MUSIQUES DU MONDE Afrique

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MUSIQUES DU MONDE Afrique CD Afrique DAMILY MUS MUSIQUES DU MONDE Very aomby 011.2 DAM Hélico Depuis les années 80 à Madagascar se développe une musique endémique et tradi- Titi ROBIN MUS moderne, dont le chanteur- 003.1 guitariste Damily est devenu au Taziri fil des ans l’affûté fer de lance. Harmonia Mundi ROB Ça s’appelle le tsapiky, et oui ça Taziri est un blues pique. Sur ce 8ème album de Damily, on entend des méditerranéen, tendant un pont guitares du désert malgache irriguées par des musical entre les rives nord et vocalises torrentielles, des chansons acoustiques sud de notre mer commune. d’affamé – plus un gramme de graisse, uniquement Taziri renoue avec ces racines du muscle et du nerf –, une rythmique à faire danser qui nous lient. Aux clivages qui les baobabs. voudraient nous diviser, Taziri est fondamentalement rebelle. Signifiant en berbère Maya KAMATY MUS le clair de lune, Taziri est là pour éclairer nos nuits. Santié papang 011.2 KAM Sakifo Records FORABANDIT MUS Aujourd’hui, les mélodies de 004.2 Maya se teintent volontiers de Port folk et de soul, un maloya Buda Musique FOR “élégamment cabossé” aurait pu Inspirée par des villes du dire Davy Sicard. Son quatuor pourtour méditerranéen - Alger, de musiciens procède par Beyrouth, Istanbul ou Marseille touches, déposant des - Port, le deuxième album de harmonies les unes après les autres, tandis que la Forabandit, libère le propos du voix de Maya est un ravissement, même lorsqu’elle trio composé de Sam Karpiénia, exprime l’amertume ou la douleur. Les messages Bijan Chémirani et Ulas sont dans les images, l’émotion dans la pulsation. Özdemir ! Pourtant, Maya ne pratique pas depuis si longtemps. Lorsqu’elle étudiait à Montpellier, un autre musicien réunionnais l’a encouragée à composer ses premiers morceaux, vers 2008 : Carlo de Sacco, leader vocal et LA FRONTERA MUS 004.2 auteur des chansons du quintet Grèn Sémé. “On Mistral était comme des exilés, un peu. Il m’a appris à jouer Felmay LAF du kayamb, la musique soignait ma nostalgie.” Au Moyen-Age, la Frontera désignait la barrière séparant le Danyel WARO MUS monde chrétien du monde Kabar 011.2 Cobalt WAR musulman, territoires géographiques distincts ou, par extension métaphorique, Kabar est un album live des identités culturelles différentes. meilleurs morceaux du chanteur Avec chant, accordéon, guitare, violon, alto et près de 38 ans après son percussions cet ensemble s’approprie un répertoire premier concert de maloya. Et méditerranéen mêlant flamenco et traditions c'est ce long parcours musical musicales arabo-andalouses, ottomanes et séfarades que l'artiste propose. tout en le complétant d’un choix de compositions originales. Mistral est l'aboutissement de trois années de travail et s'inscrit à la suite des albums. Chrysanto ZAMA MUS Balbalou MUS Guitare de Madagascar 011.2 Chapter Two 017.2 Cinq Planètes ZAM A. BAL Depuis 2007, Chrysanto est le guitariste de Ny Malagasy L'artiste aux dreadlocks n'est Orkestra (littéralement pas bien gros, mais il brasse l’Orchestre de Madagascar, une large. Ainsi retrouve-t-on formation de 10 artistes Cheikh Lô, sur quelques titres malgaches qui portent le de ce nouvel album, en flambeau de la musique roots et compagnie de la Brésilienne traditionnelle de l’Ile rouge en tournées régulières à Flavia Coelho ou du l’étranger). Il est considéré aujourd’hui comme l'un trompettiste franco-libanais Ibrahim Maalouf. La des jeunes maîtres de la guitare à Madagascar, et première, épaulée par le piquant accordéoniste Fixi incarne notamment la tradition du Rodoringa (style sur Degg Gui, n'a jamais été aussi suave, aussi musical très enlevé et rythmique animant les jeux de fondante. Le second joue l'épure jazzy sur luttes). Il joue aussi le tsinjabey (musique jouée lors l'irrésistible Balbalou, rehaussant le chant des enterrements). L'album "Guitare de Madagascar" charismatique et sautillant du Sénégalais. Et c'est dans la collection "Solistes" de Cinq Planètes est son finalement là que se situe l'ouverture annoncée, dans premier album solo. le timbre unique et frémissant d'un troubadour polyglotte versatile, qui délie son flow perché et Les TAMBOURS DE BRAZA MUS renoue avec sa voix la plus ample : c'est palpable dès Sur la route des caravanes 014.2 le Bamba d'ouverture, malgré le classicisme convenu Buda Music TAM des cordes et du piano, et plus encore sur le lumineux Gemou Ma Ko, traversé par le son cristallin de la kora. Sur la route des Caravanes, le sixième album des Tambours de Elida ALMEIDA MUS Brazza, vient célébrer le 20ème Ora doci ora margo 017.2 anniversaire de cet orchestre Lusafrica ALM urbain crée en 1991 par le batteur Emile Biayenda à Originaire de l'Ile de Santiago Bacongo, un quartier populaire au Cap-Vert, Elida Almeida de Brazzaville, la capitale congolaise. Sous la propose un premier album de direction