DOCSLIB.ORG

Les Liaisons Dangereuses Cast Sheet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Les Liaisons Dangereuses Cast Sheet BY CHRISTOPHER HAMPTON Running time: 3 hours (including a 20-minute interval) About the Donmar Warehouse The Donmar Warehouse (Josie Rourke, Artistic Director; Kate Cast, in order of speaking Pakenham, Executive Producer) is a 251-seat subsidised theatre located in the heart of Covent Garden in London’s West End. La Marquise de Merteuil JANET MC TEER Over the past 24 years it has built an international reputation for Cécile Volanges MORFYDD CLARK artistic excellence as one of the UK’s leading producing theatres. Madame de Volanges ADJOA ANDOH The Donmar’s diverse artistic policy encompasses bold reimaginings Le Vicomte de Valmont DOMINIC WEST of classics and Shakespeare, innovative revivals of British, Irish Azolan THEO BARKLEM-BIGGS and American drama, and in recent years a renewed commitment to new plays. For more details visit donmarwarehouse.com Madame de Rosemonde UNA STUBBS Madame de Tourvel ELAINE CASSIDY Les Liaisons Dangereuses audiobook Émilie JENNIFER SAAYENG A free audiobook of extracts from the original novel by Choderlos de Le Chevalier Danceny EDWARD HOLCROFT Laclos is now available. Produced by Audible, the recording features Major-domo THOM PETTY members of the cast of the Donmar Warehouse production. Julie ALISON ARNOPP To download the free audiobook visit audible.co.uk/donmar Director JOSIE ROURKE Designer TOM SCUTT Lighting Designer MARK HENDERSON Sound Designer CAROLYN DOWNING Coming next Composer MICHAEL BRUCE Fight Director RICHARD RYAN Movement Director ARTHUR PITA Casting Director ALASTAIR COOMER CDG Hangmen by Martin McDonagh a Royal Court Theatre production Production Manager KATE WEST Company Stage Manager SHEENA LINDEN In cinemas from May 14 Deputy Stage Manager LYNSEY FRASER Assistant Stage Manager DAMIEN STANTON # # # # # Costume Supervisor YVONNE MILNES ‘The best new play of the year’ Hair, Wigs and Make-up CAMPBELL YOUNG ASSOCIATES Daily Telegraph Props Supervisor LIZZIE FRANKL Voice Coach BARBARA HOUSEMAN Please turn over for more details of upcoming broadcasts Dialect Coach MAJELLA HURLEY Resident Assistant Director ZOÉ FORD Sound Operator CHRISTOPHER PAYNE Head of Wigs LAURA BETH ALLEN Deputy Head of Wigs LUCY JANE HORTON Presented with kind permission of Warner Bros. Entertainment Please make sure all phones are switched off during the performance Connect with us · Find out what’s screening Subscribe to our email updates Follow us on Twitter near you Please turn over for more details of upcoming broadcasts Stay up to date with ntlive.com/signup @ntlive the latest news and new broadcasts features from NT Live. Join in the conversation · Get closer to our productions about tonight’s broadcast with exclusive behind-the-scenes Like us on Facebook photos and videos #LesLiaisonsDangereuses · Tell us what you think facebook.com/ntlive Upcoming broadcasts Hangmen by Martin McDonagh, directed by Matthew Dunster a Royal Court Theatre production In cinemas from May 14 # # # # # # # # # # ‘The best new play of the year’ ‘Deliriously funny’ Daily Telegraph Sunday Times Following a sold out run at London’s Royal Court Theatre, Olivier and Academy Award®-winner Martin McDonagh (The Pillowman, The Cripple of Inishmaan, In Bruges) returns to the West End with Matthew Dunster’s award-winning production of his deeply funny new play Hangmen. In his small pub in the northern English town of Oldham, Harry (David Morrissey – The Walking Dead, State of Play) is something of a local celebrity. But what’s the second-best hangman in England to do on the day they’ve abolished hanging? Amongst the cub reporters and pub regulars dying to hear Harry’s reaction to the news, his old assistant Syd (Andy Nyman – Peaky Blinders, Death at a Funeral) and the peculiar Mooney (Johnny Flynn – Clouds of Sils Maria) lurk with very different motives for their visit. Win a signed Les Liaisons Dangereuses programme We’ve got four copies of the Les Liaisons Dangereuses print programme, signed by the cast, to give away. For your chance to win one, simply visit ntlive.com/LLDcompetition and answer the following question: Who wrote the novel Les Liaisons Dangereuses, from which Christopher Hampton adapted the stage production? a) Pierre Choderlos de Laclos b) Victor Hugo c) Gustave Flaubert Competition closes at midnight, Sunday 21 February 2016. Winners will be chosen at random from all correct entries. Full T&Cs at ntlive.com/tsandcs Find out more and book at ntlive.com.
