The Last Battle (1956) Ursula Le Guin The Earthsea Trilogy A Wizard of Earthsea (1968) The Tombs of Atuan (1971) The Farthest Shore (1972) Nancy Farmer The Ear, the Eye, and the Arm (1994) The House of the Scorpion (2002)* 1 Stars (***) = My favorites! Philip Pullman His Dark Materials Trilogy*** The Golden Compass (1995) The Subtle Knife (1997) The Amber Spyglass (2000) William Nicholson The Wind on Fire Trilogy The Wind Singer (2000) Slaves of the Mastery (2001) Firesong (2002) BOOKS THAT MIX FANTASY & REALITY L. Frank Baum The Wonderful Wizard of Oz (1900) The Marvelous Land of Oz (1904) Ozma of Oz (1907)** Dorothy and the Wizard in Oz (1908) The Emerald City of Oz (1910) The Patchwork Girl of Oz (1913) Etc! But don’t be fooled by the ones by other authors, like Ruth Plumley Thompson, which are not as good as the Baum titles. Alan Garner Tales of Alderley The Weirdstone of Brisingamen (1960) The Moon of Gomrath (1963) The Owl Service -
1 Children of the Stones
Children of the Stones: Prehistoric Sites in British Children’s Fantasy, 1965-2005 Charles Butler, University of the West of England The Uses of Prehistory Henges, standing stones, barrows, ancient trackways and other types of prehistoric site are common features in British children‘s fantasy fiction. As reminders of, and sometimes portals to, the past, they are natural subjects for any writer for whom questions of history and belief exercise a fascination. Here we can touch and gaze upon objects that were important to those who came before us. Indeed, we are looking at the work of their hands, which stands as a complex and mute puzzle, an empathetic conundrum of the kind novels seem well suited to explore. Who were these people? Why did they go to so much effort, over such a long period? What was it like to be them? These perennially elusive questions form one major aspect of the monuments‘ appeal to writers, as to other people. Another consists simply in the longevity of the monuments themselves, which have stood, relatively unchanged, through so much human history. British children‘s fantasies of the 1960s and ‗70s in particular are often characterized by a concern to ‗connect‘ with the past; and prehistoric monuments can easily be called to the service of this humanist project. Beyond such general observations, however, we can point to several more specific roles that have been played by prehistoric monuments in fantasy fiction, roles that derive in varying degrees from such external discourses as archaeology, folklore, and New Age theories. In what follows I shall attempt a brief survey of these roles, before considering the ways in which one in particular – the use of prehistoric sites as portals to other worlds – is exploited in Alan Garner‘s Elidor (1965) and Catherine Fisher‘s Darkhenge (2005), two texts which stand as chronological book-ends to my discussion. -
The Mythological Archetypes and the Living Myth in Alan Garner's the Owl Service
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diponegoro University Institutional Repository THE MYTHOLOGICAL ARCHETYPES AND THE LIVING MYTH IN ALAN GARNER’S THE OWL SERVICE A FINAL PROJECT In Partial Fulfillment of the Requirement For S-1 Degree Majoring in Literature in English Department, Faculty of Humanities Diponegoro University Submitted by: Atikah Rahmawati 13020114130072 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2019 i PRONOUNCEMENT The writer states truthfully that this project is compiled by herself without taking any results from other research in any university, in S-1, S-2, S-3 degree and diploma. In addition, the writer ascertains that she did not take material from other publication or someone’s work except for the references mentioned in the bibliography. Semarang,4 October 2019 Atikah Rahmawati ii MOTTO AND DEDICATION “Everything works out in the end” – Kodaline This final project is dedicated to me, my parents, and my friends. iii APPROVAL THE MYTHOLOGICAL ARCHETYPES AND THE LIVING MYTH INALAN GARNER’S THE OWL SERVICE Written by: Atikah Rahmawati NIM: 13020114130072 Approved by, Thesis Advisor Drs. SiswoHarsono, M.Hum. NIP. 19640418199001001 The Head of the English Department, Dr. AgusSubiyanto, M.A. NIP. 196408141990011001 iv VALIDATION Approved by Strata 1 Thesis Examination Committee Faculty of Humanities Diponegoro University On 4October 2019 Chair Person First Member Dra. Astri Adriani Allien, M.Hum Ariya Jati, S.S, M.A NIP. 196006221989032001 NIP. 197802282005021001 Second Member Third Member Dra. R. AJ. Atrinawati, M.Hum Drs. Catur Kepirianto, M.Hum NIP. 196101011990012001 NIP. 196509221992031002 v ACKNOWLEDGMENT Praise to Allah SWT Almighty and the most inspiring Prophet Muhammad SAW for the strength and spirit given to the writer so this project on “The Mythological Archetypes and The Living Myth in Alan Garner’s The Owl Service” came to a completion. -
Scratch Pad 59 April 2005
