The Coming of Stork ; Jugglers Three ; What If You Died Tomorrow: Three Plays
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A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
After the Ball David Williamson
David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. -
Introduction This Thesis Discusses the Theatrical Presentation of Translated
Introduction This thesis discusses the theatrical presentation of translated texts of Australian plays in Japan. I have produced and published Japanese translations of Australian plays since the beginning of the 1990s. Especially since 1995, when my translation of John Romeril's The Floating World was produced, I have collaborated with theatre companies and directors.1 My purpose was to change and to enlarge the partial (misrepresentations of Australia in Japan by introducing Australian theatre to Japan. In order to achieve this purpose, as well as undertaking translations of Australian plays, I have written and published a book on the history of Australian film in Japanese. When I started translating Australian plays, most Japanese people did not even know that theatre and film existed in Australia. When they saw Australian plays and films for the first time, they would certainly have been surprised. So, why did many Japanese never dream that culture and arts existed in Australia? In order to answer this question, in the first half of the Introduction, I will clarify how Japan has regarded Australia by investigating the characteristics of representations of Australia in Japan. When my translations have been presented by theatre companies, I have often found responses from the Japanese audiences which I had never expected when I translated the plays. That was probably because the presentation of translated texts of Australian plays has multifaceted significance. This not only reflects the cultural context of 'translated plays' as a genre, but in some cases, also reflects other elements specific to Japanese life and society. In the latter half of the Introduction, I will further explain the reason why the presentation of translated texts of Australian plays has such a multifaceted significance in Japan. -
Culture and Customs of Australia
Culture and Customs of Australia LAURIE CLANCY GREENWOOD PRESS Culture and Customs of Australia Culture and Customs of Australia LAURIE CLANCY GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Clancy, Laurie, 1942– Culture and customs of Australia / Laurie Clancy. p. cm. Includes bibliographical references and index. ISBN 0–313–32169–8 (alk. paper) 1. Australia—Social life and customs. I. Title. DU107.C545 2004 306'.0994 —dc22 2003027515 British Library Cataloguing in Publication Data is available. Copyright © 2004 by Laurie Clancy All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2003027515 ISBN: 0–313–32169–8 First published in 2004 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 To Neelam Contents Preface ix Acknowledgments xiii Chronology xv 1 The Land, People, and History 1 2 Thought and Religion 31 3 Marriage, Gender, and Children 51 4 Holidays and Leisure Activities 65 5 Cuisine and Fashion 85 6 Literature 95 7 The Media and Cinema 121 8 The Performing Arts 137 9 Painting 151 10 Architecture 171 Bibliography 185 Index 189 Preface most americans have heard of Australia, but very few could say much about it. -
Interview with David Williamson
Kunapipi Volume 1 Issue 2 Article 18 1979 Interview with David Williamson David Williamson Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Williamson, David, Interview with David Williamson, Kunapipi, 1(2), 1979. Available at:https://ro.uow.edu.au/kunapipi/vol1/iss2/18 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Interview with David Williamson Abstract David Williamson was guest professor at Aarhus University in the Spring term of 1978. The interviewers were post-graduate students and members of staff. You have spoken of an 'Australian uniqueness'. What do you think this is, and what has it meant for your writing? This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol1/iss2/18 David Williamson INTERVIEW David Williamson was guest professor at Aarhus University in the Spring term of 1978. The interviewers were post-graduate stu dents and members of staff. You have spoken of an 'Australian uniqueness'. What do you think this is, and what has it meant for your writing? Well, Australia is a relatively new country and was first founded dubiously, if you could use that word, because it was originally a convict dumping ground. Then there was a gold rush in the 1850s in which every greedy person came flocking across to find gold and so we've had an obsession with material gain and money ever since, I think. I'm joking, there are a lot of really good things about Australia but it is a strange country in a lot of ways and I didn't realize it was until I started travelling abroad seeing other countries in action. -
Food Codes in Australian Drama
