The Rock and the Goddess
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The Acropolis Restoration News
À ™ ª ∞ TheÀ™ª∞ Acropolis Restoration News À ¶ ¶ √ À¶¶√ 8 ñ July 2008 General view of the Acropolis from the southeast. Photo G. Paganis, January 2008 ª. Ioannidou, 2007-2008, progress of the Acropolis Anastelosis Works ª. Ioannidou, Conservation and Restoration of the Acropolis Monuments: interventions planned for the period 2009-2013 V. Eleutheriou, V. Manidakis, A. Vrouva, Restoration of the west side of the Parthenon. General programming of the work and proposals for intervention D. Mavromati, The use of orthophotography in the geometric documentation of the Parthenon E. Sioumpara, Inventorying the Scattered Members of the Acropolis D.N. Englezos, D. Moullou, Preservation of the Circuit Wall of the Acropolis: past and future F. Mallouchou-Tufano, News from the Acropolis F. Mallouchou-Tufano, Honouring the marble technicians of the Acropolis: the Gold Cross of the Order of the Phoinix to Nikos Skaris 2007-2008, progress of the Acropolis Anastelosis Works 3 Anastelosis on the Acropolis continued at vided by the 3rd Community Support Frame- was continued. During the second half of cessed by the rural and surveying engineer July 2008 the architect K. Karanasos submit- In the temple of Athena Nike, 13 restored ar- undiminished pace during the second half of work. 2007 the eight columns were reset in place Dionysia Mavromati. ted to ESMA the study for restoring the south chitectural blocks from course II (from the 2007 and the first half of the present year. and work began on resetting the entablature, Studies for structural restoration -
Full Thesis Text Only
A DIACHRONIC EXAMINATION OF THE ERECHTHEION AND ITS RECEPTION Alexandra L. Lesk, B.A., M.St. (Oxon.), M.A. Presented to McMicken College of Arts and Sciences and the Department of Classics of the University of Cincinnati in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy 2004 Committee: C. Brian Rose (Chair) Jack L. Davis Kathleen M. Lynch J. James Coulton Abstract iii ABSTRACT “A Diachronic Examination of the Erechtheion and Its Reception” examines the social life of the Ionic temple on the Athenian Akropolis, which was built in the late 5th century B.C. to house Athens’ most sacred cults and relics. Using a contextualized diachronic approach, this study examines both the changes to the Erechtheion between its construction and the middle of the 19th century A.D., as well as the impact the temple had on the architecture and art of these successive periods. This approach allows the evidence to shed light on new areas of interest such as the Post-Antique phases of the building, in addition to affording a better understanding of problems that have plagued the study of the Erechtheion during the past two centuries. This study begins with a re-examination of all the pertinent archaeological, epigraphical, and literary evidence, and proposes a wholly new reconstruction of how the Erechtheion worked physically and ritually in ancient times. After accounting for the immediate influence of the Erechtheion on subsequent buildings of the Ionic order, an argument for a Hellenistic rather than Augustan date for the major repairs to the temple is presented. -
Athenians and Eleusinians in the West Pediment of the Parthenon
ATHENIANS AND ELEUSINIANS IN THE WEST PEDIMENT OF THE PARTHENON (PLATE 95) T HE IDENTIFICATION of the figuresin the west pedimentof the Parthenonhas long been problematic.I The evidencereadily enables us to reconstructthe composition of the pedimentand to identify its central figures.The subsidiaryfigures, however, are rath- er more difficult to interpret. I propose that those on the left side of the pediment may be identifiedas membersof the Athenian royal family, associatedwith the goddessAthena, and those on the right as membersof the Eleusinian royal family, associatedwith the god Posei- don. This alignment reflects the strife of the two gods on a heroic level, by referringto the legendary war between Athens and Eleusis. The recognition of the disjunctionbetween Athenians and Eleusinians and of parallelism and contrastbetween individualsand groups of figures on the pedimentpermits the identificationof each figure. The referenceto Eleusis in the pediment,moreover, indicates the importanceof that city and its majorcult, the Eleu- sinian Mysteries, to the Athenians. The referencereflects the developmentand exploitation of Athenian control of the Mysteries during the Archaic and Classical periods. This new proposalfor the identificationof the subsidiaryfigures of the west pedimentthus has critical I This article has its origins in a paper I wrote in a graduateseminar directedby ProfessorJohn Pollini at The Johns Hopkins University in 1979. I returned to this paper to revise and expand its ideas during 1986/1987, when I held the Jacob Hirsch Fellowship at the American School of Classical Studies at Athens. In the summer of 1988, I was given a grant by the Committeeon Research of Tulane University to conduct furtherresearch for the article. -
