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A Short History of Pop ‘Pop’ Is Short for Popular Music
Read the text. A short history of pop ‘Pop’ is short for popular music. There are different styles of pop music, but they all appeal to the general public. But when did ‘modern’ pop music begin? There were two significant moments. First of all Leo Fender invented the electric guitar in 1950. Then, in 1954, Sony introduced the transistor radio and after that, music was accessible to people in their homes and cars. In 1954 Elvis Presley released That’s All Right. He fused country music with black rhythm and blues to create rock and roll. At that time this was an innovation, and Elvis, who was young, attractive and exciting, became the first teen idol and made pop music a youth culture. The 1960s was the decade of The Beatles, who dominated pop music from 1961 to 1970 with a new folk-rock sound. The Beatles were the first band to play in a stadium: Shea Stadium in New York in 1965. In June 1969 they had their seventeenth number one hit – two more than Elvis. The 60s also saw the first outdoor music festivals and popular music began to have a social and political message, for example, Bob Dylan. This was also the beginning of Motown and soul music with artists like Ray Charles, The Supremes and Marvin Gaye. Think English Elementary • Unit 9 p.107 © Oxford University Press PHOTOCOPIABLE Next came the 1970s and several new genres of music appeared, like reggae (Bob Marley), glam rock (David Bowie), punk (the Sex Pistols) and heavy metal (Iron Maiden). -
Biography Emmylou Harris
BIOGRAPHY EMMYLOU HARRIS A 13-time Grammy winner and Billboard Century Award recipient, Emmylou Harris’ contribution as a singer and songwriter spans 40 years. She has recorded more than 25 albums Photo: Veronique Rolland Veronique Photo: and has lent her talents to countless fellow artists’ recordings. In recognition of her remarkable career, Harris was inducted into the Country Music Hall of Fame in 2008. Harris is known as much for her eloquently straightforward songwriting as for her incomparably expressive singing. Admired through her career for her talent as an artist and song connoisseur, Harris shook up country radio in the 1970s, and established herself as the premiere songwriter of a generation selling more than 15 million records and garnering 13 Grammy Awards (this year she and Rodney Crowell won the Grammy for "Best Americana album"), three CMA Awards, and two Americana Awards. Harris is one of the most admired and inuential women in music. She has recorded with such diverse artists as Linda Ronstadt, Daniel Lanois, Bob Dylan, Mark Knoper, Neil Young, Gram Parsons, Willie Nelson, Dolly Parton, Roy Orbison, Ryan Adams, Beck, Elvis Costello, Johnny Cash, Lucinda Williams, Lyle Lovett and most recently Rodney Crowell. Few artists have achieved such honesty or have revealed such maturity in their writing. Forty years into her career, Harris continues to share the hard-earned wisdom Photo: Jack Spencer Photo: that—hopefully if not inevitably—comes with getting older, though she’s never stopped looking ahead. A longtime social activist, Harris has lent her voice to many causes. She has performed at Lilith Fair, helping promote feminism in music and organizing several benet tours to support the Vietnam Veterans of America Foundation. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Deana Carter Danny Myrick
Deana Carter DEANA CARTER, the daughter of famed studio guitarist and producer Fred Carter, Jr., grew up surrounded by musical greats, including Willie Nelson, Bob Dylan, Waylon Jennings, and Simon & Garfunkel. She developed her songwriting skills at writer’s nights throughout Nashville, but her real break came when one of her demo tapes fell into the hands of Willie Nelson, who remembered Deana as a child. Impressed with how she’d grown as a songwriter, Nelson asked Deana to perform along with John Mellencamp, Kris Kristofferson, and Neil Young, as the only female solo artist to appear at Farm Aid VII in 1994. Her 1996 debut album Did I Shave My Legs for This? quickly climbed to the top of both the country and pop charts, quickly achieving multi-platinum status. "Strawberry Wine,” the first single from the album, was awarded CMA's 1997 Single of the Year. Seven albums and a decade later, Deana is still writing and producing for both the pop/rock and country markets when not on the road touring. Her superstar success continues to be evident. Her chart topper “You & Tequila,” co-written with Matraca Berg and recorded by Kenny Chesney, was nominated in 2011 as CMA’s “Song of the Year” and received two Grammy nods. Carter also recently co-wrote and produced a new album for recording artist Audra Mae while putting the finishing touches on her own Southern Way of Life that hit the shelves last December. Danny Myrick DANNY MYRICK is an award winning songwriter and musician based here in Nashville. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Dennis Chambers
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Bob Stuart Awarded Prince Philip Medal by Royal Academy of Engineering Prestigious Award Presented to Founder of MQA for Career of Innovations