Load more

Recommended publications
  • Nine Night at the Trafalgar Studios
    7 September 2018 FULL CASTING ANNOUNCED FOR THE NATIONAL THEATRE’S PRODUCTION OF NINE NIGHT AT THE TRAFALGAR STUDIOS NINE NIGHT by Natasha Gordon Trafalgar Studios 1 December 2018 – 9 February 2019, Press night 6 December The National Theatre have today announced the full cast for Nine Night, Natasha Gordon’s critically acclaimed play which will transfer from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she has recently been nominated for the Best Writer Award in The Stage newspaper’s ‘Debut Awards’. She is joined by Oliver Alvin-Wilson (Robert), Michelle Greenidge (Trudy), also nominated in the Stage Awards for Best West End Debut, Hattie Ladbury (Sophie), Rebekah Murrell (Anita) and Cecilia Noble (Aunt Maggie) who return to their celebrated NT roles, and Karl Collins (Uncle Vince) who completes the West End cast. Directed by Roy Alexander Weise (The Mountaintop), Nine Night is a touching and exuberantly funny exploration of the rituals of family. Gloria is gravely sick. When her time comes, the celebration begins; the traditional Jamaican Nine Night Wake. But for Gloria’s children and grandchildren, marking her death with a party that lasts over a week is a test. Nine rum-fuelled nights of music, food, storytelling and laughter – and an endless parade of mourners. The production is designed by Rajha Shakiry, with lighting design by Paule Constable, sound design by George Dennis, movement direction by Shelley Maxwell, company voice work and dialect coaching by Hazel Holder, and the Resident Director is Jade Lewis.
    [Show full text]
  • An Abstract of the Thesis Of
    AN ABSTRACT OF THE THESIS OF Nicolas Evans for the degree of Master of Arts in English presented on June 2, 2017. Title: (Mis)representation & Postcolonial Masculinity: The Origins of Violence in the Plays and Films of Martin McDonagh. Abstract approved: ______________________________________________________ Neil R. Davison This thesis examines the postmodern confrontation of representation throughout the oeuvre of Martin McDonagh. I particularly look to his later body of work, which directly and self-reflexively confronts issues of artistic representation & masculinity, in order to gain a more nuanced understanding of his earliest and most controversial plays. In part, this thesis addresses misperceptions regarding The Leenane Trilogy, which was initially criticized for the plays’ shows of irreverence and use of caricature and cultural stereotypes. Rather than perpetuating propagandistic or offensive representations, my analysis explores how McDonagh uses affect and genre manipulation in order to parody artistic representation itself. Such a confrontation is meant to highlight the inadequacy of any representation to truly capture “authenticity.” Across his oeuvre, this postmodern proclivity is focused on disrupting the solidification of discourses of hyper-masculinity in the vein of postcolonial, diasporic, and mainstream media’s constructions of masculinity based on aggression and violence. ©Copyright by Nicolas Evans June 2, 2017 All Rights Reserved (Mis)representation & Postcolonial Masculinity: The Origins of Violence in the Plays and Films of Martin McDonagh by Nicolas Evans A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented June 2, 2017 Commencement June 2017 Master of Arts thesis of Nicolas Evans presented on June 2, 2017 APPROVED: Major Professor, representing English Director of the School of Writing, Literature, and Film Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries.
    [Show full text]
  • Connect with Us Want to Find out About Forthcoming Broadcasts?
