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Pipe Band Jackets
Feather Bonnet Hackle and Cap Badge Guards Doublet Plaid Cross Belt Since 1950 Hardies have provided Pipe Bands around the world with a dedicated bespoke service. With over 50 years experience playing in Waist Belt Pipe Bands at all levels we have the knowledge and expertise to deliver Hand Made Heavy Weight Kilt uniforms to ensure your Pipe Band presents a smart and professional Military Doublet image for competitions, parades and public performances. Kilt Pin Our Piper range of uniform products have been designed specifically Horse Hair Sporran for Pipe Bands providing quality, durability and comfort. We offer two complete uniforms known as No.1 and No.2 dress. Hose Tops and Garter Flashes No.1 dress is a magnificent and grand uniform worn by Pipe Bands Spats featured in Tattoos and Highland Gatherings around the world. It will add a touch of class to any occasion such as Weddings, Corporate Brogues Events and Burns Suppers. Competition Pipe Bands today wear No.2 dress as it is comfortable to No.1 Dress wear and more affordable. This uniform offers many options to meet the needs of the modern day Pipe Band and it can be customised to This style of uniform is based on the include band and sponsors logos. requirements set out by the regiments within the British Army. Doublets can be decorated to show the rank and positions within a Pipe Band were we can advise what is appropriate. We offer two styles of doublets known as Military and Guards pattern, available in 19oz wool barathea in black, navy, bottle green or rifle green with silver or gold braid. -
A Seventeenth-Century Doublet from Scotland
Edinburgh Research Explorer A Seventeenth-Century Doublet from Scotland Citation for published version: Wilcox, D, Payne, S, Pardoe, T & Mikhaila, N 2011, 'A Seventeenth-Century Doublet from Scotland', Costume, vol. 2011, no. 45, pp. 39-62. https://doi.org/10.1179/174963011X12978768537537 Digital Object Identifier (DOI): 10.1179/174963011X12978768537537 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Costume Publisher Rights Statement: © Wilcox, D., Payne, S., Pardoe, T., & Mikhaila, N. (2011). A Seventeenth-Century Doublet from Scotland. Costume , 2011(45), 39-62 doi: 10.1179/174963011X12978768537537 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 © Wilcox, D., Payne, S., Pardoe, T., & Mikhaila, N. (2011). A Seventeenth-Century Doublet from Scotland. Costume , 2011(45), 39-62 doi: 10.1179/174963011X12978768537537 A SEVENTEENTH-CENTURY DOUBLET FROM SCOTLAND By SUSAN PAYNE, DAVID WILCOX, TUULA PARDOE AND NINYA MIKHAILA. In December 2004 a local family donated a cream silk slashed doublet to Perth Museum and Art Gallery.i Stylistically the doublet is given a date between 1620 and 1630 but the family story is that it was a gift to one of their ancestors about the time of the Battle of Killiecrankie in 1689. -
TA/W/1 TARIFFS and TRADE Special Distribution
RESTRICTED GENERAL AGREEMENT ON TA/W/1 TARIFFS AND TRADE Special Distribution Technical Assistance Series AREA STUDIES ON PRODUCTS OF PARTICULAR INTEREST TO DEVELOPING COUNTRIES Hifrdsnf Dkind, Leather and Leather Articles This note is one of& series of factual area studies referred to in paragraph 7 of COM.TDA//211 concerning technical assistance by the secretariat to developing contries in the context of their preparations for the multilateral trade negotiations. At its twenty-seventh session in June 1974, the Committee on Trade and Development endorsed the technical assistance programme outlined in the above document. It will be noted that this information which is being given special distribution under a Technical Assistance symbol, has been presented in a format for the specific purpose of presparations for the trade negotiations and not for discussion at meetings of GATT committees or bodies. The details are subject to modification in the light of further developments or comments that might be received. Delegations are invited to contact the secretariat for clarification of any point referred to in the note or in regard to other matters relevant to this area of international trade. TA/W1 Page 2 Contents Pame I. Introduction 3 II. Trade of developing countries in hides and skin-s leather and certain leather article Imports into developed countries from developing countries as.a .whole 7 Imports into developing countries from individual developing countries 8 Imports into the main markets from individual developing countries 11 Imports of hides and skins and leather into developing countries exporting finished leather products 11 Price movements 12 III. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
British Royal Banners 1199–Present
