Katherine Mansfield on the French Riviera

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Katherine Mansfield on the French Riviera Menton, France 24–25 September 2020 An international symposium organised by the Katherine Mansfield Society, Hosted by the Town Hall of Menton Keynote speaker tbc CALL FOR ABSTRACTS The New Zealand short story writer Katherine Mansfield (1888–1923) spent all her adult life in Europe, of which approximately three years in total were spent in France, where she later died. For much of this time she was on the French Riviera, firstly in Bandol and subsequently in Menton during the spring of 1920, and then staying at the Villa Isola Bella from September 1920 to May 1921. Both Bandol and Menton proved fertile ground for Mansfield’s creativity. During two sojourns in Bandol (1916 and 1918), she completed ‘The Aloe’ and wrote ‘Je ne parle pas français’, ‘Sun and Moon’, and ‘Bliss’. The time she spent at the Villa Isola Bella in Menton resulted in ‘The Singing Lesson’, ‘The Young Girl’, ‘The Stranger’, ‘Miss Brill’, ‘Poison’, ‘The Lady’s Maid’, ‘The Daughters of the Late Colonel’, and ‘Life of Ma Parker’. Mansfield’s life in the south of France also engendered comments in her notebooks and diaries, as well as in her letters. For example, near the end of a letter to her husband, John Middleton Murry, written from Menton, she wrote, ‘You will find ISOLA BELLA in poker work on my heart’. Domestic issues, friendships, visitors from England, descriptions of the Mediterranean, all feature in her personal writing. On her first visit to Menton, staying with her cousin Connie Beauchamp, she wrote to Murry: ‘Oh, could I bring the flowers, the air the whole heavenly climate as well: this darling little town, these mountains – It is simply a small jewel’. In January 1922, high up in the snowy Swiss Alps, she wrote in her new diary: ‘I love, I long for the fertile earth. How I have longed for the S. of France this year!’ Suggested topics for papers might include (but are not limited to): • The influence of the south of France on Mansfield • Mansfield, travel and France • Mansfield’s French legacy • The French reception of Mansfield’s works • Translating Mansfield • France and the French as sources for Mansfield’s imagination • Teaching and studying Mansfield in France today • The influence of French literature on Mansfield • Analysis of any of the stories Mansfield wrote in the south of France • The legacy of Mansfield in New Zealand writing today NB: All other topics relating to Mansfield will be considered. Abstracts of 200 words, together with a 50-word bio-sketch, should be sent to the conference organiser: Dr Gerri Kimber (University of Northampton, UK) at [email protected] Submission deadline: 30 April 2020 .

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International Journal of Science Vol.5 No.1 2018 ISSN: 1813-4890 Representation of Modernism in Mansfield’s Short Stories Jialing Ding Nantong University, Nantong 226001, China [email protected] Abstract The modernist thought itself has a very complex background. Strictly speaking, modernism is not a genre, but a literary trend that is revealed in many modernist creative fictions. Kathrine Mansfield’s works have this unique feature. She uses modernist techniques in her short stories very skillfully and tactfully. The aim of the thesis is to explore representative modernist techniques in Mansfield’s short stories. Through the research, I want to prove that she is an innovator of English short stories. The thesis mainly discusses stream of consciousness in Mansfield’s short stories which includes association, time and space montage and illusion. The thesis also analyses symbols in her representative short stories and different perspectives of narration in her works. I sincerely hope that readers can understand her works better through my efforts. Undoubtedly, Mansfield opens up a path to a higher literary standard. Keywords Mansfield; modernism; stream of consciousness; symbolism; perspectives of narration. 1. Introduction Katherine Mansfield(1888-1923) is a splendid English short story writer in the early 20th century. In order to get a better development, Mansfield gave up her pleasant and affluent life. Surprisingly, she chose to travel to London by herself. From the moment she set foot in London, she has become a wandering soul who didn’t have a complete home. Mansfield had complex personality, at the same time, she went through the same intricate life journey.