Scratch Pad 59 April 2005 Thank you, fandom! Photo: Bill Burns. Scratch Pad 59 A fanzine based on *brg* 41, for the April 2005 mailing of ANZAPA by Bruce Gillespie, 5 Howard Street, Greensborough VIC 3088, Australia. Phone: 61-3-9435 7786. Email: [email protected]. Weblog: www.appleblossomblues.blogspot.com Contents 2 A LETTER FROM AUSTRALIA 4 ANOTHER CUP OF COFFEE by Bruce Gillespie Bruce Gillespie 5 Previously unpublished Bruce Gillespie article: 4 I HAVE RETURNED! by Bruce Gillespie INNER STARS: THE NOVELS OF ALAN GARNER A letter from Australia Arnie Katz writes in Vegas Weekly Fandom 18: ‘Bruce Gillespie, feted by Vegas Fandom at the Gillespie Gala & Hardin Birthday Bash, sent this letter from the calm and safety of his Australian home.’ Hello, everybody: Garden at the Huntingdon Museum by Marty Cantor, being allowed to touch choice items in the Robert Licht- Thanks to all those who contributed to the BBB Fund man fanzine collection, sampling a good number of and welcomed me to America. But that flight back was America’s restaurant cuisines, and being supported way a horror (14 hours in a plane without an empty seat) and past the call of fannish duty by the great Peter Weston. I was very glad to see Elaine at the gate at Tullamarine It was all Marty Cantor’s fault — or was it Joyce and this morning at 9.30. Arnie Katz’s suggestion in the first place (at the 2004 Impossible to summarise any impressions at the Corflu)? Fannish history is already debating this matter. moment, except that the whole trip was amazing and The kindly presence of Joyce and Arnie hovered over all satisfying to me. -
PA108 Reading List for Key Stage 2 High Learning Potential Children
PA108 READING LIST FOR KEY STAGE 2 HIGH LEARNING POTENTIAL PAGE 1 CHILDREN ADVICE SHEET Summary This advice sheet offers a list of some materials suitable for Key Stage 2 readers who are significantly advanced. Materials are listed according to maturity of theme and/or language. In the fiction list a single asterisk* denotes that part of a series or individual titles by an author are of more advanced content; a double asterisk** denotes works that overlap Key Stage 3 material in school. Additional advice sheets containing lists of reading material for high learning potential Key Stage 1 and Early Years readers are also available. Introduction We are often asked for ideas for reading material for advanced readers. Whilst we acknowledge that children have diverse tastes in their reading, this list can be used as a general guide to age- appropriate more advanced reading material. In order for children to develop as readers, it is a good idea for them to broaden their horizons by varying the subject, format and media. Supporting a High Learning Potential Key Stage 2 Reader High learning potential children’s emotional development is often out of line with their reading ability and anyone supporting them needs to consider the appropriateness of the subject of the book, along with the level of difficulty. It is important that high learning potential children are given opportunities to read aloud even though they can read well and fluently, since they will come across unfamiliar words in their reading and they may get into the habit of mispronouncing them. High learning potential children will also benefit from practising new vocabulary by incorporating them in written work after checking the meaning with an adult or using a (virtual) dictionary (http://www.thesaurus.com or http://www.visuwords.com) and looking for synonyms. -
First Light: a Celebration of Alan Garner Free
FREE FIRST LIGHT: A CELEBRATION OF ALAN GARNER PDF Erica Wagner | 336 pages | 05 May 2016 | Cornerstone | 9781783522521 | English | London, United Kingdom Alan Garner | Publication date: May If the rocks, caves, lakes, fens, bogs and dens of the land of Britain had a voice, it would sound like Alan Garner telling a story. The purpose of the storyteller is to relate the truth in a manner that is simple: to integrate without reduction; for it is rarely possible to declare the truth as it is, because the Universe presents itself as a Mystery. We have to find parables; we have to tell stories to unriddle the world. This extraordinary body of work has fascinated and inspired readers and writers alike for more than fifty years. Alan Garner turned 80 last year, and in celebration, many of the writers, artists, archaeologists and historians he has inspired are contributing pieces to this volume. Edited by the acclaimed novelist and journalist, Erica Wagner, it will make a beautiful and important book for anyone who cares about the power of story to enrich First Light: A Celebration of Alan Garner transform. What am I pledging for? As well as the receiving the book and enjoying the rewards listed opposite, a portion of the proceeds from the sale First Light: A Celebration of Alan Garner First Light will be donated to the Blackden Trusta charitable trust that works to preserve and share the ten thousand years of history, two ancient houses and countless stories that have emerged from the acre of Cheshire land which has sustained Alan Garner for almost sixty years and where all his work has originated. -
