April 13, 2011 MARTIN MCDONAGH's the CRIPPLE OF

Total Page:16

File Type:pdf, Size:1020Kb

April 13, 2011 MARTIN MCDONAGH's the CRIPPLE OF April 13, 2011 MARTIN MCDONAGH’S THE CRIPPLE OF INISHMAAN CLOSES 10/11 ANNENBERG CENTER SEASON DRUID & ATLANTIC THEATER PRODUCTION RECEIVES CRITICAL PRAISE ACROSS THE COUNTRY SIX PERFORMANCES ONLY BEGINNING MAY 19 (Philadelphia, April 13, 2011) —The Annenberg Center for the Performing Arts brings yet another of the world’s renowned theatre companies to Philadelphia audiences this spring when the Druid and Atlantic Theater Company production of Academy® Award winner Martin McDonagh’s dark comedy The Cripple of Inishmaan arrives in Philadelphia for six performances only beginning May 19, 2011. Audiences won’t want to miss the production the Chicago Sun-Times heralds as “one of those rare and enchanted productions that will live in the memory of all who see it for years to come.” Directed by Druid’s Artistic Director and Tony® Award winner Garry Hynes, The Cripple of Inishmaan is part of an eight-city, 14-week tour of the United States, the biggest U.S. tour undertaken by an Irish company since the 1930s. This is also the first time the Druid has toured to Philadelphia. For tickets or for more information, please visit AnnenbergCenter.org or call 215.898.3900. Tickets can also be purchased in person at the Annenberg Center Box Office. Performances of The Cripple of Inishmaan take place on Thursday, May 19 at 7:30 PM; Friday, May 20 at 2:00 PM and 8:00 PM; Saturday, May 21 at 2:00 PM and 8:00 PM; and Sunday, May 22 at 2:00 PM. Tickets for all performances start at $20. Support for The Cripple of Inishmaan has been supported by The Pew Center for Arts & Heritage through the Philadelphia Theatre Initiative. The Cripple of Inishmaan cast includes (in alphabetical order) Liam Carney (BabbyBobby), Nancy E. Carroll (Mammy O’Dougal), Ingrid Craigie (Kate), Dermot Crowley (JohnnyPateenMike), Clare Dunne (Slippy Helen), Laurence Kinlan (Bartley), Dearbhla Molloy (Eileen), Tadhg Murphy (Billy Claven) and Paul Vincent O’Connor (Doctor McSharry). The set and costume design is by Francis O’Connor, lighting design by Davy Cunningham, sound design by John Leonard and music by Colin Towns. -more- Page 2 The Cripple of Inishmaan at the Annenberg Center for the Performing Arts Set in 1934 on a remote island off the coast of Ireland, the second play in Martin McDonagh’s Aran Islands trilogy, The Cripple of Inishmaan, tells of the day when the local gossip, JohnnyPateenMike, finally stumbles upon news that is exciting. A Hollywood director is coming to the neighboring island of Inishmore to film The Man of Aran and there’s a chance some of the locals will be hired. This chance at stardom interests Slippy Helen, the village beauty, her brother Bartley and even BabbyBobby, but there is no one more eager to audition than Cripple Billy, if only to break away from his overprotective aunts and the bitter tedium of his daily life. Martin McDonagh received a 2006 Tony® Award nomination for Best Play for The Lieutenant of Inishmore. His play The Pillowman won the Olivier Award for Best New Play in 2004 and was nominated for a Tony® Award in 2005. McDonagh also received Tony® Award nominations for The Beauty Queen of Leenane (1998) and The Lonesome West (1999). In 2005 he won the Academy® Award for Best Live Action Short Film for Six Shooter, and his first feature film, In Bruges won an Academy® Award nomination for Best Original Screenplay in 2008, as well as the BAFTA Best Original Screenplay Award in 2008. The Cripple of Inishmaan is Martin McDonagh’s fourth play with Druid. Garry Hynes founded Druid in 1975 and has worked as its Artistic Director from 1975 to 1991, and from 1995 to date. From 1991-94 she was Artistic Director of the Abbey Theatre, Dublin. Hynes has also worked with the Gate Theatre (Ireland), internationally with the Royal Shakespeare Company and the Royal Court (UK), with New York’s Atlantic Theater, New York City Center Encores!, Second Stage, Signature Theatre and Manhattan Theatre Club; and with The Kennedy Center in Washington, D.C. She is the recipient of the 1998 Tony® Award for Direction for Martin McDonagh’s The Beauty Queen of Leenane and many other theatre awards, including The Irish Times/ESB Irish Theatre Award for Best Director and a Special Tribute Award for her contribution to Irish Theatre (2005). Founded in Galway in 1975 by Garry Hynes, Mick Lally and Marie Mullen, Druid became the first professional theatre