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Jerrold Levinson's Musical Concerns: Essays In
___________________________________________________________________________ Book Review LEVINSON, JERROLD. Musical Concerns: Essays in Philosophy of Music. Oxford University Press 2015, 176 pp., $45 hardcover. Reviewed by Caterina Moruzzi Musical Concerns collects twelve essays written by Jerrold Levinson between 2006 and 2014. The value of this collection consists in providing insights both into traditional discussions of the philosophy of music, such as the music-emotion relation, and into alternative and emerging ones, such as the idiosyncrasies of jazz and the values possessed by music. In the first essay, “Philosophy and Music,” Levinson highlights the beneficial results these two disciplines can obtain from mutual engagement. In addition to the more traditional interrelation between composers who look to philosophical theories to get inspiration for their works and philosophers influenced by musical works, he identifies three features common to philosophy and music: the search for completeness (9–10), their nature as forms of thought (10–13), and their deep usefulness despite superficial impracticality (13). “Indication, Abstraction, and Individuation” contrasts a theory developed by Levinson with formalist theories that identify the nature of musical works with their pure form and structure. 1 Levinson’s musical contextualism ascribes ontological importance also to contextual factors such as composer, time of composition, and instrumentation. The creation of the work is carried out by an act of artistic indication, the result of a deliberate choice that sets the standards for the performance of the work itself (50), which assigns to the author’s creation the status of artwork. The next essential step after the creation of a work is its reception by an audience: “The Aesthetic Appreciation of Music” deals with different kinds of appreciation the audience can experience by listening to music. -
1993 PROGRAM COMMITTEE NOTE: All Friday Afternoon Sessions Are at the LEVINSON and the RESISTING READER: William J
9:30 - 10:25 am VISTA MAR MONTE II IS THERE A DEFINITlDN OF ART? Vanda Boziccvic) Philosophy, University of Croatia 2:00 - 3:50 pm COMMENT: Stephanie Ross, Philosophy, FOUR QUESTIONS FOR MARGOLIS University of Missouri/Saint LOt~is Michael Krausz, Philosophy, Brytl Mawr C HAIR: Roger Shiner, Philosophy, University of Alberta MARGOLIS AND THE METAPHYSICS OF CULTURE Dale Jacquette, Philosophy, Pennsylvania State University Break: 10:30 - 10:45 am COMMENT: joseph Margolis, Philosophy, Tempi, University 10:45 - II :40 am CHAIR: Curtis Carter, Philosophy, Marquette University THE IMPACT OF JAZZ ON CHINESE AUDIENCES Shirley Kennedy, Black Studies, Break: 4:00 - 4:15 pm University of California/Santa Barbara COMMENT: David Samue ls, Anthropology, , 4:15 - 5:10 pm University of Texas/Austin PAINTINGS AND FRAMES CHAIR: jo Ellen jacobs, Philosophy, Millikin University Barbara Savedoft; Philosophy, CUNY/Baruch College COMMENT: Claudia Sole, Santa Barbara 11:45 am - 12:40 pm CHAIR: Susa n FC::lgin, Philosophy, IL FAUT ETRE ABSOLUMENT RADICALIEI University of Missouri/ Kansas City Peter Madsen, Comparative Literature, University of Copenhagen COMMENT: Gary Shapiro, Philosophy, VISTA MA1~ MONTli III University of Richmond CHAIR: Mechthild Nagel, Philosophy, 2:00 - 4:00 pm Uni.versity of Massachusetts/Amh errt AESTHETICS AND YOUNG PEOPLE Marcia Eaton, PIJi/flwph.y, Ut/i,',.,'sily oj'Mimll:sota Cynthia Rost:lt1koW I'k.I, I'lul(/ltlp/~y, Sa" losr Seate University VISTA MAR MONTE III Ellen Handler Spill, P''Ytl!j·,fU'Y, Cornell Vlli"frllly Alr, IIII,! ( -
Paul Woodruff Curriculum Vitae
PAUL WOODRUFF CURRICULUM VITAE (November, 2013) EDUCATION 1965 A.B. in Classics, Princeton University 1968 B.A. in Literae Humaniores, Oxford University (Merton College) 1973 Ph.D. in Philosophy, Princeton University Dissertation: "The Euthyphro and the Hippias Major: Two Studies in Socratic Dialectic," supervised by Gregory Vlastos EMPLOYMENT 1969-1971 U.S. Army, discharged with rank of Captain 1973- Department of Philosophy, The University of Texas at Austin ADMINISTRATIVE APPOINTMENTS 1976-78, 1979-81 Assistant Chairman, Department of Philosophy, The University of Texas at Austin 1987-88 Graduate Adviser, Department of Philosophy, The University of Texas at Austin 1988-1991 Chairman, Department of Philosophy, The University of Texas at Austin 1991-2006 Director, Plan