British Royal Banners 1199 – Present Geoff Parsons & Michael Faul Abstract The presentation begins with the (accepted) date of 1199, the death of King Richard I, the first king known to have used the three gold lions on red. It continues to show how King Edward III added the French Royal Arms, consequent to his claim to the French throne. There is then the change from “France Ancient” to “France Modern” by King Henry IV in 1405, which set the pattern of the arms and the standard for the next 198 years. The story then proceeds to show how, over the ensuing 234 years, there were no fewer than six versions of the standard until the adoption of the present pattern in 1837. The presentation includes pictures of all the designs, noting that, in the early stages, the arms appeared more often as a surcoat than a flag. There is also some anecdotal information regarding the various patterns. Anne (1702–1714) Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 799 British Royal Banners 1199 – Present Figure 1 Introduction The presentation begins with the (accepted) date of 1199, the death of King Richard I, the first king known to have used the three gold lions on red. Although we often refer to these flags as Royal Standards, strictly speaking, they are not standard but heraldic banners which are based on the Coats of Arms of the British Monarchs. Figure 2 William I (1066–1087) The first use of the coats of arms would have been exactly that, worn as surcoats by medieval knights. -
Glengarry Highland Games in Maxville, July 30
-~--- ------------------------- I .,- ·---·-··· --···-··--~, I ' I I The Glengarry News i i extends aliurufrecf tliousand ivdcomes I \ -------- - ------··---~' • • • --.,-,,_..•,-,: -.!3',1.:,,_;..._";a,.~·~,.,~:¥,-. r- - -:+-·_ TO YOUR GOOD HEALTH · ·: . ' ~ .- - . ... ~ - . - - - " - ~Wzhrl11,hlr2!,IW lria,07Et. Great leaders opened games by Anaaa H. McDonell The Rt. Hon. Edward chose their own home town Robt. H. Saunders, CBF, desk, ably assisted by his MacRae; 1961-62, Dr. Don Successful continuity of Schreyer, governor general lassie, Cathy MacEwan. A Q.C., chairman of Ontario wife Leila. And Angus H. Gamble; 1963-64, Wm. R. any community enterprise, of Canada and his wife, Her decade later, 1976, Mrs. Hydro was the 1950 guest. McDonell, 1964. MacEwen; 1965-66, Leslie such as the Glengarry Excellency Lily Schreyer. Alice MacNabb of .Mac And turning to the judic Presidents during the 36 Clark; 1967-68, Hugh Highland Games, for al Following the 1948 found Nabb of Clan MacLeod, iary, Chief Justice Kenneth years: Smith; 1969-70, R. W. most two score years is an ing of the Games, premiers Scotland, represented Charles MacKay, Mont MacLennan; 1971-72, Wal played a similar role in Dame Flora MacLeod. real, 1974. 1948, Peter Macinnes; achievement equaled by ter Blaney; 1973-74, Garry officiating. Two years later, The Games having a Representing the Clans 1949, A. S. MacIntosh; only a few counterparts. Smith; 1975-76-77, D. E. Continuity of having pre 1950, Hon. Leslie Frost, basic. sports background, in addition to the MacLeods 1950, C. L. MacGregor; 1951, Ken Barton; 1952, D. stigious Canadian person premier of Ontario was in the executive obviously were: Dave Grundie, Grand MacMaster; 1978-79, Ian D. -
The Arms of the Baronial and Police Burghs of Scotland
'^m^ ^k: UC-NRLF nil! |il!|l|ll|ll|l||il|l|l|||||i!|||!| C E 525 bm ^M^ "^ A \ THE ARMS OF THE BARONIAL AND POLICE BURGHS OF SCOTLAND Of this Volume THREE HUNDRED AND Fifteen Copies have been printed, of which One Hundred and twenty are offered for sale. THE ARMS OF THE BARONIAL AND POLICE BURGHS OF SCOTLAND BY JOHN MARQUESS OF BUTE, K.T. H. J. STEVENSON AND H. W. LONSDALE EDINBURGH WILLIAM BLACKWOOD & SONS 1903 UNIFORM WITH THIS VOLUME. THE ARMS OF THE ROYAL AND PARLIAMENTARY BURGHS OF SCOTLAND. BY JOHN, MARQUESS OF BUTE, K.T., J. R. N. MACPHAIL, AND H. W. LONSDALE. With 131 Engravings on Wood and 11 other Illustrations. Crown 4to, 2 Guineas net. ABERCHIRDER. Argent, a cross patee gules. The burgh seal leaves no doubt of the tinctures — the field being plain, and the cross scored to indicate gules. One of the points of difference between the bearings of the Royal and Parliamentary Burghs on the one hand and those of the I Police Burghs on the other lies in the fact that the former carry castles and ships to an extent which becomes almost monotonous, while among the latter these bearings are rare. On the other hand, the Police Burghs very frequently assume a charge of which A 079 2 Aberchirder. examples, in the blazonry of the Royal and Parliamentary Burghs, are very rare : this is the cross, derived apparently from the fact that their market-crosses are the most prominent of their ancient monuments. In cases where the cross calvary does not appear, a cross of some other kind is often found, as in the present instance. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
20150210-FOI00908 74397 Marshall SRR Cap Badge Response
