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Cinéma Sur Internet Internet 101 Yves Lever Document generated on 09/24/2021 8:28 a.m. Ciné-Bulles Le cinéma d’auteur avant tout Cinéma sur Internet Internet 101 Yves Lever Volume 14, Number 4, Winter 1995 URI: https://id.erudit.org/iderudit/33782ac See table of contents Publisher(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (print) 1923-3221 (digital) Explore this journal Cite this article Lever, Y. (1995). Cinéma sur Internet : internet 101. Ciné-Bulles, 14(4), 38–40. Tous droits réservés © Association des cinémas parallèles du Québec, 1995 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Perspective: cinéma sur Internet différents endroits dans le monde, avec qui on échange de temps en temps sur la théorie du chaos et le cinéma, sur la musique extradiégétique dans les films d'Hitchcock, ou simplement pour se com­ muniquer les dernières nouvelles personnelles. C'est déjà beaucoup que ce plaisir retrouvé de la corres­ pondance, plaisir disparu à cause du téléphone. Est- il besoin d'ajouter ici que cette fonction rend com­ plètement inutile le télécopieur? Le courrier élec­ NtH tronique le remplace donc de manière plus convi­ *S? ^ viale et beaucoup plus efficace. we SBWCH neu> TOUR euioEs ST«TS INFO rtmmi mt Mais il y a encore mieux avec ce courrier: des grou­ Internet 101 pes, composés de centaines de personnes intéressées et dont on peut devenir membre (c'est toujours gra­ tuit), forment une liste pour échanger des connais­ par Yves Lever sances sur des sujets parfois très pointus. Une lettre envoyée au responsable de la liste se trouve immé­ ffet de mode que l'Internet? Bien sûr, mais diatement chez tous les abonnés. Analogiquement, une mode qui ne passera pas. Comme le télé­ on pourrait parler de clubs privés communiquant par Ephone qui a presque un siècle, comme le micro­ courrier privilégié. Par exemple, dans Screen-L, un ordinateur qui n'a que 15 ans et dont personne ne groupe américain dont je suis membre, on a discuté peut se passer. On vient de découvrir ce nouveau récemment de la diégétique, des liens formels et thé­ média, existant depuis presque 30 ans, mais répandu matiques entre Griffith et Eisenstein, des films sur massivement depuis cinq ans seulement. Qu'est-ce la guerre froide, de «Emotions, neurophysiology, and qu'un cinéphile, un critique ou un professeur de ci­ movies», etc. On peut y demander n'importe quelle néma peut en tirer, au-delà de la simple curiosité de information, par exemple combien il en coûte en connaître le nec plus ultra de la modernité? heures de travail à un ouvrier pour se payer un billet de cinéma (j'ai eu plus de 30 réponses, aussi bien Une fois branché sur un serveur par la ligne télé­ du Japon que du Pérou, en une semaine), ou si phonique ordinaire (avec un simple modem, mais le l'on demeure à Pittsburgh, comment se procurer un plus rapide possible: 14 400 bauds est la norme, bien­ film d'Éric Rohmer. Si un des quelque 600 mem­ tôt, ce sera 28 800), on découvre tout de suite les bres actifs, de partout dans le monde, a la réponse, trois fonctions essentielles: le courrier électronique, on la reçoit parfois quelques heures plus tard. Les les groupes de discussion et l'accès facile à de fabu­ discussions y sont généralement de bon niveau. leuses bases de données. Les universitaires sont gé­ Même chose dans H-Film (H pour histoire), autre néralement branchés gratuitement. Pour le commun groupe américain. Je me suis également inscrit à des mortels comme moi, il en coûte environ 30$ par quelques groupes non cinématographiques (il y en a mois, pour une connection de 10 heures par semaine, sur tous les sujets possibles), dont Balzac, relié à ou l'équivalent au mois. Après le branchement, il l'Université de Montréal, ou Médiévale, relié à n'y a plus de frais appliqué pour l'utilisation. Le courrier électronique (e-mail) Programmes Inlerrvet I 17.3 t-B IF! disk Le service postal, qu'on s'efforce d'utiliser le moins souvent possible, reste la meilleure comparaison, avec la différence que la lettre que j'expédie à mon Eudora 1.5.1 Fat Netscape l.m NCSA Telnet 2b NewsWalcher collègue Jacques Caron au Danemark (professeur au département d'études romanes à l'Université Si d'Odense) arrive dans son serveur quelques secon­ SoundMachine 2.1 JPEGView TurtoOonher 2.065 des après que je l'ai écrite. S'il est devant son ordi­ nateur, un signal l'en avertit et il peut la lire immé­ <§> * ù, ë diatement