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Appendix: Major Periodical Publications (1910–22)
Appendix: Major Periodical Publications (1910–22) Short stories (signed Katherine Mansfield unless otherwise stated) ‘Bavarian Babies: The Child-Who-Was-Tired’, New Age, 6.17 (24 February 1910), 396–8 [Katharine Mansfield] ‘Germans at Meat’, New Age, 6.18 (3 March 1910), 419–20 [Katharine Mansfield] ‘The Baron’, New Age, 6.19 (10 March 1910), 444 [Katharine Mansfield] ‘The Luft Bad’, New Age, 6.21 (24 March 1910), 493 [Katharine Mansfield] ‘Mary’, Idler, 36.90 (March 1910), 661–5 [K. Mansfield] ‘At “Lehmann’s” ’, New Age, 7.10 (7 July 1910), 225–7 [Katharine Mansfield] ‘Frau Brechenmacher Attends a Wedding’, New Age, 7.12 (21 July 1910), 273–5 ‘The Sister of the Baroness’, New Age, 7.14 (4 August 1910), 323–4 ‘Frau Fischer’, New Age, 7.16 (18 August 1910), 366–8 ‘A Fairy Story’, Open Window, 1.3 (December 1910), 162–76 [Katharina Mansfield] ‘A Birthday’, New Age, 9.3 (18 May 1911), 61–3 ‘The Modern Soul’, New Age, 9.8 (22 June 1911), 183–6 ‘The Journey to Bruges’, New Age, 9.17 (24 August 1911), 401–2 ‘Being a Truthful Adventure’, New Age, 9.19 (7 September 1911), 450–2 ‘A Marriage of Passion’, New Age, 10.19 (7 March 1912), 447–8 ‘Pastiche: At the Club’, New Age, 10.19 (7 March 1912), 449–50 ‘The Woman at the Store’, Rhythm, no. 4 (Spring 1912), 7–24 ‘Pastiche: Puzzle: Find the Book’, New Age, 11.7 (13 June 1912), 165 ‘Pastiche: Green Goggles’, New Age, 11.10 (4 July 1912), 237 ‘Tales of a Courtyard’, Rhythm, no.
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Bliss and Other Stories by Katherine Mansfield
Bliss and Other Stories 1 Bliss and Other Stories by Katherine Mansfield NEW YORK ALFRED A KNOPF MCMXXII Published, 1920 Reprinted 1920 Reprinted 1921 Reprinted 1921 Reprinted 1921 by Katherine Mansfield 2 Reprinted 1922 Reprinted 1922 Printed in Great Britain at The Mayflower Press, Plymouth. William Brendon & Son, Ltd. To John Middleton Murray CONTENTS PRELUDE JE NE PARLE PAS FRANCAIS BLISS THE WIND BLOWS PSYCHOLOGY PICTURES THE MAN WITHOUT A TEMPERAMENT MR. REGINALD PEACOCK'S DAY SUN AND MOON FEUILLE D'ALBUM A DILL PICKLE THE LITTLE GOVERNESS REVELATIONS THE ESCAPE PRELUDE 1 THERE was not an inch of room for Lottie and Kezia in the buggy. When Pat swung them on top of the luggage they wobbled; the grandmother's lap was full and Linda Burnell could not possibly have held a lump of a child on hers for any distance. Isabel, very superior, was perched beside the new handy-man on the driver's seat. Hold-alls, bags and boxes were piled upon the floor. "These are absolute necessities that I will not let out of my sight for one instant," said Linda Burnell, her voice trembling with fatigue and by Katherine Mansfield 3 excitement. Lottie and Kezia stood on the patch of lawn just inside the gate all ready for the fray in their coats with brass anchor buttons and little round caps with battleship ribbons. Hand in hand, they stared with round solemn eyes, first at the absolute necessities and then at their mother. "We shall simply have to leave them. That is all. We shall simply have to cast them off," said Linda Burnell.