OMC | Data Export
Sarah Hardstaff, "Entry on: Red Shift by Alan Garner ", peer-reviewed by Susan Deacy and Elżbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2020). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/979. Entry version as of September 27, 2021. Alan Garner Red Shift TAGS: Classics vs. Modern in education Orion Plautus We are still trying to obtain permission for posting the original cover. General information Title of the work Red Shift Country of the First Edition United Kingdom Country/countries of popularity United Kingdom Original Language English First Edition Details Alan Garner, Red Shift, London: Collins, 1973, 155 pp. ISBN 9780006710004 Official Website harpercollins.co.uk (accessed: March 13, 2020). Genre Fantasy fiction, Novels Target Audience Young adults Author of the Entry Sarah Hardstaff, University of Cambridge, [email protected] Susan Deacy, University of Roehampton, [email protected] Peer-reviewer of the Entry Elżbieta Olechowska, University of Warsaw, [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. Katarzyna Marciniak, Faculty of “Artes Liberales” of the University of Warsaw. Sarah Hardstaff, "Entry on: Red Shift by Alan Garner ", peer-reviewed by Susan Deacy and Elżbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2020). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/979. -
Modern Children's Fantasy Catherine Butler a Survey of the Last Fifty Years
Modern Children’s Fantasy Catherine Butler A survey of the last fifty years in children‟s fantasy, if it is to be more than a roll-call of those who have distinguished themselves in terms of popularity or critical acclaim, must step back from the fashions for individual books and authors to describe developments at a more general and, as it were, tectonic level. Such a description may be couched in literary terms, of plot, character and narration; or as reflecting changes in the world at large, especially the world as experienced by children; but ideally it should acknowledge and analyse the mutual influence of these factors. Social mores have changed greatly since 1960: can the same be said of children‟s fantasy fiction? In British children‟s fantasy of the early 1960s, there was a distinct preference for real-world settings, usually rural or suburban, inner cities being generally the preserve of realist writers. Child protagonists would typically be white and middle-class, often holidaymakers or newcomers to an area. Indeed, a stock way to begin a book was with the train bringing the protagonist (alone, or with family) to the site of the adventure, as in Alan Garner‟s The Weirdstone of Brisingamen (1960) and Susan Cooper‟s Over Sea, Under Stone (1965). And an adventure it generally was, in the sense of being delimited in time, and bracketed by a life marked as recognizably ordinary. The adventure would be undertaken largely without the assistance of adults from the children‟s own circle and would revolve around, or be precipitated by, contact with a mysterious place, object or person. -
To the Cheshire Station: Alan Garner and John Mackenzie's Red Shift
To the Cheshire Station: Alan Garner and John Mackenzie’s Red Shift (1978) Brian Baker In Alan Garner’s 1973 novel Red Shift, set within the county of Cheshire, one of the interconnected male protagonists, Tom, stands upon the hill of Mow Cop, a site which is important to the three layered narratives (in Roman Britain, at the time of the Civil War, and in the present) that make up the novel. Negotiating an increasingly difficult (and long-distance) relationship with the trainee nurse Jan, Tom begins to psychologically disintegrate under pressure from his family and in trying to manage his own feelings. On Mow Cop, he asks Jan ‘Where am I?’, and then provides his own answer: ‘My right leg,’ said Tom,’ at this moment, is in the township of Odd Rode, in the parish of Astbury, in the hundred of Northwich, and the county and diocese of Chester, in the province of York. My left leg is in the township of Stadmorslow, in the parish of Wolstanton, in the hundred of Pinehill, in the county of Stafford, in the diocese of Lichfield, in the province of Canterbury. You see my predicament. […] [I]t’s worse in there. There, the map says, the boundary is undefined.’ (Garner 2002: 110) An emblem of Tom’s own psychological dislocation and lack of definition, Mow Cop, which stands on the border of Cheshire and Staffordshire and between the Midlands and the North, is a literal projection of an emotional and psychological state. As I will undertake to analyse in this chapter, both Garner’s Red Shift and the BBC Play for Today adaptation of the novel, which was broadcast in 1978, are filled with images of physical mobility and of communications technologies: the M6 motorway, Crewe railway station, bicycles, a cassette recorder, written letters (the novel ends with one, given to the reader in code).