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Saeed Hatteea Old Citizen, Accomplished Cricketer and Retail Chairman, Saeed Hatteea Reflects on His Eventful Business and Sporting Lives
The John Carpenter Club • City of London School Alumni Association Issue 314 • Autumn 2019 Russell Jones OC, partner in Llewellyn Consulting, Russell Jones examines the challenges facing the UK today. John Altman Multi award-winning musician and composer, OC John Altman talks about his career spanning five decades. Saeed Hatteea Old Citizen, accomplished cricketer and retail chairman, Saeed Hatteea reflects on his eventful business and sporting lives. The John Carpenter Club Contents Meet the team 4 20 Kathrin Ostermann heads up Alumni and Message from the President OC Interview Award-winning composer, arranger and musician, John Altman Development office at City of London School ity of London School welcomed a new Director of Development and Alumni Relations, Kathrin Ostermann, at the start of the 6 22 academic year. Previously, Kathrin was at King’s College London, Tate and Guy’s and St Thomas’ Charity. Alumni reunions and events OC Profile CCommenting on her new role, Kathrin said: “City of London School is very lucky to have a vibrant alumni community living Saeed Hatteea talks about his busy business and sporting life in London, across the UK and around the world. Each year, we welcome back many hundreds of alumni to reunions and events and I am keen to grow that programme so that all Old Citizens have an opportunity to stay connected with the School and with each other. 8 24-33 “Our alumni support the School in many ways, from donating to the Bursary Alumni news JCC Sports Fund, to helping 6th Formers with their careers and university choices, to providing Catch up with Old Citizens cricket, football, golf, Eton fives interesting talks to our younger pupils. -
Spring 2014 Commencement Program
TE TA UN S E ST TH AT I F E V A O O E L F A DITAT DEUS N A E R R S I O Z T S O A N Z E I A R I T G R Y A 1912 1885 ARIZONA STATE UNIVERSITY COMMENCEMENT AND CONVOCATION PROGRAM Spring 2014 May 12 - 16, 2014 THE NATIONAL ANTHEM THE STAR SPANGLED BANNER O say can you see, by the dawn’s early light, What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars through the perilous fight O’er the ramparts we watched, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air Gave proof through the night that our flag was still there. O say does that Star-Spangled Banner yet wave O’er the land of the free and the home of the brave? ALMA MATER ARIZONA STATE UNIVERSITY Where the bold saguaros Raise their arms on high, Praying strength for brave tomorrows From the western sky; Where eternal mountains Kneel at sunset’s gate, Here we hail thee, Alma Mater, Arizona State. —Hopkins-Dresskell MAROON AND GOLD Fight, Devils down the field Fight with your might and don’t ever yield Long may our colors outshine all others Echo from the buttes, Give em’ hell Devils! Cheer, cheer for A-S-U! Fight for the old Maroon For it’s Hail! Hail! The gang’s all here And it’s onward to victory! Students whose names appear in this program have completed degree requirements. -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
BBC Radio International Pop Docs Catalogue Contents
BBC Radio International Pop Docs Catalogue BBC Radio International brings you innovative music documentaries covering rock, pop, jazz, country, classical and much more. With access to both new and established artists and performers we provide your listeners with a special insight into their favourite artists' lives. Here you will find profiles of new bands, exclusive in-depth interviews with the biggest stars, unique material from the largest music archive in the world, plus original unreleased music and exclusive concert recordings as we celebrate music as a living and developing art form. You can easily search the BBC music documentaries by genre. Take a look through the options available and select from hundreds of hours of content spanning from present day back through the last twenty years. Most programmes are one hour in duration and you can pick and choose any titles that suit your listeners, including selecting individual episodes from a series. The catalogue is updated on a quarterly basis so look out for new and exciting programmes and feel free to get in touch with the team to find out more. All rights are cleared by the BBC and all relevant royalties and payaways will be originated by the BBC. The licensee only reports music to a relevant local collection society. Have a question or want to know more about a specific genre or programme? Contact: Larissa Abid, Ana Bastos or Laura Lawrence for more details. Contents Classic Pop and Rock ...............................................................................................................................................2 -