company in Ireland based outside Dublin. Druid presents work at home in Galway as well as touring extensively in Ireland and throughout the world; in 2009 alone, the company presented hundreds of performances at venues across Australia, Canada, the UK and United States. The company's extensive 2011 tour of The Cripple of Inishmaan to the Annenberg Center and across the US is part of Imagine Ireland, a yearlong Irish arts series in the United States funded by the Irish government, through which hundreds of events will showcase the work of Ireland's rich artistic community. Druid productions have won over 50 awards in Ireland and internationally including four Tony® Awards for The Beauty Queen of Leenane. Atlantic Theater Company is the award- winning Off-Broadway theater company dedicated to producing great plays simply and truthfully utilizing an artistic ensemble. Since its inception, Atlantic has produced over 125 productions including the Tony® Award-winning play The Beauty Queen of Leenane (with Druid and Royal Court), the world premieres of Academy® Award winner Ethan Coen’s comedies Almost an Evening and Offices, David Mamet’s Romance and his adaptation of The Voysey The Cripple of Inishmaan at the Annenberg Center for the Performing Arts Page 3 Inheritance, the musical Spring Awakening, and double-bills of Harold Pinter’s Celebration and The Room and The Collection and A Kind of Alaska. Philadelphia Irish Theatre Festival Performances of The Cripple of Inishmaan are part of the Philadelphia Irish Theatre Festival, taking place between December 2010 and May 2011. The Annenberg Center for the Performing Arts joins five other Philadelphia-area theatre companies, including Amaryllis Theatre Company, the Lantern Theater Company, Inis Nua Theatre Company, Theatre Exile and ACT II playhouse, in presenting works by Irish playwrights. Tickets for the Philadelphia Irish Theatre Festival are available at www.phillytheatretix.com. Theatergoers have the opportunity to order tickets to two or more Philadelphia Irish Theatre Festival plays and save 20%. The Annenberg Center for the Performing Arts The University of Pennsylvania’s Annenberg Center for the Performing Arts has been the region's leading multi-disciplinary performance venue for theatre, dance, jazz, world music, new music and children’s programming since its inception in 1971. The Annenberg Center’s curatorial vision emphasizes four primary values: artistic integrity, cultural diversity, curatorial balance and a willingness to take risks. By presenting world-renowned and cutting edge artists and companies who express adventuresome perspectives on contemporary issues, timeless ideas and diverse cultures, the Annenberg Center promotes critical thinking and dialogue among its audiences, creating a uniquely rewarding arts experience. The Annenberg Center has achieved national recognition for its outstanding Dance Celebration series (presented in partnership with Philadelphia's Dance Affiliates), touring theatre series, and for its superior offerings for children, including both its Student Discovery Series and the acclaimed 27-year- old Philadelphia International Children’s Festival, the oldest festival of its kind in the United States. Through a generous grant from The Wallace Foundation and the National Endowment for the Arts, the Annenberg Center also showcases its commitment to local artists each year through its By Local series. Throughout its history, the Annenberg Center has presented innovative and critically-acclaimed theatre productions with some of the biggest stars of stage and screen including Liv Ullmann and Sam Waterston in A Doll's House, A Streetcar Named Desire with Glenn Close, Jessica Tandy in Beckett's Not I, and Tennessee Williams' Sweet Bird of Youth with Irene Worth and Christopher Walken. University of Pennsylvania alumnus and noteworthy Broadway producer and director Harold Prince staged many of his plays at the Annenberg Center before taking them to Broadway. -more- Page 4 The Cripple of Inishmaan at the Annenberg Center for the Performing Arts CALENDAR EDITORS PLEASE NOTE: The Cripple of Inishmaan Druid and Atlantic Theater Company Thursday, May 19 at 7:30 PM Friday, May 20 at 2:00 PM Friday, May 20 at 8:00 PM Saturday, May 21 at 2:00 PM Saturday, May 21 at 8:00 PM Sunday, May 22 at 2:00 PM Zellerbach Theatre at the Annenberg Center for the Performing Arts Famed Irish theatre company Druid and New York's Atlantic Theater present The Cripple of Inishmaan, written by Academy® Award