    Robert Fox, Matthew Byam Shaw for Playful Productions and Royal Court Theatre Productions present The Royal Court Theatre production of By Martin McDonagh Directed by Matthew Dunster About Hangmen About the Royal Court Theatre The year is 1965. In his small pub in the northern English town of The Royal Court Theatre is the writers’ theatre. For sixty years it has Oldham, Harry is something of a local celebrity. But what’s the second- been the leading force in world theatre for energetically cultivating best hangman in England to do on the day they’ve abolished hanging? writers – undiscovered, new, and established. Amongst the cub reporters and pub regulars dying to hear Harry’s Through the writers the Royal Court is at the forefront of creating restless, reaction to the news, his old assistant Syd and the peculiar Mooney alert, provocative theatre about now, inspiring audiences and influencing lurk with very different motives for their visit. future writers. Through the writers the Royal Court strives to constantly reinvent the theatre ecology, creating theatre for everyone. Over 120,000 Running time: 2 hrs 40 mins (including a 20-minute interval) people visit the Royal Court in Sloane Square, London, each year and Tonight’s performance is broadcast live from the many thousands more see our work elsewhere through transfers to the Wyndham’s Theatre in London’s West End. West End and New York, national and international tours, residencies across London and site-specific work. In 2016 the Royal Court is 60 Years New. This year work includes new plays by Caryl Churchill, Anna Jordan, Cast, in alphabetical order Mongiwekhaya, Alistair McDowall, David Ireland, Stef Smith, Charlene Hennessy JOSEF DAVIES James, Anthony Neilson, Nathaniel Martello-White and Suzan-Lori Parks.
    [Show full text]
  • Rosencrantz & Guildenstern Are Dead
    ROSENCRANTZ & GUILDENSTERN ARE DEAD TEACHING RESOURCES F E B 2 017–APR 2017 CONTENTS Company 3 Old Vic Education The Old Vic The Cut Creative team 5 London SE1 8NB Characters 7 E [email protected] @oldvictheatre Synopsis 9 © The Old Vic, 2017 All information is correct at the Themes 13 time of going to press, but may be subject to change Timeline: A brief history of Rosencrantz & Guildenstern 15 Teaching resources Are Dead Written by Anne Langford Design Alexander Parsonage & Matt Lane-Dixon Rehearsal room diary by Jason Lawson, Assistant Director 17 Rehearsal and production photography Manuel Harlan An interview with Anna Fleischle, Set and Costume Designer 19 Old Vic New Voices and Loren Elstein, Costume Designer and Associate Set Hannah Fosker Designer Education & Community Manager Liz Bate Education Manager An interview with Daniel Radcliffe and Joshua McGuire 23 Richard Knowles Stage Business Co-ordinator Shakespeare re-purposed: An exploration of the relationship 25 Poppy Walker Old Vic New Voices Intern between Rosencrantz & Guildenstern Are Dead and Hamlet Further details of this production Practical Exercises 28 oldvictheatre.com A day in the life of…Michael Peers, Digital Manager 33 Bibliography and further reading 34 The Old Vic Rosencrantz & Guildenstern Are Dead teaching resources 2 COMPANY HERMEILIO MIGUEL AQUINO MATTHEW DURKAN Courtier, u/s Polonius/Claudius Alfred, u/s Rosencrantz Theatre: Well (West End); One Night in Miami (Donmar); Theatre: Nell Gwynn (West End); The History Boys (UK Early Doors (Lowry/UK tour); A Midsummer Night’s tour); The Lion, the Witch and the Wardrobe (Sherman Dream (Hive Theatre, Off Broadway); The Tempest Theatre).
    [Show full text]
  • Maryland Ensemble Theatre Presents the Lieutenant of Inishmore
    31 W. Patrick Street Frederick, MD 21701 CONTACT: Dan Brick 301.694.4744 PRESS RELEASE marylandensemble.org (301) 694-4744 ext. 303 [email protected] marylandensemble.org/press MARYLAND ENSEMBLE THEATRE PRESENTS THE LIEUTENANT OF INISHMORE Press Night: Sunday, April 13 @ 7pm (Reception @ 6pm) RSVP to [email protected] or 301.694.4744 FREDERICK, MD (March 24, 2014) - Maryland Ensemble Theatre (MET) is proud to present Martin McDonagh’s award winning play “The Lieutenant of Inishmore”. The dark Irish comedy will be directed by MET’s founding Artistic Director, Tad Janes. “‘The Lieutenant of Inishmore’ is a play that grabs you with comedy and takes you on a ride like no other play I know”, said Janes. “I’ve always been a fan of McDonagh’s plays. They are always funny, quirky, and have interesting themes and characters. When we selected plays for the season this one was a clear favorite within the Ensemble” “The Lieutenant of Inishmore” will run every Thursday through Sunday (except Easter Sunday) at Maryland Ensemble Theatre from April 10 through May 4. “The Lieutenant of Inishmore” is set in 1993 when the Northern Ireland peace process is struggling to come together and Mad Padraic, a member of the Irish National Liberation Army, chooses to leave Belfast and return to Inishmore upon the news that his beloved cat is ill. When he returns home he learns that his cat has in fact suffered a much more tragic and immediate fate. Padraic, a man whose mentally instability is legendary, is now intent on revenge at any costs.