A Consuming Interest: Food Codes In Australian Drama by Gaye Poole A thesis submitted in fulfilment of the requirements for the Degree of Master of Arts (Honours) School of Theatre and Film Studies University of New South Wales. August 1993 TABLE OF CONTENTS Abstract Acknowledgements i i List of illustrations iii Introduction 1-22 Chapter One: Background: food in drama. 23-43 Chapter Two: Australian plays based on a meal 44-77 Chapter Three: Food as currency for power and site of family politics in Australian drama. 7 8-1 04 Chapter Four: Food rituals in Australian drama: nostalgia, 'social' rituals and death 105-144 Chapter Five: Women and food: eating/not eating and women eaten. 145-194 Chapter Six: Conclusion 195-202 Appendix A: Sweets and Drinks on stage 203-224 Appendix B: Practicalities of food on stage 225-230 Bibliography 231-250 i ABSTRACT In the context of current critical attention to food in related disciplines, this thesis sets out to explore food codes in Australian drama. Chapter One gives a brief background to contemporary Australian food uses in drama and in so doing identifies some of the continuities, discontinuities and sh"ifts in the ways in which food has been incorporated into drama. Chapter Two focuses on plays whose entire proceedings or key scene take the form of a meal. It is observed that food on stage as a gathering and shaping element takes one of several forms: a communal event; the turning point of the play, or the interrupted meal. Chapter Three argues that food bestows power on its controllers. -
Speech Communication: 1974
DOCUMENT RESUME ED 102 624 CS 500 992 AUTHOR Kennicott, Patrick C., Ed. TITLE Bibliographic Annual in Speech Communication: 1974. Volume 5. INSTITUTION Speech Communication Association, New York, N.Y. PUB DATE 74 ROTE 307p.; For related documents see CS 500 993-997 AVAILABLE FROM Speech Communication Association, Statler Hilton Hotel, New York, New York 10001 ($8.00 member, $9.00 nonmember) EDRS PRICE MF-$0.76HC-$15.86 PLUS POSTAGE DESCRIPTORS *Annotated Bibliographies; Bibliographies; *Communication (Thought Transfer); Doctoral Theses; *Educational Research; Higher Education; *Sass Media; Research Tools; *Speech; Theater Arts ABSTRACT This annotated bibliography is an annual volume devoted to maintaining a record of graduate work in speech communication, providing abstracts of doctoral dissertations, and making subject area bibliographies available. The contents of this volume include "Studies in Sass Communication: A Selected Bibliography, 1973" by Roland C. Johnson and Kenneth J. Ksobiech; "Behavioral Studies in Communication, 1973: A Selected Bibliography" by 1aomas N. Steinfatt; "A Selected Bibliography of Rhetorical Studies, 1973" by Michael C. Leff; "A Selected Bibliography of Public Address, 1973w by Harold Mixon; "Bibliography of Studies iv. Oral Interpretation, 1973" by James We Carlsen; "A Bibliography of Theatrical Craftsmanship, 1973" by Christian Moe and Jay E. Raphael; "Abstracts of Doctoral Dissertations in the Field of Speech Communication, 1973" by Cal H. Logue; and "Graduate Theses and Dissertations in the Field of Speech Communication, 1973." Also included is an "Index to Academic Departments Reporting Masters Theses and Doctoral Dissertations," by Flora Lisa Miller. UM) U.S. DIIIPARTMINT Of HEALTH. IP 12 EDUCATION I WELFARE NATIONAL INSTITUTE OF EDUCATION THIS DOCUMENT HAS BEENREPRO DUCED EXACTLY AS RECEIVEDFROM THE PERSON OR ORGt.NIZATION ORIGIN 11111M111M1111. -
Representation and Reinterpretations of Australia's War in Vietnam
Vietnam Generation Volume 3 Number 2 Australia R&R: Representation and Article 1 Reinterpretations of Australia's War in Vietnam 1-1991 Australia R&R: Representation and Reinterpretations of Australia's War in Vietnam Follow this and additional works at: http://digitalcommons.lasalle.edu/vietnamgeneration Part of the American Studies Commons Recommended Citation (1991) "Australia R&R: Representation and Reinterpretations of Australia's War in Vietnam," Vietnam Generation: Vol. 3 : No. 2 , Article 1. Available at: http://digitalcommons.lasalle.edu/vietnamgeneration/vol3/iss2/1 This Complete Volume is brought to you for free and open access by La Salle University Digital Commons. It has been accepted for inclusion in Vietnam Generation by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. ON THIS SITE WILL BE ERECTED A MEMORIAL FOR THOSE WHO DIED & SERVED IN THE VIETNAM WAR maoKJwmiiMisanc? wmmEsnp jnauKi«mmi KXm XHURST rw svxr Representations and Reinterpretations of Australia's War in Vietnam Edited by Jeff Doyle & Jeffrey Grey Australia ReJR Representations and Reinterpretations o f Australia's war in Vietnam Edited by Jeff Doyle & Jeffrey Grey V ietnam Generation, I n c & Burning Cities Press Australia ReJR is published as a Special Issue of Vietnam Generation Vietnam Generation was founded in 1988 to promote and encourage interdisciplinary study of the Vietnam War era and the Vietnam War generation. The journal is published by Vietnam Generation, Inc., a nonprofit corporation devoted to promoting scholarship on recent history and contemporary issues. Vietnam Generation, Inc. Vice-President President Secretary, Treasurer HERMAN BEAVERS KALI TAL CYNTHIA FUCHS General Editor Newsletter Editor Technical Assistance KALI TAL DAN DUFFY LAWRENCE E HUNTER Advisory Board NANCY AN1SFIELD MICHAEL KLEIN WILLIAM J. -
Australia and the Vietnam War: a Select Bibliography Jeffrey Grey
