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Making Their Mark 17
Making Their Mark 17 A CELEBRATION OF GREAT WOMEN ARTISTS Susan Mary "Lily" Yeats, in a 1901 portrait by Photograph of Susan Mary "Lily" Yeats (left) and Elizabeth Corbet "Lolly" Yeats (right). Elizabeth Corbet "Lolly" Yeats, in an 1887 Jack Butler Yeats. National Gallery of Ireland. portrait by Jack Butler Yeats. Sisters Susan Mary "Lily" Yeats (1866-1949, above, left) and Elizabeth Corbet "Lolly" Yeats (1868-1940, above, right) were pivotal figures in the advancement of the Arts and Crafts style in Ireland. Founded in England by the British designer William Morris, the Arts and Crafts Movement advocated traditional, handcrafted objects as a rebellion against soulless factory-made furnishings. The Yeats sisters were from a preeminent Irish family--their father John and brother Jack were noted painters, and their other brother was the renowned poet William Butler Yeats. Born in Enniscrone, County Sligo, Ireland, Lily Yeats was a frequent visitor to William Morris when her family moved to London in the 1870s; she would learn embroidery from his daughter, May Morris. Younger sister Lolly Yeats, also in the Morris circle, was more interested in painting and printing; by the end of the century she had written and illustrated four instructional books on sketching directly with a brush. Upon returning to Ireland, both sisters would co-found the Dun Emer Guild, a Arts and Crafts group in Dublin managed and staffed entirely by women, with the textile designer Evelyn Gleeson (1855-1944). Guilds, as opposed to factories, were a return to the Medieval and Renaissance guilds that once served as the primary centers of art production. -
Collection List A19
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List 19 Augustine Henry and Evelyn Gleeson Papers (MS 13,698) (Accession 2501) Partial calendar with brief description of letters sent by Augustine Henry and Evelyn Gleeson between 1879 and 1928. Letters are arranged according to year and date. 1 Introduction Henry, Augustine (1857–1930), botanical collector and dendrologist, was born on 2 July 1857 in Dundee, the first of six children of Bernard Henry (c.1825–1891) and Mary MacNamee. His father, at one time a gold-prospector in California and Australia, was a native of the townland of Tyanee on the west bank of the River Bann in co. Londonderry. Soon after Austin (as Augustine was called within his family) was born, the family moved to Cookstown, co. Tyrone, where his father was in business as a flax dealer and owned a grocery shop. Henry was educated at Cookstown Academy and in Queen's College, Galway. He studied natural sciences and philosophy, graduating with a first-class bachelor of arts degree and a gold medal in 1877. Henry then studied medicine at Queen's College, Belfast, where he obtained his master of arts degree in 1878. For a year he was in the London Hospital, and during a visit to Belfast in 1879, at the suggestion of one of his professors, he applied for a medical post in the Chinese imperial maritime customs service. Henry completed his medical studies as rapidly as he could, became a licentiate from the Royal College of Physicians in Edinburgh, passed the Chinese customs service examinations (for which he required a working knowledge of Chinese) and and left for China in the summer of 1881. -
Hiver 2017 Éditorial
HIVER 2017 ÉDITORIAL DE RETOUR DES TRANS Dimanche 4 décembre à 10h57, je me pose dans le train qui me ramène de Rennes avec ma valise à roulettes bruyantes dans une main et un grand café fumant dans l’autre, les yeux encore mi-clos mais des sons et des images pleins la tête. La 38ème édition des Transmusicales de Rennes fut ma 5ème d’affilée. Je regarde les paysages défiler à la vitesse du Train à Grande Vitesse en songeant aux quelques soixante groupes que j’ai dû voir en quatre jours, remontant sur mon petit carnet le nom des groupes appréciés ou qui m’ont déçus lors du festival, potentiellement programmables ou pas à la Cave aux Poètes. Je me pose alors une question essentielle, voire existentialiste : est-ce que je vais vraiment aux Transmusicales pour programmer les groupes dans la foulée sous le prétexte qu’ils ont tous des agents en France déjà au travail sur leur imminente tournée française ? Et là je me dis, en retraçant les cinq éditions écoulées à vitesse grand V, que finalement je vais un peu aux Transmusicales de Rennes comme les gens de la mode vont au Salon « Première vision » : on y découvre les tendances de demain, et pas seulement des groupes en particulier. Alors j’examine la programmation, lis quelques premiers articles, et tente de me remémorer certaines conversations avec d’éminents confrères programmateurs… Et pour parler de tendances, il y alors trois idées majeures qui me viennent à l’esprit pour les années à venir. La première est qu’une large place est donnée cette année aux musiques du monde, comme une sorte de barrage aux élans nationalistes actuels ou comme une capacité d’ouverture de la jeunesse qui prend aujourd’hui l’avion comme on prend le métro. -
YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares Beside the Edmund Dulac Memorial Stone to W
To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/194 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the same series YEATS ANNUALS Nos. 1, 2 Edited by Richard J. Finneran YEATS ANNUALS Nos. 3-8, 10-11, 13 Edited by Warwick Gould YEATS AND WOMEN: YEATS ANNUAL No. 9: A Special Number Edited by Deirdre Toomey THAT ACCUSING EYE: YEATS AND HIS IRISH READERS YEATS ANNUAL No. 12: A Special Number Edited by Warwick Gould and Edna Longley YEATS AND THE NINETIES YEATS ANNUAL No. 14: A Special Number Edited by Warwick Gould YEATS’S COLLABORATIONS YEATS ANNUAL No. 15: A Special Number Edited by Wayne K. Chapman and Warwick Gould POEMS AND CONTEXTS YEATS ANNUAL No. 16: A Special Number Edited by Warwick Gould INFLUENCE AND CONFLUENCE: YEATS ANNUAL No. 17: A Special Number Edited by Warwick Gould YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares beside the Edmund Dulac memorial stone to W. B. Yeats. Roquebrune Cemetery, France, 1986. Private Collection. THE LIVING STREAM ESSAYS IN MEMORY OF A. NORMAN JEFFARES YEATS ANNUAL No. 18 A Special Issue Edited by Warwick Gould http://www.openbookpublishers.com © 2013 Gould, et al. (contributors retain copyright of their work). The text of this book is licensed under a Creative Commons Attribution 3.0 Unported Licence. This licence allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text. -
Total of 10 Pages Only May Be Xeroxed
CENTRE FOR NEWFOUNDLAND STUDIES TOTAL OF 10 PAGES ONLY MAY BE XEROXED (Without Author's Permission) National Library Bibfaotheque nationale 1+1 of Canada duCanada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non L'auteur a accorde une licence non exclusive licence allowing the exclusive permettant a Ia National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distn'bute or sell reproduire, preter, distri'buer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format electronique. The author retains ownership of the L' auteur conserve la propriete du copyright in this thesis. Neither the droit d'auteur qui protege cette these. thesis nor substantial extracts from it Ni la these ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent etre imprimes reproduced without the author's ou autrement reproduits sans son permiSSIOn. autorisation. 0-612-25875-0 Canadrl INFORMATION TO USERS This mamJSCript Jlas been reproduced from the microfilm master. UMI films the text directly from the origiDal or copy submitted. Thus, some thesis and dissertation copies are in eypewriter face., while others may be from any twe of a:nnputer printer. 'l1le qaJily or dais nprodadioa is depelldellt apoa tile quality or the copy sahwiUed Broken or iDdistinct print. colored or poor quality iJlustratioDs aDd photograpbs, prim bleedtbrougb, substaDdard margiDs, and improper alignmeut can adversely affect reproduc:tioa. -
MARGARET ATWOOD: WRITING and SUBJECTIVITY Also by Colin Nicholson
MARGARET ATWOOD: WRITING AND SUBJECTIVITY Also by Colin Nicholson POEM, PURPOSE, PLACE: Shaping Identity in Contemporary Scottish Verse ALEXANDER POPE: Essays for the Tercentenary (editor) CRITICAL APPROACHES TO THE FICTION OF MARGARET LAURENCE (editor) IAN CRICHTON SMITH: New Critical Essays (editor) Margaret Atwood photo credit: Graeme Gibson Margaret Atwood: Writing and Subjectivity New Critical Essays Edited by Colin Nicholson Senior Lecturer in English University of Edinburgh M St. Martin's Press Editorial material and selection © Colin Nicholson 1994 Text © The Macmillan Press Ltd 1994 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published in Great Britain 1994 by THE MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world A catalogue record for this book is available from the British Library. ISBN 978-0-333-61181-4 ISBN 978-1-349-23282-6 (eBook) DOI 10.1007/978-1-349-23282-6 First published in the United States of America 1994 by Scholarly and Reference Division, ST. MARTIN'S PRESS, INC., 175 Fifth Avenue, New York, N.Y. 10010 ISBN 978-0-312-10644-7 Library of Congress Cataloging-in-Publication Data Margaret Atwood : writing and subjectivity I edited by Colin Nicholson. -
Ryokoakamaexploringemptines