    [Show full text]
  • Playbill Covers Feb Mar 2015-2016 FINAL.Indd 5 2/4/16 10:30 AM © 2009 the Coca-Cola Company
    2015 – 2016 SEASON PL AY BILL FEB. 27 –MAR. 22 FAC Playbill Covers_Feb_Mar_2015-2016_FINAL.indd 5 2/4/16 10:30 AM © 2009 The Coca-Cola Company. ĽCokeľ and the Contour Bottle are trademarks of The Coca-Cola Company. 2 Arts UMass of supporter is Coca-Cola Bravo! a the proud Center. Fine A Notable Lifestyle Celebrating lifelong enjoyment of the arts Discover gracious, refined independent living in a social and dynamic environment. Meet passionate, enlightened residents–from academics to artists–that will inspire you. The Loomis Communities offer an unparalleled lifestyle with superior amenities and services—with the added peace of mind for the future that comes from access to LiveWell@Loomis. APPLEWOOD LOOMIS VILLAGE Amherst, MA South Hadley, MA 413-253-9833 413-532-5325 The Western Massachusetts www.loomiscommunities.org Pioneer in Senior Living UMASS Performing Arts Ad.indd 1 6/13/2013 2:36:54 PM 3 5 MESSAGE FROM OUR DIRECTOR We’re so glad you could join us this spring, as we’re rounding out our 40th anniversary season! We have a great lineup of shows still to come – there truly is something for everyone. Whether it’s classical, jazz, world music, dance or STOMP, we have some real crowd-pleasers planned for the remaining months of our anniversary season. Spring is really a time for new beginnings, and we know that many of our patrons are taking stock of what’s important to them. If you’re looking to start something new this season, don’t forget to include the Arts! At the FAC, we take our role very seriously, since we provide a way for our audience members to connect – not only with the artists and performers they see here, but with each other as well.
    [Show full text]
  • Royal Court Theatre Announces Cast for the End of History…, Written by Jack Thorne and Directed by John Tiffany
    PRESS RELEASE TUESDAY 28 MAY 2019 ROYAL COURT THEATRE ANNOUNCES CAST FOR THE END OF HISTORY…, WRITTEN BY JACK THORNE AND DIRECTED BY JOHN TIFFANY. JERWOOD THEATRE DOWNSTAIRS THURSDAY 27 JUNE 2019 – SATURDAY 10 AUGUST 2019 Lead image for the end of history… Lesley Sharp and David Morrissey play husband and wife in Jack Thorne’s new play. Zoe Boyle, Laurie Davidson, David Morrissey, Kate O’Flynn, Lesley Sharp and Sam Swainsbury have been cast in the world premiere of the end of history…, written by Jack Thorne and directed by Royal Court Theatre Associate Director John Tiffany. With design by Grace Smart, lighting by Jack Knowles, sound by Tom Gibbons and movement by Steven Hoggett. the end of history… runs in the Jerwood Theatre Downstairs Thursday 27 June 2019 – Saturday 10 August 2019 with press night on Wednesday 3 July 2019, 7pm. “No talent at all when it comes to cooking - as you will discover - but when it comes to pissing off my children - immense talent - Olympian talent.” Newbury, 1997. Sal is attempting to cook dinner for the family. She and husband David have pulled off a coup and gathered their brood back home for the weekend. Eldest son Carl is bringing his new girlfriend to meet everyone for the first time; middle daughter Polly is back from Cambridge University for the occasion; and youngest Tom will hopefully make it out of detention in time for dinner. Sal and David would rather feed their kids with leftist ideals and welfarism than fancy cuisine. When you've named each of your offspring after your socialist heroes, you've given them a lot to live up to..