Vietnam Generation Volume 3 Number 2 Australia R&R: Representation and Article 11 Reinterpretations of Australia's War in Vietnam 1-1991 Australia and the Vietnam War: A Select Bibliography Jeffrey Grey Jeff oD yle Follow this and additional works at: http://digitalcommons.lasalle.edu/vietnamgeneration Part of the American Studies Commons Recommended Citation Grey, Jeffrey and Doyle, Jeff (1991) Aus" tralia and the Vietnam War: A Select Bibliography," Vietnam Generation: Vol. 3 : No. 2 , Article 11. Available at: http://digitalcommons.lasalle.edu/vietnamgeneration/vol3/iss2/11 This Article is brought to you for free and open access by La Salle University Digital Commons. It has been accepted for inclusion in Vietnam Generation by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. Australia and Vietnam War—A Select Bibliography. Jeff Doyle and Jeffrey Grey Introduction In keeping with the wide range of concerns of the essays in this volume the bibliography has attempted to cover as many “subject headings” as seemed possible. Thus while the title “Select Bibliography” suggests that the compilers have collected only the major “texts” of concern, the following lists are an attempt to be as complete as possible at the time of final compilation. “Select” is meant to convey the fact that the editors are certain (most likely the only certainty prevailing in scholarly life) that the lists are not complete. This incompletion applies to some areas more than to others. Newspapers and the general daily print media, and their radio and television equivalent news industries are the chief areas of extreme selection. -
The Effects of Satire and Farce in the Plays of David Williamson
i “Sugared Placebos”? The effects of satire and farce in the plays of David Williamson Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Education Faculty of Human Development Victoria University By Elvira Sammut DipTeach(WASTC), BEd(ECU), MEd(ECU), LTCL(Drama) 2008 ii Declaration This Thesis contains no material which has been submitted for examination in any other course or accepted for any degree or diploma in any University. To the best of my knowledge and belief, it contains no material previously published or written by another person, except where due reference is made in the text Signed …………………………………………………………………………… Elvira Sammut. July 2008 iii This Thesis is dedicated to the memory of my Mother, Elena Suarez Gallagher Corbett, whose passion and vision instilled in me her love of reading and her deep belief in education. She travels with me. iv Acknowledgements I would like to express my thanks to Dr. Tarquam McKenna and Dr. Mary Weaven at Victoria University for supervising this thesis. I am very grateful for their generous support, constructive criticism, and many kindnesses. And for the sheer niceness of their manner. This thesis was commenced at Curtin University, Perth, Western Australia. Mention must be made of Dr. Donald Pulford and Dr. Paul Genoni who supervised the drafts of the early chapters. Thank you both. I am grateful to Dr. Felicity Haynes of University of Western Australia for her expertise, help and encouragement in enabling me to complete this project. I am also deeply indebted to Victoria University, Footscray, Victoria, for giving me the opportunity to complete this work. -
Up for Grabs Coprorate Vibes Playtexts 2.P65
i DAVID WILLIAMSON’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), Corporate Vibes and Face to Face (both in 1999) and The Great Man (2000). Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. David Williamson has won the Australian Film Institute film script award for Petersen (1974), Don’s Party (1976), Gallipoli (1981) and Travelling North (1987) and has won eleven Australian Writers’ Guild AWGIE Awards. -
Sugar Babies - the Quintessential Burlesque Show
MARCHI APRIL, 1987 Vol. II No 2 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust· Sugar Babies - The Quintessential Burlesque Show personality and his own jokes. Not all the companies, however, lived up to the audience's expectations; the comedians were not always brilliant and witty, the girls weren't always beautiful. This pr'oved to be Ralph Allen's inspiration for SUGAR BABIES. "During the course of my research, one question kept recurring. Why not create a quintessen tial Burlesque Show out of authentic materials - a show of shows as I have played it so often in the theatre of my mind? After all, in a theatre of the mind, nothing ever disappoints. " After running for seven years in America - both in New York and on tour - the Australian Elizabethan Theatre Trust will mount SUGAR BABIES in Australia, opening in Sydney at Her Majesty's Theatre on October 30. In February it will move to Melbourne and other cities, including Adelaide, Perth and Auckland. The tour is expected to last about 39 weeks. Eddie Bracken, who is coming from the USA to star in the role of 1st comic in SUGAR BABlES, received rave reviews from critics in the USA. "Bracken, with his rolling eyes, rubber face and delightful slow burns, is the consummate performer, " said Jim Arpy in the Quad City Times. Since his debut in 1931 on Broadway, Bracken has appeared in Sugar Babies from the original New York production countless movies and stage shows. Garry McDonald will bring back to life one of SUGAR BABIES, conceived by Harry Rigby, happened to be at the con Australia's greatest comics by playing his , Ralph G.