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RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No. -
TCHAIKOVSKY Liturgy of St
TCHAIKOVSKY Liturgy of St. John Chrysostom Nine Sacred Choruses Latvian Radio Choir Sigvards Kļava PYOTR ILYICH TCHAIKOVSKY (1840–1893) Liturgy of St. John Chrysostom, Op. 41 (1878) Liturgiya svyatogo Ioanna Zlatousta 1. After first Antiphon: Glory to the Father | Posle pervovo antifona: Slava Otsu i Sïnu 3:04 2 After the Little Entrance: Come, Let Us Worship | Posle malovo fhoda: Pridiite, poklonimsa 3:43 3. Cherubic Hymn | Heruvimskaya pesn: Izhe Heruvim 6:02 4. The Creed | Simvol verï 4:48 5. After the Creed: A Mercy of Peace | Posle Simvola verï: Milost mira 4:24 6. After the exclamation ‘Thine own of Thine…’: We Hymn to Thee |Posle vozglasheniya ”Tvoya ot Tvoih...”: Tebe poem 2:41 7. After the words ‘Especially for our most holy…’: Hymn to the Mother of God | Posle slov “Izriadno o presviatey...”: Dostoyno yest 3:26 8. The Lord’s Prayer: Our Father | Molitva Gospodnya: Otche nash 3:25 9. The Communion Hymn: Praise the Lord | Prichastnïy stih: Hvalite Gospoda 2:32 10. After the exclamation ‘In the fear of God…’: We have seen the True Light! | Posle vozglasheniya ”So strahom Bozhïim...”: Videhom svet istinï 3:26 Nine Sacred Choruses (1884–85) Devjati duhovno-muzykalnyh sotshinenij 11. Cherubic Hymn I | Heruvimskaya pesn I 6:05 12. Cherubic Hymn II | Heruvimskaya pesn II 5:51 13. Cherubic Hymn III | Heruvimskaya pesn III 6:01 14. We Hymn to Thee |Tebe poem 3:20 15. Hymn to the Mother of God | Dostoyno yest 3:03 16. Our Father | Otche nash 3:16 17. Blessed are They | Blazheni, yazhe ibral 3:23 18. -
View/Download Liner Notes
Introduction from Nigel Short Russian Treasures is the twentieth album from Churches, dating back to the 16th century and Tenebrae and this release has further signifi cance evolving more-or-less uninterrupted until the as it sees the launch of the new label, Bene Arte, sudden decline in the Church’s fortunes which established exclusively to record the choir. Russian accompanied the Bolshevik Rebellion in 1917. choral music has been a feature in Tenebrae’s From Kedrov’s intensely spiritual yet delicate setting concert performances since the choir’s inception so of the Lord’s Prayer and Kalinnikov’s comparatively it seemed appropriate for us to record some of this light and lyrical feel, to the more traditional dark, exquisite music, sharing some little-known gems as rich and heavy textures of Rachmaninov, this disc is well as some familiar favourites from this vast area punctuated by those unmistakable Russian forces. of choral repertoire. Over the years we have worked extensively with It was in the early nineties, when I was travelling Russian language coaches whilst nurturing our in Russia, that I became captivated by the intense own characteristics of passion and precision to spirituality of the Russian Orthodox Liturgy and the deliver a special and heartfelt tribute to the powerful and mystical effect it has when combined music of these great composers. Thank you with the gloriously sonorous music sung so to everyone who has been involved in bringing beautifully by the native choirs. I found old music this album to fruition, especially the singers. shops, seeking original manuscripts or anything To you, the listeners, we hope you enjoy this choral I could lay my hands on. -
The University of Oklahoma Graduate College A
THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE A CONDUCTOR’S RESOURCE GUIDE TO THE OFFICE OF COMPLINE A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Musical Arts By D. JASON BISHOP Norman, Oklahoma 2006 UMI Number: 3239542 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3239542 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 A CONDUCTOR’S RESOURCE GUIDE TO THE OFFICE OF COMPLINE A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY Dr. Dennis Shrock, Major Professor Dr. Irvin Wagner, Chair Dr. Sanna Pederson, Co-Chair Dr. Roland Barrett Dr. Steven Curtis Dr. Marilyn Ogilvie ' Copyright by D. JASON BISHOP 2006 All Rights Reserved. TABLE OF CONTENTS Chapter I: Introduction Purpose of the Study 1 Need for the Study 2 Survey of Related Literature 3 Scope & Limitations of the Study, -
Cesare Andrea Bixio
Archivio del sito Cesare Andrea Bixio Scheda a cura di Giorgio Zoffoli Restauro digitale delle immagini di AZ Cesare Andrea Bixio (Napoli, 1896 - Roma, 1978) è stato compositore, autore di colonne sonore per il teatro, il cinema, la radio e la televisione. Ha composto, a partire dal 1909, più di 500 canzoni e 150 colonne sonore. Il padre, Carlo Bixio, era un ingegnere genovese, mentre la madre, Anna Vilone, era napoletana; pronipote del generale Nino Bixio, passò l’infanzia a Napoli. Dopo la morte del padre, nel 1903, fu indirizzato dalla madre agli studi scientifici, per poter proseguire nella professione ingegneristica, ma il giovane Cesare non ne volle sapere e dimostrò il suo precoce talento musicale. Suonatore di pianoforte autodidatta, a tredici anni compose Suonno e fantasia . Dopo aver composto il suo primo brano, fece conoscenza con Mimì Maggio, cantante molto apprezzato nella borghesia napoletana degli anni Dieci del XX secolo. Per Maggio, Bixio scrisse Maggio , canzone che venne inserita nello spettacolo che l’artista teneva alla Sala Iride in piazza della Ferrovia a Napoli. Con questa canzone, Bixio guadagnò sei lire, il suo primo compenso, e poté conoscere altri personaggi della scena musicale napoletana come Elvira Donnarumma, Pasquariello, Gino Franzi, Ernesto De Curtis, Eduardo Di Capua, Enrico Canino, Salvatore Gambardella. Entrò in contatto anche con alcuni poeti, tra cui Salvatore Di Giacomo, Libero Bovio, Ernesto Murolo e Rocco Galdieri. A partire dal 1916 Bixio si iscrisse alla Società Italiana Autori ed Editori: compose Bambina , canzone poi lanciata da Gino Franzi e Luciano Molinari, ottenendo buon successo. Bixio aprì allora un’attività editoriale, fondando a Napoli nel 1920 la Casa Editrice C. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfihn master. UMI fihns the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter Ace, while others may be from any type of computer printer. The qualiQr of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photognq)hs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e g., nuq>s, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Lifonnadon Compaiv 300 North Zed) Road, Arm Arbor MI 48106-1346 USA 313/761^700 800/521-0600 THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE SELECTED SOLO PIANO COLLECTIONS OF ALEXANDER GRETCHANINOFF: AN ANALYSIS FOR TEACHING AND PERFORMANCE A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS By YEESEON KWON Norman, Oklahoma 1998 UMI Number: 9826297 invn Microform 9826297 Copyright 1998, by UMI Company. -
Krysa Discography
