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German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
CYLINDERS 2M = 2-Minute Wax, 4M WA= 4-Minute Wax, 4M BA = Edison Blue Amberol, OBT = Original Box and Top, OP = Original Descriptive Pamphlet
CYLINDERS 2M = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. ReproB/T = Excellent reproduction orange box and printed top Any mold on wax cylinders is always described. All cylinders are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual. All cylinders EDISON unless otherwise indicated. “Direct recording” means recorded directly to cylinder, rather than dubbed from a Diamond-Disc master. This is used for cylinders in the lower 28200 series where there might be a question. BLANCHE ARRAL [s] 4108. Edison BA 28125. MIGNON: Je suis Titania (Thomas). Repro B/T. Just about 1-2. $40.00. ADELINA AGOSTINELLI [s]. Bergamo, 1882-Buenos Aires, 1954. A student in Milan of Giuseppe Quiroli, whom she later married, Agostinelli made her debut in Pavia, 1903, as Giordano’s Fedora. She appeared with success in South America, Russia, Spain, England and her native Italy and was on the roster of the Hammerstein Manhattan Opera, 1908-10. One New York press notice indicates that her rendering of the “Suicidio” from La Gioconda on a Manhattan Sunday night concert “kept her busy bowing in recognition to applause for three or four minutes”. At La Scala she was cast with Battistini in Simon Boccanegra and created for that house in 1911 the Marschallin in their first Rosenkavalier. Her career continued into the mid-1920s when she retired to Buenos Aires and taught. 4113. Edison BA 28159. LA TRAVIATA: Addio del passato (Verdi). ReproB/T. -
CYLINDERS 2M = 2-Minute Wax, 4M WA= 4-Minute Wax, 4M BA = Edison Blue Amberol, OBT = Original Box and Top, OP = Original Descriptive Pamphlet
CYLINDERS 2M = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. Any mold on wax cylinders is always described. All cylinders are boxed (most in good quality boxes) with tops and are standard 2” diameter. All grading is visual. All cylinders EDISON unless otherwise indicated. ADELINA AGOSTINELLI [s]. Bergamo, 1882-Buenos Aires, 1954. A student in Milan of Giuseppe Quiroli, whom she later married, Agostinelli made her debut in Pavia, 1903, as Giordano’s Fedora. She appeared with success in South America, Russia, Spain, England and her native Italy and was on the roster of the Manhattan Opera, 1908-10. One New York press notice indicates that her rendering of the “Suicidio” from La Gioconda on a Manhattan Sunday night concert “kept her busy bowing in recognition to applause for three or four minutes”. At La Scala she was cast with Battistini in Simon Boccanegra and created for that house in 1911 the Marschallin in their first Rosenkavalier. Her career continued into the mid-1920s when she retired to Buenos Aires and taught. 9142. BA 28137. TOSCA: Vissi d’arte (Puccini). OBT and pamphlet. Just about 1-2. $50.00. CESARE ALESSANDRONI [b] 9127. U.S. Everlasting 33027. OTELLO: Credo (Verdi). In an Edison Orange repro- duction box. 2. $50.00. CORNELIUS BRONSGEEST [b] 9150. BA 26122. TANNHÄUSER: O du mein holder Abendstern (Wagner). Reproduction Edison orange box. Cons. ADELINA AGOSTINELLI 2. $50.00. JOHANNE BRUN [s]. 1874-1954. Her debut was at the Royal Danish Opera, 1896, as the Queen of the Night in The Magic Flute. -
Volume 34, Number 07 (July 1916) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1916 Volume 34, Number 07 (July 1916) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 34, Number 07 (July 1916)." , (1916). https://digitalcommons.gardner-webb.edu/etude/626 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ----- Price 15 Cents 1 473 THE ETUDE PRESSER’S MUSICAL MAGAZINE CONTENTS FOR JULY 1916 World of Music . Success Guides.G. if. Grecnhalyh A Practice Hour of Pleasure.C. W. London Can You Pass This Examination .'. The Part the Piano Should Pla^. .J. K. MacDonald The Layman's Attitude T W.’ R. Bpaldint Teaching Use of Bass Clef.Russell Carter 482 The Effect of Mechanical Ins :s Upon Musical jojuucu Lion.(Symposium) Royal Performers on the Flute. The Real Meaning of Rhythm.. .Lerou B. Campbell A Useful Finger Exercise.Wilbur F. Unger Discouraging the Pupil.Edna J. Warren Can There Be Any Real New Music?... How Parents Can Help...Geo. -
Variety (January 1919)
VARIEtY LiiiiiiiniiiiiiniirMfiuim/iiiiiijuiiiiiiiimniiiiiiiiiiiniiiiiiiiiiiiiiiiniiM THREE NEW SONGS BY THE WRITERS OF JEROME l1.REHiCK«Ca "SMILES" LEE 8. ROBERTS-^. WILL. CALLAHAN NEW TOSK a»W.46th8k V BROOKLYN "AFTER ALL" 6M Fnlton St. I PROVIDENCB After all the Tears, Kisses, Laughs, Winks, etc., this Is the only song Ifoilc Dept.. Hall ft Lyoaa for you to follow, "Smiles." BOSTON ..r- .. 328 Tremont St. PHILADELPHIA ai Boath 9th St. "YOUDONTKNOW'i BALTIMOBB Hnsie Dept., An inspiration. You can't afford to overlook this song. S Stewart Dry Goods Co. WASHINGTON . »th and DSti., N. W. ''A Little Birch I PITTSBURGH Canoe andYou" • Schmidt , 308 Bld«. WASHINGTON "TIMES": CLEVELAND B. F. Keith's Washington.—Mme. Marguerite Sylva's charm is infectious. .:(i:\'',<'' Hippodrome Bide. Her songs, "My Little Birch Canoe and You" and "You Dont Know" are great. ' V' ^•'• ftdJ iii"i""H'iiiiiii"i''iiiiiii"»"ii»"'i""""i»i "<ini"ii"i»iiii»"i"i»iM^^D^m i:Vri^^!:M^ ,•^-:^,c|/!w•,,^'v;.i^;> '?.•,<'" ..I % JEROME H. REniCKiCa • (Pm True to the Whole Regiment) | I '.;' By BOUSQUET, ROBERT & BRYAN - TORONTO UTTongeSt. the -French-American song hit, published with French and English tcit, DETROIT ' ' ';'•= .: , 187 Fort Street • ^>^':::;''• v':>'Vis;^Ur' 'v^:''/' r'^''^';; .;;.. .': V »,y.'-» ONCINNATl' The Fair Hasle Dept. **TILL WE MEET AGAIN" I ST. LOUIS Grand Leader, Hnsie Dept. By Egan Whiting, & those boys from Detroit who were broaghtto New CHICAGO York by Will Morrisaey to write Ms new OVER SEAS REVUE. Majeetle Theatre Blttf. HINNBAPOUS Ma sic Dept., ;• Powers Mercantile Co. PORTLAND, ORK. I "ONTHEROADTOCALAIS" I StI No. VasUflffton St. -
Popular Song in Britain During the Two World Wars John Mullen
Popular Song in Britain during the Two World Wars John Mullen To cite this version: John Mullen. Popular Song in Britain during the Two World Wars. Arts of War and Peace, Mark Meigs, Jennifer Kilgore-Caradec, LARCA Paris-Diderot, 2019. hal-02427029 HAL Id: hal-02427029 https://hal-normandie-univ.archives-ouvertes.fr/hal-02427029 Submitted on 3 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 1 Popular song in Britain during the two world wars (La chanson populaire en Grande-Bretagne pendant les deux guerres mondiales) John Mullen Résumé Lors de la première guerre mondiale, le music-hall joua un rôle important dans l’effort de guerre. Campagnes de recrutement pendant les spectacles, séances gratuites pour les soldats blessés, tournées de vedettes en France, contribuèrent toutes à l’effort national. Un air de satire et de critique de la gestion de la guerre était également perceptible. Lors de la deuxième guerre, le discours officiel des hommes politiques a évolué. Le sacrifice glorieux de Lloyd George est devenu le « du sang, de la peine, des larmes et de la sueur» de Winston Churchill. -
ARSC Journal
THE GILBERT AND SULLIVAN OPERETTAS ON 78s: COMPLETE SETS AND ABRIDGEMENTS, 1906. 1950 John W. N. Francis In 1877 Richard D'Oyly Carte commissioned Gilbert and Sullivan to write The Sorcerer, and organized an ensemble of singer-actors to perform the new piece under the author's artistic direction. Also in 1877, of course, Charles Cros and Thomas Edison invented sound recording. More than a century later both the music and the medium continue to flourish, and indeed they have come together often and success fully--notably in the many complete versions by the D'Oyly Carte Opera Company, which have set standards of style and ensemble for generations of devotees and amateur performers. This discography documents the complete recordings of the Gilbert and Sullivan operettas made at 78 rpm, not only by the D'Oyly Carte company or under its aegis, but also by others with lesser claims to authenticity. Also included are substantial abridgements and sets of excerpts--groups of five or more sides made at essentially the same time and place and with the same performers, whether or not they were ever issued collectively or with consecutive numbering. The following comments set the recordings in the context of the D'Oyly Carte Opera Company's history. THE ACOUSTIC RECORDINGS When Richard D'Oyly Carte died in 1901, his widow Helen assumed manage ment of the businesses he had built, including the Savoy Theatre in London and the opera company, which was then on tour. In 1906 she brought the troupe back to the Savoy for a repertory season of Gilbert and Sullivan, its very first. -
Theatre. Monday
Page Six THE DAILYWORKER, NEW YORK, SATURDAY’, NOVEMBER 12, 1927 f- : j" The New Plays “SPELLBOUND” by Frank Vos-' j A Theatre Guild Production per opens at the Earl Carroll I | Theatre next Monday evening with I San Carlo Singers Open FRANCO TAFURO Pauline Lord as the star. A GENIAL PHILANDERER 1 “NEW YORK” by Samuel Rus- Final Week With kin Golding, will be presented at “Tosca” | the Mansfield Theatre. Monday. “And So to Bed” Keeps Audience Wide Awake PORGY George Mac- A FOLK Ruth Shepley and Opera Com- .... PLAY at the Shubert Theatre The San Carlo Grand BY DUBOSE AND DOROTHY HEYWARD Quarrie are featured. pany, which opened the new Gallo MARQUISE,” a new play West 52d St. Evs. 8:40 “THE Eddinger, Theatre last Monday night, announces rfllin THFA to open THO Wallace as Samuel WALTER HAMPDEN UUILI/ 1IlllfL, Mats. Thurs. & Sat. 2:40. bv Noel Coward scheduled * the repertoire for the final week Monday Pepys, the world’s most famous MOVES MONDAY, NOV. 21, TO REPUBLIC THEATRE at the Biltmore Theatre, here. Only one'work in last week’s evening. Billie Burke is starred. diarist, contributes to ear strain at faulty enunciation, list will be repeated: “Madama But- AND MODELS.” times because of “ARTISTS his portrayal of the leading role in terfly” at Saturday’s matinee. The new Shubert Revue will have, The week’s offerings are: Monday, “Thrilling story. ; “And So to Bed,” endeared the ras- Superb play. Enthusiastically received.” 1 its premier at the Winter Garden “La Shalow, Schalker cally Pepys (pronounced peeps) to Tosca” with —Times. -
J. MEREDITH-KAY “Meredith-Kay and His Orchestra” Recorded Blyth Road, Hayes, Middlesex, Monday, 19Th
1 J. MEREDITH-KAY “Meredith-Kay and his Orchestra” Recorded Blyth Road, Hayes, Middlesex, Monday, 19th. October 1925 Cc-6698-1 Schiehallion reel (trad. arr. W. Armstrong) – part 1 HMV C-1225; HMVSA C-1225(12”) Cc-6699-1 Schiehallion reel (trad. arr. W. Armstrong) – part 2 HMV C-1225; HMVSA C-1225(12”) Cc-7000-1 Foursome reel – Highland whisky – strathspey (Niel Gow); Jenny Dang the weaver – reel (Alexander Garden); Lady Mary Ramsay – strathspey (Nathaniel Gow); Reel of Tulloch – reel (John MacGregor) HMV C-1231; HMVSA C-1231(12”) Cc-7001-2 Foursome reel – Lady Madeline Sinclair – strathspey (Niel Gow); Reel of Tulloch – reel (John MacGregor) HMV C-1231; HMVSA C-1231(12”) KATHIE KAY (r.n. Connie Woods) (Gainsborough, 1919 – Largs, 2005). Vocal with orchestra conducted by Frank Cordell Recorded 3 Abbey Road, London, Wednesday, 19th. October 1955 OEA-18439 Suddenly there’s a valley (Chuck Meyer; Biff Jones) HMV POP-126; MFP MFP-1152(LP) Recorded 3 Abbey Road, London, Thursday, 15th. December 1955 OEA -18535 Old Scotch mother (Ray McKay; Joseph Maxwell) HMV POP-167; MFP MFP-1152(LP) Reciorded 3 Abbey Road, London, Thursday, 5th. January 1956 OEA-18529 The wee hoose ‘mang the heather (Gilbert Wells; Fred Elton; Harry Lauder) HMV POP-229; MFP MFP-1152(LP) Recorded 3 Abbey Road, London, Monday, 9th. January 1956 OEA-18525 There is somebody waiting for me (Harry Lauder) HMV POP-167; MFP MFP-1152(LP) Recorded 3 Abbey Road, London, Friday, 18th. May 1956 OEA-18659 Bonnie Scotland (Bell) HMV POP-220; MFP MFP-1152(LP) Recorded 3 Abbey Road, London, Wednesday, 3rd. -
Untitled, It Is Impossible to Know
VICTOR HERBERT ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE i ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE ii VICTOR HERBERT A Theatrical Life C:>A<DJA9 C:>A<DJA9 ;DG9=6BJC>K:GH>INEG:HH New York ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iii Copyright ᭧ 2008 Neil Gould All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Library of Congress Cataloging-in-Publication Data Gould, Neil, 1943– Victor Herbert : a theatrical life / Neil Gould.—1st ed. p. cm. Includes bibliographical references (p. ) and index. ISBN-13: 978-0-8232-2871-3 (cloth) 1. Herbert, Victor, 1859–1924. 2. Composers—United States—Biography. I. Title. ML410.H52G68 2008 780.92—dc22 [B] 2008003059 Printed in the United States of America First edition Quotation from H. L. Mencken reprinted by permission of the Enoch Pratt Free Library, Baltimore, Maryland, in accordance with the terms of Mr. Mencken’s bequest. Quotations from ‘‘Yesterthoughts,’’ the reminiscences of Frederick Stahlberg, by kind permission of the Trustees of Yale University. Quotations from Victor Herbert—Lee and J.J. Shubert correspondence, courtesy of Shubert Archive, N.Y. ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iv ‘‘Crazy’’ John Baldwin, Teacher, Mentor, Friend Herbert P. Jacoby, Esq., Almus pater ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE v ................ -
Theatre Magazine Volume 1
THE THEATRE Illustrated Monthly Magazine Devoted to the Drama and Music VOL. i, 1901 ,.2-fo NEW YORK MEYER BROS. & COMPANY PUBLISHERS Twenty-six West Thirty-third Street Special Articles ISSUE PAGE vs. F. Acung Elocution, by H. McMechan Oct. America's Greater Players, by Alfred Ayres Critics and Criticism, by W. T. Price .... Chorus Girl to Leading Woman, by Irene Bentley . Essence of Rostand's Genius, by Cleveland Moffett Essentials ot Stage Success, by Julia Marlowe Henrik Ibsen the Man, by E. Limedorfer . Love Letters of an Actor, by George H. Payne Music and Musicians, by Emily G. von Tetzel Our American Dramatists, by Edgar Saltus . Scenes from Plays ISSUE 1'AOE Portraits Continued ISSI-E PAGE ISSL'K PAGE ISSUE PAGE Mt.ncinelli. Signer, bust ..May. ....14 Otis, Elita Proctor, in "City of Pleasure".. .May 8 Shannon, Eflie, in private dress ...P.G 4 Mann, Louis, In "Red Kloof" ..Nov.. in "Sporting Life" May 8 Sheehan, Joseph F., as Faust ...Sept. 7 .14 Manner ing, Mary, in private dress ..P. G. 5 in private dress May 9 Skinner, Otis, as Norbert ...June. .12 as Juliet ..P. G. , 6 in "Brixton Burglary".. July 3 Snyder, Ella, in "Casino Girl" ...July. in "Janice Meredith". ..July. .14 Sothern, E. H., in private dress ...P. G.. .31 Paderewski, Ignace, In private dress July 17 . 2 Mansfield, Richard, as Cyrano de Berber* c.P. Q. .30 as Richard Lovelace ...Sept. Pol, as P. G 8 Plancon, Mephistopheles .10 riding in park . .June. .17 in his study ...Dec.. in dress Dec 31 private 11 in private dress ..Dec.., . -
The History of the Great Southern Theater, Columbus, Ohio
THE HISTORY OF THE GREAT SOUTHERN THEATER, COLUMBUS, OHIO A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts By MARCIA A. SIENA, B.A. The Ohio State University 1957 Approved by: Speech TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION, REVIEW OF THE LITERATURE, AND HISTORICAL BACKGROUND • • • • • 1 Introduction • 1 Review of the Literature . 1 Historical Background • • 3 II. THE GREAT SOUTHERN THEATER • • • • 8 The Financial Backing 8 The Physical Plant . • • 8 LObby, foyer, and promenade balcony • • 9 Auditorium • • 11 Stage Area • • • • 16 Changes . • • 28 III. PRODUCTION IN THE GREAT SOUTHERN THEATER • 37 Scenery • 39 Lighting . • • 42 Special Effects • • 51 Traps . • 51 Treadmills • 54 Flying • 54 Others 56 IV. SUMMARY AND CONCLUSIONS • • • 57 Summary • • • 57 Conclusions • 58 ii PAGE APPENDIX • • 59 BIBLIOGRAPHY • 100 iii LIST OF FIGURES FIGURE PAGE 1. The Great Southern Hotel and Theater, 1896 • • 10 2. Original Interior Design • 12 3. Orchestra Seating Chart • 14 4. Balcony and Gallery Seating Chart 15 5. Proscenium Arch and Stage 17 6. Proscenium Arch • • 18 7. Light Board • • • • • 20 8. Pin Rail • 21 9. Paint Frame and Workbench • 22 10. Grid and Pulley Bank • • 24 11. Bull Wheel • • • 25 12. Tunnel • 26 13. Elevators • 27 14. Top of Elevators • • 29 15. Great Southern Theater, 1914 • • 31 16. Great Southern Theater, 1957 • • 32 17. Foyer • 33 18. Gallery • • 34 19. Sketch of Auditorium, 1896 • 35 20. Auditorium, 1957 • 36 21. Under The ~ ~ Act III • • • 43 22. Under The Red ~ Act III, Scene II • 44 23. The Devil's Disciple Act IV • 45 iv FIGURE PAGE 24.