Guide to Graduate Study in English 2005-2006
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Faulkner's Stylistic Difficulty: a Formal Analysis of Absalom, Absalom!
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 12-14-2017 Faulkner's Stylistic Difficulty: Aormal F Analysis of Absalom, Absalom! Eric Sandarg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Sandarg, Eric, "Faulkner's Stylistic Difficulty: Aormal F Analysis of Absalom, Absalom!." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/english_diss/189 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. FAULKNER’S STYLISTIC DIFFICULTY: A FORMAL ANALYSIS OF ABSALOM, ABSALOM! by ERIC SANDARG Under the Direction of Pearl McHaney, Ph.D. ABSTRACT The complex prose of Faulkner’s Absalom, Absalom!, marked by lengthy sentences and confusing punctuation, resonates on both a rhetorical and an aesthetic level that earlier critics failed to recognize. INDEX WORDS: William Faulkner; Absalom, Absalom!; punctuation; syntax; diction; prose poetry; parentheses; sentences; repetition; Faulknerese. i ii FAULKNER’S STYLISTIC DIFFICULTY: A FORMAL ANALYSIS OF ABSALOM, ABSALOM! by ERIC SANDARG A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the College of Arts and Sciences Georgia State University 2017 iii Copyright by Eric Sandarg 2017 iv FAULKNER’S STYLISTIC DIFFICULTY: A FORMAL ANALYSIS OF ABSALOM, ABSALOM! by ERIC SANDARG Committee Chair: Pearl McHaney Committee: Malinda Snow Randy Malamud Electronic Version Approved: Office of Graduate Studies College of Arts and Sciences Georgia State University December 2017 v iv DEDICATION I invoked no muse for inspiration while composing this work; my two principal sources of motivation were decidedly sublunary but nonetheless helpful beyond description: Dr. -
An Annotated Bibliography of William Faulkner, 1967-1970
Studies in English Volume 12 Article 3 1971 An Annotated Bibliography of William Faulkner, 1967-1970 James Barlow Lloyd University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the American Literature Commons Recommended Citation Lloyd, James Barlow (1971) "An Annotated Bibliography of William Faulkner, 1967-1970," Studies in English: Vol. 12 , Article 3. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol12/iss1/3 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Lloyd: Faulkner Bibliography An Annotated Bibliography of William Faulkner, 1967—1970 by James Barlow Lloyd This annotated bibliography of books and articles published about William Faulkner and his works between January, 1967, and the summer of 1970 supplements such existing secondary bibliog raphies as Maurice Beebe’s checklists in the Autumn 1956 and Spring 1967 issues of Modern Fiction Studies; Linton R. Massey’s William Faulkner: “Man Working” 1919-1962: A Catalogue of the William Faulkner Collection of the University of Virginia (Charlottesville: Bibliographic Society of the University of Virginia, 1968); and O. B. Emerson’s unpublished doctoral dissertation, “William Faulkner’s Literary Reputation in America” (Vanderbilt University, 1962). The present bibliography begins where Beebe’s latest checklist leaves off, but no precise termination date can be established since publica tion dates for periodicals vary widely, and it has seemed more useful to cover all possible material than to set an arbitrary cutoff date. -
A Study of Faulkner's Religious Critical Thought Based on the Image of Black Women
2019 5th International Conference on Economics, Management and Humanities Science (ECOMHS 2019) A Study of Faulkner's Religious Critical Thought Based on the Image of Black Women Shi Qin Shanghai Open University Chongming Branch, Shanghai, China Keywords: Faulkner; religion outlook; black female; image-building; Southern Renaissance Abstract: In the 20th century, the famous American writer William Faulkner grew up in the "Bible Belt" of the southern United States. Due to the influence of religious and cultural environment, Faulkner infiltrated a strong religious color into his works, reflecting his complex diversity of religious thoughts. As a representative of the southern Renaissance, Faulkner created numerous black female images in different periods. Through attention and characterization of the black women at the bottom of the southern society under the white rule, he reveals the fact that the southern religion and the decayed and evil old southern cultural tradition are mutually integrated and accelerate the collapse of the old south. This paper studies and interprets the artistic depiction of the special group of black women, which is the artistic expression of Faulkner's critical thoughts of southern religion and his humanitarian spirit in the southern Renaissance. 1. Introduction William Faulkner was a famous American writer in the 20th century and an outstanding representative of southern literature. In 1950, he won the Nobel Prize for literature for his "powerful and unique artistic contribution to the American novel". Faulkner, who grew up in the southern United States with a strong religious culture, integrated the ubiquitous religious elements in his series of novels of Yoknapatawpha, the representative of his highest artistic achievement. -