OLEH KRYSA DISCOGRAPHY BIS label Ernest Bloch. Violin Concerto Oleh Krysa, Violin Malmo Symphony Orchestra, Sakari Oramo, Conductor Sofia Gubaidulina. “Offertorium”. Concerto for Violin and Orchestra “Rejoce!” Sonata for Violin and Cello Oleh Krysa, Violin, Torleif Thedeen, Cello Royal Stockholm Philharmonic Orchestra, James de Preist, Conductor Alfred Schnittke . Violin Concertos Nos. 3 & 4 Oleh Krysa, Violin Malmo Symphony Orchestra, Eri Klas, Conductor Alfred Schnittke. Concerto Grosso No. 2 for Violin, Cello and Orchestra Oleh Krysa, Violin, Torleif Thedeen, Cello Malmo Symphony Orchestra, Lev Markiz, Conductor Alfred Schnittke. Chamber Music Prelude in memoriam Dmitri Shostakovih for Two Violins Moz-Art for Two Violins Stille Musik for Violin and Cello Madrigal in memoriam Oleg Kagan for solo Violin Madrigal in memoriam Oleg Kagan for solo Cello Trio for Violin, Cello and Piano Oleh Krysa, Violin, Alexandr Fisher, Violin, Torleif Thedeen, Cello, Tatiana Tchekina, Piano Erwin Schulhoff. Sonata for solo Violin Sonata for Violin and Piano No. 2 Duo for Violin and Cello Oleh Krysa, Violin, Tatiana Tchekina, Piano, Torleif Thedeen, Cello Maurice Ravel. Sonata for Violin and Cello Bohuslav Martinu. Duo No. 1 for Violin and Cello Arthur Honegger. Sonatina for Violin and Cello Erwin Schulhoff. Duo for Violin and Cello Oleh Krysa, Violin, Torleif Thedeen, Cello -2- TNC RECORDINGS label Ludwig van Beethoven. Violin Concerto in D Major, op. 61 Oleh Krysa, Violin Kiev Camerata, Virko Baley, Conductor Felix Mendelssohn-Bartholdy. Violin Concerto in E minor, op. 64 Johannes Brahms. Violin Concerto in D Major, op. 77 Giovanni Battista Viotti. Violin Concerto No. 22 in A minor Max Bruch. Scottish Fantasy, op. -
Anton Arensky and the Rise of Musical Nationalism in Late Nineteenth-Century Russia
eSharp Issue 25:2 Rise and Fall Anton Arensky and the Rise of Musical Nationalism in Late Nineteenth-Century Russia Ingrid Bols (University of Glasgow) Anton Arensky (1861- 1906) was one of a new generation of Russian composers following the famous Mighty Handful of Balakirev, Mussorgsky, Rimsky-Korsakov, Borodin and Cui. He entered the newly-founded Conservatoire of St Petersburg, to study piano and composition, in 1879. In the class of Rimski-Korsakov, he became a very talented student. As soon as he graduated, he achieved the honour of a direct nomination to professorship in the Conservatoire of Moscow. There he taught counterpoint and harmony, with Scriabin and Rachmaninov among his students. His successful life, and posthumous lack of fame, formed a violent rise and fall. Most later commentators consider him as a composer without a distinctive style. However, his work can be viewed in a different light. Arensky was born during the core period of musical nationalism. This movement, whether in central and northern Europe or in Russia, rose in reaction to the imperialism of German style. Music could no longer be considered an ars gratia artis concept, but became the flagship of national demands. In Russia, Glinka (1804-1857), the ‘Father of Russian Music’, considered the nation as ‘creator’ and the composer as an ‘arranger’, and argued that Russian music should be distinct from Western canons. Arensky belonged to this rising trend through his position at the very heart of Russian institutions, his integration of Russian folklore, such as tunes, literature and legends, and his use of Orthodox music. -
Boston Symphony Orchestra Concert Programs, Summer, 1963-1964
BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director . .-^\\j TANGLEWOOD, LENOX, MASSACHUSETTS A GALA EVENING OF THE BERKSHIRE MUSIC CENTER ERICH LEINSDORF, Director Wednesdayj August 21, 1963 For the Benefit of The Berkshire Music Center BALDWIN PIANO RCA VICTOR RECORDS ——————— — —— ——————— A GALA EVENING AT TANGLEWOOD By the Berkshire Music Center HARRY J. KRAUT, Administrator PROGRAMS 4:00 CHAMBER MUSIC THEATRE-CONCERT HALL SCHUMANN PIANO QUINTET IN E FLAT, OP. 44 Allegro brillante In Modo d'una Marcia Scherzo Allegro, ma non troppo Haim Shtrum violin Paul Jorgenson viola Shelley Cleve violin Michael Stoughton cello Joy Smith piano BEETHOVEN QUARTET IN C# MINOR, OP. 131 Won-Mo Kim violin Pamela Goldsmith viola Marylou Speaker violin Jerome Patterson cello 5:00 TANGLEWOOD CHOIR THEATRE-CONCERT HALL Department of Choral Music: Lorna Cooke de Varon, Alfred Nash Patterson, John B. Pierpont, Administrative Assistant JOHANNES BRAHMS LIEBESLIEDER WALZER, OPUS 65 Sandra Gagliano soprano Howard Groom tenor Jill Moerlins alto Richard Frisch bass Roland Gagnon and Brenda Cole, Pianists W. James Thompson—Conductor THOMAS WEELKES COME, SIRRAH, JACK, HO! HANS LEO HASLER CORE MIO LUDWIG VAN BEETHOVEEN PRISONER'S CHORUS (from Fidelio) W. James Thompson tenor Richard Frisch bass James Cunningham—Conductor NORMAN DINERSTEIN PSALMODY {from Trilogy) Harriet Simons—Conductor ALEXANDER GRETCHANINOV CREDO Francis Hester baritone DARIUS MILHAUD SONNETS Nelga Dinerstein soprano James Cunningham tenor Jill Moerlins alto Francis Hester bass Lorna Cooke de Varon—Conductor RELLY RAFFMAN IN THE BEGINNING Conducted by the composer RAYMOND WILDING-WHITE SIX BENNINGTON EPITAPHS John Pierpont—Narrator JED ADMON HITORERI JERUSHALAYIM Reginald Bonnin percussion Alfred Nash Patterson—Conductor THE TANGLEWOOD CHOIR SOPRANOS ALTOS TENORS BASSES Sophia Beryk Laurie Halperin James Cunningham Avon Stuart Carolyn Cole Janice Jones John Dawson W. -
MARC HERVIEUX a Napoli
A Napoli MARC HERVIEUX ACD2 2620 ATM A Classique A Napoli MARC HERVIEUX e veux dédier ce disque à madame Jacqueline Desmarais, qui a été à mes côtés Jdès les premiers moments de ma carrière, et qui a cru en moi comme une mère croit en son fils. would like to dedicate this disc to Madame Jacqueline Desmarais, who has been I by my side right from the start of my career, and who believed in me as a mother believes in her son. Merci, merci, merci . 1 ĸ I te vurria vasà [VINCENZO RUSSO | EDUARDO DI CAPUA - ALFREDO MAZZUCCHI ] 2:58 Louise-Andrée Baril PIANO [1, 3-8, 10-1 4] 2 ĸ La danza [GIOACHINO ROSSINI ] 3:23 François Pilon VIOLON SOLO | VIOLIN [1, 2, 4-8, 10-1 5 ] • MANDOLINE [1, 10, 12, 1 4 ] • TAMBOURIN / TAMBOURINE [2, 12] 3 ĸ Ideale [FRANCESCO PAOLO TOSTI ] 4:00 Julie Triquet 4 ĸ Mattinata [RUGGERO LEONCAVALLO ] 2:23 VIOLON | VIOLIN [1, 2, 4, 5, 8, 14, 1 5] Annie Gadbois 5 ĸ Munasterio e Santa Chiara [MICHELE GALDIERI | ANTONIO BARBIERI ] 5:26 VIOLONCELLE | CELLO [1-4, 6-8, 10, 12, 14, 1 5] Yannick Chênevert 6 ĸ Core’ngrato [RICCARDO CORDIFERRO | SALVATORE CARDILLO ] 4:10 CONTREBASSE | DOUBLE BASS [1-5, 14, 1 5] 7 ĸ Rondine al nido [LUIGI SICA | VINCENZO DE CRESCENZO ] 3:32 Marie-Andrée Benny FLÛTE | FLUTE [1, 2, 4, 7, 9, 12, 1 5] 8 ĸ Non ti scordar di me [DOMENICO FURNO | ERNESTO DE CURTIS ] 3:00 Josée Marchand HAUTBOIS | OBOE [1, 2, 12, 1 5] 9 ĸ Parlami d’amore Mariù [ENNIO NERI | CESARE ANDREA BIXIO ] 3:09 Alain Desgagné 10 ĸ Dicitencello vuje [ENZO FUSCO | RODOLFO FALVO ] 3:47 CLARINETTE | CLARINET [1, 2, 4, 6, 10, 12, 1 5] Caroline Lizotte 11 ĸ Aprile [FRANCESCO PAOLO TOSTI ] 4:44 HARPE | HARP [3, 5] 12 ĸ ’O Surdato ’Nnammurato [ANIELLO CALIFANO | ENRICO CANNIO ] 2:15 Daniel Bolshoy GUITARE | GUITAR [1, 3, 9, 1 2] 13 ĸ Santa Lucia luntana [E. -
ST. OLAF CHOIR ANTON ARMSTRONG, CONDUCTOR Tuesday, February 11, 2020, at 7:30Pm Foellinger Great Hall PROGRAM ST
ST. OLAF CHOIR ANTON ARMSTRONG, CONDUCTOR Tuesday, February 11, 2020, at 7:30pm Foellinger Great Hall PROGRAM ST. OLAF CHOIR Anton Armstrong, conductor Charles Gray, violin SONGS OF PRAISE AND REJOICING Johann Michael Haydn Laetatus Sum (1737-1806) Salamone Rossi Elohim Hashivenu (c. 1570-c.1630) Johann Sebastian Bach Der Geist hilft unsrer Schwachheit auf (BWV 226) (1685-1750) SONGS OF ADORATION Ralph Vaughan Williams Gloria (Mass in G Minor) (1872-1958) Woldemar Voullaire Selig sind, die reines Herzens sind (1825-1902) Ralph M. Johnson On Horizon’s Brim (b. 1955) Matthew Peterson Adoramus Te (b. 1984) Jake Runestad Alleluia (b. 1986) 20-minute intermission 2 SONGS OF JUSTICE AND COMPASSION Rosephanye Powell Sorida (b. 1962) Alexander Gretchaninov Our Father (1864-1956) Mari Esabel Valverde When Thunder Comes (b. 1987) Jayne Southwick Cool When Memory Fades (b. 1947) arr. Eric Nelson Robert V. Scholz Set Me As A Seal (b. 1939) arr. David Scholz Christoph E.F. Weyse O Day Full of Grace (1774-1842) arr. F. Melius Christiansen SONGS OF LOVE AND HOPE arr. Shireen Abu-Khader Lammaa Badaa Yatathannaa (b. 1972) arr. Joseph Flummerfelt Danny Boy (1937–2019) René Clausen O My Luve’s Like A Red, Red Rose (b. 1953) arr Harry T. Burleigh My Lord, What A Mornin’ (1866–1949) arr. Josephine Poelinitz City Called Heaven (b. 1944) arr. Moses G. Hogan Jr. My Soul’s Been Anchored in the Lord (1957–2003) OPTIONAL SELECTIONS arr. F. Melius Christiansen Beautiful Savior (1871-1955) 3 THANK YOU FOR SPONSORING THIS PERFORMANCE With deep gratitude, Krannert Center thanks all 2019-20 Patron Sponsors and Corporate and Community Sponsors, and all those who have invested in Krannert Center. -
Llgflllliiii Iit—
r—5°WgammaS STUDENT RECITAL Recital Hall Concordia College July 11, 1987 11:00 a.m. 0 0 Q x_JfiWL_J llgflllliiiiiit— PROGRAM ll Clog Dance Howard Hanson (1896—1981) Karen Schaeffer, piano Sonata (1938) Paul Hindemith (1895-1963) Munter Andrea Heyboer, oboe Carolyn Lipp, piano Concerto in G Major Georg P. Telemann (1681—1767) Largo Allegro Phillip Heaven, viola Carolyn Lipp, piano Rumanian Dances 861a Bart6k (1881—1945) Joc cu b3f§ BrQuI Buciumeana Betsy Jacobson, violin Carolyn Lipp, piano ' Overture from "Die Meistersinger" Richard Wagner (1813—1883)‘ trans., Merle Isaac‘ Ann Pyle, double bass A. DeWayne Wee, piano 1 Romance in G Major, 0p. 40 Ludwig van Beethoven (1770—1827) Cyndi Peters, violin Christelle Henth, piano Arabesque N0. 1 in E Major Claude Debussy (1862—1918) Heidi Johnson, piano Canzona fbr Recorder and Giovanni B. Riccio Basso Continua (f1., 1609—1621) Sarah Honig, recorder Matthew Fish, viola de gamba George Hazelrigg, harpsichord Trio fbr Flute, Oboe, and Piano Madeleine Dring Andante semplice Beth Susag, flute Nancy Harris, oboe Sarah Coomber, piano Sonata in F Minor, 0p. 2, Ludwig van Beethoven No. 1 Allegro Erica Rubis, piano Sonata No. 4 in D Major George F. Handel (1685—1759) Adagio Tia Whitaker, violin Deb Reiss, piano Illlttiiit from Dansyrie, Tylman Susato La Mourisque (ca., 1500-1564) 1551 Suzanne Geoffrey, shawm Cameron Engel, rauschpheife Thurow, sackbut Nancy Harris, shawm Rodney Heinrich Finck Greiner, Zancker (1444—1527) rauschpfiefe Nancy Harris, krumhorn, Cameron Engel, Suzanne Geoffrey, Sharon Hill, krumhorns Ludwig van Beethoven Sonata in A—flat Major, 0p. 26 Andante con variazioni (I-IV) Sarah Honig, piano Mozart No.