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Music Issue.Pub
The Red Meridian Volume I, Issue 4 May 22, 2014 The Music Issue “Thank You” by Miralya Rosado as one generaon and stand MKTO, is a duo consisng of they were signed and up for a greater cause, the fu‐ Malcolm Kelly and Tony Oller. began living their ture, and to learn for the pasts’ Their debut album, MKTO, “American Dream.” I see mistakes. “Thank you for feed‐ featuring “Thank You”, the guys are wanng to ing us years of lies. / “American Dream” and be the voice of their gen‐ “Classic” was released January Thank you for the wars you le eraon. Many of their 30, 2014, in Australia and New us to fight. /Thank you for the songs have a message for Zealand. “Thank You” was the world you ruined overnight. / teens to make their first single of their album; But we'll be fine, yeah we'll be with its Pop/ Rap sounds, it a fine. “ These lyrics show message about the younger that they are just trying say generaon’s sarcasc atude thank you to the previous toward the generaons be‐ generaons for leaving us fore them and how they have their wrongdoings. This just to live with the mistakes and brings out their message to wrongdoings that they le us the world about what we to “fight”. have to do to overcome what has been le for us to The guys from MKTO weren’t deal with. always in the music business. Inside this They started as very young This song gets people up and issue: actors. -
Proquest Dissertations
Early Cinema and the Supernatural by Murray Leeder B.A. (Honours) English, University of Calgary, M.A. Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations © Murray Leeder September 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-83208-0 Our file Notre reference ISBN: 978-0-494-83208-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
Mike Green P= Producer, W= Writ Er, M= Mixer, E=Eng, A= Arranger
MIKE GREEN P= PRODUCER, W= WRIT ER, M= MIXER, E=ENG, A= ARRANGER ARTIST PROJECT RECORD CO JOB Set It Off Upcoming Album Equal Vision CW/P/M With Confidence Upcoming Album Hopeless CW/P/M Real Friends Upcoming Release Fearless CW/P Hands like Houses Upcoming Release Hopeless P/CW/M The Aces When My Heart Felt Volcanic Red Bull CW/P State Champs Living Proof Fearless CW/CP Tim Schou “Nirvana” BMG CW/P/M The Aces “Holiday” Red Bull P “Ground Control,” “Vampire Shift,” All Time Low Atlantic CW “Chemistry” Neck Deep The Peace and the Panic Hopeless CW/P/M “Come Undone,” “If I Ever See You Greyscale Fearless CW/P Again” ARTIST PROJECT RECORD CO JOB Sum 41 “War,” “Breaking the Chain” Hopeless CW State Champs “Stitches” Fearless M Axel Muniz “Siempre Tu” Warner Latin CP Seaway Vacation Pure Noise Ent CW/CP Icon for Hire You Can’t Kill Us Indie P/M As It Is okay. Fearless CW/P/M Gwen Stefani “Getting Warmer” Interscope CP/CW Leslie Grace “3 Little Words” Sony Latin CW/P Set it Off “Tug of War” Equal Vision CW/P Martina Stoessel “Finders Keepers” Disney CP Seaforth “Undo” Universal CW/P Hands Like Houses “Colourblind,” “Division Symbols” Rise CW/CP The Mowgli’s Kids in Love Photofinish P/M 5 Seconds of Summer Sounds Good Feels Good Capitol CW/P ARTIST PROJECT RECORD CO JOB Hopeless All Time Low Future Hearts P/CW Records Fearless The Color Morale Hold On Pain Ends P Records MC Yogi Only Love is Real Indie P Columbia Lea Michele “Cannonball” P/M Records Redzone Semi Precious Weapons Aviation P/M/CW Records Wind-Up Genevieve Show Your Colors P/CW Records Fueled By Ghost Town The After Party P/M/CW Ramen Republic Cassadee Pope “Frame By Frame” CW Nashville “You Wear a Crown But You’re No Fearless Blessthefall CW King” Records Icon For Hire Icon For Hire Tooth and Nail CP Forever The Sickest Fearless J.A.C.K. -
Holding the Spymasters Accountable After 9/11: a Proposed Model for CIA Disclosure Requirements Under the Freedom of Information Act Martin E
Hastings Communications and Entertainment Law Journal Volume 27 | Number 1 Article 3 1-1-2004 Holding the Spymasters Accountable after 9/11: A Proposed Model for CIA Disclosure Requirements under the Freedom of Information Act Martin E. Halstuk Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Martin E. Halstuk, Holding the Spymasters Accountable after 9/11: A Proposed Model for CIA Disclosure Requirements under the Freedom of Information Act, 27 Hastings Comm. & Ent. L.J. 79 (2004). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol27/iss1/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Holding the Spymasters Accountable After 9/11: A Proposed Model for CIA Disclosure Requirements Under the Freedom of Information Act by MARTIN E. HALSTUK, PH.D.* I. Introduction ............................................................................... 81 II. Transparency or Secrecy .......................................................... 86 A. A Philosophy of Full Disclosure-The Freedom of Inform ation A ct ........................................................................ -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