Carolyn See Papers, 1969
http://oac.cdlib.org/findaid/ark:/13030/kt696nb9rp No online items Carolyn See papers, 1969- Finding aid prepared by Brooke Whiting, Anne Caiger, Carole Prietto, Dan Luckenbill, Dellene Tweedale(?), Dydia Delyser, Lilace Hatayama, David MacGill and Jaime Lara. Boxes 117-134 processed by Piyapong Kong Phongpatanakhum, June 2004; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2006 The Regents of the University of California. All rights reserved. Carolyn See papers, 1969- 1397 1 Title: Carolyn See papers Collection number: 1397 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 65.5 linear ft.(131 boxes. 3 oversize boxes) Date: 1969- Abstract: Carolyn See (1934- ) was a professor in the UCLA Department of English. Her published books include: Mothers, daughters (1977), and Rhine maidens (1981). The collection consists of correspondence, manuscripts and manuscript drafts, clippings, books, and printed materials related to Carolyn See's literary career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: See, Carolyn Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Portions of this collection are restricted. Consult finding aid for additional information. Restrictions on Use and Reproduction Property rights to the physical object belong to UCLA Library Special Collections. -
Inter/View: Talks with America's Writing Women
University of Kentucky UKnowledge Literature in English, North America English Language and Literature 1990 Inter/View: Talks with America's Writing Women Mickey Pearlman Katherine Usher Henderson Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Pearlman, Mickey and Henderson, Katherine Usher, "Inter/View: Talks with America's Writing Women" (1990). Literature in English, North America. 56. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/56 Inter/View Inter/View Talks with America's Writing Women Mickey Pearlman and Katherine Usher Henderson THE UNIVERSITY PRESS OF KENTUCKY PHOTO CREDITS: M.A. Armstrong (Alice McDermott), Jerry Bauer (Kate Braverman, Louise Erdrich, Gail Godwin, Josephine Humphreys), Brian Berman (Joyce Carol Oates), Nancy Cramp- ton (Laurie Colwin), Donna DeCesare (Gloria Naylor), Robert Foothorap (Amy Tan), Paul Fraughton (Francine Prose), Alvah Henderson (Janet Lewis), Marv Hoffman (Rosellen Brown), Doug Kirkland (Carolyn See), Carol Lazar (Shirley Ann Grau), Eric Lindbloom (Nancy Willard), Neil Schaeffer (Susan Fromberg Schaeffer), Gayle Shomer (Alison Lurie), Thomas Victor (Harriet Doerr, Diane Johnson, Anne Lamott, Carole -
The L.A. Earthquake Sourcebook
THE L.A. EARTHQUAKE SOURCEBOOK Produced by Richard Koshalek and Mariana Amatullo 2/3 Copyright © 2008 Designmatters at Southern California earthquake maps reprinted Art Center College of Design. courtesy of the U. S. Geological Survey. Excerpt from All rights reserved. ISBN 978-0-9618705-0-8 “Los Angeles Days” reprinted with the permission of Simon and Schuster Adult Publishing Group from Design: Sagmeister Inc., NYC After Henry by Joan Didion. Copyright © 1992 by Managing Editor: Gloria Gerace Joan Didion. All rights reserved. Pp. 97–100 from Ask Editor: Alex Carswell The Dust by John Fante. Copyright © 1980 by John Printer: Capital Offset Co. Fante. Reprinted by permission of HarperCollins Publishers. Excerpt from As I Remember by Arnold Genthe. Copyright © 1936 by Reynal & Hitchcock. Reprinted by permission of Ayer Company Publishers. “When Mother Nature Visits Southern California” by David Hernandez, 1998, used by permission of the author. Excerpt from “Assembling California” from Annals of the Former World by John McPhee. Copyright © 1998 by John McPhee. Reprinted by permission of Farrar, Straus and Giroux, LLC. Excerpt from “Folklore of Earthquakes” from Fool’s Paradise: The Carey McWilliams Reader. Reprinted by permission of Harold Ober Associates Incorporated. Copyright © 1933 by Carey McWilliams. First published in American Mercury. “When Living on the Edge Becomes Stark–Naked Reality” originally appeared in the Los Angeles Times. Copyright © 1987 Carolyn See. Used by permission of the author. Excerpt from “The L.A. Quake” © 1994 Lawrence S C C Weschler. Used by permission of the author. The full E essay appeared in the Threepenny Review and is part an NSF+USGS center of Vermeer in Bosnia: Cultural Comedies and Political Tragedies, Pantheon, 2004. -