University of Huddersfield Repository Akama, Ryoko Exploring Empitness: An Investigation of MA and MU in My Sonic Composition Practice Original Citation Akama, Ryoko (2015) Exploring Empitness: An Investigation of MA and MU in My Sonic Composition Practice. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/26619/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ EXPLORING EMPTINESS AN INVESTIGATION OF MA AND MU IN MY SONIC COMPOSITION PRACTICE Ryoko Akama A commentary accompanying the publication portfolio submitted to the University of Huddersfield in partial fulfillment of the requirements for the degree of Doctor of Philosophy ! The University of Huddersfield School of Music, Humanities and Media April, 2015 Title: Exploring Emptiness Subtitle: An investigation of ma and mu in my sonic composition practice Name of student: Ryoko Akama Supervisor: Prof. -
Myth As Redemption in Three Canadian Novels Elizabeth A
Northern Michigan University NMU Commons All NMU Master's Theses Student Works 2009 Myth as Redemption in Three Canadian Novels Elizabeth A. Crachiolo Northern Michigan University Follow this and additional works at: https://commons.nmu.edu/theses Recommended Citation Crachiolo, Elizabeth A., "Myth as Redemption in Three Canadian Novels" (2009). All NMU Master's Theses. 371. https://commons.nmu.edu/theses/371 This Open Access is brought to you for free and open access by the Student Works at NMU Commons. It has been accepted for inclusion in All NMU Master's Theses by an authorized administrator of NMU Commons. For more information, please contact [email protected],[email protected]. MYTH AS REDEMPTION IN THREE CANADIAN NOVELS By Elizabeth A. Crachiolo THESIS Submitted to Northern Michigan University In partial fulfillment of the requirements For the degree of MASTER OF ARTS Graduate Studies Office 2009 SIGNATURE APPROVAL FORM This thesis by Elizabeth A. Crachiolo is recommended for approval by the student’s thesis committee in the Department of English and by the Dean of Graduate Studies. _________________________________________________________________ Committee Chair: Dr. Dominic Ording Date __________________________________________________________________ Reader: Dr. David Wood Date __________________________________________________________________ Department Head: Dr. Ray Ventre Date __________________________________________________________________ Dean of Graduate Studies: Dr. Cynthia Prosen Date OLSON LIBRARY NORTHERN MICHIGAN UNIVERSITY THESIS DATA FORM In order to catalogue your thesis properly and enter a record in the OCLC international bibliographic data base, Olson Library must have the following requested information to distinguish you from others with the same or similar names and to provide appropriate subject access for other researchers. NAME: Crachiolo, Elizabeth A. -
“On Being a Woman Writer”: Atwood's Canadian and Feminist Contexts
“On Being a Woman Writer”: Atwood’s Canadian and Feminist Contexts Heidi Slettedahl Macpherson When you begin to write you’re in love with the language, the act of cre- ation, with yourself partly; but as you go on, the writing—if you follow it—will take you places you never intended to go and show you things you would never otherwise have seen. I began as a profoundly apolitical writer, but then I began to do what all novelists and some poets do: I began to describe the world around me. (Atwood, Second Words 15) Margaret Atwood began her writing career at a time when Canadian literature did not have a clearly established canon or identity. In fact, she has been credited with helping to “invent” Canadian literature as a critical concept, both because she herself is a proli¿c poet, novelist and short story writer, but also because she has published books of literary and cultural criticism throughout her long career. As she noted in the early 1970s, “Until recently, reading Canadian literature has been for me and for everyone else who did it a personal interest, since it was not taught, required or even mentioned (except with derision) in the public sphere” (Survival 13). That attitude has clearly changed, not only be- cause of Atwood’s own position as a very important cultural icon, but also because of the preeminence of contemporary Canadian writers on the world literary stage. Atwood’s contemporaries include Alice Mun- ro, Carol Shields, Margaret Laurence, and Marian Engel, among oth- ers; Joan Barfoot and Michael Ondaatje are only a few years younger than she is. -
Harpercollins Canada Fall 2010
