Isaac Hayes Joy Mp3, Flac, Wma

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Isaac Hayes Joy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Joy Country: Canada Released: 1973 Style: Soul MP3 version RAR size: 1332 mb FLAC version RAR size: 1950 mb WMA version RAR size: 1246 mb Rating: 4.1 Votes: 990 Other Formats: WMA RA MMF ASF ADX VOC DTS Tracklist Hide Credits A1 Joy 15:55 I Love You That's All A2 6:14 Co-producer – Willie Hall B1 A Man Will Be A Man 7:20 B2 The Feelings Keeps On Coming 6:48 B3 I'm Gonna Make It (Without You) 11:11 Credits Arranged By – Isaac Hayes, Johnny Allen, Willie Hall (tracks: A2) Arranged By [Female Vocals] – Pat Lewis Arranged By [Male Vocals] – Isaac Hayes Art Direction – Ron Gorden Art Direction [Creative Direction] – Larry Shaw Backing Vocals [Female] – Hot Buttered Soul Unlimited* Engineer – Henry Bush, William Brown* Engineer [Re-mix] – Henry Bush, Isaac Hayes, William Brown* Horns – The Movement Horns Mastered By – Larry Nix Other [Special Thanks] – Paula Grace Performer [Rhythm] – The Movement* Photography By – Ken Marcus Producer – Isaac Hayes, Randy Stewart* (tracks: A2), Willie Hall Strings – The Memphis Strings Written-By – Isaac Hayes (tracks: A1, B1 to B3), Hayes* (tracks: A2), Stewart* (tracks: A2), Hall* (tracks: A2) Notes It appears some copies have dark translucent red vinyl. (visible when held against light) Other versions Category Artist Title (Format) Label Category Country Year ENS-5007 Isaac Hayes Joy (LP, Album) Enterprise ENS-5007 US 1973 CDSXE 047 Isaac Hayes Joy (CD, Album) Stax, Fantasy, Inc. CDSXE 047 Germany 1991 179 096 Isaac Hayes Joy (LP, Album) Stax 179 096 Austria 1973 ENC-5007 Isaac Hayes Joy (Cass, Album) Enterprise ENC-5007 US 1973 MPS-8530 Isaac Hayes Joy (LP, Album) Stax MPS-8530 US 1984 Related Music albums to Joy by Isaac Hayes Isaac Hayes - For The Sake Of Love Isaac Hayes - This Is Isaac Hayes Isaac Hayes - Groove-A-Thon Isaac Hayes - Theme From "Shaft" Isaac Hayes - The Isaac Hayes Movement Isaac Hayes - Lifetime Thing Isaac Hayes - ...To Be Continued Isaac Hayes Movement - Disco Connection Isaac Hayes - Juicy Fruit (Disco Freak) Isaac Hayes - Shaft.

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Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band.
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Chapter 1: Introduction to the cultural context of electronic dance music The rhythmic structures of dance music arise primarily from the genre’s focus on moving dancers, but they reveal other influences as well. The poumtchak pattern has strong associations with both disco music and various genres of electronic dance music, and these associations affect the pattern’s presence in popular music in general. Its status and musical role there has varied according to the reputation of these genres. In the following introduction I will not present a complete history of related contributors, places, or events but rather examine those developments that shaped prevailing opinions and fields of tension within electronic dance music culture in particular. This culture in turn affects the choices that must be made in dance music production, for example involving the poumtchak pattern. My historical overview extends from the 1970s to the 1990s and covers predominantly the disco era, the Chicago house scene, the acid house/rave era, and the post-rave club-oriented house scene in England.5 The disco era of the 1970s DISCOURSE ON DISCO The image of John Travolta in his disco suit from the 1977 motion picture Saturday Night Fever has become an icon of the disco era and its popularity. Like Blackboard Jungle and Rock Around the Clock two decades earlier, this movie was an important vehicle for the distribution of a new dance music culture to America and the entire Western world, and the impact of its construction of disco was gigantic.6 It became a model for local disco cultures around the world and comprised the core of a common understanding of disco in mainstream popular music culture.
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