II Honors Program, The University of Texas at Austin 2006- Dean of Undergraduate Studies The University of Texas at Austin OTHER SERVICE 1985-87 President, Phi Beta Kappa, Chapter A of Texas 1990-92 Chair, Mellon Fellowship Program, Southwest Region 1990-94 Vice-President, Institute for the Humanities at Salado 1992-93 Chair, American Philosophical Association Program Committee, Central Division 1992-97 Chair, Rhodes-Marshall Review Committee, The University of Texas at Austin 1996-97 Chair, Faculty Council, The University of Texas at Austin 1997 Convened conference on Reason and Religion in Fifth-Century Greece in Austin 2010- Executive Board Member, The Reinvention Center. AWARDS, FELLOWSHIPS, GRANTS 1965-1968 Marshall Scholarship 1978-1979 Junior Fellowship, The Center for Hellenic Studies 1983 Austin Book Award PAUL WOODRUFF, CURRICULUM VITAE PAGE 2 1984-1985 Research Fellowship, National Endowment for the Humanities Summer, 1986 Grant to teach a seminar for college teachers, N.E.H. -
Rethinking Plato's Theory of Art: Aesthetics and the Timaeus
Rethinking Plato’s Theory of Art: Aesthetics and the Timaeus Omid Tofighian Introduction The Timaeus presents a fascinating account of the cosmos. It includes a creation myth that introduces the figure known as the ‘Demiurge’, who, despite the fact that he is the cause of the sensible world, is reverently attributed with reason, and whose creation – the cosmos – is actually beautiful and good. In this dialogue Plato offers his readers a panorama of the universe. But just what are his intentions for this? Is his approach a precursor to the methods of natural science,1 or does the Timaeus fall under the category of theology? This paper will discuss Plato’s cosmological treatise and certain consequences that can be drawn, that is, how the methods used to analyse the origins and structure of the universe reveal a more existential attitude towards aesthetics. In the Timaeus Plato explores the complexities of mimesis and entertains the possibility that imitation could actually exhibit ideal qualities. These considerations have repercussions for the status of the material world in Plato’s cosmology, but they may also be extended to rethink his theory of art. I wish to analyse a number of salient themes in the Timaeus such as ontology, mythic symbols and the use of rhetoric. I will demonstrate how Plato’s view towards these themes in the Timaeus can be extrapolated to reassess his aesthetics. My critical analysis will provoke the question – ‘What evaluation of art would Plato have offered in accordance with the positions explicated in the Timaeus?’ Upon investigating a number of dialogues, searching specifically for references to art or representation, I realised that certain views I had thought to be exclusive to the Timaeus, or other late dialogues, also featured in works as early as the Ion. -
Two Models of Jewish Philosophy Submitted for the Degree of Phd in Philosophy at the London School
Justifying One’s Practices: Two Models of Jewish Philosophy Submitted for the degree of PhD in Philosophy At the London School of Economics and Political Science Daniel Rynhold 2000 1 UMI Number: U120701 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U120701 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 773 ) Thesis Abstract Judaism is a religion that emphasises the importance of a set of practical commandments and in the history of Jewish philosophy various attempts have been made to rationalise or justify these commandments. In this thesis I try to establish a general model for the justification of practices through a critical examination of two such attempted rationalisations. However, the study is framed within the more general question of whether or not there can be such a thing as Jewish Philosophy as a genuinely substantive discipline. Thus, I take the particular topic of rationalising the commandments as a ‘case study’ in order to see whether we can do substantive Jewish philosophy at least in the practical sphere. In the main body of the thesis I look at the methods of rationalisation of Moses Maimonides and Joseph Soloveitchik and argue that despite being based on very different scientific models they share a central methodological presumption that I term the Priority of Theory (PoT). -
Proceedings and Addresses of the American Philosophical Association