musicale d’un ami de longue date, Francky chansons qu'elle a composé Moulet, avec qui Emile Biayenda, à la fin des années pour la plupart elle-même. 80, a passé 6 mois en immersion chez les Pygmées Entre pop et styles traditionnels Baabi du Sud Congo, et avec la complicité d’invités (morna, funana, batuque) de marque comme l’accordéoniste Régis Gizavo et le pianiste Ray Lema, ce disque flamboyant est à BABA COMMANDANT MUS l’image des Tambours de Brazza et de leurs Juguya 017.2 influences : sans frontières ! En véritables maîtres de Sublime Frequencies BAB cérémonie, les tambours Ngoma font se croiser rumba, rap, reggae et salsa et se frottent, ici et là, aux Baba Commandant de son vrai cordes classiques et aux vents jazzy.... nom Mamadou Sanou, chanteur et joueur de donso n’goni Highlife on the move : selected MUS (instrument traditionnel du Mali 015.2 et Burkina Faso) est le leader du Nigerian & Ghanaian recordings A Mandingo Band. Cet from London & Lagos, 1954-1966 IND énigmatique et excentrique Soundway personnage, respecté dans la communauté musicale Ce double disque rassemble des burkinabé, s’est créé un univers assez barré, où morceaux de highlife du Ghana, siègent un donso ngoni teinté de rock, d’afrobeat, de du Nigéria mais aussi funk et même de hip-hop !A l’écoute, l’album Juguya d'immigrants londoniens. Le passe pour une pépite vinyle avant-gardiste des highlife est la première musique années 60-70 que le docteur Emmett Brown, aurait "moderne" de ces pays, née oublié dans le coffre de sa DeLorean, lors d’un trip dans les années 1950 et vers le futur. La qualité du projet ne se limite pas à influencée par le calypso, le mambo et le jazz. La un habile mélange d’influences. Juguya groove compilation réédite pour la première fois les deux méchamment. Juguya surprend par son originalité. premiers enregistrements de Fela Kuti. Livret détaillé Juguya somme les fessiers de bouger et Juguya en anglais. caresse l’audition, par son grain sonore, à la fois vintage et chaleureux. 2 DIEUF-DIEUF DE THIES MUS Aw sa yone : vol.2 017.2 Teranga Beat DIE Aziza BRAHIM MUS Soutak 017.2 Les trois chanteurs Assane Glitterbeat BRA Camara, Gora Mbaye et Bassirou Sarr composent avec Issue d’une génération le chef d'orchestre et guitariste déracinée qui n’a jamais eu Pape Seck des chansons aux l’occasion de fouler la terre de rythmes traditionnels de toutes ses ancêtres et vit en exil, la les régions du Sénégal, avec des chanteuse sahraouie Aziza guitares fuzz, sections de cuivres et percussions Brahim s’est chargée de hallucinantes. Le résultat est un mélange explosif au reprendre en musique le son électrique psychédélique, qui a la sagesse et la flambeau de la révolte poétique porté par sa grand- supériorité des traditions musicales de la région, un mère. A travers Soutak, son troisième disque, elle crossover Afro-mandingue et afro-Jazz, inspiré par donne à sa mission un ton plus acoustique. la variété de leurs racines culturelles qui leur donne une identité forte. Très vite, ils connaissent un énorme succès à Thiès et à Dakar, mais ils se séparent soudainement après 4 ans d'existence, avant Fatoumatou DIAWARA MUS même de sortir les enregistrements déjà réalisés. At home 017.2 Montuno DIA KORA JAZZ BAND MUS Le pianiste cubain et la Kora Jazz Band 017.2 chanteuse malienne ont Celluloid Records KOR beaucoup en commun : leur jeunesse, leur fougue, une belle Mettre du jazz dans la musique générosité et un parcours qui ouest-africaine, ou relire le jazz passe par l'exploration de leurs avec une culture musicale racines tout en se projetant vers africaine et des instruments du d'autres cultures.« On a partagé un seul morceau, continent : le projet du Kora Bibisa (qui veut dire faisons la fête, amusons-nous, Jazz Band, conçu d’abord en en bambara) et à partir de là il y a eu comme une trio, vise à décloisonner des connexion d’énergies entre nous. Nous sommes univers musicaux longtemps juxtaposés. devenus frères etsœurs ». Parole de Fatou ! Roberto Fonseca clame le même enthousiasme. L’évidence s’est imposée à eux. 4 minutes 32 - la durée de Bibisa MAGIC SYSTEM MUS - c’était vraiment trop peu. Boostés par cette Africainement vôtre 017.2 révélation, ils se concoctent un répertoire à partir de Parlophone MAG leurs compositions respectives. Roberto Fonseca réarrange le tout, donnant une cohérence affûtée à "Africainement Vôtre" n’est pas l’ensemble. Il est aux anges. Lui qui avoue n’avoir simplement une redoutable jamais mis les pieds en Afrique, il a toujours rêvé de collection de tubes : par ses composer pour un artiste africain. Avec un groupe mots, ses notes ou son esprit mixant, comme leur musique, Cuba – où positif, le disque est une Fatoumatarêve de chanter - et l’Afrique, ils prennent déclaration d’amour à l’Afrique la route ! en même temps qu’une invitation permanente au voyage, à l’ouverture et au partage.
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