Let's Go to the Acropolis Peripatos
Let’s Go to the Acropolis Peripatos A Child’s Pathfinder Ministry of Culture Acropolis Restoration Service First Ephorate of Prehistoric & Classical Antiquities Department of Information & Education ➢ ¡ 5 4 3 1 2 The Acropolis Peripatos down to the 2nd century A.C. 6 1. Klepsydra 8. Theatre of Dionysos 2. Sanctuary of Apollo 9. Two Temples of Dionysos 3. Sanctuary of Zeus 10. Choregic Monument of Thrasyllos 4. Sanctuary of Pan & the Nymphs 11. Choregic Monument of Nikias 5. Sanctuary of Aphrodite & Eros 12. Asklepieion 6. Aglaureion 13. Stoa of Eumenes 7. Odeion of Pericles 14. Odeion of Herodes Attikos 10 12 14 7 13 8 11 9 9 He opened his eyes and he made a wish that this time it would really be daylight. Three times during the night he had waked up thinking it was morning. He could hardly wait for this special day to come. This was the day that his tutor, his paidagogos, Phoinikas, had promised to take him to the Sanctuary of Asklepios, just below the Acropolis. There he could ask the god, who was the patron of medicine, to grant him his great wish: to become some day himself a physician, to help his fellow human beings, to lessen pain and to cure illness, even the most difficult and severe! He was sure the healer-god would make his dream come true… Phoinikas had told him that Asklepios was the oldest and best physician of all time, way ahead of all the others. It was even said that he could raise the dead; and there was a story that once upon a time Hades, the god of the Underworld, had complained to Zeus that Asklepios had raised so many of the dead that there were fewer people living in his underworld kingdom, which was in danger of becoming empty. -
Lecture 05 Greek Architecture Part 2
Readings Pages 54-60, A World History of Architecture, Fazio, Michael, Moffet & Wodehousecopoy Pages 60– 65 Great Architecture of the World ARCH 1121 HISTORY OF ARCHITECTURAL TECHNOLOGY Photo: Alexander Aptekar © 2009 Gardner Art Through the Ages Classical Greek Architecture 480 – 431BCE: Known as the Classical Period in Greek History Assertion that human intelligence puts man above the rest of nature Architecture began in the service of religion 7th century BCE – 1st efforts to create proper shapes and design Beauty = Gods Secret of beauty lay in ratios and proportions Invented democracy and philosophy Created works of art in drama, sculpture and architecture Greek Architecture 480 – 431BCE Temples first built with wood, then stone w/ terra cotta tiles Purely formal objects Greeks pursued the beauty through architecture and materials The home of the Gods Became the principal ornaments in the cities, generally on hills or other prominent locations www.greatbuildings.com www.greatbuildings.com Temple of Hephaestus megron Athenian Treasury Classical Orders In classical Greek architecture, beauty lay in systems of the ratios and proportions. A system or order defined the ideal proportions for all the components of the temples according to mathematical ratios – based on the diameter of the columns. What is an order? An order includes the total assemblage of parts consisting of the column and its appropriate entablature which is based on the diameter of the column. Temple of Hera II (Poseidon) 450 BCE The column is vertical and supports the structure. Its diameter sets the proportion of the other parts. The entablature is horizontal and consists of many elements. -
Meet the Philosophers of Ancient Greece
Meet the Philosophers of Ancient Greece Everything You Always Wanted to Know About Ancient Greek Philosophy but didn’t Know Who to Ask Edited by Patricia F. O’Grady MEET THE PHILOSOPHERS OF ANCIENT GREECE Dedicated to the memory of Panagiotis, a humble man, who found pleasure when reading about the philosophers of Ancient Greece Meet the Philosophers of Ancient Greece Everything you always wanted to know about Ancient Greek philosophy but didn’t know who to ask Edited by PATRICIA F. O’GRADY Flinders University of South Australia © Patricia F. O’Grady 2005 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Patricia F. O’Grady has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identi.ed as the editor of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington Surrey, GU9 7PT VT 05401-4405 England USA Ashgate website: http://www.ashgate.com British Library Cataloguing in Publication Data Meet the philosophers of ancient Greece: everything you always wanted to know about ancient Greek philosophy but didn’t know who to ask 1. Philosophy, Ancient 2. Philosophers – Greece 3. Greece – Intellectual life – To 146 B.C. I. O’Grady, Patricia F. 180 Library of Congress Cataloging-in-Publication Data Meet the philosophers of ancient Greece: everything you always wanted to know about ancient Greek philosophy but didn’t know who to ask / Patricia F. -
Athens Guide