James Gleeson Interviews: Martin Sharp
JAMES GLEESON INTERVIEWS: MARTIN SHARP 7 November 1979 JAMES GLEESON: Martin, youʼve become, I suppose, identified in the general mind as the one artist in Australia whoʼs given the pop movement a sort of local habitation and a name. Youʼve given it an Australian characteristic. How did you become interested in the pop movement, or pop art? Was it always there? MARTIN SHARP: Well, Iʼve always been interested in comics and things like that, I suppose. I learnt to read with comics. Perhaps the first thing I remember about a real figure appearing in a comic, Orson Wells made an appearance in a Superman comic, I think, doing his War of the Worlds broadcast or something like that. I was always rather puzzled. I can remember that one quite clearly from some time back, of the character, a real character appearing in—not that I really knew who Orson Wells was. JAMES GLEESON: This goes back a long time? MARTIN SHARP: Yes, yes. JAMES GLEESON: To your childhood. MARTIN SHARP: When I was, yes, learning to read. I really learnt to read with comics rather than books. JAMES GLEESON: Really? You were born here in Sydney? MARTIN SHARP: Yes. JAMES GLEESON: What date? MARTIN SHARP: Twenty-first of January 1942. JAMES GLEESON: Comics sort of taught you to read. MARTIN SHARP: Yes. JAMES GLEESON: As far as art training goes, I suppose, I assume you drew as soon as you could talk. MARTIN SHARP: Yes. I did sort of adventures with ants, I think, as pirates and lots of drawings like this. -
Keeping Hopewell's Halls Safe
Hopewell Hi-Lites 1215 Longvue Avenue, Aliquippa, PA 15001 that Hopewell does not put students Keeping Hopewell’s Halls Safe in danger. “Obviously, we’re taking BY: LAUREN TRIMBER safety precautions because we place they’ve come all 16. They’re staff in the hallway and don’t let typically brought in when we students near the dogs.” can arrange a visit with different With the success of the drug canine officers. Some years it’s checks, Mr. Allison suggests that five times and other years it’s any school that does not already only once or twice. A while ago, bring in dogs consider doing it. He Hopewell had its own dog, so appreciates all the officers who take there were more drug checks the time to keep Hopewell’s halls then.” He decides when to ask safe. for a visit, but the amount and Mr. Allison is proud of the time of the checks are up to the program, and he also disproved one police officers, depending on misconception. When the dogs find when they are available. something, they do not bark. On the In the 16 years Mr. Allison contrary, they sit quietly awaiting has been at Hopewell High the officer. School, a few students have Thank you to the been found with drugs. “Those administration and the officers for students have been prosecuted,” keeping Hopewell’s halls safe. Mr. Allison said. “I also think our student body knows it could happen at any time and Mock Trial Makes therefore creates some hesitancy for students bringing drugs History BY: RACHAEL KRIGER into school. -
LSA Template
CONCERTS Copyright Lighting &Sound America January 2017 http://www.lightingandsoundamerica.com/LSA.html Days of Future L Past Pierce the Veil’s recent tour was informed by a retro-futuristic concept By: Sharon Stancavage 46 • January 2017 • Lighting &Sound America ate this fall, the rock band Pierce the Veil of the show, with projection on a white silk Kabuki. Maker toured the US and Europe in support of the album notes, “The band’s idea was that they were going to crash Misadventures. The US leg was titled The Made to Destroy land in every market, as shown in the video intro. Tour , while the European leg was known as The European Consequently, we would have a new intro every day, from Vacation Tour. “Pierce the Veil is very involved in the pro - the first-person perspective of someone riding inside a duction process; they really enjoy being a part of it,” rocket, flying through space; they would encounter the eLxplains the group’s lighting designer/director, Jeff Maker. album’s artwork, and then they would crash-land in every The tour depicted a kind of retro-future world. Maker city.” When the Kabuki dropped, the band was revealed. explains, “The boys are all big fans of Disney, the parks Maker adds, “The rocket split in two, and the band came and everything like that, so a lot of their stuff has a car - out if it, dressed in space suits. The fans loved it; it was a toony vibe, especially when it comes to the video intro and great way to start the show.” Microphones from Shure, Sennheiser, Neumann, and AKG were all used onstage with Pierce the Veil. -