winner Martin McDonagh and directed by Tony® Award winner Garry Hynes. Set in rural Ireland in 1934, this dark comedy depicts the impact that a Hollywood film crew has over the local residents when it shows up to document the tiny island of Inishmore. When a young, orphaned "cripple" named Billy Claven is selected for a part in the film, his dreams of escape take flight. The Cripple of Inishmaan has been supported by The Pew Center for Arts & Heritage through the Philadelphia Theatre Initiative. Media support provided by WHYY. Open captioning will be offered for the 8 PM performance on May 21 and the 2 PM performance on May 22. Tickets: Tickets: $20-$45 (weekday evening) $20-$50 (weekend evening and matinee). For more information please call 215.898.3900 or visit AnnenbergCenter.org. For further press information or to set up interviews, please contact: Lauren Saul, Marketing and Communications Manager phone: 215.573.8537; email: [email protected] # # # .
Recommended publications
  • Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
    1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business.
    [Show full text]
  • Redalyc.DRUID THEATRE's ECONOMICS: the FIRST DECADE
    Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Troupe, Shelley DRUID THEATRE’S ECONOMICS: THE FIRST DECADE Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 58, enero-junio, 2010, pp. 459-478 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348696022 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Druid Theatre's Economics: the First Decade 459 DRUID THEATRE’S ECONOMICS: THE FIRST DECADE Shelley Troupe National University of Ireland Galway Abstract: This article considers the relationship between Druid Theatre’s productions and its administration during the company’s first decade by investigating the links between three features: the company’s fundraising practices; Druid’s infrastructure development in terms of personnel and physical space; and the organisation’s programming choices. Druid’s artistic partnership with Irish playwright Tom Murphy is also examined as it assisted in launching Druid’s international touring when Murphy’s Conversations on a Homecoming was the first Druid production to travel outside of the United States/United Kingdom festival circuit. Keywords: Druid Theatre, Tom Murphy, Ireland, funding, Irish theatre. Druid Theatre commenced production in the summer of 1975 with a repertory of three plays: J.M. Synge’s The Playboy of the Western World, Brian Friel’s The Loves of Cass Maguire and Kevin Laffan’s It’s a Two Foot Six Inches Above the Ground World.
    [Show full text]
  • 15-L. Films Abra Ensemble Yaron Abulafia
    Bios of PQ Projects Participants | Page 1 15-L. FILMS Sala Beckett / Theatre and International Drama Centre (Performance Space Exhibition) 15-L. FILMS is a production company based in Barcelona, created in 2013 by Carlota Coloma and Adrià Lahuerta. They produce documentaries for cinema and other platforms, and for agencies and clients who want to explore the documentary genre in all its possibilities. Their productions have been selected and awarded in many festivals: MiradasDoc, Milano International Documentary Festival, HotDocs and DOCSMX among others. They have been selected to participate in several workshops and pitches such as: IDW Visions du Réel; Cross Video Days; Docs Barcelona. ABRA ENSEMBLE Hall I + Abra Ensemble (Performance Space Exhibition) ABRA Ensemble's works aspire to undermine existing power structures as they express themselves in the voice, language patterns and ways of speech. They seek rather communal, feminist strategies of composition, listening and creative-coexistence. Exposing the emergence of the music itself, ABRA Ensemble bridges the existing limits between contemporary virtuoso vocal art and the performative, transformative encounter with an audience. In the five years since its founding in 2013, the ensemble has performed at a diverse range of venues in Israel and Europe, released a debut album and gained considerable recognition both in the new-music and contemporary performance scene. YARON ABULAFIA Jury Member 2019 / PQ Ambassador Yaron Abulafia has designed over 200 theatre and dance performances, installations, concerts and television shows internationally. He has designed for the Netherlands Dans Theater, the English National Ballet, Rambert Dance Company, Staatsballett Berlin, Danza Contemporanea de Cuba and the Hungarian State Theatre of Cluj in Romania – to mention but a few.