ATHENS GUIDE Made by Dorling Kindersley 27. May 2010 PERSONAL GUIDES POWERED BY traveldk.com 1 Top 10 Athens guide Top 10 Acropolis The temples on the “Sacred Rock” of Athens are considered the most important monuments in the Western world, for they have exerted more influence on our architecture than anything since. The great marble masterpieces were constructed during the late 5th-century BC reign of Perikles, the Golden Age of Athens. Most were temples built to honour Athena, the city’s patron goddess. Still breathtaking for their proportion and scale, both human and majestic, the temples were adorned with magnificent, dramatic sculptures of the gods. Herodes Atticus Theatre Top 10 Sights 9 A much later addition, built in 161 by its namesake. Acropolis Rock In summer it hosts the Athens Festival (see Festivals 1 As the highest part of the city, the rock is an ideal and Events). place for refuge, religion and royalty. The Acropolis Rock has been used continuously for these purposes since Dionysus Theatre Neolithic times. 10 This mosaic-tiled theatre was the site of Classical Greece’s drama competitions, where the tragedies and Propylaia comedies by the great playwrights (Aeschylus, 2 At the top of the rock, you are greeted by the Sophocles, Euripides) were first performed. The theatre Propylaia, the grand entrance through which all visitors seated 15,000, and you can still see engraved front-row passed to reach the summit temples. marble seats, reserved for priests of Dionysus. Temple of Athena Nike (“Victory”) 3 There has been a temple to a goddess of victory at New Acropolis Museum this location since prehistoric times, as it protects and stands over the part of the rock most vulnerable to The Glass Floor enemy attack. -
The Curvature of the Parthenon, Part I
1 of 22, Part 1 From the desk of Pierre Beaudry THE LIVING CURVATURE OF THE PARTHENON OF ATHENS AND THE PHEIDIAS CELEBRATION OF THE PRINCIPLE OF CREATIVITY (An ancient pedagogical experiment.) Part I by Pierre Beaudry 12/25/2008 “{In a very early period of the arts in Greece, we meet with a circumstance which shows the advantages derived from consulting with philosophy, if it does not also show the origin and outset of those advantages. The circumstance to which I allude is, that in the period when the sculptors contented themselves with the stationary forms and appearance of figures, in imitation of their predecessors, the Egyptians; at that time they began to submit their works to the judgment of philosophers, one of whom, being called in to survey a statue, which a sculptor, then eminent, was going to expose to public view, remarked that the human figure before him wanted motion, or that expression of intellect and will, from which motion and character must arise; for man had a soul and mind, which put him at the head of the animal creation, and, therefore, without that soul and mind, the form of man was degraded.}” (Benjamin West, On the Philosophy of Character , John Galt, Life, Studies, and Works of Benjamin West . Part II, p. 124.) 1 INTRODUCTION: THE PARADOX OF THE PARTHENON OF ATHENS The curious thing about the Parthenon of Athens is that you have to first start discovering the nature of your own mind in order to understand its construction. That is, you have to look into the future in order to understand the past, you have to start with the whole in order to make sense of the part, which means that you have to understand the universe as a intelligent living whole in order to understand the speck of dust that your last visit there has left on your shoe. -
The Eleusinian Mysteries
The Eleusinian Mysteries by Iordanis Poulkouras (trans. Sasha Chaitow) Paper Presented at the 7th Esoteric Quest Conference on The Mysteries and Philosophies of Antiquity, Samothrace, September 2008 Our topic is the Eleusinian Mysteries, perhaps one of the best-known mystery cults of all time. They are rooted in a very ancient time, long before the city state of Athens or the official worship of the Olympian Gods ever existed. Despite this, they have retained their sacrality and commanded respect within various eras and cultures, almost as if they have their own secret and magical way of evoking something in the soul or subconscious of man. I am not sure which term to use – the citizen of classical Greece, Imperial Rome, Enlightenment Europe or even our own Digital reality. There is a host of very proliferous narratives and legends around the theme of these Mysteries. Yet their accuracy is questionable since true initiates took a heavy oath of silence bestowed by the goddess herself. So let us try to make sense of what information we do have. What and When In one prophecy to the Athenians relating to the worship of Dionysus Elefthereos – Latinised to Pater Liber - the Delphi oracle reminded the citizens that the god had returned to the city together with Demeter during the reign of the King of Athens Pandion. The goddess did not stay, but went to Eleusis where she was received by King Keleos. This prophecy would put the inception of the Eleusinian Mysteries at around the 13th century BC. However, it is more or less certain that they actually date to the Minoan period when the worship of the Great Goddess predominated. -
Athens After the Liberation Planningthe New Cityand Exploringthe Old*
ATHENS AFTER THE LIBERATION PLANNINGTHE NEW CITYAND EXPLORINGTHE OLD* (PLATES80-86) A THENS on the eve of the Greek Revolution of 1821 displayeda three-dimensional record of the city's historical development; it was also a remarkablypicturesque place. Monuments of antiquity and of the Roman period, elegant Byzantine churches, remains of the Frankish conquest, mosques with tall minarets, and secular buildings were still preserved almost intact, while the houses, all built of stone, with their ever present courtyardsand verdant gardens, completed the picture. The wall of Haseki, built in 1778, surroundedthe city, and the Acropolis, "the Castle", with its successive fortificationsconstituted an invulnerable fortress. On its summit an entire quarter for the Turkish garrisonand their families had been created, and a small mosque had been constructedwithin the Parthenon after its destruction by Morosini in 1687 (Fig. 1, Pls. 80, 81). The Athenians, with the help of the villagers of Attica, revolted against the Turks on the 25th of April 1821, and on the 10th of June 1822 they gained control of the Acropolis. During this siege the first destruction of Athens and its monuments oc- curred. In the four subsequent years, however, when the Athenians ruled their own city, they were able to display notable cultural achievements. At that time they also took care of their antiquities:on the initiative of the Philomousos Society, founded in 1813, they collected various antiquities, decided to found a temporary museum and simultaneously brought to light many monuments by removing the buildings which kept them from view. In the same period, Kyriakos Pittakis, the first Greek archaeologist, having been appointed supervisor of the water supply, discovered at the northeast corner of the Acropolis, below the cliffs, the famous Klepsydra spring mentioned by Pausanias (X.28.4).It was the first certain identificationof an ancient monument at a time when students of Athenian topography were trying unsuccessfully to identify the various monuments. -
Medicin and Philosophy in Direct Dialectic Relation During The
Medicin and Philosophy in Direct Dialectic Relation During the Classical and Late Antiquity1 Medicina e Filosofia em Relação Dialética Direta Durante a Antiguidade Clássica e Tardia Medicina y Filosofía en Relación Dialéctica Directa Durante la Antigüedad Clásica y Tardía Sophia KARYMPALI-KYRIAZIS 2 Abstract: Medicine and Philosophy, in classical antiquity mainly, coexisted and joined hands as activities of the human intellect, with one exerting fruitful influence on the other in the course of time. The influence of philosophy on ancient medicine is generally accepted, as the theories of pre-Socratic philosophers from the 6th century BC for the interpretation of the world and human nature were the main inspiration for the formulation of the first medical texts. Natural philosophers from Ionia, such as Thales of Miletus, Anaximander, Anaximenes and Heraclitus, through their theories, laid the foundations towards future medical advances. Hippocrates of Kos, with his medical treatises in “Corpus Hippocraticum” was greatly influenced by the philosophical thought. Hippocrates is considered the “father of medicine” because he broadened the medical knowledge of his time and laid the foundations of medicine as science, releasing it from magic and superstitions. Plato and Aristotle refer to Hippocrates in their works and speak with respect about him acknowledging his enormous contribution to the healing of serious diseases. In the ancient world, Asclepius, who was considered a great healer of many serious diseases, was worshiped as the patron god of medicine. In his honor temples were erected and next to them great therapeutic centers, the well known “Asclepieia”, scattered in many cities of Ancient Greece and Asia Minor. -
Durham E-Theses
Durham E-Theses Historiography in Lives: Plutarch's Use of Thucydides in the Lives of Pericles and Nicias BISHOP, PAUL,BERNARD How to cite: BISHOP, PAUL,BERNARD (2016) Historiography in Lives: Plutarch's Use of Thucydides in the Lives of Pericles and Nicias, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11538/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 HISTORIOGRAPHY IN LIVES: PLUTARCH’S USE OF THUCYDIDES IN THE LIVES OF PERICLES AND NICIAS Paul Bernard Bishop Ustinov College This Thesis is submitted for a Master of Arts by Research Department of Classics and Ancient History University of Durham 2015 2 Table of Contents Table of Contents........................................................................................................................................................... 2 Statement of