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Katherine Mansfield: the Question of Perspectives in Commonwealth Literature
Kunapipi Volume 6 Issue 2 Article 11 1984 Katherine Mansfield: The Question of Perspectives in Commonwealth Literature Andrew Gurr Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Gurr, Andrew, Katherine Mansfield: The Question of Perspectives in Commonwealth Literature, Kunapipi, 6(2), 1984. Available at:https://ro.uow.edu.au/kunapipi/vol6/iss2/11 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Katherine Mansfield: The Question of erspectivP es in Commonwealth Literature Abstract Writing literary criticism as a collaborative act is a complex operation. It requires similar interests, similar styles of writing and above all a similarity of critical perspective which must be neither so narrow as to inhibit original thinking nor so broad as to allow real differences to show. Even parallel lines of thought can follow tracks different enough to be embarrassing when the aim is to present a coherent and unified view of the subject. When the writer is a regional figure with a metropolitan publishing history the strain of diversity can be acute. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol6/iss2/11 ANDREW GURR Katherine Mansfield: The Question of Perspectives in Commonwealth Literature Writing literary criticism as a collaborative act is a complex operation. It requires similar interests, similar styles of writing and above all a similar- ity of critical perspective which must be neither so narrow as to inhibit original thinking nor so broad as to allow real differences to show.
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Katherine Mansfield
'UNCOMMON GROUND. DISLOCATION, DISPLA-NT, AND DIX1UNCTION IN THE WRlTING OF KAT'EEmMANSmELD Georgia Dawn Milligan B.A., Simon Fraser University, 1992 A THESIS SUBMTIED IN PARTIAL FULFUAENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English O Georgia Dawn Milligan 1996 SIMON FRASER UNIVERSITY April 1996 All rights reserve& This work may not be r,"produced in whole or in part, by photocopy or other means, without permission of the author. National Library Bibliothwue nationale 1*1 of Canada du Canada Acquisitions and Direction des acquisitions et Bibliographic %rvices Branch des services bibliographiques 395 Wellmgtm Street 395. rue Wellington Ottawa, Ontarii Ottawa (Ontario) KIA OF44 KIA ON4 Your hle Votre r6ference Our file Nofre rWrence The author has granted an L'auteur a accorde une licence irrevocable non-exclusive licence irrevocable et non exclusive allowing the National Library of permettant a la Bibliotheque Canada to reproduce, loan, nationale du Canada de distribute or sell copies of reproduire, prQer, distribuer ou - hisjher thesis by any means and vendre des copies de sa these in any form or format, making de quelque maniere et sous this thesis available to interested quelque forme que ce soit pour persons. mettre des exemplaires de cette these a la disposition des personnes interessees. The author retains ownership of L'auteur conserve la propri26 du the copyright in hislher thesis. droit d'autew qui protege sa Neither the thesis nor substantial thhse. Ni la these ni des extraits extracts from it may be printed or substantiels de celle-ci ne otherwise reprcduced without doivent 8re imprimes ou his/her permission.
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Virginia Woolf, Hd, Germaine Dulac, and Walter Benjamin
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The Collected Fiction of Katherine Mansfield
The Collected Fiction of Katherine Mansfield, Edited by Gerri and Vincent O'Sullivan Mansfield, Katherine digitalisiert durch: The Edinburgh edition of the collected works of Katherine ... IDS Luzern 2012- Contents Acknowledgements ix Abbreviations and Textual Note xi Chronology xiii Introduction xix Fiction Enna Blake 3 A Happy Christmas Eve 5 The Great Examination 7 The Pine Tree, The Sparrows, and You and I Misunderstood She A True Tale was a big bare house' 'I am afraid I be very Two with One Moral Die Einsame (The Lonely One) 20 Your Birthday 22 One Day 24 About Pat 29 CONTENTS My Potplants Les Deux Etrangeres 3 5 Juliet 37 '"I was never happy", Huia said' Memories 63 The Tale of the Three 64 66 Vignette: Summer in Winter 66 Summer Idyll 67 Night Swiftly She and the Boy; or the Story of the 73 'She unpacked her box' Vignettes Vignette: Through the Afternoon Silhouettes 83 In the Botanical Gardens 84 In a Cafe Leves 89 The Story of Pearl Button Vignette: Sunset Tuesday 'On waking next morning' 94 An 97 Vignette: Westminster Cathedral 'She on the broad 99 The Man, the Monkey and the Mask The Education of Audrey Juliette Delacour The Unexpected Must Happen Vignette: By the Sea In Summer The Yellow Chrysanthemum The Thoughtful Her Literary Aspirations Vignette: They are a ridiculous Company The Thoughtful Child Rewa The Tiredness of Rosabel Study: The Death of a Rose 'Youth and Age' CONTENTS Vignette: 'I out through the window' Almost a Tragedy: The Cars on Lambton Quay A God, One Day on Mount Olympus 'He her again on the Pier at Prose
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Katherine Mansfield and the Art of the Short Story
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Marginal Creatures?