et décider d'y répondre aussitôt. Avec le RealAudio Player Finger Simple Player Anarchie temps, on se crée un réseau de correspondants à Les principaux logiciels pour profiter de l'ensemble des ressources d'Internet. On se les procure gratuitement, ainsi que les manuels pour en profiter pleinement, dès qu'on est branché. Vol. 14n°4 CINF31/Z.LES 38 Perspective: cinéma sur Internet l'UQAM. Tout cela pour une vingtaine de courtes lettres chaque jour, que je lis ou envoie à la poubelle selon leur intérêt. C'est souvent très agréable de participer à ces discussions, ce qui se fait avec grande facilité. Comme pour toutes les données accessibles Alternative filmography as Writer or 0ir.ec.tQr or Acier sur Internet, on peut imprimer ce courrier, le con­ server dans divers fichiers ou simplement l'élimi­ Biographical information ner. Filmography Les groupes de discussion (newsgroups) 1. Crime d'Ovide Plouffe. Le (????) ???? (director) 2 On est au Coton <????) /director) 3. Seul ou avec d'Autres (????ï (director) Tous les branchés peuvent en créer un. Il y en a au 4 Love & Human Remains (1993) 1993 (director) moins 10 000. Cela va des amateurs d'Elvis Presley 5 Leolon9921 1992 [director] (actor) aux spécialistes de la biologie moléculaire en pas­ 6 Montreal Vu Par... (199H aka Montreal Sextet (1991) 1991 (actor) 7 Jesus de Montreal < 19891 aka Jesus of Montreal (1989) 1989 [The Judge] (actor) (director) (writer) sant par ceux qui veulent simplement échanger des 8 Zoo la Nuit. tJn (19871 aka Night Zoo (1987) 1987 [Man at peep-show] (actor) idées au sujet de la culture tchétchène ou à propos 9. Déclin de 1'F.mpire Américain. Le (19861 aka Decline of the American Empire, The (1986) 1986 du prochain référendum au Québec. Une bonne ving­ (director) (writer) 10. "Murder in the Family" (19851 (minil 1985 (director) taine de groupes parlent de cinéma. On y trouve sur­ 11. Gina (197411974 (director) tout de brefs commentaires sur les nouveautés, des 12. Réjeanne Padovani ( 197311973 (director) enquêtes genre «votre choix des cinq meilleures 13. Maudite Galette. La (197211972 (director) comédies de toute l'histoire du cinéma...», des let­ 14. Flic, Un (19711 aka Dirty Money (1971) 1971 (director) tres échangées entre les maniaques d'Alien ou de Note titles in quotes (") are TV series. Rocky Horror Picture Show, quelques nouvelles des grands studios. Le tout en reste à un niveau su­ perficiel, loin de la cinéphilie. Sauf pour celui qui présente des critiques de films (lesquelles sont ar­ chivées dans la fameuse base de données dont il sera 4> T + j^ v^ • ?? • •" !$*»*, question plus loin), il y a peu d'intérêt à les consul­ tu» %imx KB.» TO* aunts snore il«rno ngOMCK w: im*HOST ter et on s'en lasse vite. Toutefois, hors le cinéma, Copyright 1990-1995 The Internet Movie Database Team celui qui s'intéresse, par exemple, à la vie sociale et politique en Argentine trouve plein de textes inté­ La fiche au sujet d'Arcand dans ressants en espagnol sur ce pays, comme sur pres­ de Gilles Pelletier, sur lequel je clique: j ' obtiens une Internet Movie Database, qui que tous les pays. filmographie partielle, dont Jésus de Montréal sur présente plus de 70 000 films. lequel je clique pour en obtenir le générique, dont En cliquant sur chacun des ti­ L'accès à des bases de données Arcand, sur lequel je peux cliquer pour passer au tres, on obtient le générique du film. À remarquer ici que la Déclin... puis à Rémy Girard, puis à la Florida... Et base de données n'est pas Vous voulez une photo couleurs et une filmographie cela n'a pas de fin si l'on s'en tient aux films exempte d'erreurs puisqu'au complète, mise à jour hier, de Sandra Bullock, au mainstream des cinq dernières années, y compris des numéro 13, il s'agit dune mé­ moment de la sortie de The Net (en passant, un très titres pas nécessairement très populaires comme prise entre le titre anglais de Un flic et Dirty Money qui cor­ mauvais film d'action, créant une mauvaise image Vivre de Zhang Yimou ou ceux de Théo respond à la Maudite Galette. d'Internet)? Ou bien le générique essentiel de n'im­ Angelopoulos. Les films de répertoire et les classi­ Je n'ai relevé que très peu d'er­ porte quel film d'Orson Welles, de Mack Sennett ou ques, même ceux des débuts du cinéma sont déjà reurs après des dizaines de con­ de Jean-Claude Lauzon? (Ceux de Truffaut ou inscrits et, finalement, toute la production mondiale sultations.
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