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt. -
THE ROAR Vol. 29 Issue 2
ROARMAGAZINE Volume 29 Issue 2 Featuring: College Deadlines...12 Winter Formal...14 Election Results...17 Page 1- Cover Final.indd 1 12/1/2016 2:23:13 PM ROAR Dear Red Mountain, As the holidays draw near, students and teachers finish up the first semester of the year and MAGAZINE prepare for the very deserved winter break. The Roar Magazine staff delivers the second issue of Volume 29 Issue 2 the year consisting of news and entertainment on every page. Ranging from our holiday spread to our new Principal’s Post, Vol. 29 Issue 2 has a wide arrangement of stories for the student body. Principal: The staff would like to congratulate the Welding Team for winning a first place at the Welding Mr. Ryan Thunder Competition. We would also like to congratulate Girl’s Golf for earning fourth place at the State Championship, and the Varsity Football team for qualifying for State Semi-finals. Red Adviser: Mountain students are preparing for the future one step at a time and achieving success in all Ms. Saquella fields. Editor-in-Chiefs: The staff has worked diligently to put quality information into the hands of our readers, and Heilee Pentz, Paul we hope that our dedication and creativity are enjoyed by all. Stanton, Victoria Stout Heilee Pentz, Paul Stanton and Victoria Stout Editors: Editors-in-Chief Michaela Brown, Maymuna Elmi, Taylor Guzik, Ava Hansen, Hailey Hardy, Marlee Quote of the Issue: Hotchkiss, Carly House, Elijah “Be bold because fortune McKay, Veronica Moraila, Taylor Page favors the bold. Be able to accept the negative Staff: Emily Benyamin, Porter criticism of your work because Blackhurst, Cebada Boyles, it is likely to happen...” Dominic Dilling, Lauren #BeCourageous Godlewski, Elizabeth Goodin, –Mr. -
Earth Day Issue
University of Texas at El Paso DigitalCommons@UTEP The rP ospector Special Collections Department 4-18-2017 The rP ospector, April 18, 2017 UTEP Student Publications Follow this and additional works at: http://digitalcommons.utep.edu/prospector Part of the Journalism Studies Commons, and the Mass Communication Commons Comments: This file is rather large, with many images, so it may take a few minutes to download. Please be patient. Recommended Citation UTEP Student Publications, "The rP ospector, April 18, 2017" (2017). The Prospector. 282. http://digitalcommons.utep.edu/prospector/282 This Article is brought to you for free and open access by the Special Collections Department at DigitalCommons@UTEP. It has been accepted for inclusion in The rP ospector by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. VOL. 102, NO. 27 THE UNIVERSITY OF TEXAS AT EL PASO APRIL 18, 2017 EARTH DAY ISSUE PHOTO SPECIAL TO THE PROSPECTOR UTEP’s Student Green Team advocates for eco-friendliness BY ADRIAN BROADDUS From just participating in the 2014 it, but the only student organization for it cuss eco-related topics through different cling, saving water and educating more to The Prospector Earth Week to directing the entire week was environmental advocates, and it was guest speakers. do the same.” of events, Lugo has developed a deep pas- small and dying,” Lugo said. “We decided “We also just want to know people’s Dillon Bouqayes, a freshman pre-med When she first participated in UTEP’s sion for becoming more eco-friendly. It to do a big collaborative event for Earth major, believes that one thing the Stu- Earth Week in 2014, Fernanda Lugo was opinions and ideas—even if you don’t started with gaining awareness toward Week in 2016, and we tried to educate dent’s Green Team can push for is more surprised at how low-scale the weeklong know anything about environmental- sustainability, which led to Lugo leading and advocate, while still making it fun.” residential life recycling programs.