Marginal Creatures? The Child Figure in Katherine Mansfield’s Fiction Marlene Andresen Masteroppgave i allmenn litteraturvitenskap Institutt for litteratur, områdestudier og europeiske språk Det humanistiske fakultet UNIVERSITETET I OSLO September 2017 II Marginal Creatures? The Child Figure in Katherine Mansfield’s Fiction Marlene Andresen Katherine Mansfield in 1914, aged 26 (Adelphi Studios). A Thesis Presented to the Department of Literature, Area Studies, and European Languages Faculty of Humanities University of Oslo September 2017 III © Copyright Marlene Andresen 2017 Marginal Creatures? The Child Figure in Katherine Mansfield’s Fiction Marlene Andresen http://www.duo.uio.no Trykk: Reprosentralen, Universitetet i Oslo IV Abstract This thesis investigates the critical dismissal of the child figure in Katherine Mansfield’s authorship, and demonstrates alternative ways of conducting literary analyses of four of her childhood stories: “Prelude,” “Sun and Moon,” “How Pearl Button Was Kidnapped” and “The Woman at the Store.” An evaluation of the reception history of Mansfield’s short stories reveals a process of infantilisation of not only her literary productions but also of her persona, and this reflects the marginalisation of the child figure in literary studies overall. The child exhibits a peculiar duality: on the one hand, it instigates empathic responses deriving from Romantic discourses, and on the other hand, it calls for Formalist and structural approaches based on modern notions of a hermeneutics of suspicion – in the end, it seems to struggle to navigate within this conflicting critical climate. Mansfield’s authorship, however, exemplifies literature’s unique ability to reconstruct the child’s world in ways which communicate not only an imaginative interpretation of childhood consciousness, but also the child’s ability to problematize normative belief systems, ideological constructs and social reality when used as a textual device.
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Filosofická Fakulta Masarykovy Univerzity
Jm én o Au Masarykova univerzita tor Filozofická fakulta a 20 Katedra anglistiky a amerikanistiky 07 Bakalářská diplomová práce 2011 Petra Vazačová Hřbet Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Petra Vazačová Narrative Presentation and Interrogation of Social Conventions in the Stories of Katherine Mansfield Bachelor’s Diploma Thesis Supervisor: Stephen Paul Hardy, Ph. D. 2011 2 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature 3 Acknowledgement I would like to thank to PhDr. Janka Kaščáková and to Stephen P. Hardy, Ph. D. 4 Table of Contents Introduction 6 Chapter one: The perspective of the child 11 Chapter two: The perspective of the young woman 21 Conclusion 36 Bibliography 41 5 Introduction According to Michel Foucault, our society has developed the systems of restrictions, which are more or less quietly obeyed by its members: we are not allowed to be outspoken in whatever situation: there exists a taboo of a topic, a ritual of circumstances, a privileged or an exclusive right of the subject, who is speaking. These restrictions intersect and form a grid, with dark fields in its tight corners. (Foucault, 9) Katherine Mansfield aimed her attention into these dark places; in her stories she concentrated on not very favourable and even taboo topics, such as child neglect and abuse, child sexuality, violence in marriage, victimization of women and lesbian love. Some of her first stories published in Great Britain openly described these topics, but later in her work she became more ´socialized´ and for the criticism she used more ´disguised´, sophisticated forms.
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University of Dundee DOCTOR of PHILOSOPHY Katherine Mansfield
University of Dundee DOCTOR OF PHILOSOPHY Katherine Mansfield and Visual Culture Harland, Faye Award date: 2017 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 Katherine Mansfield and Visual Culture Faye Harland Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Dundee School of Humanities February 2017 ii The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. ©2017 The University of Dundee and Faye Elizabeth Harland. iii Contents Acknowledgements………………………………………………………………………………………………………………………v Abstract……………………………………………………………………………………………………………………………………….vi List of Illustrations……………………………………………………………………………………………………………………….vii Introduction: ‘At moments it seems to me that all literature is in that picture’………………………………1 I.
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An Analysis of Binary Oppositions in the Garden Party
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