    [Show full text]
  • Catalogue of New Plays 2016–2017
    PRESORTED STANDARD U.S. POSTAGE PAID GRAND RAPIDS, MI PERMIT #1 Catalogue of New Plays 2016–2017 ISBN: 978-0-8222-3542-2 DISCOUNTS See page 6 for details on DISCOUNTS for Educators, Libraries, and Bookstores 9 7 8 0 8 2 2 2 3 5 4 2 2 Bold new plays. Recipient of the Obie Award for Commitment to the Publication of New Work Timeless classics. Since 1936. 440 Park Avenue South, New York, NY 10016 Tel. 212-683-8960 Fax 212-213-1539 [email protected] OFFICERS Peter Hagan, President Mary Harden, Vice President Patrick Herold, Secretary David Moore, Treasurer Stephen Sultan, President Emeritus BOARD OF DIRECTORS Peter Hagan Mary Harden DPS proudly represents the Patrick Herold ® Joyce Ketay 2016 Tony Award winner and nominees Jonathan Lomma Donald Margulies for BEST PLAY Lynn Nottage Polly Pen John Patrick Shanley Representing the American theatre by publishing and licensing the works of new and established playwrights Formed in 1936 by a number of prominent playwrights and theatre agents, Dramatists Play Service, Inc. was created to foster opportunity and provide support for playwrights by publishing acting editions of their plays and handling the nonprofessional and professional leasing rights to these works. Catalogue of New Plays 2016–2017 © 2016 Dramatists Play Service, Inc. CATALOGUE 16-17.indd 1 10/3/2016 3:49:22 PM Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: A lot happened in 1936. Jesse Owens triumphed at the Berlin Olympics. Edward VIII abdicated to marry Wallis Simpson. The Hindenburg took its maiden voyage. And Dramatists Play Service was founded by the Dramatists Guild of America and an intrepid group of agents.
    [Show full text]
  • Study Guide: Students & Educators
    Study Guide: Students & Educators Heather Baird Director of Education Tyler Easter Education Associate Fran Tarr Education Coordinator 1 TABLE OF CONTENTS SECTION I | THE PLAY Synopsis Settings Themes SECTION II | THE CREATIVE TEAM Playwright & Director Biographies Cast/Characters SECTION III | YOUR STUDENTS AS AUDIENCE Theater Vocabulary Hangmen Vocabulary Hangmen in Historical Context Pre-Theater Activity SECTION IV | YOUR STUDENTS AS ACTORS Reading a Scene for Understanding Practical Aesthetics Exercise Mini-Lesson Vocabulary Scene Analysis Worksheet SECTION V | YOUR STUDENTS AS ARTISTS Post Theater Creative Response Activity Common Core & DOE Theater Blueprint Sources SECTION VI | THE ATLANTIC LEGACY 2 THE PLAY THE PLAY Section I: The Play Synopsis Settings Themes 3 SYNOPSIS In his small pub in the northern English town of Oldham, Harry is something of a local celebrity. But what’s the second-best hangman in England to do on the day they’ve abolished hanging? Amongst the cub reporters and pub regulars dying to hear Harry’s reaction to the news, his old assistant Syd and the peculiar Mooney lurk with very different motives for their visit. SETTING Time: 1963 | Place: Oldham, England THEMES Death Innocence Morality Old/New Vanity Ego vs Insecurity Trust Mistrust Impotence Playing God Accountability Evil 4 Section II: Creative Team TEAM TEAM CREATIVE CREATIVE Playwright & Director Biographies Cast/Characters 5 MARTIN MCDONAGH(Playwright) is an award winning writer/director. His latest film is “Three Billboards Outside of Ebbing, Missouri.” Plays: The Beauty Queen of Leenane; A Skull in Connemara; The Lonesome West; The Lieutenant of Inishmore; The Cripple of Inishmaan; The Pillowman; A Behanding in Spokane; Hangmen.