    [Show full text]
  • Maryland Ensemble Theatre Presents the Lieutenant of Inishmore
    31 W. Patrick Street Frederick, MD 21701 CONTACT: Dan Brick 301.694.4744 PRESS RELEASE marylandensemble.org (301) 694-4744 ext. 303 [email protected] marylandensemble.org/press MARYLAND ENSEMBLE THEATRE PRESENTS THE LIEUTENANT OF INISHMORE Press Night: Sunday, April 13 @ 7pm (Reception @ 6pm) RSVP to [email protected] or 301.694.4744 FREDERICK, MD (March 24, 2014) - Maryland Ensemble Theatre (MET) is proud to present Martin McDonagh’s award winning play “The Lieutenant of Inishmore”. The dark Irish comedy will be directed by MET’s founding Artistic Director, Tad Janes. “‘The Lieutenant of Inishmore’ is a play that grabs you with comedy and takes you on a ride like no other play I know”, said Janes. “I’ve always been a fan of McDonagh’s plays. They are always funny, quirky, and have interesting themes and characters. When we selected plays for the season this one was a clear favorite within the Ensemble” “The Lieutenant of Inishmore” will run every Thursday through Sunday (except Easter Sunday) at Maryland Ensemble Theatre from April 10 through May 4. “The Lieutenant of Inishmore” is set in 1993 when the Northern Ireland peace process is struggling to come together and Mad Padraic, a member of the Irish National Liberation Army, chooses to leave Belfast and return to Inishmore upon the news that his beloved cat is ill. When he returns home he learns that his cat has in fact suffered a much more tragic and immediate fate. Padraic, a man whose mentally instability is legendary, is now intent on revenge at any costs.
    [Show full text]
  • Spoleto Festival Usa Program History 2017 – 1977
    SPOLETO FESTIVAL USA PROGRAM HISTORY 2017 – 1977 Spoleto Festival USA Program History Page 2 Table of Contents, Organized by Year 2017 .................................... 3 2016 .................................... 6 1996 .................................... 76 2015 .................................... 10 1995 .................................... 79 2014 .................................... 13 1994 .................................... 82 2013 .................................... 16 1993 .................................... 85 2012 .................................... 20 1992 .................................... 88 2011 .................................... 24 1991 .................................... 90 2010 .................................... 27 1990 .................................... 93 2009 .................................... 31 1989 .................................... 96 2008 .................................... 34 1988 .................................... 99 2007 .................................... 38 1987 .................................... 101 2006 .................................... 42 1986 .................................... 104 2005 .................................... 45 1985 .................................... 107 2004 .................................... 49 1984 .................................... 109 2003 .................................... 52 1983 .................................... 112 2002 .................................... 55 1982 .................................... 114 2001 ...................................
    [Show full text]
  • Waiting for Godot by Samuel Beckett
    Pre-performance discussion with Garry Hynes and Robert Marx on Saturday, November 3 at 6:15 pm Friday, November 2, 2018 at 7:30 pm Saturday–Sunday, November 3–4 at 2:00 and 7:30 pm Monday–Tuesday, November 5–6 at 7:30 pm Thursday–Friday, November 8–9 at 7:30 pm Saturday, November 10 at 2:00 and 7:30 pm Sunday, November 11 at 2:00 pm Monday–Tuesday, November 12–13 at 7:30 pm Waiting for Godot By Samuel Beckett This performance is approximately two hours and 30 minutes long, including intermission. Waiting for Godot is made possible in part by Laura Pels International Foundation for Theater. Major endowment support for contemporary dance and theater is provided by the Doris Duke Charitable Foundation. Waiting for Godot is also made possible in part by endowment support from the American Express Cultural Preservation Fund. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Gerald W. Lynch Theater Please make certain all your electronic devices at John Jay College are switched off. WhiteLightFestival.org The White Light Festival 2018 is made possible by UPCOMING WHITE LIGHT FESTIVAL EVENTS: The Shubert Foundation, The Katzenberger Foundation, Inc., Laura Pels International Tuesday, November 13 at 7:30 pm in the Church of Foundation for Theater, The Joelson Foundation, St. Mary the Virgin The Harkness Foundation for Dance, Great Latvian Radio Choir Sigvards K ava , conductor Performers Circle, Chairman’s Council, and Friends ļ of Lincoln Center MAHLER: Die zwei blauen Augen; Ich bin der Welt abhanden gekommen; Adagietto Public support is provided by New York State ĒRIKS EŠENVALDS: Stars; A Drop in the Ocean Council on the Arts with the support of Governor SANTA RATNIECE: Chu Dal (“Quiet water”) Andrew M.
    [Show full text]
  • Study Guide: Students & Educators
    Study Guide: Students & Educators Heather Baird Director of Education Tyler Easter Education Associate Fran Tarr Education Coordinator 1 TABLE OF CONTENTS SECTION I | THE PLAY Synopsis Settings Themes SECTION II | THE CREATIVE TEAM Playwright & Director Biographies Cast/Characters SECTION III | YOUR STUDENTS AS AUDIENCE Theater Vocabulary Hangmen Vocabulary Hangmen in Historical Context Pre-Theater Activity SECTION IV | YOUR STUDENTS AS ACTORS Reading a Scene for Understanding Practical Aesthetics Exercise Mini-Lesson Vocabulary Scene Analysis Worksheet SECTION V | YOUR STUDENTS AS ARTISTS Post Theater Creative Response Activity Common Core & DOE Theater Blueprint Sources SECTION VI | THE ATLANTIC LEGACY 2 THE PLAY THE PLAY Section I: The Play Synopsis Settings Themes 3 SYNOPSIS In his small pub in the northern English town of Oldham, Harry is something of a local celebrity. But what’s the second-best hangman in England to do on the day they’ve abolished hanging? Amongst the cub reporters and pub regulars dying to hear Harry’s reaction to the news, his old assistant Syd and the peculiar Mooney lurk with very different motives for their visit. SETTING Time: 1963 | Place: Oldham, England THEMES Death Innocence Morality Old/New Vanity Ego vs Insecurity Trust Mistrust Impotence Playing God Accountability Evil 4 Section II: Creative Team TEAM TEAM CREATIVE CREATIVE Playwright & Director Biographies Cast/Characters 5 MARTIN MCDONAGH(Playwright) is an award winning writer/director. His latest film is “Three Billboards Outside of Ebbing, Missouri.” Plays: The Beauty Queen of Leenane; A Skull in Connemara; The Lonesome West; The Lieutenant of Inishmore; The Cripple of Inishmaan; The Pillowman; A Behanding in Spokane; Hangmen.
    [Show full text]
  • Druid & Atlantic Theater Company
    CAL PERFORMANCES PRESENTS CAST Wednesday–Friday, May 4–6, 2011, 8pm The Cripple of Inishmaan Saturday, May 7, 2011, 2pm & 8pm Sunday, May 8, 2011, 3pm & 8pm cast Tuesday–Friday, May 10–13, 2011, 8pm (in order of appearance) Saturday, May 14, 2011, 2pm & 8pm Eileen Dearbhla Molloy † Zellerbach Playhouse Kate Ingrid Craigie JohnnyPateenMike Dermot Crowley † Billy Claven Tadhg Murphy † Bartley Laurence Kinlan Druid & Atlantic Theater Company † Slippy Helen Clare Dunne BabbyBobby Liam Carney† Doctor McSharry Paul Vincent O’Connor Mammy O’Dougal Nancy E. Carroll † These actors appear with the permission of Actors’ Equity Association, pursuant to an exchange program between American Equity and Irish Equity. Sets & Costumes Francis O’Connor Lights Davy Cunningham Sound John Leonard Composer Colin Towns U.S. Casting Laura Stanczyk Irish Casting Maureen Hughes Fight Director J. David Brimmer Company Stage Director Sarah Lynch Stage Manager David H. Lurie Assistant Stage Manager Sarah Lynch Robert Day Robert Production Manager Eamonn Fox crew The Cripple of Inishmaan Production Manager Eamonn Fox by Martin McDonagh Technical Manager Barry O’Brien Directed by Garry Hynes Master Carpenter Gus Dewar Deputy Master Carpenter Tony Cording Druid is grant aided by the Arts Council of Ireland and gratefully acknowledges the support of Carpenter Peter Nelson Culture Ireland for funding its international touring program. The Cripple of Inishmaan Special Props Pete Casby, Matt Guinnane is presented as part of Imagine Ireland, Culture Ireland’s year-long season of Irish arts in Technician Shannon Light America in 2011. Scenic Painters Sandra Butler, Jason McCaffrey, Noel Tate, Dympna Tate Costume Supervisor Doreen McKenna Wigs & Make-Up Val Sherlock Publicist Kate Bowe PR Graphic Design Bite!Associates Production Photography Robert Day The U.S.
    [Show full text]
  • THE BEAUTY QUEEN of LEENANE by Martin Mcdonagh
    Jewel Theatre Audience Guide THE BEAUTY QUEEN OF LEENANE by Martin McDonagh by Susan Myer Silton, Dramaturg © 2018 ABOUT THE PLAYWRIGHT I was too shy to be in a band and go on stage. I did write film scripts, but they were shit. I even wrote a radio play, too, and it was shit. Plays were really my last option. The reason I didn’t write plays initially was because I thought theatre was the worst of all the art forms. —Martin McDonagh MARTIN McDONAGH TIMELINE 1970 Martin McDonagh is born on March 26 in southeast London. His mother is the former Mary Harte, originally from Killeenduff, Easky, County Sligo. She works as a chambermaid, and his father, John, who hails from Leitir Mealláin, Connemara, County Galway, is a construction worker. McDonagh and his brother John Michael, his only sibling and his elder by five years, will go on to spend many childhood summers in the west of Ireland, staying with their relatives. The young family lives on a council estate (public housing project) in Elephant and Castle, where half his block is occupied by Irish families. McDonagh describes the community: “the Kellys on one side of the house and the Caseys on the other, and the Dubliners’ songs blaring out all afternoon” (O’Hagan, 2015). They move up the road to Camberwell when McDonagh is still a child. 1984 McDonagh sees his first play, David Mamet’s American Buffalo at the Duke of York’s Theatre in the West End Theatre District of London. Al Pacino, his favorite film actor, plays Donny.
    [Show full text]
  • Download Transcript (90Kb PDF)
    Paige Reynolds, Hollywood and Contemporary Irish Drama UCDscholarcast Series 1: (Spring 2008) ________________________________ The Art of Popular Culture: From ‘The Meeting of the Waters’ to Riverdance Series Editor: P.J. Mathews © UCDscholarcast UCDscholarcast Paige Reynolds, Hollywood and Contemporary Irish Drama Paige Reynolds Hollywood and Contemporary Irish Drama Shortly after winning the 2007 Man Booker Prize for her novel The Gathering, the Irish author Anne Enright explained to a BBC Radio 4 Today audience that “When people pick up a book they may want something happy that will cheer them up. In that case they really shouldn’t pick up my book. It’s the intellectual equivalent of a Hollywood weepie.”1 The phrase “the intellectual equivalent of a Hollywood weepie” was immediately adopted by those seeking to characterize The Gathering, a novel that chronicles the attempts of its affluent Dublin heroine to grapple with her family history, her brother’s suicide, and her faltering marriage. By likening her novel to a Hollywood melodrama for smart people, Enright’s shorthand blithely breached commonly assumed divides between text and film, elite art and popular entertainments, Irish and American cultures. The casual nature of her characterization suggests an easy converse in the twenty-first century between the high culture of Irish literature and the low culture of popular Hollywood melodrama. In recent decades, the clear distinctions between high art and popular art have been challenged by innumerable literary and cultural critics. But the “divide” once presumed to separate high and low cultures has been bridged by figures in the Irish theatre since the start of the twentieth century – even in that bastion of corrupted popular art, Hollywood.2 Beginning in the early twentieth century, when D.