Goldsmith 1929-2004
Volume 9, Number 7 Original Music Soundtracks for Movies and Television Goodbye, David pg. 4 JERRY GOLDSMITH 1929-2004 07> 7225274 93704 $4.95 U.S. • $5.95 Canada v9n07COV.id 1 9/7/04, 3:36:04 PM v9n07COV.id 2 9/7/04, 3:36:07 PM contents AUGUST 2004 DEPARTMENTS COVER STORY 2 Editorial Jerry Goldsmith 1929-2004 Let the Healing Begin. It would be difficult to reflect on both Jerry Goldsmith’s film music legacy and his recent passing without devoting an entire 4 News issue of FSM to him; so that’s what we’ve done. From fan Goodbye, David. letters and remembrances to an in-depth look at his life and 5 Record Label musical legacy, we’ve covered a lot of ground. Just as impor- Round-up tant, we hope you, Jerry’s fans, find it a fitting tribute to a man What’s on the way. whose monumental work meant so much to so many. 5 Now Playing Movies and CDs in The Artist, release. 12 The Gold Standard 6 Concerts Quantifying Jerry Goldsmith’s contribution to film scoring Film music performed isn’t easy...but we’ll try anyway. around the globe. By Jeff Bond 7 Upcoming Film Assignments 19 Goldsmith Without Tears Who’s writing what The imagined, decades-long conversation with Goldsmith for whom. may be over, but his music lives on. By John S. Walsh 9 Mail Bag Lonely Are the Brave. 24 Islands in the Stream 10 Pukas Jerry’s industry contemporaries chime in on If Only It Were True. -
BBC Radio International Features Catalogue Contents
BBC Radio International Features Catalogue BBC Radio International offers fascinating, thought provoking features that delve into a wide range of subjects, including factual, arts and culture, science and music, in a varied and entertaining way. Noted for their depth of research and authoritative presentation, BBC features give your listeners access to high profile presenters and contributors as they gain a captivating insight into the world around them. You can easily search the BBC features by clicking on the genre under contents. Take a look through the op- tions available and select from hundreds of hours of content spanning from present day back through the last ten years. Have a question or want to know more about a specific genre or programme? Contact: Larissa Abid, Ana Bastos or Laura Lawrence for more details Contents New this month – September 2021 ...........................................................................................................................1 Factual .......................................................................................................................................................................4 Arts and Culture .......................................................................................................................................................26 Music .......................................................................................................................................................................52 Science ....................................................................................................................................................................75 -
Gil Fuller and the Monterey Jazz Festival Orchestra
Gil Fuller Night Flight mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Night Flight Country: US Released: 1966 Style: Big Band MP3 version RAR size: 1759 mb FLAC version RAR size: 1890 mb WMA version RAR size: 1965 mb Rating: 4.2 Votes: 632 Other Formats: VOC APE ASF MOD AHX XM MMF Tracklist A1 Tin Tin Deo 2:52 A2 I'm In The Mood For Love 3:35 A3 Night Flight 2:58 A4 Our Man Flint 2:55 A5 Seesaw 2:40 A6 Batucada Surgiu 2:20 B1 17 Mile Drive 4:08 B2 A Patch Of Blue 2:40 B3 Latin Lady (From "Angel City Suite") 4:34 B4 Blues For A Debutante 2:32 B5 Sweets For My Sweet 2:30 B6 Wild Chestnuts 2:16 Credits Alto Saxophone, Flute – Gabe Baltazar, James Moody Alto Saxophone, Tenor Saxophone – Clifford Scott Art Direction – Woody Woodward Baritone Saxophone – Bill Hood Baritone Saxophone, Bass Clarinet – Bill Green* Bass – Chuck Berghofer Congas, Bongos – Francisco Aguabella Drums – Chuck Flores Engineer – Henry Lewy, Lanky Linstrot French Horn – Alan Robinson, Gale Robinson , Sam Cassano Leader – Gil Fuller Liner Notes – Tom Reed Organ – George Semper Photography By [Cover] – Ken Kim Photography By [Inside, Back] – Art Adams* Piano – Mike Wofford Producer – Richard Bock Tenor Saxophone, Clarinet – Ira Schulman Trombone – Bob Enevoldsen, Ernie Tack, Lou Blackburn Trumpet – Al Porcino, Conte Candoli, Jimmy Zito*, Melvin Moore Barcode and Other Identifiers Rights Society: ASCAP / BMI Matrix / Runout: PJ-10101-2-SIDE 1 1 A1 Matrix / Runout: PJ 10101 SIDE 2 / 1 A2 Other versions Category Artist Title (Format) Label Category Country Year -