    [Show full text]
  • The Judas Kiss
    2016 BAM Winter/Spring #TheJudasKiss Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer The Judas Kiss BAM Harvey Theater May 11—14, 17—21, 24—28 & 31, Jun 1—4, 7—11 at 7:30pm; May 14, 21, 28, Jun 4 & 11 at 2pm; May 15, 22, 29, Jun 5 & 12 at 3pm Running time: approx. two hours & 20 mins. including intermission Written by David Hare Directed by Neil Armfield Chichester Festival Theatre in association with Robert Fox, Theatre Royal Bath Productions, and Hampstead Theatre Productions Season Sponsor: Set design by Dale Ferguson Costume design by Sue Blane Major support for theater at BAM provided by: The Gladys Krieble Delmas Foundation Lighting design by Rick Fisher The Francena T. Harrison Foundation Trust Sound design by Paul Groothuis Donald R. Mullen Jr. Original Casting Director Cara Beckinsale CDG The Fan Fox & Leslie R. Samuels Foundation, Inc. The Morris and Alma Schapiro Fund Composed by Alan John The SHS Foundation The Shubert Foundation, Inc. Additional support provided by Broadway Stages. The Judas Kiss FOR THE JUDAS KISS General manager Kathy Bourne Associate director Jonathan O’Boyle Costume supervisor Allan Watkins Co-Costume supervisor/Wardrobe mistress Josie Thomas Wigs supervisor Helen Keelan Associate lighting Andrew Murrell Associate sound David Gregory Production manager Simon Marlow Production carpenter Micky Murray Company stage manager Ba Penney Deputy stage manager Sophia Dalton Canadian assistant stage manager Kathleen Harrison Rehearsal assistant stage manager Paul Puttock American stage manager R.
    [Show full text]
  • Download 2018–2019 Catalogue of New Plays
    Catalogue of New Plays 2018–2019 © 2018 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: Take a look at the “New Plays” section of this year’s catalogue. You’ll find plays by former Pulitzer and Tony winners: JUNK, Ayad Akhtar’s fiercely intelligent look at Wall Street shenanigans; Bruce Norris’s 18th century satire THE LOW ROAD; John Patrick Shanley’s hilarious and profane comedy THE PORTUGUESE KID. You’ll find plays by veteran DPS playwrights: Eve Ensler’s devastating monologue about her real-life cancer diagnosis, IN THE BODY OF THE WORLD; Jeffrey Sweet’s KUNSTLER, his look at the radical ’60s lawyer William Kunstler; Beau Willimon’s contemporary Washington comedy THE PARISIAN WOMAN; UNTIL THE FLOOD, Dael Orlandersmith’s clear-eyed examination of the events in Ferguson, Missouri; RELATIVITY, Mark St. Germain’s play about a little-known event in the life of Einstein. But you’ll also find plays by very new playwrights, some of whom have never been published before: Jiréh Breon Holder’s TOO HEAVY FOR YOUR POCKET, set during the early years of the civil rights movement, shows the complexity of choosing to fight for one’s beliefs or protect one’s family; Chisa Hutchinson’s SOMEBODY’S DAUGHTER deals with the gendered differences and difficulties in coming of age as an Asian-American girl; Melinda Lopez’s MALA, a wry dramatic monologue from a woman with an aging parent; Caroline V. McGraw’s ULTIMATE BEAUTY BIBLE, about young women trying to navigate the urban jungle and their own self-worth while working in a billion-dollar industry founded on picking appearances apart.
    [Show full text]
  • THE BEAUTY QUEEN of LEENANE by Martin Mcdonagh
    Jewel Theatre Audience Guide THE BEAUTY QUEEN OF LEENANE by Martin McDonagh by Susan Myer Silton, Dramaturg © 2018 ABOUT THE PLAYWRIGHT I was too shy to be in a band and go on stage. I did write film scripts, but they were shit. I even wrote a radio play, too, and it was shit. Plays were really my last option. The reason I didn’t write plays initially was because I thought theatre was the worst of all the art forms. —Martin McDonagh MARTIN McDONAGH TIMELINE 1970 Martin McDonagh is born on March 26 in southeast London. His mother is the former Mary Harte, originally from Killeenduff, Easky, County Sligo. She works as a chambermaid, and his father, John, who hails from Leitir Mealláin, Connemara, County Galway, is a construction worker. McDonagh and his brother John Michael, his only sibling and his elder by five years, will go on to spend many childhood summers in the west of Ireland, staying with their relatives. The young family lives on a council estate (public housing project) in Elephant and Castle, where half his block is occupied by Irish families. McDonagh describes the community: “the Kellys on one side of the house and the Caseys on the other, and the Dubliners’ songs blaring out all afternoon” (O’Hagan, 2015). They move up the road to Camberwell when McDonagh is still a child. 1984 McDonagh sees his first play, David Mamet’s American Buffalo at the Duke of York’s Theatre in the West End Theatre District of London. Al Pacino, his favorite film actor, plays Donny.
    [Show full text]