January 2007 Volume 80, Issue 3 Proceedings and Addresses of The American Philosophical Association apa The AmericAn PhilosoPhicAl Association Pacific Division Program University of Delaware Newark, DE 19716 www.apaonline.org The American Philosophical Association Pacific Division Eighty-First Annual Meeting The Westin St. Francis San Francisco, CA April 3 - 8, 2007 Proceedings and Addresses of The American Philosophical Association Proceedings and Addresses of the American Philosophical Association (ISSN 0065-972X) is published five times each year and is distributed to members of the APA as a benefit of membership and to libraries, departments, and institutions for $75 per year. It is published by The American Philosophical Association, 31 Amstel Ave., University of Delaware, Newark, DE 19716. Periodicals Postage Paid at Newark, DE and additional mailing offices. POSTMASTER: Send address changes to Proceedings and Addresses, The American Philosophical Association, University of Delaware, Newark, DE 19716. Editor: David E. Schrader Phone: (302) 831-1112 Publications Coordinator: Erin Shepherd Fax: (302) 831-8690 Associate Editor: Anita Silvers Web: www.apaonline.org Meeting Coordinator: Linda Smallbrook Proceedings and Addresses of The American Philosophical Association, the major publication of The American Philosophical Association, is published five times each academic year in the months of September, November, January, February, and May. Each annual volume contains the programs for the meetings of the three Divisions; the membership list; Presidential Addresses; news of the Association, its Divisions and Committees, and announcements of interest to philosophers. Other items of interest to the community of philosophers may be included by decision of the Editor or the APA Board of Officers. -
The American Philosophical Association EASTERN DIVISION ONE HUNDRED TENTH ANNUAL MEETING PROGRAM
The American Philosophical Association EASTERN DIVISION ONE HUNDRED TENTH ANNUAL MEETING PROGRAM BALTIMORE MARRIOTT WATERFRONT BALTIMORE, MARYLAND DECEMBER 27 – 30, 2013 Important Notices for Meeting Attendees SESSION LOCATIONS Please note: the locations of all individual sessions will be included in the paper program that you will receive when you pick up your registration materials at the meeting. To save on printing costs, the program will be available only online prior to the meeting; with the exception of plenary sessions, the online version does not include session locations. In addition, locations for sessions on the first evening (December 27) will be posted in the registration area. IMPORTANT INFORMATION ABOUT REGISTRATION Please note: it costs $40 less to register in advance than to register at the meeting. The advance registration rates are the same as last year, but the additional cost of registering at the meeting has increased. Online advance registration at www.apaonline.org is available until December 26. 1 Friday Evening, December 27: 6:30–9:30 p.m. FRIDAY, DECEMBER 27 EXECUTIVE COMMITTEE MEETING 1:00–6:00 p.m. REGISTRATION 3:00–10:00 p.m., registration desk (third floor) PLACEMENT INFORMATION Interviewers and candidates: 3:00–10:00 p.m., Dover A and B (third floor) Interview tables: Harborside Ballroom, Salons A, B, and C (fourth floor) FRIDAY EVENING, 6:30–9:30 P.M. MAIN PROGRAM SESSIONS I-A. Symposium: Ancient and Medieval Philosophy of Language THIS SESSION HAS BEEN CANCELLED. I-B. Symposium: German Idealism: Recent Revivals and Contemporary Relevance Chair: Jamie Lindsay (City University of New York–Graduate Center) Speakers: Robert Brandom (University of Pittsburgh) Axel Honneth (Columbia University) Commentator: Sally Sedgwick (University of Illinois–Chicago) I-C. -
A Powerful Defence of Musical Formalism Hanne Appelqvist: Wittgenstein and the Conditions of Musical Commu- Nication
REVIEW A Powerful Defence of Musical Formalism Hanne Appelqvist: Wittgenstein and the Conditions of Musical Commu- nication. Acta Philosophica Fennica Vol. 85, Helsinki: The Philosophical Society of Finland, 2008. 