    [Show full text]
  • Our Work with Druid & Fundraising Fellowship, Ireland / Case Study
    New Stream – Fundraising Fellowship, Ireland Case Study: Druid Diversifying income through corporate & international fundraising Fundraising Fellowship, Ireland is a partnership between Business to Arts and the Department of Culture, Heritage & the Gaeltacht. Fundraising Fellowship, Ireland is part of the evolution of Business to Art’s New Stream programme and is informed by the two-year Fundraising Fellowship, Dublin programme. The programme seeks to support and develop capacity building in cultural organisations across Ireland and address key fundraising challenges affecting the sector. In 2018, two cultural organisations were offered 50% part-funding toward the employment of full-time ‘Fundraising’ or ‘Marketing & Fundraising’ human resources over a 24-month period. A structured programme of training and mentorship with Business to Arts supported the recruited Fellows. This case study is part of a series of case studies, which highlight the achievements and challenges faced by the Fellows and their organisations throughout their time on the programme. Organisation Profile strategic partnerships with businesses and individuals. The Founded in Galway in 1975 by Garry Hynes, Marie Mullen Fundraising Fellowship, Ireland programme has been integral and Mick Lally, Druid is Ireland’s leading theatre touring in helping Druid to build their existing support base and company. The company was established as Ireland’s first develop new relationships. John Mc Evoy was appointed professional theatre company outside of Dublin. The Mick Development & Marketing executive for the Fellowship. Lally Theatre has been the home of Druid’s work since 1979. Over the years, Druid has been creating and premiering ground-breaking theatre to audiences in Galway, then Ireland and the world.
    [Show full text]
  • The Beauty Queen of Leenane
    2017 Winter/Spring Season #BeautyQueenofLeenane Brooklyn Academy of Music Adam E. Max, Chairman of the Board William I. Campbell, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer The Beauty Queen of Leenane BAM Harvey Theater Jan 11—14, 17—21, 24—28, 31, Feb 1—4 at 7:30pm; Jan 14, 21, 28 & Feb 4 at 2pm; Jan 15, 22, 29 & Feb 5 at 3pm Running time: approx. two hours & 30 minutes, including intermission Druid By Martin McDonagh Directed by Garry Hynes Set design by Francis O’Connor Lighting design by James F. Ingalls Season Sponsor: Sound design by Greg Clarke Composer Paddy Cunneen Programming in the BAM Harvey Theater is CAST endowed by the Doris Duke Charitable Foundation. Ray Dooley Aaron Monaghan Major support for theater at BAM provided by: Mag Folan Marie Mullen The Gladys Krieble Delmas Foundation Pato Dooley Marty Rea The Francena T. Harrison Foundation Trust Maureen Folan Aisling O’Sullivan The Fan Fox & Leslie R. Samuels Foundation, Inc. The SHS Foundation The Shubert Foundation, Inc. The Beauty Queen of Leenane AARON MONAGHAN MARIE MULLEN MARTY REA AISLING O’SULLIVAN MARTIN MCDONAGH GARRY HYNES FRANCIS O’CONNOR JAMES F. INGALLS GREG CLARKE PADDY CUNNEEN The Beauty Queen of Leenane ADDITIONAL PRODUCTION CREDITS General manager Sarah Lynch (to December 2016) Head of operations and development Feargal Hynes Production associate Craig Flaherty Communications and development associate Róisín Stack Production manager Barry O’Brien Production consultant Eamonn Fox Company manager Danny Erskine Deputy stage manager Anne Kyle American stage manager R. Michael Blanco Fight director Bryan Burroughs Costume supervisor Doreen McKenna Wigs and make-up Val Sherlock Master carpenter Gus Dewar Set construction TPS Scenic artists Liz Barker, Jason McCaffrey, Louise Roache Graphic design Gareth Jones, Bite! Design Publicity image Matthew Thompson Production images Stephen Cummiskey United States tour produced by David Eden Productions, Ltd.
    [Show full text]