harpercollins canada fall 2010 HarperCollinsCanada is a proud sponsor of www.harpercollins.ca SALES, MARKETING, PUBLICITY & EDITORIAL 2 Bloor Street East, 20th Floor, Toronto, Ontario, M4W 1A8 • Phone: 416.975.9334 • Fax: 416.975.9884 DISTRIBUTION CENTRE 1995 Markham Road, Scarborough, Ontario, M1B 5M8 • Phone: 416.321.2241 • Toll-Free Phone: 1.800.387.0117 • Fax: 416.321.3033 • Toll-Free Fax: 1.800.668.5788 CATALOGUE ISBN: 9780999937204 For your viewing pleasure . a select number of our catalogues are now available online. These electronic catalogues are virtual replicas of our traditional ones, with the Sell what you love added benefit of being on your screen and available to you 24/7. In addition to all the great catalogue material at your fingertips, the online versions include our rich multimedia files (with trailers and author videos), as well as links to any other relevant web materials. And let’s not forget the added value of going green. The In a world where we’re constantly figuring out how to give back to the earth, HarperCollins www.HarperCollinsCatalogues.ca is another way to make a difference. Canada Hand-selling Award Fiction or non-fiction, biography or self-help, debut novel or seasoned classic—expose readers to talent on the page. The top hand-seller will receive $500 and the bookstore will receive $1000 in co-op. Quantity of sales is not the only determining factor— we want to know your hand-selling story. To find out more, visitwww.harpercollins.ca/handsellingaward Managers can email submissions to [email protected] Contents page 2 New Fiction and Non-fiction page 33 Cookbooks page 35 Harper Paperbacks page 57 Children’s Books pages 70-71 Index page 72 Key Contacts Please note: Prices, dates and specifications listed in this catalogue are subject to change without notice. -
Xrvdx/ ^(Au^Rjuo/ H Islror •
3%D1_ ©'4 2_ -HMM xRvdx/ ^(Au^rJUo/ H ISlrOR • Journal of the British Columbia Historical Federation | Vol.41 No. 2 | $5.00 This Issue: Booze | No Booze | Maps | Books | and more British Columbia History Journal of the British Columbia Historical British Columbia Historical Federation A charitable society under the Income Tax Act Organized 31 October 1922 Federation Published four times a year. ISSN: print 1710-7881 online 1710-792X PO Box 5254, Station B., Victoria BC V8R 6N4 British Columbia History welcomes stories, studies, Under the Distinguished Patronage of His Honour and news items dealing with any aspect of the The Honourable Steven L. Point, OBC history of British Columbia, and British Columbians. Lieutenant Governor of British Columbia Please submit manuscripts for publication to the Honorary President Editor, British Columbia History, Ron Hyde John Atkin, 921 Princess Avenue, Vancouver BC V6A 3E8 e-mail: [email protected] Officers Book reviews for British Columbia History, Frances Gundry, Book Review Editor, President: Ron Greene BC Historical News, PO Box 1351, Victoria V8W 2W7 P.O. Box 5254, Station B., Victoria, BC V8R 6N4 Phone 250.598.1835 Fax 250.598.5539 e-mail: [email protected] [email protected] Subscription 8t subscription information: First Vice President: Gordon Miller Alice Marwood Pilot Bay 1126 Morrell Circle, Nanaimo V9R 6K6 211 - 14981 - 101A Avenue Surrey BCV3R0T1 vp1 ©bchistory.ca Phone 604-582-1548 email: [email protected] Second Vice President: Tom Lymbery 1979 ChainsawAve., Gray Creek VOB 1S0 Subscriptions: $18.00 per year Phone 250.227.9448 Fax 250.227.9449 For addresses outside Canada add $10.00 [email protected] Secretary: Janet M. -
Bubbles and Spirals: the Memoirs of C
Bubbles and Spirals: The Memoirs of C. S. Buzz Holling This is the second edition of Bubbles and Spirals: The Memoirs of Buzz Holling, based on a first edition published in June 2016. Further editions may follow. This edition is published on the occasion of the Resilience 2017 Conference in Stockholm, Sweden, August 20-23, 2017. Conference Sponsors: Stockholm Resilience Centre, Resilience Alliance Current web site: http://resilience2017.org/ Citation: C.S. Holling. 2017. Bubbles and Spirals: The Memoirs of C. S. Buzz Holling (Second Edition). Available online in multiple electronic formats at: http://www.stockholmresilience.org/holling-memoirs © C.S. Holling 2017 © Resilience Alliance 2017 Version 37 – JTS August 17, 2017 This memoir is dedicated to the RAYS, the Resilience Alliance Young Scholars. Bubbles and Spirals - 1 - Second Edition Table of Contents Table of Contents .......................................................................................... 1 Table of Figures ............................................................................................. 2 Preface: As good as it gets! ........................................................................... 3 The Glass Bubbles ......................................................................................... 5 Foreword: An unexpected neighbor ............................................................. 6 Introduction ................................................................................................ 10 The Beginning of Beginnings ......................................................................