Army Secretariat Army Headquarters IDL 24 Blenheim Building Marlborough Lines Andover Hampshire, SP11 8HJ United Kingdom Ref: Army Sec 74397/00908 E-mail: Army [email protected] Website: www.army.mod.uk Mr A Marshall 6 Larch Close Cambuslang Glasgow South Lanarkshire G72 7BL 10 February 2015 Dear Mr Marshall, Thank you for your letter of 22 January 2015 requesting the following information: “Whilst browsing a number of websites regarding the cap badge of the SRR, I have encountered different two answers. The first answer states that the sword represented on the cap badge is a depiction of Excalibur (the legendary sword of King Arthur), the second answer states the sword depicts the Sword of Damocles. I am curious to know which one is the correct answer, if either. Therefore, can you please provide me with a definitive answer regarding the SRR cap badge?” I am treating your correspondence as a request for information under the Freedom of Information Act 2000. A search for the information has now been completed within the Ministry of Defence, and I can confirm that information in scope of your request is held. The cap badge of the Special Reconnaissance Regiment (SRR) is described as “Argus helmet in front of the Special Forces sword with motto scroll ‘Reconnaissance’ underneath”. The Special Forces sword refers to that represented in the design of the Special Air Service Regiment badge though pointing upwards. Although the sword in the Special Air Service Regiment badge is often incorrectly referred to as the “winged dagger”, the original intent of the designer (reputedly Bob Tait) was a representation of King Arthur’s sword Excalibur. -
Request Copy of Army Dress Regulation Part 12
Army Secretariat Army Headquarters IDL 24 Blenheim Building Marlborough Lines Andover Hampshire, SP11 8HJ United Kingdom Ref: FOI2017/04841/18/02/78806 E-mail: [email protected] Website: www.army.mod.uk XXXXXXXXXXX 8 May 2017 XXXXXXXXXXXXXXX Dear XXXXXXXXXX, Thank you for your email of 20 April in which you requested the following information: ‘I have through recent Google research acquired a pdf of Army Dress Regulations (All Ranks). I attach a summary of the contents that I have compiled through scrutiny of the acquired pdf. You will note that: The Regulations are sponsored by PS12 (A). The pdf that I have acquired is incomplete (some Parts are missing) and may not include the most recent updates (the Parts in the acquired pdf were originated 2011-13). I accordingly request a copy of Army Dress Regulations (All Ranks) that incorporates the most recent versions of all Parts that have been promulgated by PS12(A). A pdf scan of the most recent version of the Regulations sent as an attachment to a covering e-mail would be entirely acceptable. I am treating your correspondence as a request for information under the Freedom of Information Act 2000. A search for the information has now been completed within the Ministry of Defence, and I can confirm that information in scope of your request is held. Parts 1, 2, 4, 5, 7, 8, 9, 10, 11, 13, 14 of the Army Dress Regulations are exempt under Section 21 (information accessible to applicant by other means) of the Freedom of Information Act (FOIA), because the most up to date versions are already in the public domain and can be found at the following address: https://www.whatdotheyknow.com/request/army_dress_regulations_2017#incoming-959300 Parts 12 and 14 of the Army Dress Regulations have recently been updated and are attached. -
TWICE a CITIZEN Celebrating a Century of Service by the Territorial Army in London
TWICE A CITIZEN Celebrating a century of service by the Territorial Army in London www.TA100.co.uk The Reserve Forces’ and Cadets’ Association for Greater London Twice a Citizen “Every Territorial is twice a citizen, once when he does his ordinary job and the second time when he dons his uniform and plays his part in defence.” This booklet has been produced as a souvenir of the celebrations for the Centenary of the Territorial Field Marshal William Joseph Slim, Army in London. It should be remembered that at the time of the formation of the Rifle Volunteers 1st Viscount Slim, KG, GCB, GCMG, GCVO, GBE, DSO, MC in 1859, there was no County of London, only the City. Surrey and Kent extended to the south bank of the Thames, Middlesex lay on the north bank and Essex bordered the City on the east. Consequently, units raised in what later became the County of London bore their old county names. Readers will learn that Londoners have much to be proud of in their long history of volunteer service to the nation in its hours of need. From the Boer War in South Africa and two World Wars to the various conflicts in more recent times in The Balkans, Iraq and Afghanistan, London Volunteers and Territorials have stood together and fought alongside their Regular comrades. Some have won Britain’s highest award for valour - the Victoria Cross - and countless others have won gallantry awards and many have made the ultimate sacrifice in serving their country. This booklet may be recognised as a tribute to all London Territorials who have served in the past, to those who are currently serving and to those who will no doubt serve in the years to come. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat.