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DAVID WILLIAMSON Is Australia's Best Known and Most Widely
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
After the Ball David Williamson
David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. -
'The Immensity of Confrontable Selves': the 'Split Subject'and Multiple Identities in the Experimental Novels of Christine Brooke-Rose Stephanie Jones
‘THE IMMENSITY OF CONFRONTABLE SELVES’: THE ‘SPLIT SUBJECT’ AND MULTIPLE IDENTITIES IN THE EXPERIMENTAL NOVELS OF CHRISTINE BROOKE-ROSE STEPHANIE JONES ABERYSTWYTH UNIVERSITY 01/03/2016 ACKNOWLEDGEMENTS I would like to extend my deepest thanks to my supervisor Professor Tim Woods, who has shown constant, unwavering support for the project, and read it multiple times with uncommon care. I would also like to thank Professor Peter Barry whose comments on my written work and presentations have always inspired much considered thought. I am extremely grateful to Dr. Luke Thurston for his translation of the letters between Hélène Cixous and Christine Brooke-Rose from the French. I am also greatly indebted to Dr. Will Slocombe whose bravery in teaching Brooke-Rose’s fiction should be held directly responsible for the inspiration for this project. I should also like to extend my thanks to my fellow colleagues in the English and Creative Writing department at Aberystwyth University. I am also deeply indebted to the Harry Ransom Centre of Research, the location of the Christine Brooke-Rose archive, and the John Rylands Library that holds the Carcanet archive, and all the staff that work in both institutions. Their guidance in the archives and support for the project has been deeply valued. Special thanks go to Michael Schmidt OBE for allowing me to access the Carcanet archive and Jean Michel Rabaté and Ali Smith for their encouragement throughout my studies of Christine Brooke-Rose, and their contributions to the project. For my family LIST OF ABBREVIATIONS These abbreviations will appear embedded within the text in parentheses, with page numbers. -
The Unexpected Feminist
& THE UNEXPECTED FEMINIST by VAN BADHAM A response to: The Removalists by David Williamson Copyright Details First published in 2014 by Currency Press Pty Ltd, PO Box 2287, Strawberry Hills, NSW, 2012, Australia [email protected] www.currency.com.au ‘The Unexpected Feminist’ © Van Badham, 2014 Copying for EduCational purposEs The Australian Copyright Act 1968 (Act) allows a maximum of one chapter or 10% of this book, whichever is the greater, to be copied by any educational institution for its educational purposes provided that that educational institution (or the body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act. For details of the CAL licence for educational institutions contact CAL, Level 15, 233 Castlereagh Street, Sydney, NSW, 2000; tel: within Australia 1800 066 844 toll free; outside Australia +61 2 9394 7600; fax: +61 2 9394 7601; email: [email protected] Copying for othEr purposEs Except as permitted under the Act, for example a fair dealing for the purposes of study, research, criticism or review, no part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without prior written permission. All enquiries should be made to the publisher at the address above. ePub ISBN: 9781921429002 mobi ISBN: 9781921429019 Series Editor: Toby Leon Cover design: Miranda Costa Publication of this title was assisted by the Copyright Agency Limited’s Cultural Fund. Author’s Biography VAN BADHAM is an internationally acclaimed, award-winning playwright, critic, novelist and screenwriter. Her plays have been performed across Australia, the UK, the USA, Germany, Austria, Switzerland, Slovenia and Iceland. -
DAVID WILLIAMSON Study Guide
What I Wrote David Williamson Teacher’s Notes Introduction This study guide to accompany What I Wrote: David Williamson has been written for senior secondary students. It provides information and suggestions for learning activities in English, Literature, Theatre Studies and Drama. What I Wrote: David Williamson is a DVD on Australian playwright David Williamson. Dr Tess Brady interviews Williamson and provides a critical introduction to The Removalists (1972), Don’s Party (1973), The Club (1978), Travelling North (1980), Gallipoli (1981) Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), The Great Man (2000), The Jack Manning Trilogy (2002), Soulmates (2003), and Influence (2005). The DVD also in� cludes an investigation of Williamson’s approach to writing for the stage. What I Wrote: David Williamson is one title from a series of DVDs spotlighting Australian playwrights. The series offers students information about the ideas and processes of the playwrights, as well as the opportunity to hear what the writers have to say about their work. Other titles available in the What I Wrote series include: Series 1: • What I Wrote: Matt Cameron • What I Wrote: Louis Nowra • What I Wrote: Hannie Rayson • What I Wrote: Katherine Thomson Series 2: • What I Wrote: Debra Oswald • What I Wrote: Andrew Bovell How to Buy the DVDs • What I Wrote: �������������oanna Murray������Smith The DVDs are available from Ronin Films at: http://www.roninfilms.com.au Find Out More Info Further information about the series and film trailers How to Buy the Play Scripts can be found at: http://www.whatiwrote.com.au or on The play scripts are available from Currency Press at: YouTube http://www.youtube.com/pinkcat1 http://www.currency.com.au/ About the Filmmakers Dr Tess Brady interactive websites and advertising. -
Uncle Tom's Uncle
Uncle Tom’s Uncle Uncle Tom’s Uncle The Case for Reparations (And why I don’t want them) Ronald Dennis Chism Values Press All Rights Reserved Copyright © 2021 by Ron Chism First Edition Published in the United States by Values Press Created in the United States of America Acknowledgements edicated to my father, Nathaniel Spain Chism, who, by his example, taught me the power of steadiness, dignity, hard work, D and non-judgmental acceptance of others. To my mother, Azelma Dolores Chism, who, by her example, taught me to not wait until “didn’t.” (Don’t worry, you’ll read about “didn’t”), and not to ever, ever give up until you’ve won, or died trying. To my big brother-brother, Marcus Burnell Chism, aka, Yeshiah Ben Shaleak, who, by concrete example, taught me that nobody defines me, and nobody corrals me, because I’m “a man on the planet, unbound.” To my wife of 31 years, Morna, whose external life, every single nano- second, reflects her inner spiritual belief in, reliance upon, and love of The Divine and gives me a daily example to continue trying to emulate. Without her, I could do nothing. To Carl Ferrel, who taught me how “to chess.” To Leroy Hardy, aka, Chaka Ra, who, for many of us young “Black-consciousness” men of Chicago, back in the late 1960s, greatly extended my big brother’s man- on-the-planet perspective of self, and who refused to serve as an ear for excuses. To the awesome, tough-love, no-excuses-accepted, progressive Black community of pre-1960s America, which produced, all over the United States, strong independent Black institutions and economies, regardless of segregation. -
Food Codes in Australian Drama
A Consuming Interest: Food Codes In Australian Drama by Gaye Poole A thesis submitted in fulfilment of the requirements for the Degree of Master of Arts (Honours) School of Theatre and Film Studies University of New South Wales. August 1993 TABLE OF CONTENTS Abstract Acknowledgements i i List of illustrations iii Introduction 1-22 Chapter One: Background: food in drama. 23-43 Chapter Two: Australian plays based on a meal 44-77 Chapter Three: Food as currency for power and site of family politics in Australian drama. 7 8-1 04 Chapter Four: Food rituals in Australian drama: nostalgia, 'social' rituals and death 105-144 Chapter Five: Women and food: eating/not eating and women eaten. 145-194 Chapter Six: Conclusion 195-202 Appendix A: Sweets and Drinks on stage 203-224 Appendix B: Practicalities of food on stage 225-230 Bibliography 231-250 i ABSTRACT In the context of current critical attention to food in related disciplines, this thesis sets out to explore food codes in Australian drama. Chapter One gives a brief background to contemporary Australian food uses in drama and in so doing identifies some of the continuities, discontinuities and sh"ifts in the ways in which food has been incorporated into drama. Chapter Two focuses on plays whose entire proceedings or key scene take the form of a meal. It is observed that food on stage as a gathering and shaping element takes one of several forms: a communal event; the turning point of the play, or the interrupted meal. Chapter Three argues that food bestows power on its controllers. -
Speech Communication: 1974
DOCUMENT RESUME ED 102 624 CS 500 992 AUTHOR Kennicott, Patrick C., Ed. TITLE Bibliographic Annual in Speech Communication: 1974. Volume 5. INSTITUTION Speech Communication Association, New York, N.Y. PUB DATE 74 ROTE 307p.; For related documents see CS 500 993-997 AVAILABLE FROM Speech Communication Association, Statler Hilton Hotel, New York, New York 10001 ($8.00 member, $9.00 nonmember) EDRS PRICE MF-$0.76HC-$15.86 PLUS POSTAGE DESCRIPTORS *Annotated Bibliographies; Bibliographies; *Communication (Thought Transfer); Doctoral Theses; *Educational Research; Higher Education; *Sass Media; Research Tools; *Speech; Theater Arts ABSTRACT This annotated bibliography is an annual volume devoted to maintaining a record of graduate work in speech communication, providing abstracts of doctoral dissertations, and making subject area bibliographies available. The contents of this volume include "Studies in Sass Communication: A Selected Bibliography, 1973" by Roland C. Johnson and Kenneth J. Ksobiech; "Behavioral Studies in Communication, 1973: A Selected Bibliography" by 1aomas N. Steinfatt; "A Selected Bibliography of Rhetorical Studies, 1973" by Michael C. Leff; "A Selected Bibliography of Public Address, 1973w by Harold Mixon; "Bibliography of Studies iv. Oral Interpretation, 1973" by James We Carlsen; "A Bibliography of Theatrical Craftsmanship, 1973" by Christian Moe and Jay E. Raphael; "Abstracts of Doctoral Dissertations in the Field of Speech Communication, 1973" by Cal H. Logue; and "Graduate Theses and Dissertations in the Field of Speech Communication, 1973." Also included is an "Index to Academic Departments Reporting Masters Theses and Doctoral Dissertations," by Flora Lisa Miller. UM) U.S. DIIIPARTMINT Of HEALTH. IP 12 EDUCATION I WELFARE NATIONAL INSTITUTE OF EDUCATION THIS DOCUMENT HAS BEENREPRO DUCED EXACTLY AS RECEIVEDFROM THE PERSON OR ORGt.NIZATION ORIGIN 11111M111M1111. -
Representation and Reinterpretations of Australia's War in Vietnam
Vietnam Generation Volume 3 Number 2 Australia R&R: Representation and Article 1 Reinterpretations of Australia's War in Vietnam 1-1991 Australia R&R: Representation and Reinterpretations of Australia's War in Vietnam Follow this and additional works at: http://digitalcommons.lasalle.edu/vietnamgeneration Part of the American Studies Commons Recommended Citation (1991) "Australia R&R: Representation and Reinterpretations of Australia's War in Vietnam," Vietnam Generation: Vol. 3 : No. 2 , Article 1. Available at: http://digitalcommons.lasalle.edu/vietnamgeneration/vol3/iss2/1 This Complete Volume is brought to you for free and open access by La Salle University Digital Commons. It has been accepted for inclusion in Vietnam Generation by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. ON THIS SITE WILL BE ERECTED A MEMORIAL FOR THOSE WHO DIED & SERVED IN THE VIETNAM WAR maoKJwmiiMisanc? wmmEsnp jnauKi«mmi KXm XHURST rw svxr Representations and Reinterpretations of Australia's War in Vietnam Edited by Jeff Doyle & Jeffrey Grey Australia ReJR Representations and Reinterpretations o f Australia's war in Vietnam Edited by Jeff Doyle & Jeffrey Grey V ietnam Generation, I n c & Burning Cities Press Australia ReJR is published as a Special Issue of Vietnam Generation Vietnam Generation was founded in 1988 to promote and encourage interdisciplinary study of the Vietnam War era and the Vietnam War generation. The journal is published by Vietnam Generation, Inc., a nonprofit corporation devoted to promoting scholarship on recent history and contemporary issues. Vietnam Generation, Inc. Vice-President President Secretary, Treasurer HERMAN BEAVERS KALI TAL CYNTHIA FUCHS General Editor Newsletter Editor Technical Assistance KALI TAL DAN DUFFY LAWRENCE E HUNTER Advisory Board NANCY AN1SFIELD MICHAEL KLEIN WILLIAM J. -
Australia and the Vietnam War: a Select Bibliography Jeffrey Grey
Vietnam Generation Volume 3 Number 2 Australia R&R: Representation and Article 11 Reinterpretations of Australia's War in Vietnam 1-1991 Australia and the Vietnam War: A Select Bibliography Jeffrey Grey Jeff oD yle Follow this and additional works at: http://digitalcommons.lasalle.edu/vietnamgeneration Part of the American Studies Commons Recommended Citation Grey, Jeffrey and Doyle, Jeff (1991) Aus" tralia and the Vietnam War: A Select Bibliography," Vietnam Generation: Vol. 3 : No. 2 , Article 11. Available at: http://digitalcommons.lasalle.edu/vietnamgeneration/vol3/iss2/11 This Article is brought to you for free and open access by La Salle University Digital Commons. It has been accepted for inclusion in Vietnam Generation by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. Australia and Vietnam War—A Select Bibliography. Jeff Doyle and Jeffrey Grey Introduction In keeping with the wide range of concerns of the essays in this volume the bibliography has attempted to cover as many “subject headings” as seemed possible. Thus while the title “Select Bibliography” suggests that the compilers have collected only the major “texts” of concern, the following lists are an attempt to be as complete as possible at the time of final compilation. “Select” is meant to convey the fact that the editors are certain (most likely the only certainty prevailing in scholarly life) that the lists are not complete. This incompletion applies to some areas more than to others. Newspapers and the general daily print media, and their radio and television equivalent news industries are the chief areas of extreme selection. -
A Discussion with Christine Brooke-Rose 193 Notes 217 Bibliography 232 Index 243
Theory and In T e r p r e T a ti o n o f n a r r a ti v e J a m e s p h e l a n a n d p e T e r J . r a b I n o w it z , s e r I e s e d it o r s Techniques for Living Fiction and theory in the Work oF christine Brooke-rose K a r e n r . L a w r e n c e T h e o h I o s TaT e U n I v e r s it y p r e s s C o l U m b U s Copyright © 2010 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Lawrence, Karen, 1949– Techniques for living : fiction and theory in the work of Christine Brooke-Rose / Karen R. Lawrence. p. cm. — (Theory and interpretation of narrative) Includes bibliographical references and index. ISBN-13: 978-0-8142-1123-6 (cloth : alk. paper) ISBN-10: 0-8142-1123-2 (cloth : alk. paper) ISBN-13: 978-0-8142-9221-1 (cd-rom) 1. Brooke-Rose, Christine, 1923– -Criticism and interpretation. I. Title. II. Series: Theory and interpretation of narrative series. PR6003.R412Z75 2010 823'.914—dc22 2009034038 This book is available in the following editions: Cloth (ISBN 978-0-8142-1123-6) CD-ROM (ISBN 978-0-8142-9221-1) Cover design by Jason Moore Type set by Juliet Williams in Adobe Palatino Printed by Thomson-Shore, Inc. -
The Effects of Satire and Farce in the Plays of David Williamson
i “Sugared Placebos”? The effects of satire and farce in the plays of David Williamson Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Education Faculty of Human Development Victoria University By Elvira Sammut DipTeach(WASTC), BEd(ECU), MEd(ECU), LTCL(Drama) 2008 ii Declaration This Thesis contains no material which has been submitted for examination in any other course or accepted for any degree or diploma in any University. To the best of my knowledge and belief, it contains no material previously published or written by another person, except where due reference is made in the text Signed …………………………………………………………………………… Elvira Sammut. July 2008 iii This Thesis is dedicated to the memory of my Mother, Elena Suarez Gallagher Corbett, whose passion and vision instilled in me her love of reading and her deep belief in education. She travels with me. iv Acknowledgements I would like to express my thanks to Dr. Tarquam McKenna and Dr. Mary Weaven at Victoria University for supervising this thesis. I am very grateful for their generous support, constructive criticism, and many kindnesses. And for the sheer niceness of their manner. This thesis was commenced at Curtin University, Perth, Western Australia. Mention must be made of Dr. Donald Pulford and Dr. Paul Genoni who supervised the drafts of the early chapters. Thank you both. I am grateful to Dr. Felicity Haynes of University of Western Australia for her expertise, help and encouragement in enabling me to complete this project. I am also deeply indebted to Victoria University, Footscray, Victoria, for giving me the opportunity to complete this work.