Dominican Republic Jazz Festival @ 20
NOVEMBER 2016 VOLUME 83 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Invention Reinvention Final
City Research Online City, University of London Institutional Repository Citation: Mera, M. (2009). Invention/Re-invention. Music, Sound and the Moving Image, 3(1), pp. 1-20. doi: 10.3828/msmi.3.1.1 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/4007/ Link to published version: http://dx.doi.org/10.3828/msmi.3.1.1 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Invention/Re-invention Miguel Mera Here we go again … In her seminal essays ‘The Bounded Text’ and ‘Word, Dialogue and Novel’ Julia Kristeva coined the term intertextuality to describe the notion that every text is constructed as a ‘mosaic of quotations’ and is the ‘absorption and transformation of another’ (1980a: 66). She referred to texts in terms of two axes: a horizontal axis connecting the author and reader, and a vertical axis connecting the text to other texts (1980a: 69). -
Charlie Christian's Influence on Wes Montgomery's
IMITATION, ASSIMILATION, AND INNOVATION: CHARLIE CHRISTIAN’S INFLUENCE ON WES MONTGOMERY’S IMPROVISATIONAL STYLE IN HIS EARLY RECORDINGS (1957-1960) A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF ARTS BY SHAWN SALMON DISSERTATION ADVISORS: DR. KEITH KOTHMAN AND MR. PAUL REILLY BALL STATE UNIVERSITY MUNCIE, INDIANA DECEMBER 2011 For Elaina, Eamon, and Nia TABLE OF CONTENTS Introduction …………………………………………………………………………… 1 Need of the Study ……………………………………………………………. 4 Review of Literature ………………………………………………………….. 7 Methodology ………………………………………………………………… 13 Chronological List of Recordings Used for Study …………………………... 17 Chapter 1: Biographical History and Musical Development of Charlie Christian ….. 19 Life and Career ……………………………………………………………… 19 Charlie Christian, Jam Sessions, and the Bebop Movement ………....……... 22 Christian and Creativity ……………………………………………………... 24 Chapter 2: Biographical History and Musical Development of Wes Montgomery … 29 Life and Career ……………………………………………………………… 29 Chapter 3: Stylistic Traits of Charlie Christian Over Dominant-Seventh Harmonies . 39 Scales ………………………………………………………………………... 39 Arpeggios ………………………………………………………………….. .. 46 Use of Chromatic Pitches …………………………………………………… 55 Formulas and Enclosures …………………………………………………… 67 Harmonic Substitutions ……………………………………………………... 76 Concluding Remarks …………………………………………………………81 Chapter 4: Stylistic Traits of Wes Montgomery Influenced by Charlie Christian …. 83 Imitation in Jazz ……………………………………………………………. 84 Wes Montgomery -
John Altman 1/08
JOHN ALTMAN Composer John’s work straddles feature films, tv films and drama series in the UK and US, commercials, lecture tours and appearances fronting his own big band and jazz quartet. He has a Lifetime Achievement Award Gold Badge from the British Society of Composers & Songwriters and is a BAFTA Board Member. Recent credits include Shoot On Sight, a political thriller set in London and The Master Builder, a contemporary reworking of the Ibsen play; and ITV’s one-off film The Good Samaritan. Other credits include Peter Chelsom’s Shall We Dance for Miramax, starring Richard Gere & Jennifer Lopez; On Thin Ice, starring Diane Keaton; Hope Springs for Fragile/Disney, starring Colin Firth, Minnie Driver and Heather Graham; and the remake of Tennessee Williams’ The Roman Spring of Mrs Stone (Showtime), starring Helen Mirren, and was EMMY Nominated. Composed the music for award- winning Little Voice for Scala/Miramax and RKO 281 (HBO) for which John was awarded the 2000 EMMY and ASCAP Best Score. UK TV credits include Mr Harvey Lights A Candle (BBC), directed by Susanna White, starring Timothy Spall; and The Queen’s Sister for Touchpaper/Channel 4. John’s British films include Beautiful Thing; Hear My Song directed by Peter Chelsom, for which he received a BAFTA; The Matchmaker (Working Title/Polygram); Bhaji On The Beach for writer/director Gurinder Chadha; God On The Rocks; Bad Behaviour; Devlin (Viacom); Act Of Vengeance, with Charles Bronson and Keanu Reeves; and Assassin Of The Tsar. He worked on the cult Life Of Brian movie and hit single Always Look On The Bright Side Of Life – and was honoured at the Python’s “Not The Messiah” Jubilee Concert at London’s Royal Albert Hall in October 2009 .