152 pages. isbn 978-951-9265-68-4 A typical problem with approaches to aesthetic questions which draw heavily on the views of a single philosopher is that those who are en- gaged in the debate over the philosophical problem to which his or her views are applied may often have trouble seeing the relevance of the proposed account. This is not the case with Hanne Appelqvist’s work Wittgenstein and the Conditions of Musical Communication. She develops a highly persuasive variant of musical formalism based on a reading of remarks on the analogy between the understanding of music and the un- derstanding of language found in Ludwig Wittgenstein’s later writings. With this sort of Wittgensteinian formalism she challenges an influen- tial tradition in contemporary philosophy of music in which music’s con- tent is considered to consist of the expression of emotions and in which musical understanding is seen as the capacity to grasp the emotion a par- ticular musical phrase or piece supposedly expresses. Simultaneously, Appelqvist manages to provide a rehabilitation of the musical formalism developed by Eduard Hanslick who contemporary analytic philosophers of music have, in her opinion, undeservedly looked down on. The first two chapters of Appelqvist’s work explore the relationship between the early and later parts of Wittgenstein’s philosophical career. While it is well-known that Wittgenstein’s thinking changed radically in certain respects between the Tractatus and the Philosophical Investigations, in Appelqvist’s view, the concerns of the two works nevertheless overlap in that they both attempt “to give an account of the necessary conditions of meaning in language” (41). -
Goehr Curriculum Vitae
GOEHR 1 CURRICULUM VITAE. Professor LYDIA GOEHR Department of Philosophy, Columbia University, 1150 Amsterdam Ave, New York, NY 10027, USA [email protected] EMPLOYMENT 1995-present. Professor of Philosophy, Columbia University. 1989-95 Associate Professor of Philosophy, Wesleyan University (tenured 1993). 1987-89 Assistant Professor of Philosophy, Boston University (tenure-track). 1986-87 Visiting Assistant Professor of Philosophy, University of Nevada at Reno. 1985-86 Lecturer, Department of Philosophy, University of Maryland at College Park. EDUCATION AND DEGREES 1982-85 King’s College, Cambridge University, PhD in Philosophy, Advisor: Bernard Williams, Dissertation: The Work of Music (awarded 1987). 1980-82 Manchester University; 1st Class Honors, BA in philosophy. 1979-80 Exeter University; 1st yr. BA in philosophy; minor in Psychology. FELLOWSHIPS, HONORS, VISITING PROFESSORSHIPS, etc. 1981 Michael Polanyi Scholarship in Philosophy (Manchester University). 1982 Manchester University (Graduate) Research Studentship in the Faculty of the Arts (declined). 1982 Michael Polanyi Memorial Prize in Philosophy (Manchester University). 1982-85 Dept. of Education and Science Major State Studentship to read for PhD at King’s College, Cambridge. 1983 Bursary from the Austrian Government to study German language in Graz, Austria. 1988 Summer Salary Grant, Boston University. 1989 Boston University Humanities Fellowship (declined). 1990-91 Mellon Fellowship, Harvard University. 1992 Faculty Fellowship at Center for the Humanities, Wesleyan University. 1992 Special Projects Grant from Wesleyan University in support of Aesthetics: Past and Present [see Publications]. 1995 NEH Summer Institute Grant, University of Rochester: Music and Modernism. 1997-8 Visiting Ernest Bloch Professor of Music, University of California at Berkeley [Ernest Bloch Lectures]. 1999-2000 Getty Senior Research Scholar, Getty Research Institute, Los Angeles. -
Philosophy Have PHILOSOPHY Formed Associations for Discussion of Philosophical Issues and the Read- Ing of Papers by Students, Faculty, and Visitors
Graduate students and undergraduate majors in philosophy have PHILOSOPHY formed associations for discussion of philosophical issues and the read- ing of papers by students, faculty, and visitors. These associations elect Emeriti (Professors): Fred Dretske, Stuart Hampshire, Georg Kreisel, student representatives to department meetings. David S. Nivison, Patrick Suppes, James O. Urmson Chair: Kenneth Taylor UNDERGRADUATE PROGRAMS Director of Graduate Study: Mark Crimmins Director of Undergraduate Study: Debra Satz (Autumn), Lanier BACHELOR OF ARTS Anderson (Winter, Spring) There are two ways of majoring in philosophy: the “General Program” Professors: Michael Bratman (on leave), John Etchemendy, Solomon and the “Special Program in the History and Philosophy of Science.” A Feferman, Dagfinn Føllesdal (Winter), Michael Friedman (on leave student completing either of these receives a B.A. degree in Philosophy. Spring), Grigori Mints, Julius Moravcsik, John Perry, Elliott Sober, There is also a major program offered jointly with the Department of Johan van Benthem (Spring), Thomas Wasow, Allen Wood Religious Studies. To declare a major, a student should consult with the Associate Professors: Chris Bobonich, Mark Crimmins, Graciela De Director of Undergraduate Study