Southern Identity in the Stories of Taylor and O'connor
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1986 From the Country to the City: Southern Identity in the Stories of Taylor and O'Connor Catherine Anne Clark College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Clark, Catherine Anne, "From the Country to the City: Southern Identity in the Stories of Taylor and O'Connor" (1986). Dissertations, Theses, and Masters Projects. Paper 1539625353. https://dx.doi.org/doi:10.21220/s2-wxw1-dg89 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. FROM THE COUNTRY TO THE CITY: SOUTHERN IDENTITY IN THE STORIES OF TAYLOR AND O'CONNOR A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Catherine Anne Clark 1986 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts C J t t d 0 A K j V U /A m a a I . Catherine. Anne Clark Approved, August 1986 Susan Donaldson Walter Wenska Conlee ii DEDICATION To my mother and father who have taught me the most important of my lessons "And if I have the gift of prophecy, and know all mysteries and all knowledge; and if I have all faith, so as to remove mountains, but do not have love, I am nothing." — I Corinthians 13:2 iii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS .................................. -
The Reconstruction Trope: Politics, Literature, and History in the South, 1890-1941 Travis Patterson Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2018 The Reconstruction Trope: Politics, Literature, and History in the South, 1890-1941 Travis Patterson Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Patterson, Travis, "The Reconstruction Trope: Politics, Literature, and History in the South, 1890-1941" (2018). All Theses. 2917. https://tigerprints.clemson.edu/all_theses/2917 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. THE RECONSTRUCTION TROPE: POLITICS, LITERATURE, AND HISTORY IN THE SOUTH, 1890-1941 A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts History by Travis Patterson August 2018 Accepted by: Dr. Paul Anderson, Committee Chair Dr. Rod Andrew Jr. Dr. Vernon Burton ABSTRACT This thesis examines how white southerners conceptualized Reconstruction from 1890 to 1941, with an emphasis on the era between the First and Second World Wars. By analyzing Reconstruction as it appears in political rhetoric, professional and amateur history, and southern literature, the thesis demonstrates how white southerners used the ‘tragic’ story of Reconstruction to respond to developments in their own time. Additionally, this thesis aims to illuminate the broader cultural struggle over Reconstruction between the First and Second World Wars. This thesis ultimately argues that the early revisionism in Reconstruction historiography was part of a broader reassessment of Reconstruction that took place in southern culture after the First World War. -
University of Oran 2 Faculty of Foreign Languages THESIS in Candidacy
University of Oran 2 Faculty of Foreign Languages THESIS In Candidacy for the Degree of Doctorate in Science, English Language. Moving Forward , Looking Backward : Past , Tragedy , Trauma and Redemption in the Major Works of William Faulkner , the Salient Representative of the Southern Reality . Publicly Presented by: Ms. DJAWIDA REBAA Before a Jury Composed of: BELMEKKI Belkacem Professor University of Oran 2 President MOULFI Leila Professor University of Oran 2 Supervisor DANI Fatiha Professor University of Oran 1 Examiner BENABDI Farouk MCA University of Mascara Examiner Academic Year 2019/2020 Dedication To my parents who proudly supported my educational endeavours . To my brother and sisters for their constant support and pride in my accomplishments . To my dear friends who provided prayers . To my loving colleagues who brought confidence and hope in me . Acknowledgments In the name of our Merciful and Compassionate God “ My lord ! increase me in knowledge ” ( The Holy Quran , the Chapter of Taha , Versus 114) My educational journey has been a long and an arduous task and could not have been accomplished without the countless individuals who have stepped into my life . There are far too many people to name but they all have made an impact on the roads and trials I travelled to get here . To all of you , I thank you . First and forever most , I owe a special debt of recognition and gratitude to the professionalism and scholarly insight of my supervisor Pr. Leila MOULFI who has believed in me .Without her support and guidance , I would not be where I am today . She taught me to love William Faulkner’s literature and helped me throughout the process of completing this thesis. -