Bob Stuart awarded Prince Philip Medal by Royal Academy of Engineering Prestigious award presented to Founder of MQA for Career of Innovations News by Hi-Fi+ Staff Sep 16, 2020 Categories: Audio From the press release London, 14 September 2020 – Bob Stuart, creator of MQA and co-founder of Meridian Audio, is awarded the Royal Academy of Engineering Prince Philip Medal for ‘his exceptional contribution to audio engineering which has changed the way we listen to music and experience films’. Stuart is the first audio engineer to receive the award in its 20-year history. Previous recipients of the Prince Philip Medal include inventor of the turbojet engine, Air Commodore Sir Frank Whittle OM KBE CB FREng FRS; geothermal power innovator, Lucien Bronicki; and the electrical engineer who revolutionised fibre optics, Dr Charles Kao CBE FRS FREng. Commissioned by HRH Prince Philip, The Duke of Edinburgh KG KT, Senior Fellow of the Royal Academy of Engineering, the Prince Philip Medal is awarded periodically to an engineer of any nationality who has made exceptional contributions to engineering through practice, management or education. In accepting this award, Bob Stuart reflects: “Audio engineering sits at an intersection between analogue and digital engineering, music and the human listener. My passion to enable great sound recording and playback has required a multi-disciplinary approach, but that quest to preserve and share music performances is very satisfying and important. I am honoured and humbled to receive this award from the Royal Academy of Engineering.” Legendary, multi-Grammy Award winning Mastering Engineer, Bob Ludwig[1], shared his thoughts: “Bob Stuart is a connoisseur of both engineering and music and that is what sets him apart. -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away. -
AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday
AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday May 21, 2018 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT Steve Winwood Nashville A smooth delivery, high-spirited melodies, and a velvet voice are what Steve Winwood brings When You’re Tired Of Breaking Other Hearts - Rayna tries to set the record straight about her to this fiery performance. Winwood performs classic hits like “Why Can’t We Live Together”, failed marriage during an appearance on Katie Couric’s talk show; Maddie tells a lie that leads to “Back in the High Life” and “Dear Mr. Fantasy”, then he wows the audience as his voice smolders dangerous consequences; Deacon is drawn to a pretty veterinarian. through “Can’t Find My Way Home”. 9:00 AM ET / 6:00 AM PT 6:00 PM ET / 3:00 PM PT The Big Interview Foreigner Phil Collins - Legendary singer-songwriter Phil Collins sits down with Dan Rather to talk about Since the beginning, guitarist Mick Jones has led Foreigner through decades of hit after hit. his anticipated return to the music scene, his record breaking success and a possible future In this intimate concert, listen to fan favorites like “Double Vision”, “Hot Blooded” and “Head partnership with Adele. Games”. 10:00 AM ET / 7:00 AM PT 7:00 PM ET / 4:00 PM PT Presents Phil Collins - Going Back Fleetwood Mac, Live In Boston, Part One Filmed in the intimate surroundings of New York’s famous Roseland Ballroom, this is a real Mick, John, Lindsey, and Stevie unite for a passionate evening playing their biggest hits. -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Download PDF Booklet
www.zerecords.com CAN YOU IMAGINE ALL THAT MILK? The year was 1980, and Detroit was getting ready to play host to thousands of Re- publican conventioneers who were holding their quadrennial shindig in the Motor City. In a breathtaking moment of silliness, someone decided to install brand-new awnings CAN WE WHO on the windows of the recently abandoned Statler Hotel, so as not to offend any of the visiting GOP functionaries with the depressing urban financial realities of the day. Meanwhile, the members of Detroit band Was (Not Was) were engaging in a bold mu- sical experiment, splicing the genes of jazz, rock, R&B, and funk. With their futuristic grooves and intelligent (if twisted) lyrics, Was (Not Was) didn’t hide the local decay MAN TH E SHIP behind fake awnings. It gathered its ethnically diverse ranks, dressed the decay up in some fine threads and took it out dancing. The band’s ringleaders were Don Was (Donald Fagenson) and David Was (David Weiss). These brothers (of the soul variety) were in a good position to point out the absurdities of American life in the early ‘80s. Hailing from the scrubbed inner-ring De- OF STATE DENY troit suburb of Oak Park, the pair met in eighth grade, appropriately enough when they were both waiting in the principal’s office for discipline. The young friends cut their teeth listening to the homegrown sounds of Motown singles and the MC5. Add plenty of LSD and a healthy dose of the Firesign Theater to their natural mischievousness, mix well, and you’ve got a good idea of the part of the woodwork these freaks creaked IT IS SOME WHAT out of.