and see the undergraduate student ser- Pierris (on leave), Peter Godfrey-Smith (on leave), Debra Satz, vices administrator to be assigned an adviser and work out a coherent plan. Kenneth Taylor The department strongly urges proficiency in at least one foreign lan- Assistant Professors: Lanier Anderson (on leave Autumn), Andrew guage. Arana, Nadeem Hussain, Agnieszka Jaworska (on leave), Krista Lawlor (on leave), Tamar Schapiro (on leave), Michael Strevens GENERAL PROGRAM Philosophy Professor (Research): Rega Wood 1. Course requirements, minimum 55 units: Lecturers: Mark Collier, David Hills, Patricia Marino, Scott Tanona a) Preparation for the major: an introductory course (under 100) and Courtesy Professors: Denis Phillips, Richard Rorty 80. -
Proceedings and Addresses of the American Philosophical Association
January 2011 Volume 84, Issue 3 Proceedings and Addresses of The American Philosophical Association apa THE AMERICAN PHILOSOPHICAL ASSOCIATION Central Division Program University of Delaware Newark, DE 19716 www.apaonline.org The American Philosophical Association Central Division One Hundred Eighth Annual Meeting Minneapolis Hilton Hotel Minneapolis, Minnesota March 30 - April 2, 2011 Proceedings and Addresses of The American Philosophical Association Proceedings and Addresses of the American Philosophical Association (ISSN 0065-972X) is published five times each year and is distributed to members of the APA as a benefit of membership and to libraries, departments, and institutions for $75 per year. It is published by The American Philosophical Association, 31 Amstel Ave., University of Delaware, Newark, DE 19716. Periodicals Postage Paid at Newark, DE and additional mailing offices. POSTMASTER: Send address changes to Proceedings and Addresses, The American Philosophical Association, University of Delaware, Newark, DE 19716. Editor: David E. Schrader Phone: (302) 831-1112 Publications Coordinator: Erin Shepherd Fax: (302) 831-8690 Associate Editor: Robin Smith Web: www.apaonline.org Meeting Coordinator: Linda Smallbrook Proceedings and Addresses of The American Philosophical Association, the major publication of The American Philosophical Association, is published five times each academic year in the months of September, November, January, February, and May. Each annual volume contains the programs for the meetings of the three Divisions; the membership list; Presidential Addresses; news of the Association, its Divisions and Committees, and announcements of interest to philosophers. Other items of interest to the community of philosophers may be included by decision of the Editor or the APA Board of Officers. -
Piece for the End of Time: in Defence of Musical Ontology
Trinity University Digital Commons @ Trinity Philosophy Faculty Research Philosophy Department 1-2008 Piece for the End of Time: In Defence of Musical Ontology Andrew Kania Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/phil_faculty Part of the Philosophy Commons Repository Citation Kania, A. (2008). Piece for the end of time: In defence of musical ontology. British Journal of Aesthetics, 48(1), 65-79. doi:10.1093/aesthj/aym040 This Post-Print is brought to you for free and open access by the Philosophy Department at Digital Commons @ Trinity. It has been accepted for inclusion in Philosophy Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Piece for the End of Time: In Defence of Musical Ontology Andrew Kania [This is a pre-copyedited, author-produced PDF of an article accepted for publication in The British Journal of Aesthetics following peer review. The version of record (Andrew Kania, “Piece for the End of Time: In Defence of Musical Ontology” British Journal of Aesthetics 48 (2008): 65-79) is available online at: http://bjaesthetics.oxfordjournals.org/content/48/1/65.abstract?sid=9e5cc66e- c952-4d71-9a27-f80e13bf3c67. Please cite only the published version.] Abstract Aaron Ridley has recently attacked the study of musical ontology – an apparently fertile area in the philosophy of music. I argue here that Ridley’s arguments are unsound. There are genuinely puzzling ontological questions about music, many of which are closely related to questions of musical value. While it is true that musical ontology must be descriptive of pre-existing musical practices and that some debates, such as that over the creatability of musical works, have little consequence for questions of musical value, none of this implies that these debates themselves are without value.