The Sense of Place in Southern Fiction
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1973 The eS nse of Place in Southern Fiction. Mina Gwen Williams Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Williams, Mina Gwen, "The eS nse of Place in Southern Fiction." (1973). LSU Historical Dissertations and Theses. 2441. https://digitalcommons.lsu.edu/gradschool_disstheses/2441 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
The Iltizabeth Madox 'Roberts Society Newscetter
The ILtizabeth Madox 'Roberts Society NewsCetter Newsletter No. 10 www.emrsociety.com March 2009 11th Annual PRESIDENT'S MESSAGE EMR members in chairing numerous Roberts Conference Gregg Neikirk sessions and presenting papers at such major national venues as the SAMLA Convention and the ALA Conference. The Elizabeth Madox Roberts Over ten years ago, H. R. and Sparrow Society will hold its XI Annual Stoneback, together with a handful And anyone who attended our Tenth Conference in beautiful of graduate students from SUNY- Anniversary conference last year—with its free distribution of critical volumes, Harrodsburg and Springfield New Paltz, established the Elizabeth posters, and other shared materials—had (Saint Catharine College), Madox Roberts Society to promote the Kentucky author's life and works. just cause to celebrate the success of Kentucky, April 18-20, 2009. The Since that time the society has grown the Roberts Society and to marvel at conference headquarters—site and realized important successes, just the distance we have traveled since our of the opening banquet, keynote as the early founders envisioned. For modest beginning ten years ago, as the session, and annual business example, 2008 was a very good year first group had envisioned. meeting—is the lovely and overall, and for some great reasons that legendary Beaumont Inn in are in addition to the fact that 2008 was The year also closed very well, and in historic Harrodsburg. Academic the 10th anniversary of our society. recent months Roberts was featured in paper sessions will be held at three important keynote addresses by our Saint Catharine College, just In some ways, however, it was a year Honorary President, H. -
Harper Strom on Transatlantic Renaissances: Literature of Ireland
Kathryn Stelmach Artuso. Transatlantic Renaissances: Literature of Ireland and the American South. Newark: University of Delaware Press, 2013. xxi + 183 pp. $39.99, paper, ISBN 978-1-61149-435-8. Reviewed by Harper Strom Published on H-Southern-Lit (August, 2015) Commissioned by Anthony Dyer Hoefer (George Mason University) The literary history of colonial Ireland is inti‐ Her reevaluation of the work of Lady Gregory mately tied to that of the American South, and in points toward a theme she will return to later, Translatlantic Renaissances: Literature of Ireland namely the necessary intervention of the female and the American South, Kathryn Stelmach Artu‐ author into an often nostalgic, “masculinist mar‐ so unpacks the extensive intellectual and aesthet‐ tyrology,” with Lady Gregory “dramatizing a new ic influences of the Irish Literary Revival upon the ethos of regeneration and wish fulfillment” in her Southern Renaissance. 1920 play The Dragon (p. 39). Artuso covers an incredible amount of Chapter 2 sets out to reclaim Margaret ground in framing her argument, and her aim is Mitchell’s Gone with the Wind (1936) from the pe‐ three-fold: recognizing and exploring confluences jorative category of “popular fction” and mine its between the Irish and southern literary revivals; “unexpected insights into the project of regional detailing the shared heritage between Irish and re-enchantment adopted by both Irish and south‐ southern expressions of place and personhood ern writers” (p. 42). Artuso begins by reexamining through the works of Eudora Welty and Elizabeth the public relations campaign that accompanied Bowen; and tracing the aesthetic influences and the released of the flm in 1939 and its reliance on contradictions of Irish writers upon the Harlem the “moonlight and magnolias” mythology that Renaissance.